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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48AE2C it is the complementary color #B751D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48AE2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48AE2C shade: #4DAE27, #5EC03A, #6FD24D, #80E460 and #91F673

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48AE2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48AE2C shade: #48AE2C, #379C19, #268A06, #157800 and #046600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48AE2C shade: #48AF2B, #6BAF2B, #8FAF2B, #AFAC2B and #AF882B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48AE2C shade: #48AF2B, #2BAF33, #2BAF56, #2BAF79 and #2BAF9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48AE2C shade matches the following richer shades: #48AF2B, #3EC11A and #33D208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48AE2C shade: #48AF2B, #529D3D, #5C8B4F, #667A61 and #706872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48AE2C shade: #8EAF2B, #6BAF2B, #48AF2B, #2BAF32 and #2BAF55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48AE2C shade: #2D6D1B, #3A8E23, #48AF2B, #57CD37 and #73D558

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48AE2C shade: #48AE2C, #2BAFAD and #AF2B7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48AE2C shade: #48AE2C, #2B48AF and #AF2B48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48AE2C shade: #48AE2C, #2BAFAD, #922BAF and #AF2B2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48AE2C shade: #48AE2C, #2B8AAF, #922BAF and #AF512B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 75 / 32

HEX #48AE2C

RGB 72 174 44

HSL 107.08, 0.6%, 0.43%

LAB 63.2, -52.87, 54.34

 

Complementary color

CMYK 13 / 62 / 0 / 17

HEX #B751D3

RGB 183 81 211

HSL 287.08, 0.6%, 0.57%

LAB 52.57, 60.17, -49.14

 

CMYK 56 / 0 / 78 / 32

HEX #4DAE27

RGB 77 174 39

HSL 103.11, 0.63%, 0.42%

LAB 63.34, -51.89, 56.23

 

CMYK 51 / 0 / 70 / 25

HEX #5EC03A

RGB 94 192 58

HSL 103.88, 0.54%, 0.49%

LAB 69.74, -52.55, 56.06

 

CMYK 47 / 0 / 63 / 18

HEX #6FD24D

RGB 111 210 77

HSL 104.66, 0.6%, 0.56%

LAB 76.07, -52.91, 55.36

 

CMYK 44 / 0 / 58 / 11

HEX #80E460

RGB 128 228 96

HSL 105.45, 0.71%, 0.64%

LAB 82.34, -53.09, 54.39

 

CMYK 41 / 0 / 53 / 4

HEX #91F673

RGB 145 246 115

HSL 106.26, 0.88%, 0.71%

LAB 88.53, -53.14, 53.3

 

CMYK 59 / 0 / 75 / 32

HEX #48AE2C

RGB 72 174 44

HSL 107.08, 0.6%, 0.43%

LAB 63.2, -52.87, 54.34

 

CMYK 65 / 0 / 84 / 39

HEX #379C19

RGB 55 156 25

HSL 106.26, 0.72%, 0.35%

LAB 56.74, -51.77, 53.99

 

CMYK 72 / 0 / 96 / 46

HEX #268A06

RGB 38 138 6

HSL 105.45, 0.92%, 0.28%

LAB 50.22, -50.01, 52.19

 

CMYK 83 / 0 / 100 / 53

HEX #157800

RGB 21 120 0

HSL 109.5, 1%, 0.24%

LAB 43.64, -47.24, 47.92

 

CMYK 96 / 0 / 100 / 60

HEX #046600

RGB 4 102 0

HSL 117.65, 1%, 0.2%

LAB 36.98, -43.54, 42.5

 

CMYK 59 / 0 / 75 / 31

HEX #48AF2B

RGB 72 175 43

HSL 106.82, 0.61%, 0.43%

LAB 63.52, -53.3, 55

 

CMYK 39 / 0 / 75 / 31

HEX #6BAF2B

RGB 107 175 43

HSL 90.91, 0.61%, 0.43%

LAB 64.93, -42.64, 56.87

 

