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Color name
HEX #486C0D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #486C0D it is the complementary color #B793F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #486C0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #486C0D shade: #4D6C08, #5E7E1B, #6F902E, #80A241 and #91B454

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #486C0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #486C0D shade: #486C0D, #375A00, #264800, #153600 and #042400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #486C0D shade: #486D0C, #626D0C, #6D5E0C, #6D430C and #6D290C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #486C0D shade: #486D0C, #2E6D0C, #146D0C, #0C6D1F and #0C6D39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #486C0D shade matches the following richer shades: #486D0C and #4B7702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #486C0D shade: #486D0C, #466316, #445920, #414F2A and #3F4534

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #486C0D shade: #6D5D0C, #636D0C, #4A6D0C, #306D0C and #166D0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #486C0D shade: #172304, #304808, #486D0C, #619211 and #7AB715

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #486C0D shade: #486C0D, #0C6D43 and #6A0C6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #486C0D shade: #486C0D, #0C4A6D and #6D0C4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #486C0D shade: #486C0D, #0C6D43, #300C6D and #6D0C36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #486C0D shade: #486C0D, #0C6D60, #300C6D and #6D0C19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 88 / 58

HEX #486C0D

RGB 72 108 13

HSL 82.74, 0.79%, 0.24%

LAB 41.42, -27.42, 43.76

 

Complementary color

CMYK 24 / 39 / 0 / 5

HEX #B793F2

RGB 183 147 242

HSL 262.74, 0.79%, 0.76%

LAB 67.54, 32.47, -42.82

 

CMYK 29 / 0 / 93 / 58

HEX #4D6C08

RGB 77 108 8

HSL 78.6, 0.86%, 0.23%

LAB 41.72, -25.49, 45.36

 

CMYK 25 / 0 / 79 / 51

HEX #5E7E1B

RGB 94 126 27

HSL 79.39, 0.65%, 0.3%

LAB 48.74, -26.3, 46.57

 

CMYK 23 / 0 / 68 / 44

HEX #6F902E

RGB 111 144 46

HSL 80.2, 0.52%, 0.37%

LAB 55.61, -26.82, 46.4

 

CMYK 21 / 0 / 60 / 36

HEX #80A241

RGB 128 162 65

HSL 81.03, 0.43%, 0.45%

LAB 62.35, -27.14, 45.61

 

CMYK 19 / 0 / 53 / 29

HEX #91B454

RGB 145 180 84

HSL 81.88, 0.39%, 0.52%

LAB 68.97, -27.34, 44.57

 

CMYK 33 / 0 / 88 / 58

HEX #486C0D

RGB 72 108 13

HSL 82.74, 0.79%, 0.24%

LAB 41.42, -27.42, 43.76

 

CMYK 39 / 0 / 100 / 65

HEX #375A00

RGB 55 90 0

HSL 83.33, 1%, 0.18%

LAB 34.24, -26.36, 41

 

CMYK 47 / 0 / 100 / 72

HEX #264800

RGB 38 72 0

HSL 88.33, 1%, 0.14%

LAB 26.87, -24.74, 34.74

 

CMYK 61 / 0 / 100 / 79

HEX #153600

RGB 21 54 0

HSL 96.67, 1%, 0.11%

LAB 19.22, -22.89, 26.63

 

CMYK 89 / 0 / 100 / 86

HEX #042400

RGB 4 36 0

HSL 113.33, 1%, 0.07%

LAB 11.19, -20.33, 16.25

 

CMYK 34 / 0 / 89 / 57

HEX #486D0C

RGB 72 109 12

HSL 82.89, 0.8%, 0.24%

LAB 41.75, -27.94, 44.31

 

CMYK 10 / 0 / 89 / 57

HEX #626D0C

RGB 98 109 12

HSL 66.8, 0.8%, 0.24%

LAB 43.6, -16.42, 46.61

 

