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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #487B97 it is the complementary color #B78468. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #487B97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #487B97 shade: #4D7B92, #5E8DA5, #6F9FB8, #80B1CB and #91C3DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #487B97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #487B97 shade: #487B97, #376984, #265771, #15455E and #04334B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #487B97 shade: #487B97, #486697, #485197, #554897 and #6A4897

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #487B97 shade: #487B97, #486697, #485197 and #484897

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #487B97 shade matches the following richer shades: #487B97, #3680A9, #2486BB, #128BCD and #0090E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #487B97 shade: #487B97, #5B7685, #6D7173, #7F6B61 and #91664E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #487B97 shade: #489789, #489097, #487B97, #486797 and #485297

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #487B97 shade: #2E4E5F, #3B647B, #487B97, #5A91AF and #75A3BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #487B97 shade: #487B97, #744897 and #979348

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #487B97 shade: #487B97, #97487B and #7B9748

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #487B97 shade: #487B97, #744897, #976448 and #6C9748

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #487B97 shade: #487B97, #8B4897, #976448 and #549748

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

Complementary color

CMYK 0 / 28 / 43 / 28

HEX #B78468

RGB 183 132 104

HSL 21.27, 0.35%, 0.56%

LAB 59.5, 16.06, 22.85

 

CMYK 47 / 16 / 0 / 43

HEX #4D7B92

RGB 77 123 146

HSL 200, 0.31%, 0.44%

LAB 49.28, -9.18, -17.34

 

CMYK 43 / 15 / 0 / 35

HEX #5E8DA5

RGB 94 141 165

HSL 200.28, 0.28%, 0.51%

LAB 56.23, -9.41, -17.68

 

CMYK 40 / 14 / 0 / 28

HEX #6F9FB8

RGB 111 159 184

HSL 200.55, 0.34%, 0.58%

LAB 63.04, -9.57, -18.02

 

CMYK 37 / 13 / 0 / 20

HEX #80B1CB

RGB 128 177 203

HSL 200.8, 0.42%, 0.65%

LAB 69.71, -9.71, -18.36

 

CMYK 35 / 12 / 0 / 13

HEX #91C3DE

RGB 145 195 222

HSL 201.04, 0.54%, 0.72%

LAB 76.27, -9.81, -18.7

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 58 / 20 / 0 / 48

HEX #376984

RGB 55 105 132

HSL 201.04, 0.41%, 0.37%

LAB 42.13, -8.42, -20.07

 

CMYK 66 / 23 / 0 / 56

HEX #265771

RGB 38 87 113

HSL 200.8, 0.5%, 0.3%

LAB 34.84, -7.71, -19.76

 

CMYK 78 / 27 / 0 / 63

HEX #15455E

RGB 21 69 94

HSL 200.55, 0.63%, 0.23%

LAB 27.36, -6.6, -19.4

 

CMYK 95 / 32 / 0 / 71

HEX #04334B

RGB 4 51 75

HSL 200.28, 0.9%, 0.15%

LAB 19.64, -4.87, -18.99

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 52 / 32 / 0 / 41

HEX #486697

RGB 72 102 151

HSL 217.22, 0.35%, 0.44%

LAB 42.94, 3.65, -30.13

 

CMYK 52 / 46 / 0 / 41

HEX #485197

RGB 72 81 151

HSL 233.16, 0.35%, 0.44%

LAB 36.92, 17.02, -39.64

 

CMYK 44 / 52 / 0 / 41

HEX #554897

RGB 85 72 151

HSL 249.87, 0.35%, 0.44%

LAB 35.6, 25.97, -41.7

 

CMYK 30 / 52 / 0 / 41

HEX #6A4897

RGB 106 72 151

HSL 265.82, 0.35%, 0.44%

LAB 37.72, 31.53, -38.19

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 52 / 32 / 0 / 41

HEX #486697

RGB 72 102 151

HSL 217.22, 0.35%, 0.44%

LAB 42.94, 3.65, -30.13

 

CMYK 52 / 46 / 0 / 41

HEX #485197

RGB 72 81 151

HSL 233.16, 0.35%, 0.44%

LAB 36.92, 17.02, -39.64

 

CMYK 52 / 52 / 0 / 41

HEX #484897

RGB 72 72 151

HSL 240, 0.35%, 0.44%

LAB 34.49, 22.85, -43.54

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 68 / 24 / 0 / 34

HEX #3680A9

RGB 54 128 169

HSL 201.39, 0.52%, 0.44%

LAB 50.79, -9.51, -28.51

 

CMYK 81 / 28 / 0 / 27

HEX #2486BB

RGB 36 134 187

HSL 201.06, 0.68%, 0.44%

LAB 52.96, -8.95, -35.51

 

