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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #486882 it is the complementary color #B7977D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #486882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #486882 shade: #4D687D, #5E7A90, #6F8CA3, #809EB6 and #91B0C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #486882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #486882 shade: #486882, #37566F, #26445C, #153249 and #042036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #486882 shade: #486983, #485983, #484983, #574883 and #674883

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #486882 shade: #486983, #485983, #484983 and #484883

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #486882 shade matches the following richer shades: #486983, #376A94, #276CA4, #166EB5 and #066FC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #486882 shade: #486983, #586773, #696562, #796352 and #8A6241

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #486882 shade: #48837D, #487983, #486983, #485A83 and #484A83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #486882 shade: #2B3E4E, #395368, #486983, #577E9E and #6E92AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #486882 shade: #486882, #6D4883 and #818348

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #486882 shade: #486882, #834869 and #698348

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #486882 shade: #486882, #6D4883, #836248 and #5E8348

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #486882 shade: #486882, #7F4883, #836248 and #4C8348

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 20 / 0 / 49

HEX #486882

RGB 72 104 130

HSL 206.9, 0.29%, 0.4%

LAB 42.6, -4.19, -18.07

 

Complementary color

CMYK 0 / 17 / 32 / 28

HEX #B7977D

RGB 183 151 125

HSL 26.9, 0.29%, 0.6%

LAB 64.71, 8.08, 18.18

 

CMYK 38 / 17 / 0 / 51

HEX #4D687D

RGB 77 104 125

HSL 206.25, 0.24%, 0.4%

LAB 42.7, -4.21, -14.87

 

CMYK 35 / 15 / 0 / 44

HEX #5E7A90

RGB 94 122 144

HSL 206.4, 0.21%, 0.47%

LAB 49.87, -4.39, -15.17

 

CMYK 32 / 14 / 0 / 36

HEX #6F8CA3

RGB 111 140 163

HSL 206.54, 0.22%, 0.54%

LAB 56.86, -4.55, -15.49

 

CMYK 30 / 13 / 0 / 29

HEX #809EB6

RGB 128 158 182

HSL 206.67, 0.27%, 0.61%

LAB 63.69, -4.68, -15.82

 

CMYK 28 / 12 / 0 / 21

HEX #91B0C9

RGB 145 176 201

HSL 206.79, 0.34%, 0.68%

LAB 70.38, -4.8, -16.16

 

CMYK 45 / 20 / 0 / 49

HEX #486882

RGB 72 104 130

HSL 206.9, 0.29%, 0.4%

LAB 42.6, -4.19, -18.07

 

CMYK 50 / 23 / 0 / 56

HEX #37566F

RGB 55 86 111

HSL 206.79, 0.34%, 0.33%

LAB 35.23, -3.81, -17.85

 

CMYK 59 / 26 / 0 / 64

HEX #26445C

RGB 38 68 92

HSL 206.67, 0.42%, 0.25%

LAB 27.62, -3.25, -17.65

 

CMYK 71 / 32 / 0 / 71

HEX #153249

RGB 21 50 73

HSL 206.54, 0.55%, 0.18%

LAB 19.73, -2.34, -17.47

 

CMYK 93 / 41 / 0 / 79

HEX #042036

RGB 4 32 54

HSL 206.4, 0.86%, 0.11%

LAB 11.45, -0.85, -17.34

 

CMYK 45 / 20 / 0 / 49

HEX #486983

RGB 72 105 131

HSL 206.44, 0.29%, 0.4%

LAB 42.94, -4.49, -18.14

 

CMYK 45 / 32 / 0 / 49

HEX #485983

RGB 72 89 131

HSL 222.71, 0.29%, 0.4%

LAB 38.13, 5.38, -25.59

 

CMYK 45 / 44 / 0 / 49

HEX #484983

RGB 72 73 131

HSL 238.98, 0.29%, 0.4%

LAB 33.52, 15.71, -32.84

 

