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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48A7E4 it is the complementary color #B7581B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48A7E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48A7E4 shade: #4DA7DF, #5EB9F2, #6FCBFF, #80DDFF and #91EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48A7E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48A7E4 shade: #48A7E4, #3795D1, #2683BE, #1571AB and #045F98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48A7E4 shade: #49A7E3, #497DE3, #4953E3, #6849E3 and #9149E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48A7E4 shade: #49A7E3, #497DE3, #4953E3 and #4949E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48A7E4 shade matches the following richer shades: #49A7E3 and #38ABF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48A7E4 shade: #49A7E3, #59A3D2, #6A9FC1, #7B9CB1 and #8C98A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48A7E4 shade: #49E3CC, #49D1E3, #49A8E3, #497FE3 and #4955E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48A7E4 shade: #1C7EBD, #2596DE, #49A7E3, #6CB8E9 and #90C9EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48A7E4 shade: #48A7E4, #A349E3 and #E3E149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48A7E4 shade: #48A7E4, #E349A8 and #A8E349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48A7E4 shade: #48A7E4, #A349E3, #E38449 and #89E349

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48A7E4 shade: #48A7E4, #D149E3, #E38449 and #5BE349

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 27 / 0 / 11

HEX #48A7E4

RGB 72 167 228

HSL 203.46, 0.74%, 0.59%

LAB 65.45, -8.78, -38.89

 

Complementary color

CMYK 0 / 52 / 85 / 28

HEX #B7581B

RGB 183 88 27

HSL 23.46, 0.74%, 0.41%

LAB 48.42, 34.89, 49.87

 

CMYK 65 / 25 / 0 / 13

HEX #4DA7DF

RGB 77 167 223

HSL 203.01, 0.7%, 0.59%

LAB 65.39, -9.64, -36.21

 

CMYK 61 / 24 / 0 / 5

HEX #5EB9F2

RGB 94 185 242

HSL 203.11, 0.85%, 0.66%

LAB 71.89, -10.5, -36.45

 

CMYK 56 / 20 / 0 / 0

HEX #6FCBFF

RGB 111 203 255

HSL 201.67, 1%, 0.72%

LAB 78.06, -12.97, -33.83

 

CMYK 50 / 13 / 0 / 0

HEX #80DDFF

RGB 128 221 255

HSL 196.06, 1%, 0.75%

LAB 83.72, -18.76, -25.09

 

CMYK 43 / 6 / 0 / 0

HEX #91EFFF

RGB 145 239 255

HSL 188.73, 1%, 0.78%

LAB 89.38, -23.9, -16.46

 

CMYK 68 / 27 / 0 / 11

HEX #48A7E4

RGB 72 167 228

HSL 203.46, 0.74%, 0.59%

LAB 65.45, -8.78, -38.89

 

CMYK 74 / 29 / 0 / 18

HEX #3795D1

RGB 55 149 209

HSL 203.38, 0.63%, 0.52%

LAB 58.89, -7.52, -38.64

 

CMYK 80 / 31 / 0 / 25

HEX #2683BE

RGB 38 131 190

HSL 203.29, 0.67%, 0.45%

LAB 52.24, -5.91, -38.35

 

CMYK 88 / 34 / 0 / 33

HEX #1571AB

RGB 21 113 171

HSL 203.2, 0.78%, 0.38%

LAB 45.51, -3.84, -38.01

 

CMYK 97 / 38 / 0 / 40

HEX #045F98

RGB 4 95 152

HSL 203.11, 0.95%, 0.31%

LAB 38.69, -1.18, -37.58

 

CMYK 68 / 26 / 0 / 11

HEX #49A7E3

RGB 73 167 227

HSL 203.38, 0.73%, 0.59%

LAB 65.44, -8.96, -38.35

 

CMYK 68 / 45 / 0 / 11

HEX #497DE3

RGB 73 125 227

HSL 219.74, 0.73%, 0.59%

LAB 53.63, 15.66, -57.03

 

CMYK 68 / 63 / 0 / 11

HEX #4953E3

RGB 73 83 227

HSL 236.1, 0.73%, 0.59%

LAB 42.99, 41.68, -74.28

 

CMYK 54 / 68 / 0 / 11

HEX #6849E3

RGB 104 73 227

HSL 252.08, 0.73%, 0.59%

LAB 43.14, 51.86, -73.93

 

CMYK 36 / 68 / 0 / 11

HEX #9149E3

RGB 145 73 227

HSL 268.05, 0.73%, 0.59%

LAB 47.41, 59.09, -66.8

 

CMYK 68 / 26 / 0 / 11

HEX #49A7E3

RGB 73 167 227

HSL 203.38, 0.73%, 0.59%

LAB 65.44, -8.96, -38.35

 

CMYK 68 / 45 / 0 / 11

HEX #497DE3

RGB 73 125 227

HSL 219.74, 0.73%, 0.59%

LAB 53.63, 15.66, -57.03

 

CMYK 68 / 63 / 0 / 11

HEX #4953E3

RGB 73 83 227

HSL 236.1, 0.73%, 0.59%

LAB 42.99, 41.68, -74.28

 

CMYK 68 / 68 / 0 / 11

HEX #4949E3

RGB 73 73 227

HSL 240, 0.73%, 0.59%

LAB 40.78, 47.59, -77.89

 

CMYK 68 / 26 / 0 / 11

HEX #49A7E3

RGB 73 167 227

HSL 203.38, 0.73%, 0.59%

LAB 65.44, -8.96, -38.35

 

CMYK 77 / 30 / 0 / 4

HEX #38ABF4

RGB 56 171 244

HSL 203.3, 0.9%, 0.59%

LAB 66.9, -7.6, -45.4

 

