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Color name
HEX #489D2E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #489D2E it is the complementary color #B762D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #489D2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #489D2E shade: #4D9D29, #5EAF3C, #6FC14F, #80D362 and #91E575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #489D2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #489D2E shade: #489D2E, #378B1B, #267908, #156700 and #045500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #489D2E shade: #489E2D, #669E2D, #849E2D, #9E992D and #9E7B2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #489D2E shade: #489E2D, #2D9E31, #2D9E50, #2D9E6E and #2D9E8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #489D2E shade matches the following richer shades: #489E2D, #3FAE1D and #36BF0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #489D2E shade: #489E2D, #508D3E, #597D4E, #626C5F and #6B5C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #489D2E shade: #859E2D, #679E2D, #499E2D, #2D9E2F and #2D9E4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #489D2E shade: #2A5E1B, #397E24, #489E2D, #56BE37 and #6ECC51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #489D2E shade: #489D2E, #2D9E98 and #9E2D76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #489D2E shade: #489D2E, #2D499E and #9E2D49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #489D2E shade: #489D2E, #2D9E98, #822D9E and #9E2D33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #489D2E shade: #489D2E, #2D829E, #822D9E and #9E492D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 71 / 38

HEX #489D2E

RGB 72 157 46

HSL 105.95, 0.55%, 0.4%

LAB 57.74, -46.32, 48.02

 

Complementary color

CMYK 12 / 53 / 0 / 18

HEX #B762D1

RGB 183 98 209

HSL 285.95, 0.55%, 0.6%

LAB 55.49, 51.62, -43.38

 

CMYK 51 / 0 / 74 / 38

HEX #4D9D29

RGB 77 157 41

HSL 101.38, 0.59%, 0.39%

LAB 57.9, -45.24, 50.18

 

CMYK 46 / 0 / 66 / 31

HEX #5EAF3C

RGB 94 175 60

HSL 102.26, 0.49%, 0.46%

LAB 64.46, -45.67, 49.64

 

CMYK 42 / 0 / 59 / 24

HEX #6FC14F

RGB 111 193 79

HSL 103.16, 0.48%, 0.53%

LAB 70.93, -45.86, 48.7

 

CMYK 39 / 0 / 54 / 17

HEX #80D362

RGB 128 211 98

HSL 104.07, 0.56%, 0.61%

LAB 77.32, -45.9, 47.6

 

CMYK 37 / 0 / 49 / 10

HEX #91E575

RGB 145 229 117

HSL 105, 0.68%, 0.68%

LAB 83.62, -45.85, 46.43

 

CMYK 54 / 0 / 71 / 38

HEX #489D2E

RGB 72 157 46

HSL 105.95, 0.55%, 0.4%

LAB 57.74, -46.32, 48.02

 

CMYK 60 / 0 / 81 / 45

HEX #378B1B

RGB 55 139 27

HSL 105, 0.67%, 0.33%

LAB 51.1, -45.53, 48.15

 

CMYK 69 / 0 / 93 / 53

HEX #267908

RGB 38 121 8

HSL 104.07, 0.88%, 0.25%

LAB 44.38, -44.1, 46.91

 

CMYK 80 / 0 / 100 / 60

HEX #156700

RGB 21 103 0

HSL 107.77, 1%, 0.2%

LAB 37.59, -41.67, 43.09

 

CMYK 95 / 0 / 100 / 67

HEX #045500

RGB 4 85 0

HSL 117.18, 1%, 0.17%

LAB 30.69, -38.18, 37.47

 

CMYK 54 / 0 / 72 / 38

HEX #489E2D

RGB 72 158 45

HSL 105.66, 0.56%, 0.4%

LAB 58.06, -46.79, 48.75

 

CMYK 35 / 0 / 72 / 38

HEX #669E2D

RGB 102 158 45

HSL 89.73, 0.56%, 0.4%

LAB 59.4, -36.94, 50.56

 

CMYK 16 / 0 / 72 / 38

HEX #849E2D

RGB 132 158 45

HSL 73.81, 0.56%, 0.4%

LAB 61.26, -25.03, 53.03

 

