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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48ADD5 it is the complementary color #B7522A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48ADD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48ADD5 shade: #4DADD0, #5EBFE3, #6FD1F6, #80E3FF and #91F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48ADD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48ADD5 shade: #48ADD5, #379BC2, #2689AF, #15779C and #046589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48ADD5 shade: #48ADD5, #4887D5, #4861D5, #5548D5 and #7B48D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48ADD5 shade: #48ADD5, #4887D5, #4861D5 and #4848D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48ADD5 shade matches the following richer shades: #48ADD5, #35B5E7 and #23BDF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48ADD5 shade: #48ADD5, #5AA5C3, #6C9DB1, #7E959F and #908D8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48ADD5 shade: #48D5B2, #48D3D5, #48ADD5, #4887D5 and #4862D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48ADD5 shade: #2581A5, #2D9BC7, #48ADD5, #69BCDD and #8BCBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48ADD5 shade: #48ADD5, #8C48D5 and #D5C448

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48ADD5 shade: #48ADD5, #D548AD and #ADD548

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48ADD5 shade: #48ADD5, #8C48D5, #D57048 and #91D548

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48ADD5 shade: #48ADD5, #B648D5, #D57048 and #66D548

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

Complementary color

CMYK 0 / 55 / 77 / 28

HEX #B7522A

RGB 183 82 42

HSL 17.02, 0.63%, 0.44%

LAB 47.33, 38.46, 42.04

 

CMYK 63 / 17 / 0 / 18

HEX #4DADD0

RGB 77 173 208

HSL 196.03, 0.58%, 0.56%

LAB 66.53, -17.65, -26.17

 

CMYK 59 / 16 / 0 / 11

HEX #5EBFE3

RGB 94 191 227

HSL 196.24, 0.7%, 0.63%

LAB 73.02, -18.24, -26.57

 

CMYK 55 / 15 / 0 / 4

HEX #6FD1F6

RGB 111 209 246

HSL 196.44, 0.88%, 0.7%

LAB 79.41, -18.69, -26.96

 

CMYK 50 / 11 / 0 / 0

HEX #80E3FF

RGB 128 227 255

HSL 193.23, 1%, 0.75%

LAB 85.38, -21.78, -22.57

 

CMYK 43 / 4 / 0 / 0

HEX #91F5FF

RGB 145 245 255

HSL 185.45, 1%, 0.78%

LAB 91.03, -26.81, -13.99

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 72 / 20 / 0 / 24

HEX #379BC2

RGB 55 155 194

HSL 196.83, 0.56%, 0.49%

LAB 60.02, -15.96, -28.45

 

CMYK 78 / 22 / 0 / 31

HEX #2689AF

RGB 38 137 175

HSL 196.64, 0.64%, 0.42%

LAB 53.38, -14.71, -27.98

 

CMYK 87 / 24 / 0 / 39

HEX #15779C

RGB 21 119 156

HSL 196.44, 0.76%, 0.35%

LAB 46.65, -13.04, -27.42

 

CMYK 97 / 26 / 0 / 46

HEX #046589

RGB 4 101 137

HSL 196.24, 0.94%, 0.28%

LAB 39.81, -10.85, -26.78

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 66 / 37 / 0 / 16

HEX #4887D5

RGB 72 135 213

HSL 213.19, 0.63%, 0.56%

LAB 55.59, 4.54, -46.04

 

CMYK 66 / 54 / 0 / 16

HEX #4861D5

RGB 72 97 213

HSL 229.36, 0.63%, 0.56%

LAB 45.26, 28.07, -62.6

 

CMYK 60 / 66 / 0 / 16

HEX #5548D5

RGB 85 72 213

HSL 245.53, 0.63%, 0.56%

LAB 40.2, 45.3, -70.81

 

CMYK 42 / 66 / 0 / 16

HEX #7B48D5

RGB 123 72 213

HSL 261.7, 0.63%, 0.56%

LAB 43.73, 51.84, -64.91

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 66 / 37 / 0 / 16

HEX #4887D5

RGB 72 135 213

HSL 213.19, 0.63%, 0.56%

LAB 55.59, 4.54, -46.04

 

CMYK 66 / 54 / 0 / 16

HEX #4861D5

RGB 72 97 213

HSL 229.36, 0.63%, 0.56%

LAB 45.26, 28.07, -62.6

 

CMYK 66 / 66 / 0 / 16

HEX #4848D5

RGB 72 72 213

HSL 240, 0.63%, 0.56%

LAB 39.27, 43.48, -72.37

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 77 / 22 / 0 / 9

HEX #35B5E7

RGB 53 181 231

HSL 196.85, 0.79%, 0.56%

LAB 69.17, -17.76, -34.78

 

