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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48A213 it is the complementary color #B75DEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48A213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48A213 shade: #4DA20E, #5EB421, #6FC634, #80D847 and #91EA5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48A213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48A213 shade: #48A213, #379000, #267E00, #156C00 and #045A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48A213 shade: #479F12, #6D9F12, #939F12, #9F8612 and #9F6012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48A213 shade: #479F12, #209F12, #129F2A, #129F50 and #129F76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48A213 shade matches the following richer shades: #479F12 and #43AE04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48A213 shade: #479F12, #4A9121, #4E822F, #52743E and #55654C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48A213 shade: #949F12, #6E9F12, #489F12, #239F12 and #129F27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48A213 shade: #26550A, #367A0E, #479F12, #57C417 and #69E420

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48A213 shade: #48A213, #129F85 and #9F1281

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48A213 shade: #48A213, #12489F and #9F1248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48A213 shade: #48A213, #129F85, #69129F and #9F122C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48A213 shade: #48A213, #128F9F, #69129F and #9F2312

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 88 / 36

HEX #48A213

RGB 72 162 19

HSL 97.76, 0.79%, 0.35%

LAB 59.22, -49.82, 57.83

 

Complementary color

CMYK 22 / 61 / 0 / 7

HEX #B75DEC

RGB 183 93 236

HSL 277.76, 0.79%, 0.65%

LAB 56.04, 59.7, -57.72

 

CMYK 52 / 0 / 91 / 36

HEX #4DA20E

RGB 77 162 14

HSL 94.46, 0.84%, 0.35%

LAB 59.39, -48.53, 59

 

CMYK 48 / 0 / 82 / 29

HEX #5EB421

RGB 94 180 33

HSL 95.1, 0.69%, 0.42%

LAB 65.85, -49.52, 60.62

 

CMYK 44 / 0 / 74 / 22

HEX #6FC634

RGB 111 198 52

HSL 95.75, 0.58%, 0.49%

LAB 72.24, -50.16, 61

 

CMYK 41 / 0 / 67 / 15

HEX #80D847

RGB 128 216 71

HSL 96.41, 0.65%, 0.56%

LAB 78.55, -50.56, 60.68

 

CMYK 38 / 0 / 62 / 8

HEX #91EA5A

RGB 145 234 90

HSL 97.08, 0.77%, 0.64%

LAB 84.79, -50.78, 59.96

 

CMYK 56 / 0 / 88 / 36

HEX #48A213

RGB 72 162 19

HSL 97.76, 0.79%, 0.35%

LAB 59.22, -49.82, 57.83

 

CMYK 62 / 0 / 100 / 44

HEX #379000

RGB 55 144 0

HSL 97.08, 1%, 0.28%

LAB 52.68, -48.4, 55.45

 

CMYK 70 / 0 / 100 / 51

HEX #267E00

RGB 38 126 0

HSL 101.9, 1%, 0.25%

LAB 46.09, -46.15, 50.02

 

CMYK 81 / 0 / 100 / 58

HEX #156C00

RGB 21 108 0

HSL 108.33, 1%, 0.21%

LAB 39.39, -43.34, 44.52

 

CMYK 96 / 0 / 100 / 65

HEX #045A00

RGB 4 90 0

HSL 117.33, 1%, 0.18%

LAB 32.56, -39.78, 38.97

 

CMYK 55 / 0 / 89 / 38

HEX #479F12

RGB 71 159 18

HSL 97.45, 0.8%, 0.35%

LAB 58.21, -49.02, 57.15

 

CMYK 31 / 0 / 89 / 38

HEX #6D9F12

RGB 109 159 18

HSL 81.28, 0.8%, 0.35%

LAB 59.97, -36.06, 59.35

 

CMYK 8 / 0 / 89 / 38

HEX #939F12

RGB 147 159 18

HSL 65.11, 0.8%, 0.35%

LAB 62.54, -20.17, 62.53

 

CMYK 0 / 16 / 89 / 38

HEX #9F8612

RGB 159 134 18

HSL 49.36, 0.8%, 0.35%

LAB 56.55, -1.44, 58.13

 

CMYK 0 / 40 / 89 / 38

HEX #9F6012

RGB 159 96 18

HSL 33.19, 0.8%, 0.35%

LAB 46.68, 20.04, 50.2

 

CMYK 55 / 0 / 89 / 38

HEX #479F12

RGB 71 159 18

HSL 97.45, 0.8%, 0.35%

LAB 58.21, -49.02, 57.15

 

CMYK 80 / 0 / 89 / 38

HEX #209F12

RGB 32 159 18

HSL 114.04, 0.8%, 0.35%

LAB 57.22, -57.3, 55.9

 

CMYK 89 / 0 / 74 / 38

HEX #129F2A

RGB 18 159 42

HSL 130.21, 0.8%, 0.35%

LAB 57.16, -57.32, 48.61

 

CMYK 89 / 0 / 50 / 38

HEX #129F50

RGB 18 159 80

HSL 146.38, 0.8%, 0.35%

LAB 57.56, -52.43, 31.56

 

CMYK 89 / 0 / 26 / 38

HEX #129F76

RGB 18 159 118

HSL 162.55, 0.8%, 0.35%

LAB 58.26, -44.47, 11.81

 

CMYK 55 / 0 / 89 / 38

HEX #479F12

RGB 71 159 18

HSL 97.45, 0.8%, 0.35%

LAB 58.21, -49.02, 57.15

 

CMYK 61 / 0 / 98 / 32

HEX #43AE04

RGB 67 174 4

HSL 97.76, 0.96%, 0.35%

LAB 62.91, -55.81, 63.16

 