CMYK 0 / 3 / 72 / 38

HEX #9E992D

RGB 158 153 45

HSL 57.35, 0.56%, 0.4%

LAB 61.86, -11.18, 54.31

 

CMYK 0 / 22 / 72 / 38

HEX #9E7B2D

RGB 158 123 45

HSL 41.42, 0.56%, 0.4%

LAB 53.63, 5.28, 46.05

 

CMYK 54 / 0 / 72 / 38

HEX #489E2D

RGB 72 158 45

HSL 105.66, 0.56%, 0.4%

LAB 58.06, -46.79, 48.75

 

CMYK 72 / 0 / 69 / 38

HEX #2D9E31

RGB 45 158 49

HSL 122.12, 0.56%, 0.4%

LAB 57.3, -52.76, 46.09

 

CMYK 72 / 0 / 49 / 38

HEX #2D9E50

RGB 45 158 80

HSL 138.58, 0.56%, 0.4%

LAB 57.65, -48.71, 31.75

 

CMYK 72 / 0 / 30 / 38

HEX #2D9E6E

RGB 45 158 110

HSL 154.51, 0.56%, 0.4%

LAB 58.17, -42.9, 16.22

 

CMYK 72 / 0 / 11 / 38

HEX #2D9E8C

RGB 45 158 140

HSL 170.44, 0.56%, 0.4%

LAB 58.89, -35.43, 0.36

 

CMYK 54 / 0 / 72 / 38

HEX #489E2D

RGB 72 158 45

HSL 105.66, 0.56%, 0.4%

LAB 58.06, -46.79, 48.75

 

CMYK 64 / 0 / 83 / 32

HEX #3FAE1D

RGB 63 174 29

HSL 105.93, 0.71%, 0.4%

LAB 62.86, -55.96, 58.57

 

CMYK 72 / 0 / 94 / 25

HEX #36BF0C

RGB 54 191 12

HSL 105.92, 0.88%, 0.4%

LAB 68.07, -63.91, 66.27

 

CMYK 54 / 0 / 72 / 38

HEX #489E2D

RGB 72 158 45

HSL 105.66, 0.56%, 0.4%

LAB 58.06, -46.79, 48.75

 

CMYK 43 / 0 / 56 / 45

HEX #508D3E

RGB 80 141 62

HSL 106.33, 0.39%, 0.4%

LAB 53.06, -35.51, 35.63

 

CMYK 29 / 0 / 38 / 51

HEX #597D4E

RGB 89 125 78

HSL 105.96, 0.23%, 0.4%

LAB 48.69, -22.35, 21.66

 

CMYK 9 / 0 / 12 / 58

HEX #626C5F

RGB 98 108 95

HSL 106.15, 0.06%, 0.4%

LAB 44.44, -6.5, 5.98

 

CMYK 4 / 17 / 0 / 56

HEX #6B5C6F

RGB 107 92 111

HSL 287.37, 0.09%, 0.4%

LAB 41.1, 9.89, -8.54

 

CMYK 16 / 0 / 72 / 38

HEX #859E2D

RGB 133 158 45

HSL 73.27, 0.56%, 0.4%

LAB 61.33, -24.61, 53.13

 

CMYK 35 / 0 / 72 / 38

HEX #679E2D

RGB 103 158 45

HSL 89.2, 0.56%, 0.4%

LAB 59.46, -36.57, 50.63

 

CMYK 54 / 0 / 72 / 38

HEX #499E2D

RGB 73 158 45

HSL 105.13, 0.56%, 0.4%

LAB 58.09, -46.5, 48.79

 

CMYK 72 / 0 / 70 / 38

HEX #2D9E2F

RGB 45 158 47

HSL 121.06, 0.56%, 0.4%

LAB 57.29, -52.95, 46.9

 

CMYK 72 / 0 / 51 / 38

HEX #2D9E4D

RGB 45 158 77

HSL 136.99, 0.56%, 0.4%

LAB 57.6, -49.19, 33.25

 