CMYK 68 / 26 / 0 / 11

HEX #49A7E3

RGB 73 167 227

HSL 203.38, 0.73%, 0.59%

LAB 65.44, -8.96, -38.35

 

CMYK 58 / 22 / 0 / 18

HEX #59A3D2

RGB 89 163 210

HSL 203.31, 0.57%, 0.59%

LAB 64.14, -9.4, -30.94

 

CMYK 45 / 18 / 0 / 24

HEX #6A9FC1

RGB 106 159 193

HSL 203.45, 0.41%, 0.59%

LAB 63.1, -8.4, -22.99

 

CMYK 31 / 12 / 0 / 31

HEX #7B9CB1

RGB 123 156 177

HSL 203.33, 0.26%, 0.59%

LAB 62.64, -6.32, -14.62

 

CMYK 13 / 5 / 0 / 37

HEX #8C98A0

RGB 140 152 160

HSL 204, 0.1%, 0.59%

LAB 62.14, -2.6, -5.66

 

CMYK 68 / 0 / 10 / 11

HEX #49E3CC

RGB 73 227 204

HSL 171.04, 0.73%, 0.59%

LAB 82.22, -45.24, -0.49

 

CMYK 68 / 8 / 0 / 11

HEX #49D1E3

RGB 73 209 227

HSL 187.01, 0.73%, 0.59%

LAB 77.62, -30.67, -19.62

 

CMYK 68 / 26 / 0 / 11

HEX #49A8E3

RGB 73 168 227

HSL 202.99, 0.73%, 0.59%

LAB 65.72, -9.51, -37.91

 

CMYK 68 / 44 / 0 / 11

HEX #497FE3

RGB 73 127 227

HSL 218.96, 0.73%, 0.59%

LAB 54.18, 14.43, -56.16

 

CMYK 68 / 63 / 0 / 11

HEX #4955E3

RGB 73 85 227

HSL 235.32, 0.73%, 0.59%

LAB 43.45, 40.47, -73.52

 

CMYK 85 / 33 / 0 / 26

HEX #1C7EBD

RGB 28 126 189

HSL 203.48, 0.74%, 0.43%

LAB 50.5, -4.25, -40.54

 

CMYK 83 / 32 / 0 / 13

HEX #2596DE

RGB 37 150 222

HSL 203.35, 0.74%, 0.51%

LAB 59.42, -5.33, -45.1

 

CMYK 68 / 26 / 0 / 11

HEX #49A7E3

RGB 73 167 227

HSL 203.38, 0.73%, 0.59%

LAB 65.44, -8.96, -38.35

 

CMYK 54 / 21 / 0 / 9

HEX #6CB8E9

RGB 108 184 233

HSL 203.52, 0.74%, 0.67%

LAB 71.79, -9.97, -31.66

 

CMYK 39 / 16 / 0 / 7

HEX #90C9EE

RGB 144 201 238

HSL 203.62, 0.73%, 0.75%

LAB 78.39, -9.17, -24.1

 

CMYK 68 / 27 / 0 / 11

HEX #48A7E4

RGB 72 167 228

HSL 203.46, 0.74%, 0.59%

LAB 65.45, -8.78, -38.89

 

CMYK 28 / 68 / 0 / 11

HEX #A349E3

RGB 163 73 227

HSL 275.06, 0.73%, 0.59%

LAB 49.61, 62.65, -63.12

 

CMYK 0 / 1 / 68 / 11

HEX #E3E149

RGB 227 225 73

HSL 59.22, 0.73%, 0.59%

LAB 87.32, -16.89, 70.89

 

CMYK 68 / 27 / 0 / 11

HEX #48A7E4

RGB 72 167 228

HSL 203.46, 0.74%, 0.59%

LAB 65.45, -8.78, -38.89

 

CMYK 0 / 68 / 26 / 11

HEX #E349A8

RGB 227 73 168

HSL 322.99, 0.73%, 0.59%

LAB 56.01, 67.8, -18.48

 

CMYK 26 / 0 / 68 / 11

HEX #A8E349

RGB 168 227 73

HSL 82.99, 0.73%, 0.59%

LAB 83.83, -41.13, 66.05

 

CMYK 68 / 27 / 0 / 11

HEX #48A7E4

RGB 72 167 228

HSL 203.46, 0.74%, 0.59%

LAB 65.45, -8.78, -38.89

 

CMYK 28 / 68 / 0 / 11

HEX #A349E3

RGB 163 73 227

HSL 275.06, 0.73%, 0.59%

LAB 49.61, 62.65, -63.12

 

CMYK 0 / 42 / 68 / 11

HEX #E38449

RGB 227 132 73

HSL 22.99, 0.73%, 0.59%

LAB 64.41, 31.58, 46.74

 

CMYK 40 / 0 / 68 / 11

HEX #89E349

RGB 137 227 73

HSL 95.06, 0.73%, 0.59%

LAB 82.24, -51.93, 63.9

 

CMYK 68 / 27 / 0 / 11

HEX #48A7E4

RGB 72 167 228

HSL 203.46, 0.74%, 0.59%

LAB 65.45, -8.78, -38.89

 

CMYK 8 / 68 / 0 / 11

HEX #D149E3

RGB 209 73 227

HSL 292.99, 0.73%, 0.59%

LAB 55.95, 72.32, -52.6

 

CMYK 0 / 42 / 68 / 11

HEX #E38449

RGB 227 132 73

HSL 22.99, 0.73%, 0.59%

LAB 64.41, 31.58, 46.74

 

CMYK 60 / 0 / 68 / 11

HEX #5BE349

RGB 91 227 73

HSL 112.99, 0.73%, 0.59%

LAB 80.54, -64.75, 61.59

 

Description

Color code: HEX #48A7E4 | qconv.com Color code: HEX #48A7E4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 167 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 167 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 27 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 27% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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