CMYK 34 / 45 / 0 / 49

HEX #574883

RGB 87 72 131

HSL 255.25, 0.29%, 0.4%

LAB 34.6, 20.62, -31.05

 

CMYK 21 / 45 / 0 / 49

HEX #674883

RGB 103 72 131

HSL 271.53, 0.29%, 0.4%

LAB 36.28, 25.52, -28.28

 

CMYK 45 / 20 / 0 / 49

HEX #486983

RGB 72 105 131

HSL 206.44, 0.29%, 0.4%

LAB 42.94, -4.49, -18.14

 

CMYK 45 / 32 / 0 / 49

HEX #485983

RGB 72 89 131

HSL 222.71, 0.29%, 0.4%

LAB 38.13, 5.38, -25.59

 

CMYK 45 / 44 / 0 / 49

HEX #484983

RGB 72 73 131

HSL 238.98, 0.29%, 0.4%

LAB 33.52, 15.71, -32.84

 

CMYK 45 / 45 / 0 / 49

HEX #484883

RGB 72 72 131

HSL 240, 0.29%, 0.4%

LAB 33.25, 16.36, -33.28

 

CMYK 45 / 20 / 0 / 49

HEX #486983

RGB 72 105 131

HSL 206.44, 0.29%, 0.4%

LAB 42.94, -4.49, -18.14

 

CMYK 63 / 28 / 0 / 42

HEX #376A94

RGB 55 106 148

HSL 207.1, 0.46%, 0.4%

LAB 43.15, -3.6, -28.07

 

CMYK 76 / 34 / 0 / 36

HEX #276CA4

RGB 39 108 164

HSL 206.88, 0.62%, 0.4%

LAB 44, -1.66, -36.26

 

CMYK 88 / 39 / 0 / 29

HEX #166EB5

RGB 22 110 181

HSL 206.79, 0.78%, 0.4%

LAB 45.16, 1.97, -44.39

 

CMYK 97 / 44 / 0 / 23

HEX #066FC5

RGB 6 111 197

HSL 207.02, 0.94%, 0.4%

LAB 46.23, 6.91, -51.96

 

CMYK 45 / 20 / 0 / 49

HEX #486983

RGB 72 105 131

HSL 206.44, 0.29%, 0.4%

LAB 42.94, -4.49, -18.14

 

CMYK 23 / 10 / 0 / 55

HEX #586773

RGB 88 103 115

HSL 206.67, 0.13%, 0.4%

LAB 42.78, -2.76, -8.62

 

CMYK 0 / 4 / 7 / 59

HEX #696562

RGB 105 101 98

HSL 25.71, 0.03%, 0.4%

LAB 43.05, 0.98, 2.25

 

CMYK 0 / 18 / 32 / 53

HEX #796352

RGB 121 99 82

HSL 26.15, 0.19%, 0.4%

LAB 43.65, 6.12, 12.98

 

CMYK 0 / 29 / 53 / 46

HEX #8A6241

RGB 138 98 65

HSL 27.12, 0.36%, 0.4%

LAB 44.97, 12.14, 25.11

 

CMYK 45 / 0 / 5 / 49

HEX #48837D

RGB 72 131 125

HSL 173.9, 0.29%, 0.4%

LAB 50.79, -20.8, -2.77

 

CMYK 45 / 8 / 0 / 49

HEX #487983

RGB 72 121 131

HSL 190.17, 0.29%, 0.4%

LAB 47.87, -13.73, -10.66

 

CMYK 45 / 20 / 0 / 49

HEX #486983

RGB 72 105 131

HSL 206.44, 0.29%, 0.4%

LAB 42.94, -4.49, -18.14

 

CMYK 45 / 31 / 0 / 49

HEX #485A83

RGB 72 90 131

HSL 221.69, 0.29%, 0.4%

LAB 38.43, 4.75, -25.13

 

