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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #485164 it is the complementary color #B7AE9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #485164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #485164 shade: #4D515F, #5E6372, #6F7585, #808798 and #9199AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #485164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #485164 shade: #485164, #373F51, #262D3E, #151B2B and #040918

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #485164 shade: #485164, #484A64, #4E4864, #564864 and #5D4864

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #485164 shade: #485164, #484A64 and #484864

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #485164 shade matches the following richer shades: #485164, #3A4C72, #2C4780, #1E428E and #103D9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #485164 shade: #485164, #565656, #645B48, #72603A and #80652C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #485164 shade: #486064, #485964, #485264, #484A64 and #4E4864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #485164 shade: #262A34, #373E4C, #485164, #5A657C and #6B7894

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #485164 shade: #485164, #604864 and #5D6448

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #485164 shade: #485164, #644852 and #526448

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #485164 shade: #485164, #604864, #645B48 and #4C6448

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #485164 shade: #485164, #64485F, #645B48 and #48644D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

Complementary color

CMYK 0 / 5 / 15 / 28

HEX #B7AE9B

RGB 183 174 155

HSL 40.71, 0.16%, 0.66%

LAB 71.35, -0.03, 10.9

 

CMYK 19 / 15 / 0 / 63

HEX #4D515F

RGB 77 81 95

HSL 226.67, 0.1%, 0.34%

LAB 34.58, 1.74, -8.69

 

CMYK 18 / 13 / 0 / 55

HEX #5E6372

RGB 94 99 114

HSL 225, 0.1%, 0.41%

LAB 42.03, 1.51, -9.1

 

CMYK 17 / 12 / 0 / 48

HEX #6F7585

RGB 111 117 133

HSL 223.64, 0.09%, 0.48%

LAB 49.25, 1.3, -9.52

 

CMYK 16 / 11 / 0 / 40

HEX #808798

RGB 128 135 152

HSL 222.5, 0.1%, 0.55%

LAB 56.27, 1.11, -9.94

 

CMYK 15 / 11 / 0 / 33

HEX #9199AB

RGB 145 153 171

HSL 221.54, 0.13%, 0.62%

LAB 63.13, 0.93, -10.36

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 32 / 22 / 0 / 68

HEX #373F51

RGB 55 63 81

HSL 221.54, 0.19%, 0.27%

LAB 26.62, 1.58, -11.94

 

CMYK 39 / 27 / 0 / 76

HEX #262D3E

RGB 38 45 62

HSL 222.5, 0.24%, 0.2%

LAB 18.53, 1.98, -11.75

 

CMYK 51 / 37 / 0 / 83

HEX #151B2B

RGB 21 27 43

HSL 223.64, 0.34%, 0.13%

LAB 9.94, 2.57, -11.68

 

CMYK 83 / 63 / 0 / 91

HEX #040918

RGB 4 9 24

HSL 225, 0.71%, 0.05%

LAB 2.59, 1.63, -8.45

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 28 / 26 / 0 / 61

HEX #484A64

RGB 72 74 100

HSL 235.71, 0.16%, 0.34%

LAB 32.25, 5.74, -15.43

 

CMYK 22 / 28 / 0 / 61

HEX #4E4864

RGB 78 72 100

HSL 252.86, 0.16%, 0.34%

LAB 32.2, 9.14, -15.46

 

CMYK 14 / 28 / 0 / 61

HEX #564864

RGB 86 72 100

HSL 270, 0.16%, 0.34%

LAB 32.99, 12.03, -14.18

 

CMYK 7 / 28 / 0 / 61

HEX #5D4864

RGB 93 72 100

HSL 285, 0.16%, 0.34%

LAB 33.74, 14.63, -12.97

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 28 / 26 / 0 / 61

HEX #484A64

RGB 72 74 100

HSL 235.71, 0.16%, 0.34%

LAB 32.25, 5.74, -15.43

 

CMYK 28 / 28 / 0 / 61

HEX #484864

RGB 72 72 100

HSL 240, 0.16%, 0.34%

LAB 31.65, 7.04, -16.35

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 49 / 33 / 0 / 55

HEX #3A4C72

RGB 58 76 114

HSL 220.71, 0.33%, 0.34%

LAB 32.44, 4.37, -24.04

 

CMYK 66 / 45 / 0 / 50

HEX #2C4780

RGB 44 71 128

HSL 220.71, 0.49%, 0.34%

LAB 30.88, 9.38, -35.31

 

CMYK 79 / 54 / 0 / 44

HEX #1E428E

RGB 30 66 142

HSL 220.71, 0.65%, 0.34%

LAB 29.73, 16.08, -45.85

 

