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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #483B42 it is the complementary color #B7C4BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #483B42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #483B42 shade: #4D3B3D, #5E4D50, #6F5F63, #807176 and #918389

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #483B42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #483B42 shade: #483B42, #37292F, #26171C, #150509 and #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #483B42 shade: #483B42, #483B3F and #483B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #483B42 shade: #483B42, #483B46, #473B48, #443B48 and #403B48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #483B42 shade matches the following richer shades: #483B42, #533043, #5E2644, #691B45 and #731046

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #483B42 shade: #483B42, #3E4641, #335141, #285B40 and #1E663F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #483B42 shade: #473B48, #483B46, #483B42, #483B3F and #483B3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #483B42 shade: #1B1619, #32292E, #483B42, #5F4E57 and #76606C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #483B42 shade: #483B42, #48443B and #3B4848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #483B42 shade: #483B42, #42483B and #3B4248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #483B42 shade: #483B42, #48443B, #3B4841 and #3B4048

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #483B42 shade: #483B42, #48483B, #3B4841 and #3B3C48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

Complementary color

CMYK 7 / 0 / 4 / 23

HEX #B7C4BD

RGB 183 196 189

HSL 147.69, 0.1%, 0.74%

LAB 78.01, -5.77, 1.97

 

CMYK 0 / 23 / 21 / 70

HEX #4D3B3D

RGB 77 59 61

HSL 353.33, 0.13%, 0.27%

LAB 26.86, 8.28, 1.79

 

CMYK 0 / 18 / 15 / 63

HEX #5E4D50

RGB 94 77 80

HSL 349.41, 0.1%, 0.34%

LAB 34.53, 7.68, 0.9

 

CMYK 0 / 14 / 11 / 56

HEX #6F5F63

RGB 111 95 99

HSL 345, 0.08%, 0.4%

LAB 41.95, 7.19, 0.1

 

CMYK 0 / 12 / 8 / 50

HEX #807176

RGB 128 113 118

HSL 340, 0.06%, 0.47%

LAB 49.14, 6.77, -0.63

 

CMYK 0 / 10 / 6 / 43

HEX #918389

RGB 145 131 137

HSL 334.29, 0.06%, 0.54%

LAB 56.15, 6.4, -1.31

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 0 / 25 / 15 / 78

HEX #37292F

RGB 55 41 47

HSL 334.29, 0.15%, 0.19%

LAB 18.38, 7.72, -1.4

 

CMYK 0 / 39 / 26 / 85

HEX #26171C

RGB 38 23 28

HSL 340, 0.25%, 0.12%

LAB 9.87, 8.55, -0.44

 

CMYK 0 / 76 / 57 / 92

HEX #150509

RGB 21 5 9

HSL 345, 0.62%, 0.05%

LAB 2.6, 5.71, 0.3

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 0 / 18 / 13 / 72

HEX #483B3F

RGB 72 59 63

HSL 341.54, 0.1%, 0.26%

LAB 26.35, 6.48, -0.34

 

CMYK 0 / 18 / 18 / 72

HEX #483B3B

RGB 72 59 59

HSL 0, 0.1%, 0.26%

LAB 26.22, 5.69, 2.12

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 0 / 18 / 3 / 72

HEX #483B46

RGB 72 59 70

HSL 309.23, 0.1%, 0.26%

LAB 26.59, 7.97, -4.61

 

CMYK 1 / 18 / 0 / 72

HEX #473B48

RGB 71 59 72

HSL 295.38, 0.1%, 0.26%

LAB 26.55, 8, -6

 

CMYK 6 / 18 / 0 / 72

HEX #443B48

RGB 68 59 72

HSL 281.54, 0.1%, 0.26%

LAB 26.23, 6.78, -6.51

 

CMYK 11 / 18 / 0 / 72

HEX #403B48

RGB 64 59 72

HSL 263.08, 0.1%, 0.26%

LAB 25.82, 5.17, -7.17

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 0 / 42 / 19 / 67

HEX #533043

RGB 83 48 67

HSL 327.43, 0.27%, 0.26%

LAB 24.82, 19.04, -5.1

 

CMYK 0 / 60 / 28 / 63

HEX #5E2644

RGB 94 38 68

HSL 327.86, 0.42%, 0.26%

LAB 24.27, 29.34, -6.43

 

CMYK 0 / 74 / 34 / 59

HEX #691B45

RGB 105 27 69

HSL 327.69, 0.59%, 0.26%

LAB 24.38, 38.42, -6.75

 

