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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #487509 it is the complementary color #B78AF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #487509. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #487509 shade: #4D7504, #5E8717, #6F992A, #80AB3D and #91BD50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #487509. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #487509 shade: #487509, #376300, #265100, #153F00 and #042D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #487509 shade: #487608, #667608, #766908, #764B08 and #762D08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #487509 shade: #487608, #2B7608, #0D7608, #087621 and #08763F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #487509 shade matches the following richer shades: #487608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #487509 shade: #487608, #476C13, #45611D, #435727 and #424D32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #487509 shade: #766908, #667608, #487608, #2B7608 and #0E7608

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #487509 shade: #192903, #315006, #487608, #609C0B and #78C30E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #487509 shade: #487509, #08764C and #760874

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #487509 shade: #487509, #084876 and #760848

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #487509 shade: #487509, #08764C, #360876 and #760832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #487509 shade: #487509, #08766D, #360876 and #760812

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 92 / 54

HEX #487509

RGB 72 117 9

HSL 85, 0.86%, 0.25%

LAB 44.4, -31.77, 47.26

 

Complementary color

CMYK 26 / 44 / 0 / 4

HEX #B78AF6

RGB 183 138 246

HSL 265, 0.86%, 0.75%

LAB 65.67, 38.4, -47.95

 

CMYK 34 / 0 / 97 / 54

HEX #4D7504

RGB 77 117 4

HSL 81.24, 0.93%, 0.24%

LAB 44.67, -29.94, 48.7

 

CMYK 30 / 0 / 83 / 47

HEX #5E8717

RGB 94 135 23

HSL 81.96, 0.71%, 0.31%

LAB 51.58, -30.82, 50.48

 

CMYK 27 / 0 / 73 / 40

HEX #6F992A

RGB 111 153 42

HSL 82.7, 0.57%, 0.38%

LAB 58.35, -31.41, 50.81

 

CMYK 25 / 0 / 64 / 33

HEX #80AB3D

RGB 128 171 61

HSL 83.45, 0.47%, 0.45%

LAB 65, -31.78, 50.32

 

CMYK 23 / 0 / 58 / 26

HEX #91BD50

RGB 145 189 80

HSL 84.22, 0.45%, 0.53%

LAB 71.55, -32.01, 49.44

 

CMYK 38 / 0 / 92 / 54

HEX #487509

RGB 72 117 9

HSL 85, 0.86%, 0.25%

LAB 44.4, -31.77, 47.26

 

CMYK 44 / 0 / 100 / 61

HEX #376300

RGB 55 99 0

HSL 86.67, 1%, 0.19%

LAB 37.36, -30.52, 43.42

 

CMYK 53 / 0 / 100 / 68

HEX #265100

RGB 38 81 0

HSL 91.85, 1%, 0.16%

LAB 30.15, -28.83, 37.43

 

CMYK 67 / 0 / 100 / 75

HEX #153F00

RGB 21 63 0

HSL 100, 1%, 0.12%

LAB 22.7, -26.82, 30.46

 

CMYK 91 / 0 / 100 / 82

HEX #042D00

RGB 4 45 0

HSL 114.67, 1%, 0.09%

LAB 14.97, -24.34, 21.3

 

CMYK 39 / 0 / 93 / 54

HEX #487608

RGB 72 118 8

HSL 85.09, 0.87%, 0.25%

LAB 44.73, -32.25, 47.75

 

CMYK 14 / 0 / 93 / 54

HEX #667608

RGB 102 118 8

HSL 68.73, 0.87%, 0.25%

LAB 46.71, -19.46, 50.18

 

CMYK 0 / 11 / 93 / 54

HEX #766908

RGB 118 105 8

HSL 52.91, 0.87%, 0.25%

LAB 44.19, -4.73, 48.78

 

CMYK 0 / 36 / 93 / 54

HEX #764B08

RGB 118 75 8

HSL 36.55, 0.87%, 0.25%

LAB 35.79, 13.04, 42.23

 

CMYK 0 / 62 / 93 / 54

HEX #762D08

RGB 118 45 8

HSL 20.18, 0.87%, 0.25%

LAB 28.76, 30.25, 36.81

 

CMYK 39 / 0 / 93 / 54

HEX #487608

RGB 72 118 8

HSL 85.09, 0.87%, 0.25%

LAB 44.73, -32.25, 47.75

 

CMYK 64 / 0 / 93 / 54

HEX #2B7608

RGB 43 118 8

HSL 100.91, 0.87%, 0.25%

LAB 43.49, -41.78, 46.21

 

CMYK 89 / 0 / 93 / 54

HEX #0D7608

RGB 13 118 8

HSL 117.27, 0.87%, 0.25%

LAB 42.85, -47.25, 45.41

 

CMYK 93 / 0 / 72 / 54

HEX #087621

RGB 8 118 33

HSL 133.64, 0.87%, 0.25%

LAB 42.94, -45.95, 37.37

 

CMYK 93 / 0 / 47 / 54

HEX #08763F

RGB 8 118 63

HSL 150, 0.87%, 0.25%

LAB 43.31, -41.43, 22.57

 

CMYK 39 / 0 / 93 / 54

HEX #487608

RGB 72 118 8

HSL 85.09, 0.87%, 0.25%

LAB 44.73, -32.25, 47.75

 

CMYK 39 / 0 / 93 / 54

HEX #487608

RGB 72 118 8

HSL 85.09, 0.87%, 0.25%

LAB 44.73, -32.25, 47.75

 

