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Color name
HEX #483F35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #483F35 it is the complementary color #B7C0CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #483F35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #483F35 shade: #4D3F30, #5E5143, #6F6356, #807569 and #91877C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #483F35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #483F35 shade: #483F35, #372D22, #261B0F, #150900 and #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #483F35 shade: #494036, #493B36 and #493636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #483F35 shade: #494036, #494536, #484936, #424936 and #3D4936

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #483F35 shade matches the following richer shades: #494036, #53402B, #5D4121, #684117 and #72420C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #483F35 shade: #494036, #3E3F40, #343F4A, #2A3E55 and #203E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #483F35 shade: #493636, #493A36, #494036, #494536 and #484936

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #483F35 shade: #191613, #312B24, #494036, #615547 and #786959

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #483F35 shade: #483F35, #3B4936 and #383649

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #483F35 shade: #483F35, #364940 and #403649

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #483F35 shade: #483F35, #3B4936, #363F49 and #433649

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #483F35 shade: #483F35, #364936, #363F49 and #493648

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 26 / 72

HEX #483F35

RGB 72 63 53

HSL 31.58, 0.15%, 0.25%

LAB 27.27, 1.99, 7.56

 

Complementary color

CMYK 9 / 5 / 0 / 21

HEX #B7C0CA

RGB 183 192 202

HSL 211.58, 0.15%, 0.75%

LAB 77.3, -1.13, -6.09

 

CMYK 0 / 18 / 38 / 70

HEX #4D3F30

RGB 77 63 48

HSL 31.03, 0.23%, 0.25%

LAB 27.7, 3.52, 11.48

 

CMYK 0 / 14 / 29 / 63

HEX #5E5143

RGB 94 81 67

HSL 31.11, 0.17%, 0.32%

LAB 35.34, 2.93, 10.23

 

CMYK 0 / 11 / 23 / 56

HEX #6F6356

RGB 111 99 86

HSL 31.2, 0.13%, 0.39%

LAB 42.73, 2.47, 9.13

 

CMYK 0 / 9 / 18 / 50

HEX #807569

RGB 128 117 105

HSL 31.3, 0.1%, 0.46%

LAB 49.9, 2.1, 8.15

 

CMYK 0 / 7 / 14 / 43

HEX #91877C

RGB 145 135 124

HSL 31.43, 0.09%, 0.53%

LAB 56.88, 1.79, 7.26

 

CMYK 0 / 13 / 26 / 72

HEX #483F35

RGB 72 63 53

HSL 31.58, 0.15%, 0.25%

LAB 27.27, 1.99, 7.56

 

CMYK 0 / 18 / 38 / 78

HEX #372D22

RGB 55 45 34

HSL 31.43, 0.24%, 0.17%

LAB 19.24, 2.56, 8.83

 

CMYK 0 / 29 / 61 / 85

HEX #261B0F

RGB 38 27 15

HSL 31.3, 0.43%, 0.1%

LAB 10.78, 3.45, 9.69

 

CMYK 0 / 57 / 100 / 92

HEX #150900

RGB 21 9 0

HSL 25.71, 1%, 0.04%

LAB 3.2, 2.86, 4.85

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 12 / 26 / 71

HEX #494036

RGB 73 64 54

HSL 31.58, 0.15%, 0.25%

LAB 27.71, 1.98, 7.54

 

CMYK 0 / 19 / 26 / 71

HEX #493B36

RGB 73 59 54

HSL 15.79, 0.15%, 0.25%

LAB 26.19, 5.22, 5.4

 

CMYK 0 / 26 / 26 / 71

HEX #493636

RGB 73 54 54

HSL 0, 0.15%, 0.25%

LAB 24.71, 8.49, 3.29

 

CMYK 0 / 12 / 26 / 71

HEX #494036

RGB 73 64 54

HSL 31.58, 0.15%, 0.25%

LAB 27.71, 1.98, 7.54

 

CMYK 0 / 5 / 26 / 71

HEX #494536

RGB 73 69 54

HSL 47.37, 0.15%, 0.25%

LAB 29.26, -1.2, 9.69

 

CMYK 1 / 0 / 26 / 71

HEX #484936

RGB 72 73 54

HSL 63.16, 0.15%, 0.25%

LAB 30.42, -4.15, 11.27

 

CMYK 10 / 0 / 26 / 71

HEX #424936

RGB 66 73 54

HSL 82.11, 0.15%, 0.25%

LAB 29.89, -6.82, 10.45

 

CMYK 16 / 0 / 26 / 71

HEX #3D4936

RGB 61 73 54

HSL 97.89, 0.15%, 0.25%

LAB 29.47, -8.99, 9.82

 

CMYK 0 / 12 / 26 / 71

HEX #494036

RGB 73 64 54

HSL 31.58, 0.15%, 0.25%

LAB 27.71, 1.98, 7.54

 

CMYK 0 / 23 / 48 / 67

HEX #53402B

RGB 83 64 43

HSL 31.5, 0.32%, 0.25%

LAB 28.59, 5.06, 15.98

 

CMYK 0 / 30 / 65 / 64

HEX #5D4121

RGB 93 65 33

HSL 32, 0.48%, 0.25%

LAB 29.95, 8.25, 24.05

 

CMYK 0 / 38 / 78 / 59

HEX #684117

RGB 104 65 23

HSL 31.11, 0.64%, 0.25%

LAB 31.31, 12.91, 31.47

 

CMYK 0 / 42 / 89 / 55

HEX #72420C

RGB 114 66 12

HSL 31.76, 0.81%, 0.25%

LAB 32.92, 16.65, 38.36

 

