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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48851E it is the complementary color #B77AE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48851E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48851E shade: #4D8519, #5E972C, #6FA93F, #80BB52 and #91CD65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48851E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48851E shade: #48851E, #37730B, #266100, #154F00 and #043D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48851E shade: #48851E, #63851E, #7F851E, #856E1E and #85521E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48851E shade: #48851E, #2C851E, #1E852B, #1E8547 and #1E8563

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48851E shade matches the following richer shades: #48851E, #459210 and #439F03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48851E shade: #48851E, #4A772B, #4C6A38, #4F5D45 and #515053

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48851E shade: #7F851E, #64851E, #49851E, #2D851E and #1E852A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48851E shade: #23410E, #356316, #48851E, #5AA625 and #6CC82D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48851E shade: #48851E, #1E856E and #851E72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48851E shade: #48851E, #1E4985 and #851E49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48851E shade: #48851E, #1E856E, #5A1E85 and #851E34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48851E shade: #48851E, #1E7C85, #5A1E85 and #85261E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

Complementary color

CMYK 19 / 46 / 0 / 12

HEX #B77AE1

RGB 183 122 225

HSL 275.53, 0.63%, 0.68%

LAB 61.15, 42.38, -43.45

 

CMYK 42 / 0 / 81 / 48

HEX #4D8519

RGB 77 133 25

HSL 91.11, 0.68%, 0.31%

LAB 50.01, -36.32, 48.08

 

CMYK 38 / 0 / 71 / 41

HEX #5E972C

RGB 94 151 44

HSL 91.96, 0.55%, 0.38%

LAB 56.78, -36.83, 48.13

 

CMYK 34 / 0 / 63 / 34

HEX #6FA93F

RGB 111 169 63

HSL 92.83, 0.46%, 0.45%

LAB 63.44, -37.09, 47.45

 

CMYK 32 / 0 / 56 / 27

HEX #80BB52

RGB 128 187 82

HSL 93.71, 0.44%, 0.53%

LAB 69.99, -37.19, 46.46

 

CMYK 29 / 0 / 51 / 20

HEX #91CD65

RGB 145 205 101

HSL 94.62, 0.51%, 0.6%

LAB 76.45, -37.2, 45.34

 

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

CMYK 52 / 0 / 90 / 55

HEX #37730B

RGB 55 115 11

HSL 94.62, 0.83%, 0.25%

LAB 42.91, -36.95, 45.22

 

CMYK 61 / 0 / 100 / 62

HEX #266100

RGB 38 97 0

HSL 96.49, 1%, 0.19%

LAB 35.91, -35.48, 41.96

 

CMYK 73 / 0 / 100 / 69

HEX #154F00

RGB 21 79 0

HSL 104.05, 1%, 0.15%

LAB 28.78, -33.16, 36.08

 

CMYK 93 / 0 / 100 / 76

HEX #043D00

RGB 4 61 0

HSL 116.07, 1%, 0.12%

LAB 21.44, -30.16, 28.98

 

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

CMYK 26 / 0 / 77 / 48

HEX #63851E

RGB 99 133 30

HSL 79.81, 0.63%, 0.32%

LAB 51.29, -27.46, 48.07

 

CMYK 5 / 0 / 77 / 48

HEX #7F851E

RGB 127 133 30

HSL 63.5, 0.63%, 0.32%

LAB 53.36, -15.22, 50.76

 

CMYK 0 / 17 / 77 / 48

HEX #856E1E

RGB 133 110 30

HSL 46.6, 0.63%, 0.32%

LAB 47.28, 0.32, 45.23

 

CMYK 0 / 38 / 77 / 48

HEX #85521E

RGB 133 82 30

HSL 30.29, 0.63%, 0.32%

LAB 39.77, 16.71, 37.89

 

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

CMYK 67 / 0 / 77 / 48

HEX #2C851E

RGB 44 133 30

HSL 111.84, 0.63%, 0.32%

LAB 48.77, -45.82, 44.75

 

CMYK 77 / 0 / 68 / 48

HEX #1E852B

RGB 30 133 43

HSL 127.57, 0.63%, 0.32%

LAB 48.54, -47.31, 39.11

 

CMYK 77 / 0 / 47 / 48

HEX #1E8547

RGB 30 133 71

HSL 143.88, 0.63%, 0.32%

LAB 48.89, -43.19, 25.38

 

CMYK 77 / 0 / 26 / 48

HEX #1E8563

RGB 30 133 99

HSL 160.19, 0.63%, 0.32%

LAB 49.44, -37.11, 10.27

 

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

CMYK 53 / 0 / 89 / 43

HEX #459210

RGB 69 146 16

HSL 95.54, 0.8%, 0.32%

LAB 53.88, -44.74, 53.81

 

CMYK 58 / 0 / 98 / 38

HEX #439F03

RGB 67 159 3

HSL 95.38, 0.96%, 0.32%

LAB 58.03, -50.54, 59.39

 

