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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #485D46 it is the complementary color #B7A2B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #485D46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #485D46 shade: #4D5D41, #5E6F54, #6F8167, #80937A and #91A58D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #485D46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #485D46 shade: #485D46, #374B33, #263920, #15270D and #041500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #485D46 shade: #485D46, #4E5D46, #545D46, #5A5D46 and #5D5946

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #485D46 shade: #485D46, #465D4A, #465D50, #465D56 and #465D5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #485D46 shade matches the following richer shades: #485D46, #3D6A38, #32772B, #27841E and #1C9111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #485D46 shade: #485D46, #534F53, #5D4260, #68356D and #73287A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #485D46 shade: #545D46, #4E5D46, #485D46, #465D49 and #465D50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #485D46 shade: #232D22, #354534, #485D46, #5A7457 and #6C8C69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #485D46 shade: #485D46, #465A5D and #5D4651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #485D46 shade: #485D46, #46485D and #5D4648

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #485D46 shade: #485D46, #465A5D, #5A465D and #5D4846

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #485D46 shade: #485D46, #46535D, #5A465D and #5D4F46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

Complementary color

CMYK 1 / 12 / 0 / 27

HEX #B7A2B9

RGB 183 162 185

HSL 294.78, 0.14%, 0.68%

LAB 69.05, 11.84, -9.03

 

CMYK 17 / 0 / 30 / 64

HEX #4D5D41

RGB 77 93 65

HSL 94.29, 0.18%, 0.31%

LAB 37.46, -11.96, 14.12

 

CMYK 15 / 0 / 24 / 56

HEX #5E6F54

RGB 94 111 84

HSL 97.78, 0.14%, 0.38%

LAB 44.79, -11.87, 12.98

 

CMYK 14 / 0 / 20 / 49

HEX #6F8167

RGB 111 129 103

HSL 101.54, 0.11%, 0.45%

LAB 51.9, -11.79, 11.94

 

CMYK 13 / 0 / 17 / 42

HEX #80937A

RGB 128 147 122

HSL 105.6, 0.1%, 0.53%

LAB 58.85, -11.72, 10.99

 

CMYK 12 / 0 / 15 / 35

HEX #91A58D

RGB 145 165 141

HSL 110, 0.12%, 0.6%

LAB 65.63, -11.67, 10.1

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 27 / 0 / 32 / 71

HEX #374B33

RGB 55 75 51

HSL 110, 0.19%, 0.25%

LAB 29.62, -13.26, 11.85

 

CMYK 33 / 0 / 44 / 78

HEX #263920

RGB 38 57 32

HSL 105.6, 0.28%, 0.17%

LAB 21.74, -13.5, 13.2

 

CMYK 46 / 0 / 67 / 85

HEX #15270D

RGB 21 39 13

HSL 101.54, 0.5%, 0.1%

LAB 13.47, -13.67, 14.08

 

CMYK 81 / 0 / 100 / 92

HEX #041500

RGB 4 21 0

HSL 108.57, 1%, 0.04%

LAB 5.08, -8.85, 7.44

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 16 / 0 / 25 / 64

HEX #4E5D46

RGB 78 93 70

HSL 99.13, 0.14%, 0.32%

LAB 37.65, -10.64, 11.34

 

CMYK 10 / 0 / 25 / 64

HEX #545D46

RGB 84 93 70

HSL 83.48, 0.14%, 0.32%

LAB 38.12, -8.15, 12.07

 

CMYK 3 / 0 / 25 / 64

HEX #5A5D46

RGB 90 93 70

HSL 67.83, 0.14%, 0.32%

LAB 38.63, -5.59, 12.85

 

CMYK 0 / 4 / 25 / 64

HEX #5D5946

RGB 93 89 70

HSL 49.57, 0.14%, 0.32%

LAB 37.69, -1.91, 11.6

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 25 / 0 / 20 / 64

HEX #465D4A

RGB 70 93 74

HSL 130.43, 0.14%, 0.32%

LAB 37.16, -13.02, 8.13

 

CMYK 25 / 0 / 14 / 64

HEX #465D50

RGB 70 93 80

HSL 146.09, 0.14%, 0.32%

LAB 37.32, -11.72, 4.65

 

CMYK 25 / 0 / 8 / 64

HEX #465D56

RGB 70 93 86

HSL 161.74, 0.14%, 0.32%

LAB 37.49, -10.33, 1.18

 

CMYK 25 / 0 / 1 / 64

HEX #465D5C

RGB 70 93 92

HSL 177.39, 0.14%, 0.32%

LAB 37.67, -8.86, -2.27

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 42 / 0 / 47 / 58

HEX #3D6A38

RGB 61 106 56

HSL 114, 0.31%, 0.32%

LAB 40.55, -26.54, 23.27

 

CMYK 58 / 0 / 64 / 53

HEX #32772B

RGB 50 119 43

HSL 114.47, 0.47%, 0.32%

LAB 44.3, -37.65, 34.53

 

