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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #482D57 it is the complementary color #B7D2A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #482D57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #482D57 shade: #4D2D52, #5E3F65, #6F5178, #80638B and #91759E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #482D57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #482D57 shade: #482D57, #371B44, #260931, #15001E and #04000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #482D57 shade: #482D57, #532D57, #572D4F, #572D44 and #572D38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #482D57 shade: #482D57, #3C2D57, #312D57 and #2D2D57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #482D57 shade matches the following richer shades: #482D57, #4B2262, #4E176C, #510C77 and #540282

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #482D57 shade: #482D57, #45374C, #424242, #3F4D37 and #3C572C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #482D57 shade: #312D57, #3C2D57, #472D57, #532D57 and #572D50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #482D57 shade: #1B1121, #311F3C, #482D57, #5E3B72 and #75498D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #482D57 shade: #482D57, #572D34 and #2D5736

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #482D57 shade: #482D57, #57472D and #2D5747

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #482D57 shade: #482D57, #572D34, #3C572D and #2D5750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #482D57 shade: #482D57, #57322D, #3C572D and #2D5157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

Complementary color

CMYK 13 / 0 / 20 / 18

HEX #B7D2A8

RGB 183 210 168

HSL 98.57, 0.32%, 0.74%

LAB 81.28, -16.67, 17.86

 

CMYK 6 / 45 / 0 / 68

HEX #4D2D52

RGB 77 45 82

HSL 291.89, 0.29%, 0.25%

LAB 23.88, 21.75, -16.64

 

CMYK 7 / 38 / 0 / 60

HEX #5E3F65

RGB 94 63 101

HSL 288.95, 0.23%, 0.32%

LAB 31.52, 20.88, -17

 

CMYK 8 / 33 / 0 / 53

HEX #6F5178

RGB 111 81 120

HSL 286.15, 0.19%, 0.39%

LAB 38.93, 20.09, -17.32

 

CMYK 8 / 29 / 0 / 45

HEX #80638B

RGB 128 99 139

HSL 283.5, 0.17%, 0.47%

LAB 46.15, 19.39, -17.63

 

CMYK 8 / 26 / 0 / 38

HEX #91759E

RGB 145 117 158

HSL 280.98, 0.17%, 0.54%

LAB 53.18, 18.76, -17.94

 

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

CMYK 19 / 60 / 0 / 73

HEX #371B44

RGB 55 27 68

HSL 280.98, 0.43%, 0.19%

LAB 15.56, 22.18, -20.4

 

CMYK 22 / 82 / 0 / 81

HEX #260931

RGB 38 9 49

HSL 283.5, 0.69%, 0.11%

LAB 7.49, 22.8, -19.83

 

CMYK 30 / 100 / 0 / 88

HEX #15001E

RGB 21 0 30

HSL 282, 1%, 0.06%

LAB 2.29, 12.41, -13.57

 

CMYK 64 / 100 / 0 / 96

HEX #04000B

RGB 4 0 11

HSL 261.82, 1%, 0.02%

LAB 0.45, 2.58, -3.8

 

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

CMYK 5 / 48 / 0 / 66

HEX #532D57

RGB 83 45 87

HSL 294.29, 0.32%, 0.26%

LAB 24.96, 24.99, -18.2

 

CMYK 0 / 48 / 9 / 66

HEX #572D4F

RGB 87 45 79

HSL 311.43, 0.32%, 0.26%

LAB 25.16, 24.72, -12.55

 

CMYK 0 / 48 / 22 / 66

HEX #572D44

RGB 87 45 68

HSL 327.14, 0.32%, 0.26%

LAB 24.7, 22.66, -5.89

 

CMYK 0 / 48 / 36 / 66

HEX #572D38

RGB 87 45 56

HSL 344.29, 0.32%, 0.26%

LAB 24.29, 20.72, 1.58

 

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

CMYK 31 / 48 / 0 / 66

HEX #3C2D57

RGB 60 45 87

HSL 261.43, 0.32%, 0.26%

LAB 22.04, 17.23, -23

 

CMYK 44 / 48 / 0 / 66

HEX #312D57

RGB 49 45 87

HSL 245.71, 0.32%, 0.26%

LAB 20.9, 13.79, -24.88

 

CMYK 48 / 48 / 0 / 66

HEX #2D2D57

RGB 45 45 87

HSL 240, 0.32%, 0.26%

LAB 20.53, 12.63, -25.48

 

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

CMYK 23 / 65 / 0 / 62

HEX #4B2262

RGB 75 34 98

HSL 278.44, 0.48%, 0.26%

LAB 22.02, 31.57, -30.16

 

CMYK 28 / 79 / 0 / 58

HEX #4E176C

RGB 78 23 108

HSL 278.82, 0.65%, 0.26%

LAB 21.26, 40.16, -37.89

 

CMYK 32 / 90 / 0 / 53

HEX #510C77

RGB 81 12 119

HSL 278.69, 0.82%, 0.26%

LAB 21.37, 47.03, -44.79

 

