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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #482167 it is the complementary color #B7DE98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #482167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #482167 shade: #4D2162, #5E3375, #6F4588, #80579B and #9169AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #482167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #482167 shade: #482167, #370F54, #260041, #15002E and #04001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #482167 shade: #482167, #5B2167, #672161, #67214E and #67213B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #482167 shade: #482167, #352167, #222167 and #212167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #482167 shade matches the following richer shades: #482167, #4A1673, #4B0B7E and #4C0089

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #482167 shade: #482167, #472C5C, #463851, #454346 and #434E3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #482167 shade: #222167, #352167, #482167, #5B2167 and #672162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #482167 shade: #1D0D29, #331748, #482167, #5E2B87 and #7435A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #482167 shade: #482167, #672133 and #21672C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #482167 shade: #482167, #674821 and #216748

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #482167 shade: #482167, #672133, #416721 and #216756

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #482167 shade: #482167, #672521, #416721 and #216467

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

Complementary color

CMYK 18 / 0 / 32 / 13

HEX #B7DE98

RGB 183 222 152

HSL 93.43, 0.51%, 0.73%

LAB 84.27, -25.04, 30.27

 

CMYK 21 / 66 / 0 / 62

HEX #4D2162

RGB 77 33 98

HSL 280.62, 0.5%, 0.26%

LAB 22.11, 32.66, -30

 

CMYK 20 / 56 / 0 / 54

HEX #5E3375

RGB 94 51 117

HSL 279.09, 0.39%, 0.33%

LAB 29.49, 31.9, -30.34

 

CMYK 18 / 49 / 0 / 47

HEX #6F4588

RGB 111 69 136

HSL 277.61, 0.33%, 0.4%

LAB 36.77, 31.01, -30.53

 

CMYK 17 / 44 / 0 / 39

HEX #80579B

RGB 128 87 155

HSL 276.18, 0.28%, 0.47%

LAB 43.9, 30.12, -30.66

 

CMYK 17 / 40 / 0 / 32

HEX #9169AE

RGB 145 105 174

HSL 274.78, 0.3%, 0.55%

LAB 50.9, 29.3, -30.78

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 35 / 82 / 0 / 67

HEX #370F54

RGB 55 15 84

HSL 274.78, 0.7%, 0.19%

LAB 14.37, 32.99, -33.31

 

CMYK 42 / 100 / 0 / 75

HEX #260041

RGB 38 0 65

HSL 275.08, 1%, 0.13%

LAB 7.17, 32.25, -31.97

 

CMYK 54 / 100 / 0 / 82

HEX #15002E

RGB 21 0 46

HSL 267.39, 1%, 0.09%

LAB 3.22, 18.98, -24.53

 

CMYK 85 / 100 / 0 / 89

HEX #04001B

RGB 4 0 27

HSL 248.89, 1%, 0.05%

LAB 0.95, 6.07, -13.27

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 12 / 68 / 0 / 60

HEX #5B2167

RGB 91 33 103

HSL 289.71, 0.51%, 0.27%

LAB 24.61, 37.55, -29.15

 

CMYK 0 / 68 / 6 / 60

HEX #672161

RGB 103 33 97

HSL 305.14, 0.51%, 0.27%

LAB 26.26, 39.64, -22.51

 

CMYK 0 / 68 / 24 / 60

HEX #67214E

RGB 103 33 78

HSL 321.43, 0.51%, 0.27%

LAB 25.33, 36.45, -11.4

 

CMYK 0 / 68 / 43 / 60

HEX #67213B

RGB 103 33 59

HSL 337.71, 0.51%, 0.27%

LAB 24.6, 33.86, 0.34

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 49 / 68 / 0 / 60

HEX #352167

RGB 53 33 103

HSL 257.14, 0.51%, 0.27%

LAB 19.32, 28.09, -37.94

 

CMYK 67 / 68 / 0 / 60

HEX #222167

RGB 34 33 103

HSL 240.86, 0.51%, 0.27%

LAB 17.49, 24.35, -41

 

CMYK 68 / 68 / 0 / 60

HEX #212167

RGB 33 33 103

HSL 240, 0.51%, 0.27%

LAB 17.42, 24.18, -41.13

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 36 / 81 / 0 / 55

HEX #4A1673

RGB 74 22 115

HSL 273.55, 0.68%, 0.27%

LAB 21.08, 41.49, -42.74

 

CMYK 40 / 91 / 0 / 51

HEX #4B0B7E

RGB 75 11 126

HSL 273.39, 0.84%, 0.27%

LAB 20.99, 48.01, -49.93

 

