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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #482E74 it is the complementary color #B7D18B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #482E74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #482E74 shade: #4D2E6F, #5E4082, #6F5295, #8064A8 and #9176BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #482E74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #482E74 shade: #482E74, #371C61, #260A4E, #15003B and #040028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #482E74 shade: #482E74, #5B2E74, #6E2E74, #742E68 and #742E55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #482E74 shade: #482E74, #352E74 and #2E2E74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #482E74 shade matches the following richer shades: #482E74, #452181, #41148F and #3E069C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #482E74 shade: #482E74, #4B3B67, #4F485A, #52564D and #56633F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #482E74 shade: #2E3A74, #352E74, #482E74, #5A2E74 and #6D2E74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #482E74 shade: #231639, #362257, #482E74, #5A3A92 and #6D46AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #482E74 shade: #482E74, #742E4C and #30742E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #482E74 shade: #482E74, #74482E and #2E7448

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #482E74 shade: #482E74, #742E4C, #5A742E and #2E7456

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #482E74 shade: #482E74, #742E37, #5A742E and #2E746B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

Complementary color

CMYK 12 / 0 / 33 / 18

HEX #B7D18B

RGB 183 209 139

HSL 82.29, 0.43%, 0.68%

LAB 80.48, -20.5, 31.92

 

CMYK 31 / 59 / 0 / 56

HEX #4D2E6F

RGB 77 46 111

HSL 268.62, 0.41%, 0.31%

LAB 25.8, 28.47, -32.53

 

CMYK 28 / 51 / 0 / 49

HEX #5E4082

RGB 94 64 130

HSL 267.27, 0.34%, 0.38%

LAB 33.26, 27.42, -32.51

 

CMYK 26 / 45 / 0 / 42

HEX #6F5295

RGB 111 82 149

HSL 265.97, 0.29%, 0.45%

LAB 40.55, 26.45, -32.47

 

CMYK 24 / 40 / 0 / 34

HEX #8064A8

RGB 128 100 168

HSL 264.71, 0.28%, 0.53%

LAB 47.66, 25.58, -32.46

 

CMYK 22 / 37 / 0 / 27

HEX #9176BB

RGB 145 118 187

HSL 263.48, 0.34%, 0.6%

LAB 54.62, 24.79, -32.48

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 43 / 71 / 0 / 62

HEX #371C61

RGB 55 28 97

HSL 263.48, 0.55%, 0.25%

LAB 17.94, 29.73, -36.22

 

CMYK 51 / 87 / 0 / 69

HEX #260A4E

RGB 38 10 78

HSL 264.71, 0.77%, 0.17%

LAB 10.4, 30.46, -35.78

 

CMYK 64 / 100 / 0 / 77

HEX #15003B

RGB 21 0 59

HSL 261.36, 1%, 0.12%

LAB 4.29, 25.59, -32.44

 

CMYK 90 / 100 / 0 / 84

HEX #040028

RGB 4 0 40

HSL 246, 1%, 0.08%

LAB 1.62, 10.77, -22.56

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 22 / 60 / 0 / 55

HEX #5B2E74

RGB 91 46 116

HSL 278.57, 0.43%, 0.32%

LAB 27.95, 33.66, -32.19

 

CMYK 5 / 60 / 0 / 55

HEX #6E2E74

RGB 110 46 116

HSL 294.86, 0.43%, 0.32%

LAB 30.71, 39.02, -27.63

 

CMYK 0 / 60 / 10 / 55

HEX #742E68

RGB 116 46 104

HSL 310.29, 0.43%, 0.32%

LAB 31.04, 38.52, -19.42

 

CMYK 0 / 60 / 27 / 55

HEX #742E55

RGB 116 46 85

HSL 326.57, 0.43%, 0.32%

LAB 30.21, 35.42, -8.39

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 54 / 60 / 0 / 55

HEX #352E74

RGB 53 46 116

HSL 246, 0.43%, 0.32%

LAB 23.58, 23.94, -39.44

 

CMYK 60 / 60 / 0 / 55

HEX #2E2E74

RGB 46 46 116

HSL 240, 0.43%, 0.32%

LAB 22.98, 22.46, -40.43

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 47 / 74 / 0 / 49

HEX #452181

RGB 69 33 129

HSL 262.5, 0.59%, 0.32%

LAB 23.47, 39.08, -47.81

 

CMYK 55 / 86 / 0 / 44

HEX #41148F

RGB 65 20 143

HSL 261.95, 0.75%, 0.32%

LAB 22.33, 48.18, -58.46

 

