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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #487EA5 it is the complementary color #B7815A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #487EA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #487EA5 shade: #4D7EA0, #5E90B3, #6FA2C6, #80B4D9 and #91C6EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #487EA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #487EA5 shade: #487EA5, #376C92, #265A7F, #15486C and #043659

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #487EA5 shade: #477CA3, #4764A3, #474BA3, #5C47A3 and #7547A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #487EA5 shade: #477CA3, #4764A3, #474BA3 and #4747A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #487EA5 shade matches the following richer shades: #477CA3, #347FB6, #2182C9 and #0E85DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #487EA5 shade: #477CA3, #5A7990, #6D767D, #80736A and #937057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #487EA5 shade: #47A398, #4795A3, #477CA3, #4764A3 and #474CA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #487EA5 shade: #2E5069, #3A6686, #477CA3, #5C91B7 and #78A4C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #487EA5 shade: #487EA5, #7F47A3 and #A1A347

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #487EA5 shade: #487EA5, #A3477C and #7CA347

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #487EA5 shade: #487EA5, #7F47A3, #A36D47 and #6AA347

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #487EA5 shade: #487EA5, #9B47A3, #A36D47 and #4FA347

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 24 / 0 / 35

HEX #487EA5

RGB 72 126 165

HSL 205.16, 0.39%, 0.46%

LAB 50.71, -6.23, -26.26

 

Complementary color

CMYK 0 / 30 / 51 / 28

HEX #B7815A

RGB 183 129 90

HSL 25.16, 0.39%, 0.54%

LAB 58.51, 16.29, 29.37

 

CMYK 52 / 21 / 0 / 37

HEX #4D7EA0

RGB 77 126 160

HSL 204.58, 0.35%, 0.46%

LAB 50.73, -6.66, -23.3

 

CMYK 47 / 20 / 0 / 30

HEX #5E90B3

RGB 94 144 179

HSL 204.71, 0.36%, 0.54%

LAB 57.64, -7.07, -23.53

 

CMYK 44 / 18 / 0 / 22

HEX #6FA2C6

RGB 111 162 198

HSL 204.83, 0.43%, 0.61%

LAB 64.4, -7.38, -23.77

 

CMYK 41 / 17 / 0 / 15

HEX #80B4D9

RGB 128 180 217

HSL 204.94, 0.54%, 0.68%

LAB 71.04, -7.63, -24.02

 

CMYK 39 / 16 / 0 / 7

HEX #91C6EC

RGB 145 198 236

HSL 205.05, 0.71%, 0.75%

LAB 77.56, -7.85, -24.29

 

CMYK 56 / 24 / 0 / 35

HEX #487EA5

RGB 72 126 165

HSL 205.16, 0.39%, 0.46%

LAB 50.71, -6.23, -26.26

 

CMYK 62 / 26 / 0 / 43

HEX #376C92

RGB 55 108 146

HSL 205.05, 0.45%, 0.39%

LAB 43.67, -5.5, -26.07

 

CMYK 70 / 29 / 0 / 50

HEX #265A7F

RGB 38 90 127

HSL 204.94, 0.54%, 0.32%

LAB 36.47, -4.48, -25.86

 

CMYK 81 / 33 / 0 / 58

HEX #15486C

RGB 21 72 108

HSL 204.83, 0.67%, 0.25%

LAB 29.1, -2.97, -25.63

 

CMYK 96 / 39 / 0 / 65

HEX #043659

RGB 4 54 89

HSL 204.71, 0.91%, 0.18%

LAB 21.53, -0.76, -25.35

 

CMYK 56 / 24 / 0 / 36

HEX #477CA3

RGB 71 124 163

HSL 205.43, 0.39%, 0.46%

LAB 49.98, -5.93, -26.23

 

CMYK 56 / 39 / 0 / 36

HEX #4764A3

RGB 71 100 163

HSL 221.09, 0.39%, 0.46%

LAB 42.91, 8.66, -37.3

 