CMYK 91 / 32 / 0 / 20

HEX #128BCD

RGB 18 139 205

HSL 201.18, 0.84%, 0.44%

LAB 55.07, -6.49, -42.44

 

CMYK 100 / 36 / 0 / 12

HEX #0090E0

RGB 0 144 224

HSL 201.43, 1%, 0.44%

LAB 57.39, -2.86, -49.44

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 32 / 11 / 0 / 48

HEX #5B7685

RGB 91 118 133

HSL 201.43, 0.19%, 0.44%

LAB 48.1, -5.94, -11.38

 

CMYK 5 / 2 / 0 / 55

HEX #6D7173

RGB 109 113 115

HSL 200, 0.03%, 0.44%

LAB 47.36, -1.1, -1.64

 

CMYK 0 / 16 / 24 / 50

HEX #7F6B61

RGB 127 107 97

HSL 20, 0.13%, 0.44%

LAB 46.83, 6.22, 8.54

 

CMYK 0 / 30 / 46 / 43

HEX #91664E

RGB 145 102 78

HSL 21.49, 0.3%, 0.44%

LAB 47.07, 14.23, 20.44

 

CMYK 52 / 0 / 9 / 41

HEX #489789

RGB 72 151 137

HSL 169.37, 0.35%, 0.44%

LAB 57.38, -27.83, -0.04

 

CMYK 52 / 5 / 0 / 41

HEX #489097

RGB 72 144 151

HSL 185.32, 0.35%, 0.44%

LAB 55.64, -20.45, -10.64

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 52 / 32 / 0 / 41

HEX #486797

RGB 72 103 151

HSL 216.46, 0.35%, 0.44%

LAB 43.23, 3.03, -29.67

 

CMYK 52 / 46 / 0 / 41

HEX #485297

RGB 72 82 151

HSL 232.41, 0.35%, 0.44%

LAB 37.2, 16.37, -39.2

 

CMYK 52 / 18 / 0 / 63

HEX #2E4E5F

RGB 46 78 95

HSL 200.82, 0.35%, 0.28%

LAB 31.48, -6.48, -13.6

 

CMYK 52 / 19 / 0 / 52

HEX #3B647B

RGB 59 100 123

HSL 201.56, 0.35%, 0.36%

LAB 40.37, -7.43, -17.31

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 49 / 17 / 0 / 31

HEX #5A91AF

RGB 90 145 175

HSL 201.18, 0.35%, 0.52%

LAB 57.58, -9.78, -21.36

 

CMYK 38 / 13 / 0 / 26

HEX #75A3BC

RGB 117 163 188

HSL 201.13, 0.35%, 0.6%

LAB 64.65, -9.06, -17.79

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 23 / 52 / 0 / 41

HEX #744897

RGB 116 72 151

HSL 273.42, 0.35%, 0.44%

LAB 38.87, 34.34, -36.3

 

CMYK 0 / 3 / 52 / 41

HEX #979348

RGB 151 147 72

HSL 56.96, 0.35%, 0.44%

LAB 59.81, -9.15, 39.77

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 0 / 52 / 19 / 41

HEX #97487B

RGB 151 72 123

HSL 321.27, 0.35%, 0.44%

LAB 42.22, 39.62, -13.68

 

CMYK 19 / 0 / 52 / 41

HEX #7B9748

RGB 123 151 72

HSL 81.27, 0.35%, 0.44%

LAB 58.8, -23.03, 38.04

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 23 / 52 / 0 / 41

HEX #744897

RGB 116 72 151

HSL 273.42, 0.35%, 0.44%

LAB 38.87, 34.34, -36.3

 

CMYK 0 / 34 / 52 / 41

HEX #976448

RGB 151 100 72

HSL 21.27, 0.35%, 0.44%

LAB 47.19, 17.36, 24.22

 

CMYK 28 / 0 / 52 / 41

HEX #6C9748

RGB 108 151 72

HSL 92.66, 0.35%, 0.44%

LAB 57.84, -28.91, 36.66

 

CMYK 52 / 19 / 0 / 41

HEX #487B97

RGB 72 123 151

HSL 201.27, 0.35%, 0.44%

LAB 49.23, -8.91, -20.38

 

CMYK 8 / 52 / 0 / 41

HEX #8B4897

RGB 139 72 151

HSL 290.89, 0.35%, 0.44%

LAB 41.78, 40.98, -31.51

 

CMYK 0 / 34 / 52 / 41

HEX #976448

RGB 151 100 72

HSL 21.27, 0.35%, 0.44%

LAB 47.19, 17.36, 24.22

 

CMYK 44 / 0 / 52 / 41

HEX #549748

RGB 84 151 72

HSL 110.89, 0.35%, 0.44%

LAB 56.57, -37.35, 34.83

 

Description

Color code: HEX #487B97 | qconv.com Color code: HEX #487B97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 123 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 123 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 19 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 19% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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