CMYK 45 / 44 / 0 / 49

HEX #484A83

RGB 72 74 131

HSL 237.97, 0.29%, 0.4%

LAB 33.8, 15.05, -32.4

 

CMYK 45 / 21 / 0 / 69

HEX #2B3E4E

RGB 43 62 78

HSL 207.43, 0.29%, 0.24%

LAB 25.29, -2.69, -12.1

 

CMYK 45 / 20 / 0 / 59

HEX #395368

RGB 57 83 104

HSL 206.81, 0.29%, 0.32%

LAB 34.1, -3.61, -15.21

 

CMYK 45 / 20 / 0 / 49

HEX #486983

RGB 72 105 131

HSL 206.44, 0.29%, 0.4%

LAB 42.94, -4.49, -18.14

 

CMYK 45 / 20 / 0 / 38

HEX #577E9E

RGB 87 126 158

HSL 207.04, 0.29%, 0.48%

LAB 51.17, -4.74, -21.41

 

CMYK 37 / 17 / 0 / 31

HEX #6E92AF

RGB 110 146 175

HSL 206.77, 0.29%, 0.56%

LAB 58.94, -5.06, -19.18

 

CMYK 45 / 20 / 0 / 49

HEX #486882

RGB 72 104 130

HSL 206.9, 0.29%, 0.4%

LAB 42.6, -4.19, -18.07

 

CMYK 17 / 45 / 0 / 49

HEX #6D4883

RGB 109 72 131

HSL 277.63, 0.29%, 0.4%

LAB 36.98, 27.42, -27.15

 

CMYK 2 / 0 / 45 / 49

HEX #818348

RGB 129 131 72

HSL 62.03, 0.29%, 0.4%

LAB 53.35, -10, 31.53

 

CMYK 45 / 20 / 0 / 49

HEX #486882

RGB 72 104 130

HSL 206.9, 0.29%, 0.4%

LAB 42.6, -4.19, -18.07

 

CMYK 0 / 45 / 20 / 49

HEX #834869

RGB 131 72 105

HSL 326.44, 0.29%, 0.4%

LAB 38.69, 29.74, -8.16

 

CMYK 20 / 0 / 45 / 49

HEX #698348

RGB 105 131 72

HSL 86.44, 0.29%, 0.4%

LAB 51.5, -20.08, 28.82

 

CMYK 45 / 20 / 0 / 49

HEX #486882

RGB 72 104 130

HSL 206.9, 0.29%, 0.4%

LAB 42.6, -4.19, -18.07

 

CMYK 17 / 45 / 0 / 49

HEX #6D4883

RGB 109 72 131

HSL 277.63, 0.29%, 0.4%

LAB 36.98, 27.42, -27.15

 

CMYK 0 / 25 / 45 / 49

HEX #836248

RGB 131 98 72

HSL 26.44, 0.29%, 0.4%

LAB 44.27, 9.78, 19.97

 

CMYK 28 / 0 / 45 / 49

HEX #5E8348

RGB 94 131 72

HSL 97.63, 0.29%, 0.4%

LAB 50.78, -24.41, 27.76

 

CMYK 45 / 20 / 0 / 49

HEX #486882

RGB 72 104 130

HSL 206.9, 0.29%, 0.4%

LAB 42.6, -4.19, -18.07

 

CMYK 3 / 45 / 0 / 49

HEX #7F4883

RGB 127 72 131

HSL 295.93, 0.29%, 0.4%

LAB 39.22, 33.19, -23.49

 

CMYK 0 / 25 / 45 / 49

HEX #836248

RGB 131 98 72

HSL 26.44, 0.29%, 0.4%

LAB 44.27, 9.78, 19.97

 

CMYK 42 / 0 / 45 / 49

HEX #4C8348

RGB 76 131 72

HSL 115.93, 0.29%, 0.4%

LAB 49.78, -30.87, 26.28

 

Description

Color code: HEX #486882 | qconv.com Color code: HEX #486882 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 104 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 104 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 20 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 20% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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