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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48A16C it is the complementary color #B75E93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48A16C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48A16C shade: #4DA167, #5EB37A, #6FC58D, #80D7A0 and #91E9B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48A16C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48A16C shade: #48A16C, #378F59, #267D46, #156B33 and #045920

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48A16C shade: #48A16C, #48A154, #54A148, #6CA148 and #84A148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48A16C shade: #48A16C, #48A184, #48A19C, #488EA1 and #4876A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48A16C shade matches the following richer shades: #48A16C, #35B469, #22C765 and #0FDA61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48A16C shade: #48A16C, #5B8E70, #6E7B74, #816877 and #94557B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48A16C shade: #54A148, #48A154, #48A16C, #48A184 and #48A19B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48A16C shade: #2F6846, #3B8559, #48A16C, #5DB681 and #79C397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48A16C shade: #48A16C, #486CA1 and #A14848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48A16C shade: #48A16C, #6C48A1 and #A16C48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48A16C shade: #48A16C, #486CA1, #A1487E and #A17E48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48A16C shade: #48A16C, #4851A1, #A1487E and #A19848

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

Complementary color

CMYK 0 / 49 / 20 / 28

HEX #B75E93

RGB 183 94 147

HSL 324.27, 0.38%, 0.54%

LAB 52.04, 42.55, -12.81

 

CMYK 52 / 0 / 36 / 37

HEX #4DA167

RGB 77 161 103

HSL 138.57, 0.35%, 0.47%

LAB 59.93, -38.81, 22.63

 

CMYK 47 / 0 / 32 / 30

HEX #5EB37A

RGB 94 179 122

HSL 139.76, 0.36%, 0.54%

LAB 66.54, -38.65, 21.35

 

CMYK 44 / 0 / 28 / 23

HEX #6FC58D

RGB 111 197 141

HSL 140.93, 0.43%, 0.6%

LAB 73.05, -38.43, 20.17

 

CMYK 40 / 0 / 26 / 16

HEX #80D7A0

RGB 128 215 160

HSL 142.07, 0.52%, 0.67%

LAB 79.46, -38.18, 19.08

 

CMYK 38 / 0 / 23 / 9

HEX #91E9B3

RGB 145 233 179

HSL 143.18, 0.67%, 0.74%

LAB 85.78, -37.93, 18.05

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 62 / 0 / 38 / 44

HEX #378F59

RGB 55 143 89

HSL 143.18, 0.44%, 0.39%

LAB 53.14, -39.1, 21.13

 

CMYK 70 / 0 / 44 / 51

HEX #267D46

RGB 38 125 70

HSL 142.07, 0.53%, 0.32%

LAB 46.34, -38.82, 22.67

 

CMYK 80 / 0 / 52 / 58

HEX #156B33

RGB 21 107 51

HSL 140.93, 0.67%, 0.25%

LAB 39.43, -38.05, 24.37

 

CMYK 96 / 0 / 64 / 65

HEX #045920

RGB 4 89 32

HSL 139.76, 0.91%, 0.18%

LAB 32.42, -36.52, 26.15

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 55 / 0 / 48 / 37

HEX #48A154

RGB 72 161 84

HSL 128.09, 0.38%, 0.46%

LAB 59.44, -43.37, 32.1

 

CMYK 48 / 0 / 55 / 37

HEX #54A148

RGB 84 161 72

HSL 111.91, 0.38%, 0.46%

LAB 59.75, -41.66, 38.65

 

CMYK 33 / 0 / 55 / 37

HEX #6CA148

RGB 108 161 72

HSL 95.73, 0.38%, 0.46%

LAB 60.91, -33.62, 40.32

 

CMYK 18 / 0 / 55 / 37

HEX #84A148

RGB 132 161 72

HSL 79.55, 0.38%, 0.46%

LAB 62.39, -24.39, 42.43

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 55 / 0 / 18 / 37

HEX #48A184

RGB 72 161 132

HSL 160.45, 0.38%, 0.46%

LAB 60.37, -33.86, 7.1

 

CMYK 55 / 0 / 3 / 37

HEX #48A19C

RGB 72 161 156

HSL 176.63, 0.38%, 0.46%

LAB 61.02, -27.71, -5.47

 

CMYK 55 / 12 / 0 / 37

HEX #488EA1

RGB 72 142 161

HSL 192.81, 0.38%, 0.46%

LAB 55.38, -16.45, -16.78

 

CMYK 55 / 27 / 0 / 37

HEX #4876A1

RGB 72 118 161

HSL 208.99, 0.38%, 0.46%

LAB 48.14, -2.82, -27.91

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 71 / 0 / 42 / 29

HEX #35B469

RGB 53 180 105

HSL 144.57, 0.55%, 0.46%

LAB 65.29, -51.34, 28.53

 