CMYK 35 / 98 / 0 / 49

HEX #540282

RGB 84 2 130

HSL 278.44, 0.97%, 0.26%

LAB 22.09, 52.24, -50.61

 

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

CMYK 9 / 28 / 0 / 70

HEX #45374C

RGB 69 55 76

HSL 280, 0.16%, 0.26%

LAB 25.32, 10.8, -10.52

 

CMYK 0 / 0 / 0 / 74

HEX #424242

RGB 66 66 66

HSL 0, 0%, 0.26%

LAB 27.97, 0, -0

 

CMYK 18 / 0 / 29 / 70

HEX #3F4D37

RGB 63 77 55

HSL 98.18, 0.17%, 0.26%

LAB 30.97, -10.34, 11.27

 

CMYK 31 / 0 / 49 / 66

HEX #3C572C

RGB 60 87 44

HSL 97.67, 0.33%, 0.26%

LAB 33.9, -19.06, 21.74

 

CMYK 44 / 48 / 0 / 66

HEX #312D57

RGB 49 45 87

HSL 245.71, 0.32%, 0.26%

LAB 20.9, 13.79, -24.88

 

CMYK 31 / 48 / 0 / 66

HEX #3C2D57

RGB 60 45 87

HSL 261.43, 0.32%, 0.26%

LAB 22.04, 17.23, -23

 

CMYK 18 / 48 / 0 / 66

HEX #472D57

RGB 71 45 87

HSL 277.14, 0.32%, 0.26%

LAB 23.35, 20.88, -20.83

 

CMYK 5 / 48 / 0 / 66

HEX #532D57

RGB 83 45 87

HSL 294.29, 0.32%, 0.26%

LAB 24.96, 24.99, -18.2

 

CMYK 0 / 48 / 8 / 66

HEX #572D50

RGB 87 45 80

HSL 310, 0.32%, 0.26%

LAB 25.21, 24.92, -13.15

 

CMYK 18 / 48 / 0 / 87

HEX #1B1121

RGB 27 17 33

HSL 277.5, 0.32%, 0.1%

LAB 6.72, 8.9, -9.13

 

CMYK 18 / 48 / 0 / 76

HEX #311F3C

RGB 49 31 60

HSL 277.24, 0.32%, 0.18%

LAB 15.27, 15.32, -15.32

 

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

CMYK 18 / 48 / 0 / 55

HEX #5E3B72

RGB 94 59 114

HSL 278.18, 0.32%, 0.34%

LAB 31.17, 26.41, -25.8

 

CMYK 17 / 48 / 0 / 45

HEX #75498D

RGB 117 73 141

HSL 278.82, 0.32%, 0.42%

LAB 38.67, 31.67, -30.53

 

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

CMYK 0 / 48 / 40 / 66

HEX #572D34

RGB 87 45 52

HSL 350, 0.32%, 0.26%

LAB 24.16, 20.14, 4.12

 

CMYK 48 / 0 / 38 / 66

HEX #2D5736

RGB 45 87 54

HSL 132.86, 0.32%, 0.26%

LAB 33.22, -22.89, 14.74

 

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

CMYK 0 / 18 / 48 / 66

HEX #57472D

RGB 87 71 45

HSL 37.14, 0.32%, 0.26%

LAB 31.17, 2.81, 18.16

 

CMYK 48 / 0 / 18 / 66

HEX #2D5747

RGB 45 87 71

HSL 157.14, 0.32%, 0.26%

LAB 33.62, -19.02, 4.77

 

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

CMYK 0 / 48 / 40 / 66

HEX #572D34

RGB 87 45 52

HSL 350, 0.32%, 0.26%

LAB 24.16, 20.14, 4.12

 

CMYK 31 / 0 / 48 / 66

HEX #3C572D

RGB 60 87 45

HSL 98.57, 0.32%, 0.26%

LAB 33.91, -18.91, 21.17

 

CMYK 48 / 0 / 8 / 66

HEX #2D5750

RGB 45 87 80

HSL 170, 0.32%, 0.26%

LAB 33.89, -16.62, -0.5

 

CMYK 17 / 48 / 0 / 66

HEX #482D57

RGB 72 45 87

HSL 278.57, 0.32%, 0.26%

LAB 23.48, 21.22, -20.63

 

CMYK 0 / 43 / 48 / 66

HEX #57322D

RGB 87 50 45

HSL 7.14, 0.32%, 0.26%

LAB 25.25, 16.11, 10.33

 

CMYK 31 / 0 / 48 / 66

HEX #3C572D

RGB 60 87 45

HSL 98.57, 0.32%, 0.26%

LAB 33.91, -18.91, 21.17

 

CMYK 48 / 7 / 0 / 66

HEX #2D5157

RGB 45 81 87

HSL 188.57, 0.32%, 0.26%

LAB 32.1, -11.12, -7.57

 

Description

Color code: HEX #482D57 | qconv.com Color code: HEX #482D57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 45 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 45 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 48 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 48% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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