CMYK 55 / 0 / 89 / 38

HEX #479F12

RGB 71 159 18

HSL 97.45, 0.8%, 0.35%

LAB 58.21, -49.02, 57.15

 

CMYK 49 / 0 / 77 / 43

HEX #4A9121

RGB 74 145 33

HSL 98.04, 0.63%, 0.35%

LAB 53.83, -41.91, 49.01

 

CMYK 40 / 0 / 64 / 49

HEX #4E822F

RGB 78 130 47

HSL 97.59, 0.47%, 0.35%

LAB 49.24, -32.93, 38.51

 

CMYK 29 / 0 / 47 / 55

HEX #52743E

RGB 82 116 62

HSL 97.78, 0.3%, 0.35%

LAB 45.13, -22.85, 25.95

 

CMYK 16 / 0 / 25 / 60

HEX #55654C

RGB 85 101 76

HSL 98.4, 0.14%, 0.35%

LAB 40.83, -11.27, 12.19

 

CMYK 7 / 0 / 89 / 38

HEX #949F12

RGB 148 159 18

HSL 64.68, 0.8%, 0.35%

LAB 62.62, -19.73, 62.63

 

CMYK 31 / 0 / 89 / 38

HEX #6E9F12

RGB 110 159 18

HSL 80.85, 0.8%, 0.35%

LAB 60.03, -35.68, 59.42

 

CMYK 55 / 0 / 89 / 38

HEX #489F12

RGB 72 159 18

HSL 97.02, 0.8%, 0.35%

LAB 58.24, -48.74, 57.19

 

CMYK 78 / 0 / 89 / 38

HEX #239F12

RGB 35 159 18

HSL 112.77, 0.8%, 0.35%

LAB 57.27, -56.87, 55.97

 

CMYK 89 / 0 / 75 / 38

HEX #129F27

RGB 18 159 39

HSL 128.94, 0.8%, 0.35%

LAB 57.14, -57.57, 49.7

 

CMYK 55 / 0 / 88 / 67

HEX #26550A

RGB 38 85 10

HSL 97.6, 0.79%, 0.19%

LAB 31.65, -29.99, 35.2

 

CMYK 56 / 0 / 89 / 52

HEX #367A0E

RGB 54 122 14

HSL 97.78, 0.79%, 0.27%

LAB 45.27, -39.97, 46.54

 

CMYK 55 / 0 / 89 / 38

HEX #479F12

RGB 71 159 18

HSL 97.45, 0.8%, 0.35%

LAB 58.21, -49.02, 57.15

 

CMYK 56 / 0 / 88 / 23

HEX #57C417

RGB 87 196 23

HSL 97.8, 0.79%, 0.43%

LAB 70.57, -57.9, 66.99

 

CMYK 54 / 0 / 86 / 11

HEX #69E420

RGB 105 228 32

HSL 97.65, 0.78%, 0.51%

LAB 81.07, -64.05, 74.51

 

CMYK 56 / 0 / 88 / 36

HEX #48A213

RGB 72 162 19

HSL 97.76, 0.79%, 0.35%

LAB 59.22, -49.82, 57.83

 

CMYK 89 / 0 / 16 / 38

HEX #129F85

RGB 18 159 133

HSL 168.94, 0.8%, 0.35%

LAB 58.62, -40.58, 3.88

 

CMYK 0 / 89 / 19 / 38

HEX #9F1281

RGB 159 18 129

HSL 312.77, 0.8%, 0.35%

LAB 36.72, 62.4, -25.76

 

CMYK 56 / 0 / 88 / 36

HEX #48A213

RGB 72 162 19

HSL 97.76, 0.79%, 0.35%

LAB 59.22, -49.82, 57.83

 

CMYK 89 / 55 / 0 / 38

HEX #12489F

RGB 18 72 159

HSL 217.02, 0.8%, 0.35%

LAB 32.41, 17.76, -51.88

 

CMYK 0 / 89 / 55 / 38

HEX #9F1248

RGB 159 18 72

HSL 337.02, 0.8%, 0.35%

LAB 34.54, 56.4, 7.4

 

CMYK 56 / 0 / 88 / 36

HEX #48A213

RGB 72 162 19

HSL 97.76, 0.79%, 0.35%

LAB 59.22, -49.82, 57.83

 

CMYK 89 / 0 / 16 / 38

HEX #129F85

RGB 18 159 133

HSL 168.94, 0.8%, 0.35%

LAB 58.62, -40.58, 3.88

 

CMYK 34 / 89 / 0 / 38

HEX #69129F

RGB 105 18 159

HSL 277.02, 0.8%, 0.35%

LAB 29.26, 57.83, -56.72

 

CMYK 0 / 89 / 72 / 38

HEX #9F122C

RGB 159 18 44

HSL 348.94, 0.8%, 0.35%

LAB 33.95, 54.7, 24.82

 

CMYK 56 / 0 / 88 / 36

HEX #48A213

RGB 72 162 19

HSL 97.76, 0.79%, 0.35%

LAB 59.22, -49.82, 57.83

 

CMYK 89 / 10 / 0 / 38

HEX #128F9F

RGB 18 143 159

HSL 186.81, 0.8%, 0.35%

LAB 54.32, -25.14, -17.36

 

CMYK 34 / 89 / 0 / 38

HEX #69129F

RGB 105 18 159

HSL 277.02, 0.8%, 0.35%

LAB 29.26, 57.83, -56.72

 

CMYK 0 / 78 / 89 / 38

HEX #9F2312

RGB 159 35 18

HSL 7.23, 0.8%, 0.35%

LAB 35.24, 49.41, 40.99

 

Description

Color code: HEX #48A213 | qconv.com Color code: HEX #48A213 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 162 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 162 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 88 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 88% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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