CMYK 86 / 24 / 0 / 2

HEX #23BDF9

RGB 35 189 249

HSL 196.82, 0.95%, 0.56%

LAB 71.95, -17.39, -40.23

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 54 / 15 / 0 / 24

HEX #5AA5C3

RGB 90 165 195

HSL 197.14, 0.47%, 0.56%

LAB 64.18, -14.82, -22.52

 

CMYK 39 / 11 / 0 / 31

HEX #6C9DB1

RGB 108 157 177

HSL 197.39, 0.31%, 0.56%

LAB 62.06, -11.17, -15.59

 

CMYK 21 / 6 / 0 / 38

HEX #7E959F

RGB 126 149 159

HSL 198.18, 0.15%, 0.56%

LAB 60.28, -5.84, -7.97

 

CMYK 0 / 2 / 3 / 44

HEX #908D8C

RGB 144 141 140

HSL 15, 0.02%, 0.56%

LAB 58.86, 0.92, 0.92

 

CMYK 66 / 0 / 16 / 16

HEX #48D5B2

RGB 72 213 178

HSL 165.11, 0.63%, 0.56%

LAB 77.39, -45.86, 6.33

 

CMYK 66 / 1 / 0 / 16

HEX #48D3D5

RGB 72 211 213

HSL 180.85, 0.63%, 0.56%

LAB 77.74, -35.78, -11.92

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 66 / 37 / 0 / 16

HEX #4887D5

RGB 72 135 213

HSL 213.19, 0.63%, 0.56%

LAB 55.59, 4.54, -46.04

 

CMYK 66 / 54 / 0 / 16

HEX #4862D5

RGB 72 98 213

HSL 228.94, 0.63%, 0.56%

LAB 45.52, 27.44, -62.18

 

CMYK 78 / 22 / 0 / 35

HEX #2581A5

RGB 37 129 165

HSL 196.88, 0.63%, 0.4%

LAB 50.46, -13.88, -26.73

 

CMYK 77 / 22 / 0 / 22

HEX #2D9BC7

RGB 45 155 199

HSL 197.14, 0.63%, 0.48%

LAB 60, -15.5, -31.32

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 52 / 15 / 0 / 13

HEX #69BCDD

RGB 105 188 221

HSL 197.07, 0.63%, 0.64%

LAB 72.36, -16.22, -24.29

 

CMYK 39 / 11 / 0 / 11

HEX #8BCBE4

RGB 139 203 228

HSL 196.85, 0.62%, 0.72%

LAB 78.35, -14.08, -18.82

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 34 / 66 / 0 / 16

HEX #8C48D5

RGB 140 72 213

HSL 268.94, 0.63%, 0.56%

LAB 45.65, 55.22, -61.69

 

CMYK 0 / 8 / 66 / 16

HEX #D5C448

RGB 213 196 72

HSL 52.77, 0.63%, 0.56%

LAB 78.52, -8.26, 61.96

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 0 / 66 / 19 / 16

HEX #D548AD

RGB 213 72 173

HSL 317.02, 0.63%, 0.56%

LAB 53.81, 65.16, -24.96

 

CMYK 19 / 0 / 66 / 16

HEX #ADD548

RGB 173 213 72

HSL 77.02, 0.63%, 0.56%

LAB 80.15, -32.99, 62.71

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 34 / 66 / 0 / 16

HEX #8C48D5

RGB 140 72 213

HSL 268.94, 0.63%, 0.56%

LAB 45.65, 55.22, -61.69

 

CMYK 0 / 47 / 66 / 16

HEX #D57048

RGB 213 112 72

HSL 17.02, 0.63%, 0.56%

LAB 58.23, 36.39, 39.67

 

CMYK 32 / 0 / 66 / 16

HEX #91D548

RGB 145 213 72

HSL 88.94, 0.63%, 0.56%

LAB 78.51, -43.46, 60.49

 

CMYK 66 / 19 / 0 / 16

HEX #48ADD5

RGB 72 173 213

HSL 197.02, 0.63%, 0.56%

LAB 66.57, -16.9, -28.88

 

CMYK 15 / 66 / 0 / 16

HEX #B648D5

RGB 182 72 213

HSL 286.81, 0.63%, 0.56%

LAB 51.13, 64.24, -52.59

 

CMYK 0 / 47 / 66 / 16

HEX #D57048

RGB 213 112 72

HSL 17.02, 0.63%, 0.56%

LAB 58.23, 36.39, 39.67

 

CMYK 52 / 0 / 66 / 16

HEX #66D548

RGB 102 213 72

HSL 107.23, 0.63%, 0.56%

LAB 76.61, -57.07, 57.89

 

Description

Color code: HEX #48ADD5 | qconv.com Color code: HEX #48ADD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 173 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 173 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 19 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 19% 0% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

64% - Macrosigma S.A.
Link: http://www.macrosigma.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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