CMYK 70 / 0 / 77 / 48

HEX #27841E

RGB 39 132 30

HSL 114.71, 0.63%, 0.32%

LAB 48.29, -46.55, 44.24

 

CMYK 81 / 0 / 88 / 43

HEX #1C9111

RGB 28 145 17

HSL 114.84, 0.79%, 0.32%

LAB 52.44, -53.53, 51.9

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 0 / 5 / 0 / 67

HEX #534F53

RGB 83 79 83

HSL 300, 0.02%, 0.32%

LAB 34.1, 2.49, -1.77

 

CMYK 3 / 31 / 0 / 62

HEX #5D4260

RGB 93 66 96

HSL 294, 0.19%, 0.32%

LAB 31.96, 17.51, -13.14

 

CMYK 5 / 51 / 0 / 57

HEX #68356D

RGB 104 53 109

HSL 294.64, 0.35%, 0.32%

LAB 30.86, 32, -23.01

 

CMYK 6 / 67 / 0 / 52

HEX #73287A

RGB 115 40 122

HSL 294.88, 0.51%, 0.32%

LAB 30.8, 44.43, -31.23

 

CMYK 10 / 0 / 25 / 64

HEX #545D46

RGB 84 93 70

HSL 83.48, 0.14%, 0.32%

LAB 38.12, -8.15, 12.07

 

CMYK 16 / 0 / 25 / 64

HEX #4E5D46

RGB 78 93 70

HSL 99.13, 0.14%, 0.32%

LAB 37.65, -10.64, 11.34

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 25 / 0 / 22 / 64

HEX #465D49

RGB 70 93 73

HSL 127.83, 0.14%, 0.32%

LAB 37.14, -13.23, 8.71

 

CMYK 25 / 0 / 14 / 64

HEX #465D50

RGB 70 93 80

HSL 146.09, 0.14%, 0.32%

LAB 37.32, -11.72, 4.65

 

CMYK 22 / 0 / 24 / 82

HEX #232D22

RGB 35 45 34

HSL 114.55, 0.14%, 0.15%

LAB 17.22, -7.03, 5.72

 

CMYK 23 / 0 / 25 / 73

HEX #354534

RGB 53 69 52

HSL 116.47, 0.14%, 0.24%

LAB 27.47, -10.36, 8.22

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 22 / 0 / 25 / 55

HEX #5A7457

RGB 90 116 87

HSL 113.79, 0.14%, 0.4%

LAB 46.11, -15.63, 13

 

CMYK 23 / 0 / 25 / 45

HEX #6C8C69

RGB 108 140 105

HSL 114.86, 0.14%, 0.48%

LAB 55.04, -18.46, 15.11

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 25 / 3 / 0 / 64

HEX #465A5D

RGB 70 90 93

HSL 187.83, 0.14%, 0.32%

LAB 36.75, -6.83, -4.24

 

CMYK 0 / 25 / 13 / 64

HEX #5D4651

RGB 93 70 81

HSL 331.3, 0.14%, 0.32%

LAB 32.48, 11.86, -2.75

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 25 / 23 / 0 / 64

HEX #46485D

RGB 70 72 93

HSL 234.78, 0.14%, 0.32%

LAB 31.18, 4.41, -12.63

 

CMYK 0 / 25 / 23 / 64

HEX #5D4648

RGB 93 70 72

HSL 354.78, 0.14%, 0.32%

LAB 32.2, 10.2, 2.6

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 25 / 3 / 0 / 64

HEX #465A5D

RGB 70 90 93

HSL 187.83, 0.14%, 0.32%

LAB 36.75, -6.83, -4.24

 

CMYK 3 / 25 / 0 / 64

HEX #5A465D

RGB 90 70 93

HSL 292.17, 0.14%, 0.32%

LAB 32.58, 13.17, -10.32

 

CMYK 0 / 23 / 25 / 64

HEX #5D4846

RGB 93 72 70

HSL 5.22, 0.14%, 0.32%

LAB 32.71, 8.59, 4.61

 

CMYK 23 / 0 / 25 / 64

HEX #485D46

RGB 72 93 70

HSL 114.78, 0.14%, 0.32%

LAB 37.2, -13.05, 10.66

 

CMYK 25 / 11 / 0 / 64

HEX #46535D

RGB 70 83 93

HSL 206.09, 0.14%, 0.32%

LAB 34.56, -2.56, -7.52

 

CMYK 3 / 25 / 0 / 64

HEX #5A465D

RGB 90 70 93

HSL 292.17, 0.14%, 0.32%

LAB 32.58, 13.17, -10.32

 

CMYK 0 / 15 / 25 / 64

HEX #5D4F46

RGB 93 79 70

HSL 23.48, 0.14%, 0.32%

LAB 34.72, 4.21, 7.47

 

Description

Color code: HEX #485D46 | qconv.com Color code: HEX #485D46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 93 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 93 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 25 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 25% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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