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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #484839 it is the complementary color #B7B7C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #484839. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #484839 shade: #4D4834, #5E5A47, #6F6C5A, #807E6D and #919080

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #484839. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #484839 shade: #484839, #373626, #262413, #151200 and #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #484839 shade: #474738, #474338, #473F38, #473B38 and #473838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #484839 shade: #474738, #434738, #3F4738, #3B4738 and #384739

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #484839 shade matches the following richer shades: #474738, #51512D, #5C5C23, #666619 and #70700E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #484839 shade: #474738, #3D3D42, #32324C, #282857 and #1E1E61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #484839 shade: #473F38, #474338, #474738, #434738 and #3F4738

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #484839 shade: #191913, #303025, #474738, #5E5E4A and #75755C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #484839 shade: #484839, #38473B and #413847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #484839 shade: #484839, #384747 and #473847

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #484839 shade: #484839, #38473B, #383847 and #473844

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #484839 shade: #484839, #38473F, #383847 and #47383F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 21 / 72

HEX #484839

RGB 72 72 57

HSL 60, 0.12%, 0.25%

LAB 30.18, -3, 9.03

 

Complementary color

CMYK 8 / 8 / 0 / 22

HEX #B7B7C6

RGB 183 183 198

HSL 240, 0.12%, 0.75%

LAB 74.83, 2.9, -7.57

 

CMYK 0 / 6 / 32 / 70

HEX #4D4834

RGB 77 72 52

HSL 48, 0.19%, 0.25%

LAB 30.55, -1.57, 12.78

 

CMYK 0 / 4 / 24 / 63

HEX #5E5A47

RGB 94 90 71

HSL 49.57, 0.14%, 0.32%

LAB 38.1, -1.91, 11.58

 

CMYK 0 / 3 / 19 / 56

HEX #6F6C5A

RGB 111 108 90

HSL 51.43, 0.1%, 0.39%

LAB 45.42, -2.17, 10.51

 

CMYK 0 / 2 / 15 / 50

HEX #807E6D

RGB 128 126 109

HSL 53.68, 0.08%, 0.46%

LAB 52.53, -2.38, 9.53

 

CMYK 0 / 1 / 12 / 43

HEX #919080

RGB 145 144 128

HSL 56.47, 0.07%, 0.54%

LAB 59.46, -2.57, 8.64

 

CMYK 0 / 0 / 21 / 72

HEX #484839

RGB 72 72 57

HSL 60, 0.12%, 0.25%

LAB 30.18, -3, 9.03

 

CMYK 0 / 2 / 31 / 78

HEX #373626

RGB 55 54 38

HSL 56.47, 0.18%, 0.18%

LAB 22.27, -2.75, 10.25

 

CMYK 0 / 5 / 50 / 85

HEX #262413

RGB 38 36 19

HSL 53.68, 0.33%, 0.11%

LAB 13.95, -2.35, 11.65

 

CMYK 0 / 14 / 100 / 92

HEX #151200

RGB 21 18 0

HSL 51.43, 1%, 0.04%

LAB 5.35, -1.52, 7.98

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 0 / 21 / 72

HEX #474738

RGB 71 71 56

HSL 60, 0.12%, 0.25%

LAB 29.74, -3, 9.05

 

CMYK 0 / 6 / 21 / 72

HEX #474338

RGB 71 67 56

HSL 44, 0.12%, 0.25%

LAB 28.48, -0.49, 7.3

 

CMYK 0 / 11 / 21 / 72

HEX #473F38

RGB 71 63 56

HSL 28, 0.12%, 0.25%

LAB 27.24, 2.08, 5.55

 

CMYK 0 / 17 / 21 / 72

HEX #473B38

RGB 71 59 56

HSL 12, 0.12%, 0.25%

LAB 26.02, 4.67, 3.81

 

CMYK 0 / 21 / 21 / 72

HEX #473838

RGB 71 56 56

HSL 0, 0.12%, 0.25%

LAB 25.12, 6.64, 2.51

 

