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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #487921 it is the complementary color #B786DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #487921. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #487921 shade: #4D791C, #5E8B2F, #6F9D42, #80AF55 and #91C168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #487921. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #487921 shade: #487921, #37670E, #265500, #154300 and #043100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #487921 shade: #477820, #5F7820, #767820, #786220 and #784A20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #487921 shade: #477820, #307820, #207829, #207840 and #207858

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #487921 shade matches the following richer shades: #477820, #468414 and #449008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #487921 shade: #477820, #486B2D, #4A5F39, #4B5246 and #4D4652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #487921 shade: #767820, #5F7820, #487820, #307820 and #207828

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #487921 shade: #20370F, #345718, #477820, #5A9829 and #6EB832

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #487921 shade: #487921, #207862 and #78206B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #487921 shade: #487921, #204878 and #782048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #487921 shade: #487921, #207862, #502078 and #782036

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #487921 shade: #487921, #207378, #502078 and #782520

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 73 / 53

HEX #487921

RGB 72 121 33

HSL 93.41, 0.57%, 0.3%

LAB 45.86, -32.29, 41

 

Complementary color

CMYK 18 / 40 / 0 / 13

HEX #B786DE

RGB 183 134 222

HSL 273.41, 0.57%, 0.7%

LAB 63.67, 35.14, -37.84

 

CMYK 36 / 0 / 77 / 53

HEX #4D791C

RGB 77 121 28

HSL 88.39, 0.62%, 0.29%

LAB 46.09, -30.75, 43.31

 

CMYK 32 / 0 / 66 / 45

HEX #5E8B2F

RGB 94 139 47

HSL 89.35, 0.49%, 0.36%

LAB 53, -31.12, 42.88

 

CMYK 29 / 0 / 58 / 38

HEX #6F9D42

RGB 111 157 66

HSL 90.33, 0.41%, 0.44%

LAB 59.79, -31.29, 41.95

 

CMYK 27 / 0 / 51 / 31

HEX #80AF55

RGB 128 175 85

HSL 91.33, 0.36%, 0.51%

LAB 66.45, -31.34, 40.82

 

CMYK 25 / 0 / 46 / 24

HEX #91C168

RGB 145 193 104

HSL 92.36, 0.42%, 0.58%

LAB 73, -31.31, 39.64

 

CMYK 40 / 0 / 73 / 53

HEX #487921

RGB 72 121 33

HSL 93.41, 0.57%, 0.3%

LAB 45.86, -32.29, 41

 

CMYK 47 / 0 / 86 / 60

HEX #37670E

RGB 55 103 14

HSL 92.36, 0.76%, 0.23%

LAB 38.8, -31.69, 40.78

 

CMYK 55 / 0 / 100 / 67

HEX #265500

RGB 38 85 0

HSL 93.18, 1%, 0.17%

LAB 31.6, -30.56, 38.57

 

CMYK 69 / 0 / 100 / 74

HEX #154300

RGB 21 67 0

HSL 101.19, 1%, 0.13%

LAB 24.24, -28.47, 32.01

 

CMYK 92 / 0 / 100 / 81

HEX #043100

RGB 4 49 0

HSL 115.1, 1%, 0.1%

LAB 16.61, -25.84, 23.37

 

CMYK 41 / 0 / 73 / 53

HEX #477820

RGB 71 120 32

HSL 93.41, 0.58%, 0.3%

LAB 45.47, -32.28, 41

 

CMYK 21 / 0 / 73 / 53

HEX #5F7820

RGB 95 120 32

HSL 77.05, 0.58%, 0.3%

LAB 46.94, -22.57, 42.96

 

CMYK 2 / 0 / 73 / 53

HEX #767820

RGB 118 120 32

HSL 61.36, 0.58%, 0.3%

LAB 48.75, -12.23, 45.36

 

CMYK 0 / 18 / 73 / 53

HEX #786220

RGB 120 98 32

HSL 45, 0.58%, 0.3%

LAB 42.51, 1.21, 39.22

 

CMYK 0 / 38 / 73 / 53

HEX #784A20

RGB 120 74 32

HSL 28.64, 0.58%, 0.3%

LAB 35.97, 15.54, 32.38

 

CMYK 41 / 0 / 73 / 53

HEX #477820

RGB 71 120 32

HSL 93.41, 0.58%, 0.3%

LAB 45.47, -32.28, 41

 

CMYK 60 / 0 / 73 / 53

HEX #307820

RGB 48 120 32

HSL 109.09, 0.58%, 0.3%

LAB 44.47, -39.75, 39.66

 

CMYK 73 / 0 / 66 / 53

HEX #207829

RGB 32 120 41

HSL 126.14, 0.58%, 0.3%

LAB 44.09, -42.54, 35.1

 

CMYK 73 / 0 / 47 / 53

HEX #207840

RGB 32 120 64

HSL 141.82, 0.58%, 0.3%

LAB 44.39, -39.03, 23.47

 

CMYK 73 / 0 / 27 / 53

HEX #207858

RGB 32 120 88

HSL 158.18, 0.58%, 0.3%

LAB 44.86, -33.83, 10.28

 

CMYK 41 / 0 / 73 / 53

HEX #477820

RGB 71 120 32

HSL 93.41, 0.58%, 0.3%

LAB 45.47, -32.28, 41

 

CMYK 47 / 0 / 85 / 48

HEX #468414

RGB 70 132 20

HSL 93.21, 0.74%, 0.3%

LAB 49.32, -38.61, 48.83

 

CMYK 53 / 0 / 94 / 44

HEX #449008

RGB 68 144 8

HSL 93.53, 0.89%, 0.3%

LAB 53.16, -44.51, 54.66

 

