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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48C0DE it is the complementary color #B73F21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48C0DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48C0DE shade: #4DC0D9, #5ED2EC, #6FE4FF, #80F6FF and #91FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48C0DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48C0DE shade: #48C0DE, #37AECB, #269CB8, #158AA5 and #047892

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48C0DE shade: #4AC0DD, #4A98DD, #4A70DD, #4B4ADD and #734ADD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48C0DE shade: #4AC0DD, #4A98DD, #4A70DD and #4A4ADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48C0DE shade matches the following richer shades: #4AC0DD and #38CAEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48C0DE shade: #4AC0DD, #5BB5CC, #6CABBB, #7DA1A9 and #8F9698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48C0DE shade: #4ADDAC, #4ADDD3, #4AC0DD, #4A98DD and #4A71DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48C0DE shade: #2196B4, #27B3D7, #4AC0DD, #6CCCE4 and #8FD8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48C0DE shade: #48C0DE, #854ADD and #DDC04A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48C0DE shade: #48C0DE, #DD4AC0 and #C0DD4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48C0DE shade: #48C0DE, #854ADD, #DD674A and #A2DD4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48C0DE shade: #48C0DE, #B14ADD, #DD674A and #76DD4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 14 / 0 / 13

HEX #48C0DE

RGB 72 192 222

HSL 192, 0.69%, 0.58%

LAB 72.46, -23.92, -24.76

 

Complementary color

CMYK 0 / 66 / 82 / 28

HEX #B73F21

RGB 183 63 33

HSL 12, 0.69%, 0.42%

LAB 43.85, 47.07, 43.1

 

CMYK 65 / 12 / 0 / 15

HEX #4DC0D9

RGB 77 192 217

HSL 190.71, 0.65%, 0.58%

LAB 72.42, -24.68, -22.1

 

CMYK 60 / 11 / 0 / 7

HEX #5ED2EC

RGB 94 210 236

HSL 190.99, 0.79%, 0.65%

LAB 78.77, -25.24, -22.64

 

CMYK 56 / 11 / 0 / 0

HEX #6FE4FF

RGB 111 228 255

HSL 191.25, 1%, 0.72%

LAB 85.04, -25.67, -23.14

 

CMYK 50 / 4 / 0 / 0

HEX #80F6FF

RGB 128 246 255

HSL 184.25, 1%, 0.75%

LAB 90.65, -31.01, -14.62

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 68 / 14 / 0 / 13

HEX #48C0DE

RGB 72 192 222

HSL 192, 0.69%, 0.58%

LAB 72.46, -23.92, -24.76

 

CMYK 73 / 14 / 0 / 20

HEX #37AECB

RGB 55 174 203

HSL 191.76, 0.59%, 0.51%

LAB 66.06, -23.02, -24.19

 

CMYK 79 / 15 / 0 / 28

HEX #269CB8

RGB 38 156 184

HSL 191.51, 0.66%, 0.44%

LAB 59.57, -21.85, -23.55

 

CMYK 87 / 16 / 0 / 35

HEX #158AA5

RGB 21 138 165

HSL 191.25, 0.77%, 0.36%

LAB 53.01, -20.28, -22.82

 

CMYK 97 / 18 / 0 / 43

HEX #047892

RGB 4 120 146

HSL 190.99, 0.95%, 0.29%

LAB 46.36, -18.26, -21.99

 

CMYK 67 / 13 / 0 / 13

HEX #4AC0DD

RGB 74 192 221

HSL 191.84, 0.68%, 0.58%

LAB 72.48, -23.93, -24.19

 

CMYK 67 / 31 / 0 / 13

HEX #4A98DD

RGB 74 152 221

HSL 208.16, 0.68%, 0.58%

LAB 60.9, -2.36, -42.14

 

CMYK 67 / 49 / 0 / 13

HEX #4A70DD

RGB 74 112 221

HSL 224.49, 0.68%, 0.58%

LAB 49.82, 21.76, -59.79

 

CMYK 66 / 67 / 0 / 13

HEX #4B4ADD

RGB 75 74 221

HSL 240.41, 0.68%, 0.58%

LAB 40.6, 45.3, -74.77

 

CMYK 48 / 67 / 0 / 13

HEX #734ADD

RGB 115 74 221

HSL 256.73, 0.68%, 0.58%

LAB 43.89, 51.47, -69.25

 

CMYK 67 / 13 / 0 / 13

HEX #4AC0DD

RGB 74 192 221

HSL 191.84, 0.68%, 0.58%

LAB 72.48, -23.93, -24.19

 

CMYK 67 / 31 / 0 / 13

HEX #4A98DD

RGB 74 152 221

HSL 208.16, 0.68%, 0.58%

LAB 60.9, -2.36, -42.14

 

CMYK 67 / 49 / 0 / 13

HEX #4A70DD

RGB 74 112 221

HSL 224.49, 0.68%, 0.58%

LAB 49.82, 21.76, -59.79

 

CMYK 67 / 67 / 0 / 13

HEX #4A4ADD

RGB 74 74 221

HSL 240, 0.68%, 0.58%

LAB 40.53, 45.18, -74.88

 

CMYK 67 / 13 / 0 / 13

HEX #4AC0DD

RGB 74 192 221

HSL 191.84, 0.68%, 0.58%

LAB 72.48, -23.93, -24.19

 

CMYK 77 / 15 / 0 / 6

HEX #38CAEF

RGB 56 202 239

HSL 192.13, 0.85%, 0.58%

LAB 75.65, -25.62, -29.1

 

CMYK 67 / 13 / 0 / 13

HEX #4AC0DD

RGB 74 192 221

HSL 191.84, 0.68%, 0.58%

LAB 72.48, -23.93, -24.19

 