CMYK 0 / 86 / 39 / 55

HEX #731046

RGB 115 16 70

HSL 327.27, 0.76%, 0.26%

LAB 25.13, 45.09, -6.09

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 11 / 0 / 7 / 73

HEX #3E4641

RGB 62 70 65

HSL 142.5, 0.06%, 0.26%

LAB 28.87, -4.42, 1.9

 

CMYK 37 / 0 / 20 / 68

HEX #335141

RGB 51 81 65

HSL 148, 0.23%, 0.26%

LAB 31.74, -15.21, 5.91

 

CMYK 56 / 0 / 30 / 64

HEX #285B40

RGB 40 91 64

HSL 148.24, 0.39%, 0.26%

LAB 34.61, -24.25, 10.47

 

CMYK 71 / 0 / 38 / 60

HEX #1E663F

RGB 30 102 63

HSL 147.5, 0.55%, 0.26%

LAB 38.09, -32.04, 15.76

 

CMYK 1 / 18 / 0 / 72

HEX #473B48

RGB 71 59 72

HSL 295.38, 0.1%, 0.26%

LAB 26.55, 8, -6

 

CMYK 0 / 18 / 3 / 72

HEX #483B46

RGB 72 59 70

HSL 309.23, 0.1%, 0.26%

LAB 26.59, 7.97, -4.61

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 0 / 18 / 13 / 72

HEX #483B3F

RGB 72 59 63

HSL 341.54, 0.1%, 0.26%

LAB 26.35, 6.48, -0.34

 

CMYK 0 / 18 / 18 / 72

HEX #483B3B

RGB 72 59 59

HSL 0, 0.1%, 0.26%

LAB 26.22, 5.69, 2.12

 

CMYK 0 / 19 / 7 / 89

HEX #1B1619

RGB 27 22 25

HSL 324, 0.1%, 0.1%

LAB 7.92, 3.23, -1.2

 

CMYK 0 / 18 / 8 / 80

HEX #32292E

RGB 50 41 46

HSL 326.67, 0.1%, 0.18%

LAB 17.74, 5.24, -1.71

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 0 / 18 / 8 / 63

HEX #5F4E57

RGB 95 78 87

HSL 328.24, 0.1%, 0.34%

LAB 35.14, 8.83, -2.62

 

CMYK 0 / 19 / 8 / 54

HEX #76606C

RGB 118 96 108

HSL 327.27, 0.1%, 0.42%

LAB 43.21, 11.08, -3.45

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 0 / 6 / 18 / 72

HEX #48443B

RGB 72 68 59

HSL 41.54, 0.1%, 0.26%

LAB 28.97, -0.12, 6.06

 

CMYK 18 / 0 / 0 / 72

HEX #3B4848

RGB 59 72 72

HSL 180, 0.1%, 0.26%

LAB 29.49, -5.19, -1.74

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 8 / 0 / 18 / 72

HEX #42483B

RGB 66 72 59

HSL 87.69, 0.1%, 0.26%

LAB 29.69, -5.26, 6.98

 

CMYK 18 / 8 / 0 / 72

HEX #3B4248

RGB 59 66 72

HSL 207.69, 0.1%, 0.26%

LAB 27.56, -1.38, -4.61

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 0 / 6 / 18 / 72

HEX #48443B

RGB 72 68 59

HSL 41.54, 0.1%, 0.26%

LAB 28.97, -0.12, 6.06

 

CMYK 18 / 0 / 10 / 72

HEX #3B4841

RGB 59 72 65

HSL 147.69, 0.1%, 0.26%

LAB 29.28, -6.88, 2.46

 

CMYK 18 / 11 / 0 / 72

HEX #3B4048

RGB 59 64 72

HSL 216.92, 0.1%, 0.26%

LAB 26.92, -0.09, -5.57

 

CMYK 0 / 18 / 8 / 72

HEX #483B42

RGB 72 59 66

HSL 327.69, 0.1%, 0.26%

LAB 26.45, 7.1, -2.18

 

CMYK 0 / 0 / 18 / 72

HEX #48483B

RGB 72 72 59

HSL 60, 0.1%, 0.26%

LAB 30.23, -2.64, 7.82

 

CMYK 18 / 0 / 10 / 72

HEX #3B4841

RGB 59 72 65

HSL 147.69, 0.1%, 0.26%

LAB 29.28, -6.88, 2.46

 

CMYK 18 / 17 / 0 / 72

HEX #3B3C48

RGB 59 60 72

HSL 235.38, 0.1%, 0.26%

LAB 25.65, 2.54, -7.47

 

Description

Color code: HEX #483B42 | qconv.com Color code: HEX #483B42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 59 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 59 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 8 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 8% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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