CMYK 60 / 96 / 0 / 39

HEX #3E069C

RGB 62 6 156

HSL 262.4, 0.93%, 0.32%

LAB 22.14, 55.2, -66.81

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 27 / 43 / 0 / 60

HEX #4B3B67

RGB 75 59 103

HSL 261.82, 0.27%, 0.32%

LAB 28.39, 17.39, -23.32

 

CMYK 12 / 20 / 0 / 65

HEX #4F485A

RGB 79 72 90

HSL 263.33, 0.11%, 0.32%

LAB 31.89, 6.97, -9.56

 

CMYK 5 / 0 / 10 / 66

HEX #52564D

RGB 82 86 77

HSL 86.67, 0.06%, 0.32%

LAB 35.96, -3.49, 4.69

 

CMYK 13 / 0 / 36 / 61

HEX #56633F

RGB 86 99 63

HSL 81.67, 0.22%, 0.32%

LAB 40.02, -11.91, 18.85

 

CMYK 60 / 50 / 0 / 55

HEX #2E3A74

RGB 46 58 116

HSL 229.71, 0.43%, 0.32%

LAB 26.36, 14.2, -35

 

CMYK 54 / 60 / 0 / 55

HEX #352E74

RGB 53 46 116

HSL 246, 0.43%, 0.32%

LAB 23.58, 23.94, -39.44

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 22 / 60 / 0 / 55

HEX #5A2E74

RGB 90 46 116

HSL 277.71, 0.43%, 0.32%

LAB 27.81, 33.38, -32.41

 

CMYK 6 / 60 / 0 / 55

HEX #6D2E74

RGB 109 46 116

HSL 294, 0.43%, 0.32%

LAB 30.56, 38.74, -27.88

 

CMYK 39 / 61 / 0 / 78

HEX #231639

RGB 35 22 57

HSL 262.29, 0.44%, 0.15%

LAB 10.75, 15.92, -20.46

 

CMYK 38 / 61 / 0 / 66

HEX #362257

RGB 54 34 87

HSL 262.64, 0.44%, 0.24%

LAB 18.44, 22.74, -28.77

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 38 / 60 / 0 / 43

HEX #5A3A92

RGB 90 58 146

HSL 261.82, 0.43%, 0.4%

LAB 32.43, 34.32, -43.73

 

CMYK 38 / 60 / 0 / 31

HEX #6D46AF

RGB 109 70 175

HSL 262.29, 0.43%, 0.48%

LAB 39.12, 39.85, -50.3

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 0 / 60 / 34 / 55

HEX #742E4C

RGB 116 46 76

HSL 334.29, 0.43%, 0.32%

LAB 29.88, 34.14, -2.99

 

CMYK 59 / 0 / 60 / 55

HEX #30742E

RGB 48 116 46

HSL 118.29, 0.43%, 0.32%

LAB 43.24, -36.59, 31.8

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 0 / 38 / 60 / 55

HEX #74482E

RGB 116 72 46

HSL 22.29, 0.43%, 0.32%

LAB 35.09, 15.92, 23.27

 

CMYK 60 / 0 / 38 / 55

HEX #2E7448

RGB 46 116 72

HSL 142.29, 0.43%, 0.32%

LAB 43.57, -32.78, 17.92

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 0 / 60 / 34 / 55

HEX #742E4C

RGB 116 46 76

HSL 334.29, 0.43%, 0.32%

LAB 29.88, 34.14, -2.99

 

CMYK 22 / 0 / 60 / 55

HEX #5A742E

RGB 90 116 46

HSL 82.29, 0.43%, 0.32%

LAB 45.44, -21.52, 34.92

 

CMYK 60 / 0 / 26 / 55

HEX #2E7456

RGB 46 116 86

HSL 154.29, 0.43%, 0.32%

LAB 43.86, -29.7, 10.12

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 0 / 60 / 53 / 55

HEX #742E37

RGB 116 46 55

HSL 352.29, 0.43%, 0.32%

LAB 29.27, 31.67, 9.97

 

CMYK 22 / 0 / 60 / 55

HEX #5A742E

RGB 90 116 46

HSL 82.29, 0.43%, 0.32%

LAB 45.44, -21.52, 34.92

 

CMYK 60 / 0 / 8 / 55

HEX #2E746B

RGB 46 116 107

HSL 172.29, 0.43%, 0.32%

LAB 44.42, -24.2, -1.6

 

Description

Color code: HEX #482E74 | qconv.com Color code: HEX #482E74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 46 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 46 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 60 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 60% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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