CMYK 55 / 0 / 71 / 63

HEX #2A5E1B

RGB 42 94 27

HSL 106.57, 0.55%, 0.24%

LAB 35.16, -31.23, 31.96

 

CMYK 55 / 0 / 71 / 51

HEX #397E24

RGB 57 126 36

HSL 106, 0.56%, 0.32%

LAB 46.87, -39.21, 40.59

 

CMYK 54 / 0 / 72 / 38

HEX #489E2D

RGB 72 158 45

HSL 105.66, 0.56%, 0.4%

LAB 58.06, -46.79, 48.75

 

CMYK 55 / 0 / 71 / 25

HEX #56BE37

RGB 86 190 55

HSL 106.22, 0.55%, 0.48%

LAB 68.81, -54.25, 56.14

 

CMYK 46 / 0 / 60 / 20

HEX #6ECC51

RGB 110 204 81

HSL 105.85, 0.55%, 0.56%

LAB 74.25, -50.45, 51.58

 

CMYK 54 / 0 / 71 / 38

HEX #489D2E

RGB 72 157 46

HSL 105.95, 0.55%, 0.4%

LAB 57.74, -46.32, 48.02

 

CMYK 72 / 0 / 4 / 38

HEX #2D9E98

RGB 45 158 152

HSL 176.81, 0.56%, 0.4%

LAB 59.23, -32.04, -5.94

 

CMYK 0 / 72 / 25 / 38

HEX #9E2D76

RGB 158 45 118

HSL 321.24, 0.56%, 0.4%

LAB 38.65, 53.23, -15.94

 

CMYK 54 / 0 / 71 / 38

HEX #489D2E

RGB 72 157 46

HSL 105.95, 0.55%, 0.4%

LAB 57.74, -46.32, 48.02

 

CMYK 72 / 54 / 0 / 38

HEX #2D499E

RGB 45 73 158

HSL 225.13, 0.56%, 0.4%

LAB 33.55, 19.59, -49.39

 

CMYK 0 / 72 / 54 / 38

HEX #9E2D49

RGB 158 45 73

HSL 345.13, 0.56%, 0.4%

LAB 37.16, 48.3, 10.39

 

CMYK 54 / 0 / 71 / 38

HEX #489D2E

RGB 72 157 46

HSL 105.95, 0.55%, 0.4%

LAB 57.74, -46.32, 48.02

 

CMYK 72 / 0 / 4 / 38

HEX #2D9E98

RGB 45 158 152

HSL 176.81, 0.56%, 0.4%

LAB 59.23, -32.04, -5.94

 

CMYK 18 / 72 / 0 / 38

HEX #822D9E

RGB 130 45 158

HSL 285.13, 0.56%, 0.4%

LAB 36.16, 53.06, -44.74

 

CMYK 0 / 72 / 68 / 38

HEX #9E2D33

RGB 158 45 51

HSL 356.81, 0.56%, 0.4%

LAB 36.72, 46.75, 23.75

 

CMYK 54 / 0 / 71 / 38

HEX #489D2E

RGB 72 157 46

HSL 105.95, 0.55%, 0.4%

LAB 57.74, -46.32, 48.02

 

CMYK 72 / 18 / 0 / 38

HEX #2D829E

RGB 45 130 158

HSL 194.87, 0.56%, 0.4%

LAB 50.68, -15.79, -22.32

 

CMYK 18 / 72 / 0 / 38

HEX #822D9E

RGB 130 45 158

HSL 285.13, 0.56%, 0.4%

LAB 36.16, 53.06, -44.74

 

CMYK 0 / 54 / 72 / 38

HEX #9E492D

RGB 158 73 45

HSL 14.87, 0.56%, 0.4%

LAB 41.57, 33.33, 33.06

 

Description

Color code: HEX #489D2E | qconv.com Color code: HEX #489D2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 157 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 157 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 71 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 71% 38% C M Y K

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Provide designers and agencies with accurate color values.

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