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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #487E10 it is the complementary color #B781EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #487E10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #487E10 shade: #4D7E0B, #5E901E, #6FA231, #80B444 and #91C657

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #487E10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #487E10 shade: #487E10, #376C00, #265A00, #154800 and #043600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #487E10 shade: #487E10, #667E10, #7E7910, #7E5B10 and #7E3D10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #487E10 shade: #487E10, #2A7E10, #107E13, #107E31 and #107E4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #487E10 shade matches the following richer shades: #487E10 and #488904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #487E10 shade: #487E10, #48721B, #476727, #475B33 and #47503E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #487E10 shade: #7E7810, #667E10, #497E10, #2B7E10 and #107E12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #487E10 shade: #1E3506, #33590B, #487E10, #5DA215 and #72C719

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #487E10 shade: #487E10, #107E5B and #7E1075

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #487E10 shade: #487E10, #10497E and #7E1049

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #487E10 shade: #487E10, #107E5B, #45107E and #7E1033

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #487E10 shade: #487E10, #107E7C, #45107E and #7E1012

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

Complementary color

CMYK 23 / 46 / 0 / 6

HEX #B781EF

RGB 183 129 239

HSL 269.45, 0.77%, 0.72%

LAB 63.34, 41.72, -47.77

 

CMYK 39 / 0 / 91 / 51

HEX #4D7E0B

RGB 77 126 11

HSL 85.57, 0.84%, 0.27%

LAB 47.65, -33.84, 49.69

 

CMYK 35 / 0 / 79 / 44

HEX #5E901E

RGB 94 144 30

HSL 86.32, 0.66%, 0.34%

LAB 54.47, -34.61, 50.97

 

CMYK 31 / 0 / 70 / 36

HEX #6FA231

RGB 111 162 49

HSL 87.08, 0.54%, 0.41%

LAB 61.17, -35.08, 50.95

 

CMYK 29 / 0 / 62 / 29

HEX #80B444

RGB 128 180 68

HSL 87.86, 0.45%, 0.49%

LAB 67.76, -35.36, 50.29

 

CMYK 27 / 0 / 56 / 22

HEX #91C657

RGB 145 198 87

HSL 88.65, 0.49%, 0.56%

LAB 74.25, -35.5, 49.33

 

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

CMYK 49 / 0 / 100 / 58

HEX #376C00

RGB 55 108 0

HSL 89.44, 1%, 0.21%

LAB 40.47, -34.45, 45.84

 

CMYK 58 / 0 / 100 / 65

HEX #265A00

RGB 38 90 0

HSL 94.67, 1%, 0.18%

LAB 33.4, -32.66, 39.98

 

CMYK 71 / 0 / 100 / 72

HEX #154800

RGB 21 72 0

HSL 102.5, 1%, 0.14%

LAB 26.14, -30.47, 33.81

 

CMYK 93 / 0 / 100 / 79

HEX #043600

RGB 4 54 0

HSL 115.56, 1%, 0.11%

LAB 18.65, -27.67, 25.82

 

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

CMYK 19 / 0 / 87 / 51

HEX #667E10

RGB 102 126 16

HSL 73.09, 0.77%, 0.28%

LAB 49.23, -23.34, 50.52

 

CMYK 0 / 4 / 87 / 51

HEX #7E7910

RGB 126 121 16

HSL 57.27, 0.77%, 0.28%

LAB 49.67, -9.7, 51.68

 

CMYK 0 / 28 / 87 / 51

HEX #7E5B10

RGB 126 91 16

HSL 40.91, 0.77%, 0.28%

LAB 41.14, 7.54, 44.53

 

CMYK 0 / 52 / 87 / 51

HEX #7E3D10

RGB 126 61 16

HSL 24.55, 0.77%, 0.28%

LAB 33.59, 25.16, 38.07

 

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

CMYK 67 / 0 / 87 / 51

HEX #2A7E10

RGB 42 126 16

HSL 105.82, 0.77%, 0.28%

LAB 46.25, -44.63, 46.75

 

CMYK 87 / 0 / 85 / 51

HEX #107E13

RGB 16 126 19

HSL 121.64, 0.77%, 0.28%

LAB 45.74, -48.92, 45.28

 

CMYK 87 / 0 / 61 / 51

HEX #107E31

RGB 16 126 49

HSL 138, 0.77%, 0.28%

LAB 45.98, -45.96, 33.31

 

CMYK 87 / 0 / 37 / 51

HEX #107E4F

RGB 16 126 79

HSL 154.36, 0.77%, 0.28%

LAB 46.44, -40.52, 17.64

 

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

CMYK 47 / 0 / 97 / 46

HEX #488904

RGB 72 137 4

HSL 89.32, 0.94%, 0.28%

LAB 51.01, -40.54, 53.67

 