CMYK 0 / 0 / 21 / 72

HEX #474738

RGB 71 71 56

HSL 60, 0.12%, 0.25%

LAB 29.74, -3, 9.05

 

CMYK 6 / 0 / 21 / 72

HEX #434738

RGB 67 71 56

HSL 76, 0.12%, 0.25%

LAB 29.38, -4.78, 8.48

 

CMYK 11 / 0 / 21 / 72

HEX #3F4738

RGB 63 71 56

HSL 92, 0.12%, 0.25%

LAB 29.03, -6.53, 7.95

 

CMYK 17 / 0 / 21 / 72

HEX #3B4738

RGB 59 71 56

HSL 108, 0.12%, 0.25%

LAB 28.7, -8.23, 7.44

 

CMYK 21 / 0 / 20 / 72

HEX #384739

RGB 56 71 57

HSL 124, 0.12%, 0.25%

LAB 28.49, -9.27, 6.47

 

CMYK 0 / 0 / 21 / 72

HEX #474738

RGB 71 71 56

HSL 60, 0.12%, 0.25%

LAB 29.74, -3, 9.05

 

CMYK 0 / 0 / 44 / 68

HEX #51512D

RGB 81 81 45

HSL 60, 0.29%, 0.25%

LAB 33.61, -6.18, 21.15

 

CMYK 0 / 0 / 62 / 64

HEX #5C5C23

RGB 92 92 35

HSL 60, 0.45%, 0.25%

LAB 37.93, -8.49, 32.05

 

CMYK 0 / 0 / 75 / 60

HEX #666619

RGB 102 102 25

HSL 60, 0.61%, 0.25%

LAB 41.84, -10.12, 40.95

 

CMYK 0 / 0 / 88 / 56

HEX #70700E

RGB 112 112 14

HSL 60, 0.78%, 0.25%

LAB 45.72, -11.4, 48.38

 

CMYK 0 / 0 / 21 / 72

HEX #474738

RGB 71 71 56

HSL 60, 0.12%, 0.25%

LAB 29.74, -3, 9.05

 

CMYK 8 / 8 / 0 / 74

HEX #3D3D42

RGB 61 61 66

HSL 240, 0.04%, 0.25%

LAB 25.93, 1.17, -3.06

 

CMYK 34 / 34 / 0 / 70

HEX #32324C

RGB 50 50 76

HSL 240, 0.21%, 0.25%

LAB 21.88, 7.12, -15.99

 

CMYK 54 / 54 / 0 / 66

HEX #282857

RGB 40 40 87

HSL 240, 0.37%, 0.25%

LAB 18.61, 14.81, -28.57

 

CMYK 69 / 69 / 0 / 62

HEX #1E1E61

RGB 30 30 97

HSL 240, 0.53%, 0.25%

LAB 15.84, 23.5, -39.76

 

CMYK 0 / 11 / 21 / 72

HEX #473F38

RGB 71 63 56

HSL 28, 0.12%, 0.25%

LAB 27.24, 2.08, 5.55

 

CMYK 0 / 6 / 21 / 72

HEX #474338

RGB 71 67 56

HSL 44, 0.12%, 0.25%

LAB 28.48, -0.49, 7.3

 

CMYK 0 / 0 / 21 / 72

HEX #474738

RGB 71 71 56

HSL 60, 0.12%, 0.25%

LAB 29.74, -3, 9.05

 

CMYK 6 / 0 / 21 / 72

HEX #434738

RGB 67 71 56

HSL 76, 0.12%, 0.25%

LAB 29.38, -4.78, 8.48

 

CMYK 11 / 0 / 21 / 72

HEX #3F4738

RGB 63 71 56

HSL 92, 0.12%, 0.25%

LAB 29.03, -6.53, 7.95

 

CMYK 0 / 0 / 24 / 90

HEX #191913

RGB 25 25 19

HSL 60, 0.14%, 0.09%

LAB 8.56, -1.42, 3.98

 