CMYK 41 / 0 / 73 / 53

HEX #477820

RGB 71 120 32

HSL 93.41, 0.58%, 0.3%

LAB 45.47, -32.28, 41

 

CMYK 33 / 0 / 58 / 58

HEX #486B2D

RGB 72 107 45

HSL 93.87, 0.41%, 0.3%

LAB 41.35, -24.44, 30.39

 

CMYK 22 / 0 / 40 / 63

HEX #4A5F39

RGB 74 95 57

HSL 93.16, 0.25%, 0.3%

LAB 37.73, -15.66, 19.22

 

CMYK 9 / 0 / 15 / 68

HEX #4B5246

RGB 75 82 70

HSL 95, 0.08%, 0.3%

LAB 33.93, -5.37, 6.1

 

CMYK 6 / 15 / 0 / 68

HEX #4D4652

RGB 77 70 82

HSL 275, 0.08%, 0.3%

LAB 30.8, 5.57, -6.08

 

CMYK 2 / 0 / 73 / 53

HEX #767820

RGB 118 120 32

HSL 61.36, 0.58%, 0.3%

LAB 48.75, -12.23, 45.36

 

CMYK 21 / 0 / 73 / 53

HEX #5F7820

RGB 95 120 32

HSL 77.05, 0.58%, 0.3%

LAB 46.94, -22.57, 42.96

 

CMYK 40 / 0 / 73 / 53

HEX #487820

RGB 72 120 32

HSL 92.73, 0.58%, 0.3%

LAB 45.52, -31.91, 41.07

 

CMYK 60 / 0 / 73 / 53

HEX #307820

RGB 48 120 32

HSL 109.09, 0.58%, 0.3%

LAB 44.47, -39.75, 39.66

 

CMYK 73 / 0 / 67 / 53

HEX #207828

RGB 32 120 40

HSL 125.45, 0.58%, 0.3%

LAB 44.08, -42.66, 35.56

 

CMYK 42 / 0 / 73 / 78

HEX #20370F

RGB 32 55 15

HSL 94.5, 0.57%, 0.14%

LAB 20.34, -17.49, 21.66

 

CMYK 40 / 0 / 72 / 66

HEX #345718

RGB 52 87 24

HSL 93.33, 0.57%, 0.22%

LAB 33.16, -24.69, 31.38

 

CMYK 41 / 0 / 73 / 53

HEX #477820

RGB 71 120 32

HSL 93.41, 0.58%, 0.3%

LAB 45.47, -32.28, 41

 

CMYK 41 / 0 / 73 / 40

HEX #5A9829

RGB 90 152 41

HSL 93.51, 0.58%, 0.38%

LAB 56.87, -38.91, 49.33

 

CMYK 40 / 0 / 73 / 28

HEX #6EB832

RGB 110 184 50

HSL 93.13, 0.57%, 0.46%

LAB 67.89, -44.93, 57.37

 

CMYK 40 / 0 / 73 / 53

HEX #487921

RGB 72 121 33

HSL 93.41, 0.57%, 0.3%

LAB 45.86, -32.29, 41

 

CMYK 73 / 0 / 18 / 53

HEX #207862

RGB 32 120 98

HSL 165, 0.58%, 0.3%

LAB 45.11, -31.24, 4.72

 

CMYK 0 / 73 / 11 / 53

HEX #78206B

RGB 120 32 107

HSL 308.86, 0.58%, 0.3%

LAB 29.63, 46.35, -23.48

 

CMYK 40 / 0 / 73 / 53

HEX #487921

RGB 72 121 33

HSL 93.41, 0.57%, 0.3%

LAB 45.86, -32.29, 41

 

CMYK 73 / 40 / 0 / 53

HEX #204878

RGB 32 72 120

HSL 212.73, 0.58%, 0.3%

LAB 30.15, 3.45, -31.5

 

CMYK 0 / 73 / 40 / 53

HEX #782048

RGB 120 32 72

HSL 332.73, 0.58%, 0.3%

LAB 28.1, 41.41, -2.91

 

CMYK 40 / 0 / 73 / 53

HEX #487921

RGB 72 121 33

HSL 93.41, 0.57%, 0.3%

LAB 45.86, -32.29, 41

 

CMYK 73 / 0 / 18 / 53

HEX #207862

RGB 32 120 98

HSL 165, 0.58%, 0.3%

LAB 45.11, -31.24, 4.72

 

CMYK 33 / 73 / 0 / 53

HEX #502078

RGB 80 32 120

HSL 272.73, 0.58%, 0.3%

LAB 23.98, 39.37, -41.2

 

CMYK 0 / 73 / 55 / 53

HEX #782036

RGB 120 32 54

HSL 345, 0.58%, 0.3%

LAB 27.55, 39.56, 8.38

 

CMYK 40 / 0 / 73 / 53

HEX #487921

RGB 72 121 33

HSL 93.41, 0.57%, 0.3%

LAB 45.86, -32.29, 41

 

CMYK 73 / 4 / 0 / 53

HEX #207378

RGB 32 115 120

HSL 183.41, 0.58%, 0.3%

LAB 44.12, -22.2, -9.88

 

CMYK 33 / 73 / 0 / 53

HEX #502078

RGB 80 32 120

HSL 272.73, 0.58%, 0.3%

LAB 23.98, 39.37, -41.2

 

CMYK 0 / 69 / 73 / 53

HEX #782520

RGB 120 37 32

HSL 3.41, 0.58%, 0.3%

LAB 27.9, 35.83, 23.31

 

Description

Color code: HEX #487921 | qconv.com Color code: HEX #487921 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 121 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 121 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 73 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 73% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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