CMYK 18 / 0 / 75 / 31

HEX #8FAF2B

RGB 143 175 43

HSL 74.55, 0.61%, 0.43%

LAB 67.03, -28.83, 59.61

 

CMYK 0 / 2 / 75 / 31

HEX #AFAC2B

RGB 175 172 43

HSL 58.64, 0.61%, 0.43%

LAB 68.6, -13.71, 61.95

 

CMYK 0 / 22 / 75 / 31

HEX #AF882B

RGB 175 136 43

HSL 42.27, 0.61%, 0.43%

LAB 58.88, 5.6, 52.75

 

CMYK 59 / 0 / 75 / 31

HEX #48AF2B

RGB 72 175 43

HSL 106.82, 0.61%, 0.43%

LAB 63.52, -53.3, 55

 

CMYK 75 / 0 / 71 / 31

HEX #2BAF33

RGB 43 175 51

HSL 123.64, 0.61%, 0.43%

LAB 62.85, -58.6, 51.14

 

CMYK 75 / 0 / 51 / 31

HEX #2BAF56

RGB 43 175 86

HSL 139.55, 0.61%, 0.43%

LAB 63.21, -54.28, 35.63

 

CMYK 75 / 0 / 31 / 31

HEX #2BAF79

RGB 43 175 121

HSL 155.45, 0.61%, 0.43%

LAB 63.8, -47.67, 17.9

 

CMYK 75 / 0 / 10 / 31

HEX #2BAF9D

RGB 43 175 157

HSL 171.82, 0.61%, 0.43%

LAB 64.65, -38.73, -0.77

 

CMYK 59 / 0 / 75 / 31

HEX #48AF2B

RGB 72 175 43

HSL 106.82, 0.61%, 0.43%

LAB 63.52, -53.3, 55

 

CMYK 68 / 0 / 87 / 24

HEX #3EC11A

RGB 62 193 26

HSL 107.07, 0.76%, 0.43%

LAB 68.92, -62.62, 64.69

 

CMYK 76 / 0 / 96 / 18

HEX #33D208

RGB 51 210 8

HSL 107.23, 0.93%, 0.43%

LAB 74.07, -70.22, 71.61

 

CMYK 59 / 0 / 75 / 31

HEX #48AF2B

RGB 72 175 43

HSL 106.82, 0.61%, 0.43%

LAB 63.52, -53.3, 55

 

CMYK 48 / 0 / 61 / 38

HEX #529D3D

RGB 82 157 61

HSL 106.88, 0.44%, 0.43%

LAB 58.27, -41.88, 42.18

 

CMYK 34 / 0 / 43 / 45

HEX #5C8B4F

RGB 92 139 79

HSL 107, 0.28%, 0.43%

LAB 53.28, -28.08, 27.11

 

CMYK 16 / 0 / 20 / 52

HEX #667A61

RGB 102 122 97

HSL 108, 0.11%, 0.43%

LAB 49.02, -12.48, 11.3

 

CMYK 2 / 9 / 0 / 55

HEX #706872

RGB 112 104 114

HSL 288, 0.05%, 0.43%

LAB 45.03, 5.16, -4.46

 

CMYK 19 / 0 / 75 / 31

HEX #8EAF2B

RGB 142 175 43

HSL 75, 0.61%, 0.43%

LAB 66.96, -29.24, 59.53

 

CMYK 39 / 0 / 75 / 31

HEX #6BAF2B

RGB 107 175 43

HSL 90.91, 0.61%, 0.43%

LAB 64.93, -42.64, 56.87

 

CMYK 59 / 0 / 75 / 31

HEX #48AF2B

RGB 72 175 43

HSL 106.82, 0.61%, 0.43%

LAB 63.52, -53.3, 55

 

CMYK 75 / 0 / 71 / 31

HEX #2BAF32

RGB 43 175 50

HSL 123.18, 0.61%, 0.43%

LAB 62.85, -58.69, 51.52

 

CMYK 75 / 0 / 51 / 31

HEX #2BAF55

RGB 43 175 85

HSL 139.09, 0.61%, 0.43%

LAB 63.2, -54.44, 36.11

 