CMYK 56 / 54 / 0 / 36

HEX #474BA3

RGB 71 75 163

HSL 237.39, 0.39%, 0.46%

LAB 36.02, 24.7, -48.32

 

CMYK 44 / 56 / 0 / 36

HEX #5C47A3

RGB 92 71 163

HSL 253.7, 0.39%, 0.46%

LAB 36.79, 31.88, -46.98

 

CMYK 28 / 56 / 0 / 36

HEX #7547A3

RGB 117 71 163

HSL 270, 0.39%, 0.46%

LAB 39.47, 38.14, -42.54

 

CMYK 56 / 24 / 0 / 36

HEX #477CA3

RGB 71 124 163

HSL 205.43, 0.39%, 0.46%

LAB 49.98, -5.93, -26.23

 

CMYK 56 / 39 / 0 / 36

HEX #4764A3

RGB 71 100 163

HSL 221.09, 0.39%, 0.46%

LAB 42.91, 8.66, -37.3

 

CMYK 56 / 54 / 0 / 36

HEX #474BA3

RGB 71 75 163

HSL 237.39, 0.39%, 0.46%

LAB 36.02, 24.7, -48.32

 

CMYK 56 / 56 / 0 / 36

HEX #4747A3

RGB 71 71 163

HSL 240, 0.39%, 0.46%

LAB 34.98, 27.27, -49.99

 

CMYK 56 / 24 / 0 / 36

HEX #477CA3

RGB 71 124 163

HSL 205.43, 0.39%, 0.46%

LAB 49.98, -5.93, -26.23

 

CMYK 71 / 30 / 0 / 29

HEX #347FB6

RGB 52 127 182

HSL 205.38, 0.56%, 0.46%

LAB 51.02, -4.71, -35.66

 

CMYK 84 / 35 / 0 / 21

HEX #2182C9

RGB 33 130 201

HSL 205.36, 0.72%, 0.46%

LAB 52.4, -1.71, -44.38

 

CMYK 94 / 39 / 0 / 14

HEX #0E85DB

RGB 14 133 219

HSL 205.17, 0.88%, 0.46%

LAB 54.01, 2.2, -52.02

 

CMYK 56 / 24 / 0 / 36

HEX #477CA3

RGB 71 124 163

HSL 205.43, 0.39%, 0.46%

LAB 49.98, -5.93, -26.23

 

CMYK 38 / 16 / 0 / 44

HEX #5A7990

RGB 90 121 144

HSL 205.56, 0.23%, 0.46%

LAB 49.33, -5.01, -16.02

 

CMYK 13 / 6 / 0 / 51

HEX #6D767D

RGB 109 118 125

HSL 206.25, 0.07%, 0.46%

LAB 49.12, -1.83, -5

 

CMYK 0 / 10 / 17 / 50

HEX #80736A

RGB 128 115 106

HSL 24.55, 0.09%, 0.46%

LAB 49.36, 3.43, 6.81

 

CMYK 0 / 24 / 41 / 42

HEX #937057

RGB 147 112 87

HSL 25, 0.26%, 0.46%

LAB 50.07, 10.34, 19.23

 

CMYK 56 / 0 / 7 / 36

HEX #47A398

RGB 71 163 152

HSL 172.83, 0.39%, 0.46%

LAB 61.48, -29.97, -2.54

 

CMYK 56 / 9 / 0 / 36

HEX #4795A3

RGB 71 149 163

HSL 189.13, 0.39%, 0.46%

LAB 57.54, -19.8, -14.65

 

CMYK 56 / 24 / 0 / 36

HEX #477CA3

RGB 71 124 163

HSL 205.43, 0.39%, 0.46%

LAB 49.98, -5.93, -26.23

 

CMYK 56 / 39 / 0 / 36

HEX #4764A3

RGB 71 100 163

HSL 221.09, 0.39%, 0.46%

LAB 42.91, 8.66, -37.3

 