CMYK 34 / 0 / 82 / 58

HEX #476C13

RGB 71 108 19

HSL 84.94, 0.7%, 0.25%

LAB 41.39, -27.55, 41.9

 

CMYK 29 / 0 / 70 / 62

HEX #45611D

RGB 69 97 29

HSL 84.71, 0.54%, 0.25%

LAB 37.67, -22.24, 34.16

 

CMYK 23 / 0 / 55 / 66

HEX #435727

RGB 67 87 39

HSL 85, 0.38%, 0.25%

LAB 34.31, -16.77, 25.19

 

CMYK 14 / 0 / 35 / 70

HEX #424D32

RGB 66 77 50

HSL 84.44, 0.21%, 0.25%

LAB 31.11, -9.92, 14.61

 

CMYK 0 / 11 / 93 / 54

HEX #766908

RGB 118 105 8

HSL 52.91, 0.87%, 0.25%

LAB 44.19, -4.73, 48.78

 

CMYK 14 / 0 / 93 / 54

HEX #667608

RGB 102 118 8

HSL 68.73, 0.87%, 0.25%

LAB 46.71, -19.46, 50.18

 

CMYK 39 / 0 / 93 / 54

HEX #487608

RGB 72 118 8

HSL 85.09, 0.87%, 0.25%

LAB 44.73, -32.25, 47.75

 

CMYK 64 / 0 / 93 / 54

HEX #2B7608

RGB 43 118 8

HSL 100.91, 0.87%, 0.25%

LAB 43.49, -41.78, 46.21

 

CMYK 88 / 0 / 93 / 54

HEX #0E7608

RGB 14 118 8

HSL 116.73, 0.87%, 0.25%

LAB 42.87, -47.15, 45.42

 

CMYK 39 / 0 / 93 / 84

HEX #192903

RGB 25 41 3

HSL 85.26, 0.86%, 0.09%

LAB 14.4, -14.26, 19.53

 

CMYK 39 / 0 / 93 / 69

HEX #315006

RGB 49 80 6

HSL 85.14, 0.86%, 0.17%

LAB 30.41, -23.71, 35.65

 

CMYK 39 / 0 / 93 / 54

HEX #487608

RGB 72 118 8

HSL 85.09, 0.87%, 0.25%

LAB 44.73, -32.25, 47.75

 

CMYK 38 / 0 / 93 / 39

HEX #609C0B

RGB 96 156 11

HSL 84.83, 0.87%, 0.33%

LAB 58.31, -39.85, 58.94

 

CMYK 38 / 0 / 93 / 24

HEX #78C30E

RGB 120 195 14

HSL 84.86, 0.87%, 0.41%

LAB 71.59, -47.49, 69.83

 

CMYK 38 / 0 / 92 / 54

HEX #487509

RGB 72 117 9

HSL 85, 0.86%, 0.25%

LAB 44.4, -31.77, 47.26

 

CMYK 93 / 0 / 36 / 54

HEX #08764C

RGB 8 118 76

HSL 157.09, 0.87%, 0.25%

LAB 43.55, -38.64, 15.45

 

CMYK 0 / 93 / 2 / 54

HEX #760874

RGB 118 8 116

HSL 301.09, 0.87%, 0.25%

LAB 27.53, 53.85, -32.59

 

CMYK 38 / 0 / 92 / 54

HEX #487509

RGB 72 117 9

HSL 85, 0.86%, 0.25%

LAB 44.4, -31.77, 47.26

 

CMYK 93 / 39 / 0 / 54

HEX #084876

RGB 8 72 118

HSL 205.09, 0.87%, 0.25%

LAB 29.4, -0.11, -31.49

 

CMYK 0 / 93 / 39 / 54

HEX #760848

RGB 118 8 72

HSL 325.09, 0.87%, 0.25%

LAB 25.24, 47.82, -7.22

 

CMYK 38 / 0 / 92 / 54

HEX #487509

RGB 72 117 9

HSL 85, 0.86%, 0.25%

LAB 44.4, -31.77, 47.26

 

CMYK 93 / 0 / 36 / 54

HEX #08764C

RGB 8 118 76

HSL 157.09, 0.87%, 0.25%

LAB 43.55, -38.64, 15.45

 

CMYK 54 / 93 / 0 / 54

HEX #360876

RGB 54 8 118

HSL 265.09, 0.87%, 0.25%

LAB 16.83, 44.33, -51.77

 

CMYK 0 / 93 / 58 / 54

HEX #760832

RGB 118 8 50

HSL 337.09, 0.87%, 0.25%

LAB 24.5, 45.77, 6.78

 

CMYK 38 / 0 / 92 / 54

HEX #487509

RGB 72 117 9

HSL 85, 0.86%, 0.25%

LAB 44.4, -31.77, 47.26

 

CMYK 93 / 0 / 8 / 54

HEX #08766D

RGB 8 118 109

HSL 175.09, 0.87%, 0.25%

LAB 44.39, -29.6, -2.93

 

CMYK 54 / 93 / 0 / 54

HEX #360876

RGB 54 8 118

HSL 265.09, 0.87%, 0.25%

LAB 16.83, 44.33, -51.77

 

CMYK 0 / 93 / 85 / 54

HEX #760812

RGB 118 8 18

HSL 354.55, 0.87%, 0.25%

LAB 23.9, 44.07, 27.56

 

Description

Color code: HEX #487509 | qconv.com Color code: HEX #487509 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 117 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 117 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 92 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 92% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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