CMYK 83 / 0 / 49 / 22

HEX #22C765

RGB 34 199 101

HSL 144.36, 0.71%, 0.46%

LAB 70.96, -61.3, 37.76

 

CMYK 93 / 0 / 56 / 15

HEX #0FDA61

RGB 15 218 97

HSL 144.24, 0.87%, 0.46%

LAB 76.74, -69.35, 46.73

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 36 / 0 / 21 / 44

HEX #5B8E70

RGB 91 142 112

HSL 144.71, 0.22%, 0.46%

LAB 54.8, -23.96, 10.65

 

CMYK 11 / 0 / 6 / 52

HEX #6E7B74

RGB 110 123 116

HSL 147.69, 0.06%, 0.46%

LAB 50.38, -6.28, 2.18

 

CMYK 0 / 19 / 8 / 49

HEX #816877

RGB 129 104 119

HSL 324, 0.11%, 0.46%

LAB 46.84, 12.67, -4.59

 

CMYK 0 / 43 / 17 / 42

HEX #94557B

RGB 148 85 123

HSL 323.81, 0.27%, 0.46%

LAB 44.55, 31.54, -10.2

 

CMYK 48 / 0 / 55 / 37

HEX #54A148

RGB 84 161 72

HSL 111.91, 0.38%, 0.46%

LAB 59.75, -41.66, 38.65

 

CMYK 55 / 0 / 48 / 37

HEX #48A154

RGB 72 161 84

HSL 128.09, 0.38%, 0.46%

LAB 59.44, -43.37, 32.1

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 55 / 0 / 18 / 37

HEX #48A184

RGB 72 161 132

HSL 160.45, 0.38%, 0.46%

LAB 60.37, -33.86, 7.1

 

CMYK 55 / 0 / 4 / 37

HEX #48A19B

RGB 72 161 155

HSL 175.96, 0.38%, 0.46%

LAB 60.99, -27.98, -4.95

 

CMYK 55 / 0 / 33 / 59

HEX #2F6846

RGB 47 104 70

HSL 144.21, 0.38%, 0.3%

LAB 39.49, -27.35, 13.59

 

CMYK 56 / 0 / 33 / 48

HEX #3B8559

RGB 59 133 89

HSL 144.32, 0.39%, 0.38%

LAB 50.01, -33.73, 16.93

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 49 / 0 / 29 / 29

HEX #5DB681

RGB 93 182 129

HSL 144.27, 0.38%, 0.54%

LAB 67.55, -38.91, 18.95

 

CMYK 38 / 0 / 23 / 24

HEX #79C397

RGB 121 195 151

HSL 144.32, 0.38%, 0.62%

LAB 73.11, -32.72, 14.97

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 55 / 33 / 0 / 37

HEX #486CA1

RGB 72 108 161

HSL 215.73, 0.38%, 0.46%

LAB 45.19, 3.23, -32.53

 

CMYK 0 / 55 / 55 / 37

HEX #A14848

RGB 161 72 72

HSL 0, 0.38%, 0.46%

LAB 42.28, 36.92, 18.06

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 33 / 55 / 0 / 37

HEX #6C48A1

RGB 108 72 161

HSL 264.27, 0.38%, 0.46%

LAB 38.54, 34.7, -42.88

 

CMYK 0 / 33 / 55 / 37

HEX #A16C48

RGB 161 108 72

HSL 24.27, 0.38%, 0.46%

LAB 50.42, 17.09, 28.59

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 55 / 33 / 0 / 37

HEX #486CA1

RGB 72 108 161

HSL 215.73, 0.38%, 0.46%

LAB 45.19, 3.23, -32.53

 

CMYK 0 / 55 / 22 / 37

HEX #A1487E

RGB 161 72 126

HSL 323.6, 0.38%, 0.46%

LAB 43.83, 43.35, -12.94

 

CMYK 0 / 22 / 55 / 37

HEX #A17E48

RGB 161 126 72

HSL 36.4, 0.38%, 0.46%

LAB 55.04, 6.86, 34.29

 

CMYK 55 / 0 / 33 / 37

HEX #48A16C

RGB 72 161 108

HSL 144.27, 0.38%, 0.46%

LAB 59.84, -39.12, 19.74

 

CMYK 55 / 50 / 0 / 37

HEX #4851A1

RGB 72 81 161

HSL 233.93, 0.38%, 0.46%

LAB 37.55, 20.36, -44.66

 

CMYK 0 / 55 / 22 / 37

HEX #A1487E

RGB 161 72 126

HSL 323.6, 0.38%, 0.46%

LAB 43.83, 43.35, -12.94

 

CMYK 0 / 6 / 55 / 37

HEX #A19848

RGB 161 152 72

HSL 53.93, 0.38%, 0.46%

LAB 62.08, -7.5, 42.65

 

Description

Color code: HEX #48A16C | qconv.com Color code: HEX #48A16C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 161 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 161 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 33 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 33% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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