CMYK 0 / 14 / 89 / 57

HEX #6D5E0C

RGB 109 94 12

HSL 50.72, 0.8%, 0.24%

LAB 40.05, -2.65, 44.06

 

CMYK 0 / 39 / 89 / 57

HEX #6D430C

RGB 109 67 12

HSL 34.02, 0.8%, 0.24%

LAB 32.46, 13.65, 37.69

 

CMYK 0 / 62 / 89 / 57

HEX #6D290C

RGB 109 41 12

HSL 17.94, 0.8%, 0.24%

LAB 26.34, 28.72, 32.42

 

CMYK 34 / 0 / 89 / 57

HEX #486D0C

RGB 72 109 12

HSL 82.89, 0.8%, 0.24%

LAB 41.75, -27.94, 44.31

 

CMYK 58 / 0 / 89 / 57

HEX #2E6D0C

RGB 46 109 12

HSL 98.97, 0.8%, 0.24%

LAB 40.48, -37.31, 42.71

 

CMYK 82 / 0 / 89 / 57

HEX #146D0C

RGB 20 109 12

HSL 115.05, 0.8%, 0.24%

LAB 39.77, -43.27, 41.8

 

CMYK 89 / 0 / 72 / 57

HEX #0C6D1F

RGB 12 109 31

HSL 131.75, 0.8%, 0.24%

LAB 39.77, -42.79, 34.88

 

CMYK 89 / 0 / 48 / 57

HEX #0C6D39

RGB 12 109 57

HSL 147.84, 0.8%, 0.24%

LAB 40.1, -38.83, 21.82

 

CMYK 34 / 0 / 89 / 57

HEX #486D0C

RGB 72 109 12

HSL 82.89, 0.8%, 0.24%

LAB 41.75, -27.94, 44.31

 

CMYK 37 / 0 / 98 / 53

HEX #4B7702

RGB 75 119 2

HSL 82.56, 0.97%, 0.24%

LAB 45.21, -31.73, 49.52

 

CMYK 34 / 0 / 89 / 57

HEX #486D0C

RGB 72 109 12

HSL 82.89, 0.8%, 0.24%

LAB 41.75, -27.94, 44.31

 

CMYK 29 / 0 / 78 / 61

HEX #466316

RGB 70 99 22

HSL 82.6, 0.64%, 0.24%

LAB 38.35, -23.36, 37.87

 

CMYK 24 / 0 / 64 / 65

HEX #445920

RGB 68 89 32

HSL 82.11, 0.47%, 0.24%

LAB 34.96, -18.19, 29.72

 

CMYK 18 / 0 / 47 / 69

HEX #414F2A

RGB 65 79 42

HSL 82.7, 0.31%, 0.24%

LAB 31.54, -12.77, 20.02

 

CMYK 9 / 0 / 25 / 73

HEX #3F4534

RGB 63 69 52

HSL 81.18, 0.14%, 0.24%

LAB 28.28, -6.06, 9.47

 

CMYK 0 / 15 / 89 / 57

HEX #6D5D0C

RGB 109 93 12

HSL 50.1, 0.8%, 0.24%

LAB 39.76, -2.06, 43.82

 

CMYK 9 / 0 / 89 / 57

HEX #636D0C

RGB 99 109 12

HSL 66.19, 0.8%, 0.24%

LAB 43.68, -15.95, 46.71

 

CMYK 32 / 0 / 89 / 57

HEX #4A6D0C

RGB 74 109 12

HSL 81.65, 0.8%, 0.24%

LAB 41.88, -27.11, 44.46

 

CMYK 56 / 0 / 89 / 57

HEX #306D0C

RGB 48 109 12

HSL 97.73, 0.8%, 0.24%

LAB 40.56, -36.7, 42.8

 

CMYK 80 / 0 / 89 / 57

HEX #166D0C

RGB 22 109 12

HSL 113.81, 0.8%, 0.24%

LAB 39.81, -42.95, 41.84

 