CMYK 90 / 61 / 0 / 39

HEX #103D9C

RGB 16 61 156

HSL 220.71, 0.81%, 0.34%

LAB 29.03, 23.98, -55.57

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 0 / 0 / 0 / 66

HEX #565656

RGB 86 86 86

HSL 0, 0%, 0.34%

LAB 36.57, 0, -0

 

CMYK 0 / 9 / 28 / 61

HEX #645B48

RGB 100 91 72

HSL 40.71, 0.16%, 0.34%

LAB 39, 0.27, 12.29

 

CMYK 0 / 16 / 49 / 55

HEX #72603A

RGB 114 96 58

HSL 40.71, 0.33%, 0.34%

LAB 41.61, 1.72, 24.33

 

CMYK 0 / 21 / 66 / 50

HEX #80652C

RGB 128 101 44

HSL 40.71, 0.49%, 0.34%

LAB 44.35, 4.02, 35.61

 

CMYK 28 / 4 / 0 / 61

HEX #486064

RGB 72 96 100

HSL 188.57, 0.16%, 0.34%

LAB 39.01, -7.9, -5.21

 

CMYK 28 / 11 / 0 / 61

HEX #485964

RGB 72 89 100

HSL 203.57, 0.16%, 0.34%

LAB 36.82, -3.69, -8.48

 

CMYK 28 / 18 / 0 / 61

HEX #485264

RGB 72 82 100

HSL 218.57, 0.16%, 0.34%

LAB 34.67, 0.64, -11.74

 

CMYK 28 / 26 / 0 / 61

HEX #484A64

RGB 72 74 100

HSL 235.71, 0.16%, 0.34%

LAB 32.25, 5.74, -15.43

 

CMYK 22 / 28 / 0 / 61

HEX #4E4864

RGB 78 72 100

HSL 252.86, 0.16%, 0.34%

LAB 32.2, 9.14, -15.46

 

CMYK 27 / 19 / 0 / 80

HEX #262A34

RGB 38 42 52

HSL 222.86, 0.16%, 0.18%

LAB 17.06, 0.98, -7.05

 

CMYK 28 / 18 / 0 / 70

HEX #373E4C

RGB 55 62 76

HSL 220, 0.16%, 0.26%

LAB 26.1, 0.8, -9.47

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 27 / 19 / 0 / 51

HEX #5A657C

RGB 90 101 124

HSL 220.59, 0.16%, 0.42%

LAB 42.67, 1.45, -14.23

 

CMYK 28 / 19 / 0 / 42

HEX #6B7894

RGB 107 120 148

HSL 220.98, 0.16%, 0.5%

LAB 50.33, 1.89, -16.74

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 4 / 28 / 0 / 61

HEX #604864

RGB 96 72 100

HSL 291.43, 0.16%, 0.34%

LAB 34.07, 15.75, -12.44

 

CMYK 7 / 0 / 28 / 61

HEX #5D6448

RGB 93 100 72

HSL 75, 0.16%, 0.34%

LAB 41.07, -8.07, 15.02

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 0 / 28 / 18 / 61

HEX #644852

RGB 100 72 82

HSL 338.57, 0.16%, 0.34%

LAB 33.89, 13.68, -1.24

 

CMYK 18 / 0 / 28 / 61

HEX #526448

RGB 82 100 72

HSL 98.57, 0.16%, 0.34%

LAB 40.21, -12.64, 13.7

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 4 / 28 / 0 / 61

HEX #604864

RGB 96 72 100

HSL 291.43, 0.16%, 0.34%

LAB 34.07, 15.75, -12.44

 

CMYK 0 / 9 / 28 / 61

HEX #645B48

RGB 100 91 72

HSL 40.71, 0.16%, 0.34%

LAB 39, 0.27, 12.29

 

CMYK 24 / 0 / 28 / 61

HEX #4C6448

RGB 76 100 72

HSL 111.43, 0.16%, 0.34%

LAB 39.78, -15.03, 13.04

 

CMYK 28 / 19 / 0 / 61

HEX #485164

RGB 72 81 100

HSL 220.71, 0.16%, 0.34%

LAB 34.36, 1.27, -12.2

 

CMYK 0 / 28 / 5 / 61

HEX #64485F

RGB 100 72 95

HSL 310.71, 0.16%, 0.34%

LAB 34.34, 16.2, -8.83

 

CMYK 0 / 9 / 28 / 61

HEX #645B48

RGB 100 91 72

HSL 40.71, 0.16%, 0.34%

LAB 39, 0.27, 12.29

 

CMYK 28 / 0 / 23 / 61

HEX #48644D

RGB 72 100 77

HSL 130.71, 0.16%, 0.34%

LAB 39.63, -15.57, 9.77

 

Description

Color code: HEX #485164 | qconv.com Color code: HEX #485164 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 81 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 81 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 19 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 19% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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