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

CMYK 37 / 0 / 76 / 55

HEX #48721B

RGB 72 114 27

HSL 88.97, 0.62%, 0.28%

LAB 43.49, -29.5, 41.03

 

CMYK 31 / 0 / 62 / 60

HEX #476727

RGB 71 103 39

HSL 90, 0.45%, 0.28%

LAB 39.89, -23.5, 31.78

 

CMYK 22 / 0 / 44 / 64

HEX #475B33

RGB 71 91 51

HSL 90, 0.28%, 0.28%

LAB 36.1, -15.62, 20.6

 

CMYK 11 / 0 / 23 / 69

HEX #47503E

RGB 71 80 62

HSL 90, 0.13%, 0.28%

LAB 32.75, -7.41, 9.43

 

CMYK 0 / 5 / 87 / 51

HEX #7E7810

RGB 126 120 16

HSL 56.73, 0.77%, 0.28%

LAB 49.38, -9.15, 51.43

 

CMYK 19 / 0 / 87 / 51

HEX #667E10

RGB 102 126 16

HSL 73.09, 0.77%, 0.28%

LAB 49.23, -23.34, 50.52

 

CMYK 42 / 0 / 87 / 51

HEX #497E10

RGB 73 126 16

HSL 88.91, 0.77%, 0.28%

LAB 47.46, -35.15, 48.3

 

CMYK 66 / 0 / 87 / 51

HEX #2B7E10

RGB 43 126 16

HSL 105.27, 0.77%, 0.28%

LAB 46.27, -44.39, 46.79

 

CMYK 87 / 0 / 86 / 51

HEX #107E12

RGB 16 126 18

HSL 121.09, 0.77%, 0.28%

LAB 45.74, -48.98, 45.56

 

CMYK 43 / 0 / 89 / 79

HEX #1E3506

RGB 30 53 6

HSL 89.36, 0.8%, 0.12%

LAB 19.37, -18.18, 24.5

 

CMYK 43 / 0 / 88 / 65

HEX #33590B

RGB 51 89 11

HSL 89.23, 0.78%, 0.2%

LAB 33.72, -26.97, 37.01

 

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

CMYK 43 / 0 / 87 / 36

HEX #5DA215

RGB 93 162 21

HSL 89.36, 0.77%, 0.36%

LAB 60.09, -43.14, 58.48

 

CMYK 43 / 0 / 87 / 22

HEX #72C719

RGB 114 199 25

HSL 89.31, 0.78%, 0.44%

LAB 72.56, -50.86, 68.72

 

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

CMYK 87 / 0 / 28 / 51

HEX #107E5B

RGB 16 126 91

HSL 160.91, 0.77%, 0.28%

LAB 46.69, -37.68, 11.04

 

CMYK 0 / 87 / 7 / 51

HEX #7E1075

RGB 126 16 117

HSL 304.91, 0.77%, 0.28%

LAB 29.64, 54.11, -29.79

 

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

CMYK 87 / 42 / 0 / 51

HEX #10497E

RGB 16 73 126

HSL 208.91, 0.77%, 0.28%

LAB 30.36, 3.21, -34.96

 

CMYK 0 / 87 / 42 / 51

HEX #7E1049

RGB 126 16 73

HSL 328.91, 0.77%, 0.28%

LAB 27.54, 48.32, -4.27

 

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

CMYK 87 / 0 / 28 / 51

HEX #107E5B

RGB 16 126 91

HSL 160.91, 0.77%, 0.28%

LAB 46.69, -37.68, 11.04

 

CMYK 45 / 87 / 0 / 51

HEX #45107E

RGB 69 16 126

HSL 268.91, 0.77%, 0.28%

LAB 20.6, 45.7, -50.59

 

CMYK 0 / 87 / 60 / 51

HEX #7E1033

RGB 126 16 51

HSL 340.91, 0.77%, 0.28%

LAB 26.86, 46.36, 9.65

 

CMYK 43 / 0 / 87 / 51

HEX #487E10

RGB 72 126 16

HSL 89.45, 0.77%, 0.28%

LAB 47.41, -35.52, 48.23

 

CMYK 87 / 0 / 2 / 51

HEX #107E7C

RGB 16 126 124

HSL 178.91, 0.77%, 0.28%

LAB 47.61, -28.22, -7.07

 

CMYK 45 / 87 / 0 / 51

HEX #45107E

RGB 69 16 126

HSL 268.91, 0.77%, 0.28%

LAB 20.6, 45.7, -50.59

 

CMYK 0 / 87 / 86 / 51

HEX #7E1012

RGB 126 16 18

HSL 358.91, 0.77%, 0.28%

LAB 26.3, 44.7, 30.51

 

Description

Color code: HEX #487E10 | qconv.com Color code: HEX #487E10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 126 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 126 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 87 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 87% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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