CMYK 0 / 12 / 26 / 71

HEX #494036

RGB 73 64 54

HSL 31.58, 0.15%, 0.25%

LAB 27.71, 1.98, 7.54

 

CMYK 3 / 2 / 0 / 75

HEX #3E3F40

RGB 62 63 64

HSL 210, 0.02%, 0.25%

LAB 26.59, -0.19, -0.76

 

CMYK 30 / 15 / 0 / 71

HEX #343F4A

RGB 52 63 74

HSL 210, 0.17%, 0.25%

LAB 26.1, -1.52, -8.17

 

CMYK 51 / 27 / 0 / 67

HEX #2A3E55

RGB 42 62 85

HSL 212.09, 0.34%, 0.25%

LAB 25.54, -0.67, -16.3

 

CMYK 66 / 35 / 0 / 63

HEX #203E5F

RGB 32 62 95

HSL 211.43, 0.5%, 0.25%

LAB 25.5, 0.44, -22.93

 

CMYK 0 / 26 / 26 / 71

HEX #493636

RGB 73 54 54

HSL 0, 0.15%, 0.25%

LAB 24.71, 8.49, 3.29

 

CMYK 0 / 21 / 26 / 71

HEX #493A36

RGB 73 58 54

HSL 12.63, 0.15%, 0.25%

LAB 25.89, 5.87, 4.97

 

CMYK 0 / 12 / 26 / 71

HEX #494036

RGB 73 64 54

HSL 31.58, 0.15%, 0.25%

LAB 27.71, 1.98, 7.54

 

CMYK 0 / 5 / 26 / 71

HEX #494536

RGB 73 69 54

HSL 47.37, 0.15%, 0.25%

LAB 29.26, -1.2, 9.69

 

CMYK 1 / 0 / 26 / 71

HEX #484936

RGB 72 73 54

HSL 63.16, 0.15%, 0.25%

LAB 30.42, -4.15, 11.27

 

CMYK 0 / 12 / 24 / 90

HEX #191613

RGB 25 22 19

HSL 30, 0.14%, 0.09%

LAB 7.47, 0.77, 2.4

 

CMYK 0 / 12 / 27 / 81

HEX #312B24

RGB 49 43 36

HSL 32.31, 0.15%, 0.17%

LAB 17.96, 1.32, 5.56

 

CMYK 0 / 12 / 26 / 71

HEX #494036

RGB 73 64 54

HSL 31.58, 0.15%, 0.25%

LAB 27.71, 1.98, 7.54

 

CMYK 0 / 12 / 27 / 62

HEX #615547

RGB 97 85 71

HSL 32.31, 0.15%, 0.33%

LAB 36.92, 2.44, 9.98

 

CMYK 0 / 13 / 26 / 53

HEX #786959

RGB 120 105 89

HSL 30.97, 0.15%, 0.41%

LAB 45.38, 3.2, 11.18

 

CMYK 0 / 13 / 26 / 72

HEX #483F35

RGB 72 63 53

HSL 31.58, 0.15%, 0.25%

LAB 27.27, 1.99, 7.56

 

CMYK 19 / 0 / 26 / 71

HEX #3B4936

RGB 59 73 54

HSL 104.21, 0.15%, 0.25%

LAB 29.31, -9.84, 9.57

 

CMYK 23 / 26 / 0 / 71

HEX #383649

RGB 56 54 73

HSL 246.32, 0.15%, 0.25%

LAB 23.54, 5.68, -11.37

 

CMYK 0 / 13 / 26 / 72

HEX #483F35

RGB 72 63 53

HSL 31.58, 0.15%, 0.25%

LAB 27.27, 1.99, 7.56

 

CMYK 26 / 0 / 12 / 71

HEX #364940

RGB 54 73 64

HSL 151.58, 0.15%, 0.25%

LAB 29.21, -9.67, 2.96

 

CMYK 12 / 26 / 0 / 71

HEX #403649

RGB 64 54 73

HSL 271.58, 0.15%, 0.25%

LAB 24.35, 8.76, -10.05

 

CMYK 0 / 13 / 26 / 72

HEX #483F35

RGB 72 63 53

HSL 31.58, 0.15%, 0.25%

LAB 27.27, 1.99, 7.56

 

CMYK 19 / 0 / 26 / 71

HEX #3B4936

RGB 59 73 54

HSL 104.21, 0.15%, 0.25%

LAB 29.31, -9.84, 9.57

 

CMYK 26 / 14 / 0 / 71

HEX #363F49

RGB 54 63 73

HSL 211.58, 0.15%, 0.25%

LAB 26.22, -1.07, -7.32

 

CMYK 8 / 26 / 0 / 71

HEX #433649

RGB 67 54 73

HSL 281.05, 0.15%, 0.25%

LAB 24.68, 9.94, -9.53

 

CMYK 0 / 13 / 26 / 72

HEX #483F35

RGB 72 63 53

HSL 31.58, 0.15%, 0.25%

LAB 27.27, 1.99, 7.56

 

CMYK 26 / 0 / 26 / 71

HEX #364936

RGB 54 73 54

HSL 120, 0.15%, 0.25%

LAB 28.94, -11.91, 9

 

CMYK 26 / 14 / 0 / 71

HEX #363F49

RGB 54 63 73

HSL 211.58, 0.15%, 0.25%

LAB 26.22, -1.07, -7.32

 

CMYK 0 / 26 / 1 / 71

HEX #493648

RGB 73 54 72

HSL 303.16, 0.15%, 0.25%

LAB 25.33, 12.11, -7.81

 

Description

Color code: HEX #483F35 | qconv.com Color code: HEX #483F35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 63 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 63 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 26 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 26% 72% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - MFAH | Collections |...
Link: http://www.mfah.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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