CMYK 56 / 53 / 0 / 36

HEX #474CA3

RGB 71 76 163

HSL 236.74, 0.39%, 0.46%

LAB 36.28, 24.06, -47.9

 

CMYK 56 / 24 / 0 / 59

HEX #2E5069

RGB 46 80 105

HSL 205.42, 0.39%, 0.3%

LAB 32.56, -4.39, -18.25

 

CMYK 57 / 24 / 0 / 47

HEX #3A6686

RGB 58 102 134

HSL 205.26, 0.4%, 0.38%

LAB 41.41, -5.29, -22.37

 

CMYK 56 / 24 / 0 / 36

HEX #477CA3

RGB 71 124 163

HSL 205.43, 0.39%, 0.46%

LAB 49.98, -5.93, -26.23

 

CMYK 50 / 21 / 0 / 28

HEX #5C91B7

RGB 92 145 183

HSL 205.05, 0.39%, 0.54%

LAB 57.98, -6.93, -25.28

 

CMYK 39 / 16 / 0 / 23

HEX #78A4C4

RGB 120 164 196

HSL 205.26, 0.39%, 0.62%

LAB 65.38, -6.66, -21.12

 

CMYK 56 / 24 / 0 / 35

HEX #487EA5

RGB 72 126 165

HSL 205.16, 0.39%, 0.46%

LAB 50.71, -6.23, -26.26

 

CMYK 22 / 56 / 0 / 36

HEX #7F47A3

RGB 127 71 163

HSL 276.52, 0.39%, 0.46%

LAB 40.68, 40.79, -40.55

 

CMYK 1 / 0 / 56 / 36

HEX #A1A347

RGB 161 163 71

HSL 61.3, 0.39%, 0.46%

LAB 65.14, -13.4, 46.63

 

CMYK 56 / 24 / 0 / 35

HEX #487EA5

RGB 72 126 165

HSL 205.16, 0.39%, 0.46%

LAB 50.71, -6.23, -26.26

 

CMYK 0 / 56 / 24 / 36

HEX #A3477C

RGB 163 71 124

HSL 325.43, 0.39%, 0.46%

LAB 43.87, 44.19, -11.62

 

CMYK 24 / 0 / 56 / 36

HEX #7CA347

RGB 124 163 71

HSL 85.43, 0.39%, 0.46%

LAB 62.45, -28.64, 42.84

 

CMYK 56 / 24 / 0 / 35

HEX #487EA5

RGB 72 126 165

HSL 205.16, 0.39%, 0.46%

LAB 50.71, -6.23, -26.26

 

CMYK 22 / 56 / 0 / 36

HEX #7F47A3

RGB 127 71 163

HSL 276.52, 0.39%, 0.46%

LAB 40.68, 40.79, -40.55

 

CMYK 0 / 33 / 56 / 36

HEX #A36D47

RGB 163 109 71

HSL 24.78, 0.39%, 0.46%

LAB 50.9, 17.3, 29.8

 

CMYK 35 / 0 / 56 / 36

HEX #6AA347

RGB 106 163 71

HSL 97.17, 0.39%, 0.46%

LAB 61.41, -35.37, 41.36

 

CMYK 56 / 24 / 0 / 35

HEX #487EA5

RGB 72 126 165

HSL 205.16, 0.39%, 0.46%

LAB 50.71, -6.23, -26.26

 

CMYK 5 / 56 / 0 / 36

HEX #9B47A3

RGB 155 71 163

HSL 294.78, 0.39%, 0.46%

LAB 44.4, 48.4, -34.4

 

CMYK 0 / 33 / 56 / 36

HEX #A36D47

RGB 163 109 71

HSL 24.78, 0.39%, 0.46%

LAB 50.9, 17.3, 29.8

 

CMYK 52 / 0 / 56 / 36

HEX #4FA347

RGB 79 163 71

HSL 114.78, 0.39%, 0.46%

LAB 60.17, -44.09, 39.59

 

Description

Color code: HEX #487EA5 | qconv.com Color code: HEX #487EA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 126 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 126 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 24 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 24% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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