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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #482C43 it is the complementary color #B7D3BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #482C43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #482C43 shade: #4D2C3E, #5E3E51, #6F5064, #806277 and #91748A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #482C43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #482C43 shade: #482C43, #371A30, #26081D, #15000A and #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #482C43 shade: #482C43, #482C3C, #482C34, #482C2C and #482C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #482C43 shade: #482C43, #462C48, #3E2C48, #362C48 and #2F2C48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #482C43 shade matches the following richer shades: #482C43, #522349, #5B194F, #651056 and #6E065C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #482C43 shade: #482C43, #3F363D, #353F37, #2C4931 and #22522B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #482C43 shade: #3E2C48, #452C48, #482C44, #482C3C and #482C35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #482C43 shade: #150D14, #2F1C2B, #482C43, #623C5B and #7B4B73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #482C43 shade: #482C43, #48362C and #2C4842

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #482C43 shade: #482C43, #44482C and #2C4448

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #482C43 shade: #482C43, #48362C, #2C4831 and #2C3E48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #482C43 shade: #482C43, #483F2C, #2C4831 and #2C3548

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

Complementary color

CMYK 13 / 0 / 11 / 17

HEX #B7D3BC

RGB 183 211 188

HSL 130.71, 0.24%, 0.77%

LAB 81.99, -13.71, 8.26

 

CMYK 0 / 43 / 19 / 70

HEX #4D2C3E

RGB 77 44 62

HSL 327.27, 0.27%, 0.24%

LAB 22.75, 18.19, -4.92

 

CMYK 0 / 34 / 14 / 63

HEX #5E3E51

RGB 94 62 81

HSL 324.38, 0.21%, 0.31%

LAB 30.45, 17.31, -5.77

 

CMYK 0 / 28 / 10 / 56

HEX #6F5064

RGB 111 80 100

HSL 321.29, 0.16%, 0.37%

LAB 37.91, 16.53, -6.48

 

CMYK 0 / 23 / 7 / 50

HEX #806277

RGB 128 98 119

HSL 318, 0.13%, 0.44%

LAB 45.16, 15.86, -7.11

 

CMYK 0 / 20 / 5 / 43

HEX #91748A

RGB 145 116 138

HSL 314.48, 0.12%, 0.51%

LAB 52.23, 15.27, -7.69

 

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

CMYK 0 / 53 / 13 / 78

HEX #371A30

RGB 55 26 48

HSL 314.48, 0.36%, 0.16%

LAB 14.2, 18.1, -8.38

 

CMYK 0 / 79 / 24 / 85

HEX #26081D

RGB 38 8 29

HSL 318, 0.65%, 0.09%

LAB 6.09, 18.14, -6.84

 

CMYK 0 / 100 / 52 / 92

HEX #15000A

RGB 21 0 10

HSL 331.43, 1%, 0.04%

LAB 1.64, 7.85, -1.51

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

CMYK 0 / 39 / 17 / 72

HEX #482C3C

RGB 72 44 60

HSL 325.71, 0.24%, 0.23%

LAB 21.96, 15.74, -4.8

 

CMYK 0 / 39 / 28 / 72

HEX #482C34

RGB 72 44 52

HSL 342.86, 0.24%, 0.23%

LAB 21.68, 14.26, 0.25

 

CMYK 0 / 39 / 39 / 72

HEX #482C2C

RGB 72 44 44

HSL 0, 0.24%, 0.23%

LAB 21.44, 12.96, 5.37

 

CMYK 0 / 39 / 39 / 72

HEX #482C2C

RGB 72 44 44

HSL 0, 0.24%, 0.23%

LAB 21.44, 12.96, 5.37

 

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

CMYK 3 / 39 / 0 / 72

HEX #462C48

RGB 70 44 72

HSL 295.71, 0.24%, 0.23%

LAB 22.2, 17.5, -12.61

 

CMYK 14 / 39 / 0 / 72

HEX #3E2C48

RGB 62 44 72

HSL 278.57, 0.24%, 0.23%

LAB 21.18, 14.47, -14.27

 

CMYK 25 / 39 / 0 / 72

HEX #362C48

RGB 54 44 72

HSL 261.43, 0.24%, 0.23%

LAB 20.26, 11.51, -15.78

 

CMYK 35 / 39 / 0 / 72

HEX #2F2C48

RGB 47 44 72

HSL 246.43, 0.24%, 0.23%

LAB 19.53, 9.02, -16.96

 

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

CMYK 0 / 57 / 11 / 68

HEX #522349

RGB 82 35 73

HSL 311.49, 0.4%, 0.23%

LAB 21.86, 27.63, -13.67

 

CMYK 0 / 73 / 13 / 64

HEX #5B194F

RGB 91 25 79

HSL 310.91, 0.57%, 0.23%

LAB 21.89, 36.59, -17.56

 

CMYK 0 / 84 / 15 / 60

HEX #651056

RGB 101 16 86

HSL 310.59, 0.73%, 0.23%

LAB 23.03, 43.64, -20.34

 