CMYK 45 / 100 / 0 / 46

HEX #4C0089

RGB 76 0 137

HSL 273.28, 1%, 0.27%

LAB 21.37, 53.35, -56.25

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 23 / 52 / 0 / 64

HEX #472C5C

RGB 71 44 92

HSL 273.75, 0.35%, 0.27%

LAB 23.38, 22.82, -24.09

 

CMYK 14 / 31 / 0 / 68

HEX #463851

RGB 70 56 81

HSL 273.6, 0.18%, 0.27%

LAB 25.94, 11.76, -12.87

 

CMYK 1 / 4 / 0 / 73

HEX #454346

RGB 69 67 70

HSL 280, 0.02%, 0.27%

LAB 28.7, 1.51, -1.52

 

CMYK 14 / 0 / 24 / 69

HEX #434E3B

RGB 67 78 59

HSL 94.74, 0.14%, 0.27%

LAB 31.71, -8.48, 9.82

 

CMYK 67 / 68 / 0 / 60

HEX #222167

RGB 34 33 103

HSL 240.86, 0.51%, 0.27%

LAB 17.49, 24.35, -41

 

CMYK 49 / 68 / 0 / 60

HEX #352167

RGB 53 33 103

HSL 257.14, 0.51%, 0.27%

LAB 19.32, 28.09, -37.94

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 12 / 68 / 0 / 60

HEX #5B2167

RGB 91 33 103

HSL 289.71, 0.51%, 0.27%

LAB 24.61, 37.55, -29.15

 

CMYK 0 / 68 / 5 / 60

HEX #672162

RGB 103 33 98

HSL 304.29, 0.51%, 0.27%

LAB 26.31, 39.82, -23.08

 

CMYK 29 / 68 / 0 / 84

HEX #1D0D29

RGB 29 13 41

HSL 274.29, 0.52%, 0.11%

LAB 6.41, 14.81, -15.67

 

CMYK 29 / 68 / 0 / 72

HEX #331748

RGB 51 23 72

HSL 274.29, 0.52%, 0.19%

LAB 14.31, 24.52, -25.2

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 30 / 68 / 0 / 47

HEX #5E2B87

RGB 94 43 135

HSL 273.26, 0.52%, 0.35%

LAB 29.05, 40.71, -42.35

 

CMYK 30 / 68 / 0 / 35

HEX #7435A6

RGB 116 53 166

HSL 273.45, 0.52%, 0.43%

LAB 36.01, 48.16, -49.9

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 0 / 68 / 50 / 60

HEX #672133

RGB 103 33 51

HSL 344.57, 0.51%, 0.27%

LAB 24.35, 32.96, 5.45

 

CMYK 68 / 0 / 57 / 60

HEX #21672C

RGB 33 103 44

HSL 129.43, 0.51%, 0.27%

LAB 38.21, -35.33, 26.76

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 0 / 30 / 68 / 60

HEX #674821

RGB 103 72 33

HSL 33.43, 0.51%, 0.27%

LAB 33.2, 8.75, 28.13

 

CMYK 68 / 0 / 30 / 60

HEX #216748

RGB 33 103 72

HSL 153.43, 0.51%, 0.27%

LAB 38.71, -29.82, 11.25

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 0 / 68 / 50 / 60

HEX #672133

RGB 103 33 51

HSL 344.57, 0.51%, 0.27%

LAB 24.35, 32.96, 5.45

 

CMYK 37 / 0 / 68 / 60

HEX #416721

RGB 65 103 33

HSL 92.57, 0.51%, 0.27%

LAB 39.47, -26.51, 34.15

 

CMYK 68 / 0 / 17 / 60

HEX #216756

RGB 33 103 86

HSL 165.43, 0.51%, 0.27%

LAB 39.06, -26.2, 3.25

 

CMYK 30 / 68 / 0 / 60

HEX #482167

RGB 72 33 103

HSL 273.43, 0.51%, 0.27%

LAB 21.74, 32.62, -33.91

 

CMYK 0 / 64 / 68 / 60

HEX #672521

RGB 103 37 33

HSL 3.43, 0.51%, 0.27%

LAB 24.69, 29.39, 18.03

 

CMYK 37 / 0 / 68 / 60

HEX #416721

RGB 65 103 33

HSL 92.57, 0.51%, 0.27%

LAB 39.47, -26.51, 34.15

 

CMYK 68 / 3 / 0 / 60

HEX #216467

RGB 33 100 103

HSL 182.57, 0.51%, 0.27%

LAB 38.58, -19.55, -7.89

 

Description

Color code: HEX #482167 | qconv.com Color code: HEX #482167 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 33 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 33 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 68 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 68% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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