CMYK 55 / 11 / 0 / 20

HEX #5BB5CC

RGB 91 181 204

HSL 192.21, 0.53%, 0.58%

LAB 69.21, -20.39, -19.84

 

CMYK 42 / 9 / 0 / 27

HEX #6CABBB

RGB 108 171 187

HSL 192.15, 0.37%, 0.58%

LAB 66.44, -16.01, -14.56

 

CMYK 26 / 5 / 0 / 34

HEX #7DA1A9

RGB 125 161 169

HSL 190.91, 0.2%, 0.58%

LAB 63.93, -10.39, -8.19

 

CMYK 6 / 1 / 0 / 40

HEX #8F9698

RGB 143 150 152

HSL 193.33, 0.04%, 0.58%

LAB 61.58, -2.11, -1.93

 

CMYK 67 / 0 / 22 / 13

HEX #4ADDAC

RGB 74 221 172

HSL 160, 0.68%, 0.58%

LAB 79.7, -50.3, 12.82

 

CMYK 67 / 0 / 5 / 13

HEX #4ADDD3

RGB 74 221 211

HSL 175.92, 0.68%, 0.58%

LAB 80.67, -40.61, -6.49

 

CMYK 67 / 13 / 0 / 13

HEX #4AC0DD

RGB 74 192 221

HSL 191.84, 0.68%, 0.58%

LAB 72.48, -23.93, -24.19

 

CMYK 67 / 31 / 0 / 13

HEX #4A98DD

RGB 74 152 221

HSL 208.16, 0.68%, 0.58%

LAB 60.9, -2.36, -42.14

 

CMYK 67 / 49 / 0 / 13

HEX #4A71DD

RGB 74 113 221

HSL 224.08, 0.68%, 0.58%

LAB 50.08, 21.14, -59.36

 

CMYK 82 / 17 / 0 / 29

HEX #2196B4

RGB 33 150 180

HSL 192.24, 0.69%, 0.42%

LAB 57.49, -20.52, -24.49

 

CMYK 82 / 17 / 0 / 16

HEX #27B3D7

RGB 39 179 215

HSL 192.27, 0.69%, 0.5%

LAB 67.71, -23.35, -28.29

 

CMYK 67 / 13 / 0 / 13

HEX #4AC0DD

RGB 74 192 221

HSL 191.84, 0.68%, 0.58%

LAB 72.48, -23.93, -24.19

 

CMYK 53 / 11 / 0 / 11

HEX #6CCCE4

RGB 108 204 228

HSL 192, 0.69%, 0.66%

LAB 77.27, -21.83, -20.59

 

CMYK 39 / 8 / 0 / 8

HEX #8FD8EA

RGB 143 216 234

HSL 191.87, 0.68%, 0.74%

LAB 82.32, -18.2, -16.01

 

CMYK 68 / 14 / 0 / 13

HEX #48C0DE

RGB 72 192 222

HSL 192, 0.69%, 0.58%

LAB 72.46, -23.92, -24.76

 

CMYK 40 / 67 / 0 / 13

HEX #854ADD

RGB 133 74 221

HSL 264.08, 0.68%, 0.58%

LAB 45.78, 54.82, -66.1

 

CMYK 0 / 13 / 67 / 13

HEX #DDC04A

RGB 221 192 74

HSL 48.16, 0.68%, 0.58%

LAB 78.21, -2.7, 61.03

 

CMYK 68 / 14 / 0 / 13

HEX #48C0DE

RGB 72 192 222

HSL 192, 0.69%, 0.58%

LAB 72.46, -23.92, -24.76

 

CMYK 0 / 67 / 13 / 13

HEX #DD4AC0

RGB 221 74 192

HSL 311.84, 0.68%, 0.58%

LAB 56.16, 69.13, -32.23

 

CMYK 13 / 0 / 67 / 13

HEX #C0DD4A

RGB 192 221 74

HSL 71.84, 0.68%, 0.58%

LAB 83.66, -29.11, 65.97

 

CMYK 68 / 14 / 0 / 13

HEX #48C0DE

RGB 72 192 222

HSL 192, 0.69%, 0.58%

LAB 72.46, -23.92, -24.76

 

CMYK 40 / 67 / 0 / 13

HEX #854ADD

RGB 133 74 221

HSL 264.08, 0.68%, 0.58%

LAB 45.78, 54.82, -66.1

 

CMYK 0 / 53 / 67 / 13

HEX #DD674A

RGB 221 103 74

HSL 11.84, 0.68%, 0.58%

LAB 57.62, 44.1, 38.17

 

CMYK 27 / 0 / 67 / 13

HEX #A2DD4A

RGB 162 221 74

HSL 84.08, 0.68%, 0.58%

LAB 81.78, -40.64, 63.43

 

CMYK 68 / 14 / 0 / 13

HEX #48C0DE

RGB 72 192 222

HSL 192, 0.69%, 0.58%

LAB 72.46, -23.92, -24.76

 

CMYK 20 / 67 / 0 / 13

HEX #B14ADD

RGB 177 74 221

HSL 282.04, 0.68%, 0.58%

LAB 51.23, 63.88, -57.03

 

CMYK 0 / 53 / 67 / 13

HEX #DD674A

RGB 221 103 74

HSL 11.84, 0.68%, 0.58%

LAB 57.62, 44.1, 38.17

 

CMYK 47 / 0 / 67 / 13

HEX #76DD4A

RGB 118 221 74

HSL 102.04, 0.68%, 0.58%

LAB 79.65, -55.39, 60.53

 

Description

Color code: HEX #48C0DE | qconv.com Color code: HEX #48C0DE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 192 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 192 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 14 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 14% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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