CMYK 0 / 95 / 16 / 57

HEX #6E065C

RGB 110 6 92

HSL 310.38, 0.9%, 0.23%

LAB 24.38, 48.91, -22.08

 

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

CMYK 0 / 14 / 3 / 75

HEX #3F363D

RGB 63 54 61

HSL 313.33, 0.08%, 0.23%

LAB 23.78, 5.48, -2.9

 

CMYK 16 / 0 / 13 / 75

HEX #353F37

RGB 53 63 55

HSL 132, 0.09%, 0.23%

LAB 25.53, -6.02, 3.53

 

CMYK 40 / 0 / 33 / 71

HEX #2C4931

RGB 44 73 49

HSL 130.34, 0.25%, 0.23%

LAB 28.17, -16.84, 11.02

 

CMYK 59 / 0 / 48 / 68

HEX #22522B

RGB 34 82 43

HSL 131.25, 0.41%, 0.23%

LAB 30.76, -26, 18.05

 

CMYK 14 / 39 / 0 / 72

HEX #3E2C48

RGB 62 44 72

HSL 278.57, 0.24%, 0.23%

LAB 21.18, 14.47, -14.27

 

CMYK 4 / 39 / 0 / 72

HEX #452C48

RGB 69 44 72

HSL 293.57, 0.24%, 0.23%

LAB 22.07, 17.12, -12.83

 

CMYK 0 / 39 / 6 / 72

HEX #482C44

RGB 72 44 68

HSL 308.57, 0.24%, 0.23%

LAB 22.29, 17.39, -9.75

 

CMYK 0 / 39 / 17 / 72

HEX #482C3C

RGB 72 44 60

HSL 325.71, 0.24%, 0.23%

LAB 21.96, 15.74, -4.8

 

CMYK 0 / 39 / 26 / 72

HEX #482C35

RGB 72 44 53

HSL 340.71, 0.24%, 0.23%

LAB 21.71, 14.44, -0.39

 

CMYK 0 / 38 / 5 / 92

HEX #150D14

RGB 21 13 20

HSL 307.5, 0.24%, 0.07%

LAB 4.5, 4.36, -2.65

 

CMYK 0 / 40 / 9 / 82

HEX #2F1C2B

RGB 47 28 43

HSL 312.63, 0.25%, 0.15%

LAB 13.29, 12.34, -6.27

 

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

CMYK 0 / 39 / 7 / 62

HEX #623C5B

RGB 98 60 91

HSL 311.05, 0.24%, 0.31%

LAB 30.84, 22.06, -11.59

 

CMYK 0 / 39 / 7 / 52

HEX #7B4B73

RGB 123 75 115

HSL 310, 0.24%, 0.39%

LAB 38.69, 26.92, -14.48

 

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

CMYK 0 / 25 / 39 / 72

HEX #48362C

RGB 72 54 44

HSL 21.43, 0.24%, 0.23%

LAB 24.32, 6.39, 9.38

 

CMYK 39 / 0 / 8 / 72

HEX #2C4842

RGB 44 72 66

HSL 167.14, 0.24%, 0.23%

LAB 28.28, -12.17, 0.25

 

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

CMYK 6 / 0 / 39 / 72

HEX #44482C

RGB 68 72 44

HSL 68.57, 0.24%, 0.23%

LAB 29.53, -6.96, 16.28

 

CMYK 39 / 6 / 0 / 72

HEX #2C4448

RGB 44 68 72

HSL 188.57, 0.24%, 0.23%

LAB 27.12, -8.05, -5.38

 

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

CMYK 0 / 25 / 39 / 72

HEX #48362C

RGB 72 54 44

HSL 21.43, 0.24%, 0.23%

LAB 24.32, 6.39, 9.38

 

CMYK 39 / 0 / 32 / 72

HEX #2C4831

RGB 44 72 49

HSL 130.71, 0.24%, 0.23%

LAB 27.82, -16.28, 10.54

 

CMYK 39 / 14 / 0 / 72

HEX #2C3E48

RGB 44 62 72

HSL 201.43, 0.24%, 0.23%

LAB 25.1, -4.25, -8.42

 

CMYK 0 / 39 / 7 / 72

HEX #482C43

RGB 72 44 67

HSL 310.71, 0.24%, 0.23%

LAB 22.25, 17.17, -9.14

 

CMYK 0 / 13 / 39 / 72

HEX #483F2C

RGB 72 63 44

HSL 40.71, 0.24%, 0.23%

LAB 27.06, 0.55, 13.09

 

CMYK 39 / 0 / 32 / 72

HEX #2C4831

RGB 44 72 49

HSL 130.71, 0.24%, 0.23%

LAB 27.82, -16.28, 10.54

 

CMYK 39 / 26 / 0 / 72

HEX #2C3548

RGB 44 53 72

HSL 220.71, 0.24%, 0.23%

LAB 22.12, 1.73, -12.96

 

Description

Color code: HEX #482C43 | qconv.com Color code: HEX #482C43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 44 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 44 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 7 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 7% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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