CMYK 34 / 0 / 89 / 86

HEX #172304

RGB 23 35 4

HSL 83.23, 0.79%, 0.08%

LAB 11.91, -11.62, 15.78

 

CMYK 33 / 0 / 89 / 72

HEX #304808

RGB 48 72 8

HSL 82.5, 0.8%, 0.16%

LAB 27.52, -19.98, 32.33

 

CMYK 34 / 0 / 89 / 57

HEX #486D0C

RGB 72 109 12

HSL 82.89, 0.8%, 0.24%

LAB 41.75, -27.94, 44.31

 

CMYK 34 / 0 / 88 / 43

HEX #619211

RGB 97 146 17

HSL 82.79, 0.79%, 0.32%

LAB 55.22, -34.92, 55.26

 

CMYK 33 / 0 / 89 / 28

HEX #7AB715

RGB 122 183 21

HSL 82.59, 0.79%, 0.4%

LAB 68.06, -41.58, 65.85

 

CMYK 33 / 0 / 88 / 58

HEX #486C0D

RGB 72 108 13

HSL 82.74, 0.79%, 0.24%

LAB 41.42, -27.42, 43.76

 

CMYK 89 / 0 / 39 / 57

HEX #0C6D43

RGB 12 109 67

HSL 154.02, 0.8%, 0.24%

LAB 40.28, -36.73, 16.29

 

CMYK 3 / 89 / 0 / 57

HEX #6A0C6D

RGB 106 12 109

HSL 298.14, 0.8%, 0.24%

LAB 25.05, 49.57, -32.19

 

CMYK 33 / 0 / 88 / 58

HEX #486C0D

RGB 72 108 13

HSL 82.74, 0.79%, 0.24%

LAB 41.42, -27.42, 43.76

 

CMYK 89 / 32 / 0 / 57

HEX #0C4A6D

RGB 12 74 109

HSL 201.65, 0.8%, 0.24%

LAB 29.61, -4.86, -25.47

 

CMYK 0 / 89 / 32 / 57

HEX #6D0C4A

RGB 109 12 74

HSL 321.65, 0.8%, 0.24%

LAB 23.7, 44.99, -11.09

 

CMYK 33 / 0 / 88 / 58

HEX #486C0D

RGB 72 108 13

HSL 82.74, 0.79%, 0.24%

LAB 41.42, -27.42, 43.76

 

CMYK 89 / 0 / 39 / 57

HEX #0C6D43

RGB 12 109 67

HSL 154.02, 0.8%, 0.24%

LAB 40.28, -36.73, 16.29

 

CMYK 56 / 89 / 0 / 57

HEX #300C6D

RGB 48 12 109

HSL 262.27, 0.8%, 0.24%

LAB 15.46, 39.89, -48.21

 

CMYK 0 / 89 / 50 / 57

HEX #6D0C36

RGB 109 12 54

HSL 334.02, 0.8%, 0.24%

LAB 22.93, 42.81, 1.51

 

CMYK 33 / 0 / 88 / 58

HEX #486C0D

RGB 72 108 13

HSL 82.74, 0.79%, 0.24%

LAB 41.42, -27.42, 43.76

 

CMYK 89 / 0 / 12 / 57

HEX #0C6D60

RGB 12 109 96

HSL 171.96, 0.8%, 0.24%

LAB 40.99, -29.01, -0.09

 

CMYK 56 / 89 / 0 / 57

HEX #300C6D

RGB 48 12 109

HSL 262.27, 0.8%, 0.24%

LAB 15.46, 39.89, -48.21

 

CMYK 0 / 89 / 77 / 57

HEX #6D0C19

RGB 109 12 25

HSL 351.96, 0.8%, 0.24%

LAB 22.25, 40.8, 20.67

 

Description

Color code: HEX #486C0D | qconv.com Color code: HEX #486C0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 108 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 108 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 88 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 88% 58% C M Y K

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Provide designers and agencies with accurate color values.

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