CMYK 0 / 0 / 23 / 81

HEX #303025

RGB 48 48 37

HSL 60, 0.13%, 0.17%

LAB 19.54, -2.34, 7.07

 

CMYK 0 / 0 / 21 / 72

HEX #474738

RGB 71 71 56

HSL 60, 0.12%, 0.25%

LAB 29.74, -3, 9.05

 

CMYK 0 / 0 / 21 / 63

HEX #5E5E4A

RGB 94 94 74

HSL 60, 0.12%, 0.33%

LAB 39.38, -3.8, 11.5

 

CMYK 0 / 0 / 21 / 54

HEX #75755C

RGB 117 117 92

HSL 60, 0.12%, 0.41%

LAB 48.61, -4.55, 13.84

 

CMYK 0 / 0 / 21 / 72

HEX #484839

RGB 72 72 57

HSL 60, 0.12%, 0.25%

LAB 30.18, -3, 9.03

 

CMYK 21 / 0 / 17 / 72

HEX #38473B

RGB 56 71 59

HSL 132, 0.12%, 0.25%

LAB 28.55, -8.83, 5.26

 

CMYK 8 / 21 / 0 / 72

HEX #413847

RGB 65 56 71

HSL 276, 0.12%, 0.25%

LAB 24.97, 7.32, -7.77

 

CMYK 0 / 0 / 21 / 72

HEX #484839

RGB 72 72 57

HSL 60, 0.12%, 0.25%

LAB 30.18, -3, 9.03

 

CMYK 21 / 0 / 0 / 72

HEX #384747

RGB 56 71 71

HSL 180, 0.12%, 0.25%

LAB 28.91, -5.95, -1.99

 

CMYK 0 / 21 / 0 / 72

HEX #473847

RGB 71 56 71

HSL 300, 0.12%, 0.25%

LAB 25.63, 9.75, -6.71

 

CMYK 0 / 0 / 21 / 72

HEX #484839

RGB 72 72 57

HSL 60, 0.12%, 0.25%

LAB 30.18, -3, 9.03

 

CMYK 21 / 0 / 17 / 72

HEX #38473B

RGB 56 71 59

HSL 132, 0.12%, 0.25%

LAB 28.55, -8.83, 5.26

 

CMYK 21 / 21 / 0 / 72

HEX #383847

RGB 56 56 71

HSL 240, 0.12%, 0.25%

LAB 24.08, 3.77, -9.21

 

CMYK 0 / 21 / 4 / 72

HEX #473844

RGB 71 56 68

HSL 312, 0.12%, 0.25%

LAB 25.52, 9.08, -4.89

 

CMYK 0 / 0 / 21 / 72

HEX #484839

RGB 72 72 57

HSL 60, 0.12%, 0.25%

LAB 30.18, -3, 9.03

 

CMYK 21 / 0 / 11 / 72

HEX #38473F

RGB 56 71 63

HSL 148, 0.12%, 0.25%

LAB 28.66, -7.92, 2.83

 

CMYK 21 / 21 / 0 / 72

HEX #383847

RGB 56 56 71

HSL 240, 0.12%, 0.25%

LAB 24.08, 3.77, -9.21

 

CMYK 0 / 21 / 11 / 72

HEX #47383F

RGB 71 56 63

HSL 332, 0.12%, 0.25%

LAB 25.34, 8.02, -1.83

 

Description

Color code: HEX #484839 | qconv.com Color code: HEX #484839 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 72 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 72 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 21 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 21% 72% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - Καλώς ήλθατε στη σελ...
Link: http://www.mirsini.net

50% - Officeline Lei. Desi...
Link: http://www.officeline.se

29% - Isoipsa Cliff - Viag...
Link: http://www.isoipsacliff.it

78% - Right Sidebar | Asso...
Link: http://demo.wenthemes.com

16% - Scaring The Thought ...
Link: http://lovedontforgettobleedsoslowly.tumblr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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