CMYK 59 / 0 / 75 / 57

HEX #2D6D1B

RGB 45 109 27

HSL 106.83, 0.6%, 0.27%

LAB 40.53, -36.63, 37.64

 

CMYK 59 / 0 / 75 / 44

HEX #3A8E23

RGB 58 142 35

HSL 107.1, 0.6%, 0.35%

LAB 52.25, -45.3, 46.52

 

CMYK 59 / 0 / 75 / 31

HEX #48AF2B

RGB 72 175 43

HSL 106.82, 0.61%, 0.43%

LAB 63.52, -53.3, 55

 

CMYK 58 / 0 / 73 / 20

HEX #57CD37

RGB 87 205 55

HSL 107.2, 0.6%, 0.51%

LAB 73.52, -59.43, 60.94

 

CMYK 46 / 0 / 59 / 16

HEX #73D558

RGB 115 213 88

HSL 107.04, 0.6%, 0.59%

LAB 77.24, -51.82, 51.95

 

CMYK 59 / 0 / 75 / 32

HEX #48AE2C

RGB 72 174 44

HSL 107.08, 0.6%, 0.43%

LAB 63.2, -52.87, 54.34

 

CMYK 75 / 0 / 1 / 31

HEX #2BAFAD

RGB 43 175 173

HSL 179.09, 0.61%, 0.43%

LAB 65.11, -34.17, -8.99

 

CMYK 0 / 75 / 29 / 31

HEX #AF2B7D

RGB 175 43 125

HSL 322.73, 0.61%, 0.43%

LAB 41.72, 59.32, -15.31

 

CMYK 59 / 0 / 75 / 32

HEX #48AE2C

RGB 72 174 44

HSL 107.08, 0.6%, 0.43%

LAB 63.2, -52.87, 54.34

 

CMYK 75 / 59 / 0 / 31

HEX #2B48AF

RGB 43 72 175

HSL 226.82, 0.61%, 0.43%

LAB 34.48, 26.43, -58.04

 

CMYK 0 / 75 / 59 / 31

HEX #AF2B48

RGB 175 43 72

HSL 346.82, 0.61%, 0.43%

LAB 40.1, 54.17, 15.56

 

CMYK 59 / 0 / 75 / 32

HEX #48AE2C

RGB 72 174 44

HSL 107.08, 0.6%, 0.43%

LAB 63.2, -52.87, 54.34

 

CMYK 75 / 0 / 1 / 31

HEX #2BAFAD

RGB 43 175 173

HSL 179.09, 0.61%, 0.43%

LAB 65.11, -34.17, -8.99

 

CMYK 17 / 75 / 0 / 31

HEX #922BAF

RGB 146 43 175

HSL 286.82, 0.61%, 0.43%

LAB 39.47, 60.55, -49.48

 

CMYK 0 / 75 / 74 / 31

HEX #AF2B2E

RGB 175 43 46

HSL 358.64, 0.61%, 0.43%

LAB 39.65, 52.69, 31.09

 

CMYK 59 / 0 / 75 / 32

HEX #48AE2C

RGB 72 174 44

HSL 107.08, 0.6%, 0.43%

LAB 63.2, -52.87, 54.34

 

CMYK 75 / 21 / 0 / 31

HEX #2B8AAF

RGB 43 138 175

HSL 196.82, 0.61%, 0.43%

LAB 53.8, -14.67, -27.32

 

CMYK 17 / 75 / 0 / 31

HEX #922BAF

RGB 146 43 175

HSL 286.82, 0.61%, 0.43%

LAB 39.47, 60.55, -49.48

 

CMYK 0 / 54 / 75 / 31

HEX #AF512B

RGB 175 81 43

HSL 17.27, 0.61%, 0.43%

LAB 45.87, 35.86, 39.61

 

Description

Color code: HEX #48AE2C | qconv.com Color code: HEX #48AE2C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 174 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 174 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 75 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 75% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - 医療法人彌栄会 ホームページ -和歌山県...
Link: http://yaeikai.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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