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

CMYK 38 / 0 / 64 / 53

HEX #4A772B

RGB 74 119 43

HSL 95.53, 0.47%, 0.32%

LAB 45.39, -29.71, 36.05

 

CMYK 28 / 0 / 47 / 58

HEX #4C6A38

RGB 76 106 56

HSL 96, 0.31%, 0.32%

LAB 41.42, -20.9, 24.55

 

CMYK 15 / 0 / 26 / 64

HEX #4F5D45

RGB 79 93 69

HSL 95, 0.15%, 0.32%

LAB 37.7, -10.41, 12.04

 

CMYK 2 / 4 / 0 / 67

HEX #515053

RGB 81 80 83

HSL 260, 0.02%, 0.32%

LAB 34.21, 1.06, -1.62

 

CMYK 5 / 0 / 77 / 48

HEX #7F851E

RGB 127 133 30

HSL 63.5, 0.63%, 0.32%

LAB 53.36, -15.22, 50.76

 

CMYK 25 / 0 / 77 / 48

HEX #64851E

RGB 100 133 30

HSL 79.22, 0.63%, 0.32%

LAB 51.36, -27.05, 48.15

 

CMYK 45 / 0 / 77 / 48

HEX #49851E

RGB 73 133 30

HSL 94.95, 0.63%, 0.32%

LAB 49.84, -37.43, 46.17

 

CMYK 66 / 0 / 77 / 48

HEX #2D851E

RGB 45 133 30

HSL 111.26, 0.63%, 0.32%

LAB 48.79, -45.59, 44.78

 

CMYK 77 / 0 / 68 / 48

HEX #1E852A

RGB 30 133 42

HSL 126.99, 0.63%, 0.32%

LAB 48.53, -47.42, 39.54

 

CMYK 46 / 0 / 78 / 75

HEX #23410E

RGB 35 65 14

HSL 95.29, 0.65%, 0.15%

LAB 24.22, -21.53, 26.38

 

CMYK 46 / 0 / 78 / 61

HEX #356316

RGB 53 99 22

HSL 95.84, 0.64%, 0.24%

LAB 37.37, -30.13, 36.58

 

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

CMYK 46 / 0 / 78 / 35

HEX #5AA625

RGB 90 166 37

HSL 95.35, 0.64%, 0.4%

LAB 61.29, -45.03, 55.09

 

CMYK 46 / 0 / 78 / 22

HEX #6CC82D

RGB 108 200 45

HSL 95.61, 0.63%, 0.48%

LAB 72.68, -52.32, 63.68

 

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

CMYK 77 / 0 / 17 / 48

HEX #1E856E

RGB 30 133 110

HSL 166.6, 0.63%, 0.32%

LAB 49.71, -34.24, 4.26

 

CMYK 0 / 77 / 14 / 48

HEX #851E72

RGB 133 30 114

HSL 311.07, 0.63%, 0.32%

LAB 32.1, 51.43, -23.91

 

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

CMYK 77 / 45 / 0 / 48

HEX #1E4985

RGB 30 73 133

HSL 214.95, 0.63%, 0.32%

LAB 31.19, 7.66, -37.94

 

CMYK 0 / 77 / 45 / 48

HEX #851E49

RGB 133 30 73

HSL 334.95, 0.63%, 0.32%

LAB 30.39, 46.19, 0.09

 

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

CMYK 77 / 0 / 17 / 48

HEX #1E856E

RGB 30 133 110

HSL 166.6, 0.63%, 0.32%

LAB 49.71, -34.24, 4.26

 

CMYK 32 / 77 / 0 / 48

HEX #5A1E85

RGB 90 30 133

HSL 274.95, 0.63%, 0.32%

LAB 26.14, 45.51, -45.83

 

CMYK 0 / 77 / 61 / 48

HEX #851E34

RGB 133 30 52

HSL 347.18, 0.63%, 0.32%

LAB 29.82, 44.35, 13.23

 

CMYK 46 / 0 / 77 / 48

HEX #48851E

RGB 72 133 30

HSL 95.53, 0.63%, 0.32%

LAB 49.79, -37.78, 46.1

 

CMYK 77 / 7 / 0 / 48

HEX #1E7C85

RGB 30 124 133

HSL 185.24, 0.63%, 0.32%

LAB 47.48, -22.93, -12.57

 

CMYK 32 / 77 / 0 / 48

HEX #5A1E85

RGB 90 30 133

HSL 274.95, 0.63%, 0.32%

LAB 26.14, 45.51, -45.83

 

CMYK 0 / 71 / 77 / 48

HEX #85261E

RGB 133 38 30

HSL 4.66, 0.63%, 0.32%

LAB 30.56, 39.98, 28.24

 

Description

Color code: HEX #48851E | qconv.com Color code: HEX #48851E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 133 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 133 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 77 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 77% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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