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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48CF7A it is the complementary color #B73085. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48CF7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48CF7A shade: #4DCF75, #5EE188, #6FF39B, #80FFAE and #91FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48CF7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48CF7A shade: #48CF7A, #37BD67, #26AB54, #159941 and #04872E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48CF7A shade: #49CE7A, #49CE57, #60CE49, #84CE49 and #A7CE49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48CF7A shade: #49CE7A, #49CE9E, #49CEC2, #49B6CE and #4993CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48CF7A shade matches the following richer shades: #49CE7A, #37E176 and #24F371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48CF7A shade: #49CE7A, #5CBC7F, #6EA984, #819789 and #93848E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48CF7A shade: #5FCE49, #49CE57, #49CE7A, #49CE9D and #49CEC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48CF7A shade: #299C54, #32BD65, #49CE7A, #6AD792 and #8AE0AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48CF7A shade: #48CF7A, #4983CE and #CE494E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48CF7A shade: #48CF7A, #7A49CE and #CE7A49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48CF7A shade: #48CF7A, #4983CE, #CE499D and #CE9549

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48CF7A shade: #48CF7A, #495BCE, #CE499D and #CEBD49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 41 / 19

HEX #48CF7A

RGB 72 207 122

HSL 142.22, 0.58%, 0.55%

LAB 74.45, -55.22, 31.77

 

Complementary color

CMYK 0 / 74 / 27 / 28

HEX #B73085

RGB 183 48 133

HSL 322.22, 0.58%, 0.45%

LAB 44.05, 60.74, -16.53

 

CMYK 63 / 0 / 43 / 19

HEX #4DCF75

RGB 77 207 117

HSL 138.46, 0.58%, 0.56%

LAB 74.5, -55.1, 34.41

 

CMYK 58 / 0 / 40 / 12

HEX #5EE188

RGB 94 225 136

HSL 139.24, 0.69%, 0.63%

LAB 80.74, -55.28, 33.01

 

CMYK 54 / 0 / 36 / 5

HEX #6FF39B

RGB 111 243 155

HSL 140, 0.85%, 0.69%

LAB 86.92, -55.31, 31.7

 

CMYK 50 / 0 / 32 / 0

HEX #80FFAE

RGB 128 255 174

HSL 141.73, 1%, 0.75%

LAB 91.31, -52.81, 28.12

 

CMYK 43 / 0 / 24 / 0

HEX #91FFC1

RGB 145 255 193

HSL 146.18, 1%, 0.78%

LAB 92.3, -45.03, 19.94

 

CMYK 65 / 0 / 41 / 19

HEX #48CF7A

RGB 72 207 122

HSL 142.22, 0.58%, 0.55%

LAB 74.45, -55.22, 31.77

 

CMYK 71 / 0 / 46 / 26

HEX #37BD67

RGB 55 189 103

HSL 141.49, 0.55%, 0.48%

LAB 68.16, -54.73, 33.28

 

CMYK 78 / 0 / 51 / 33

HEX #26AB54

RGB 38 171 84

HSL 140.75, 0.64%, 0.41%

LAB 61.81, -53.87, 34.87

 

CMYK 86 / 0 / 58 / 40

HEX #159941

RGB 21 153 65

HSL 140, 0.76%, 0.34%

LAB 55.4, -52.46, 36.52

 

CMYK 97 / 0 / 66 / 47

HEX #04872E

RGB 4 135 46

HSL 139.24, 0.94%, 0.27%

LAB 48.95, -50.31, 38.1

 

CMYK 65 / 0 / 41 / 19

HEX #49CE7A

RGB 73 206 122

HSL 142.11, 0.58%, 0.55%

LAB 74.17, -54.65, 31.41

 

CMYK 65 / 0 / 58 / 19

HEX #49CE57

RGB 73 206 87

HSL 126.32, 0.58%, 0.55%

LAB 73.71, -59.86, 47.94

 

CMYK 53 / 0 / 65 / 19

HEX #60CE49

RGB 96 206 73

HSL 109.62, 0.58%, 0.55%

LAB 74.26, -55.97, 54.88

 

CMYK 36 / 0 / 65 / 19

HEX #84CE49

RGB 132 206 73

HSL 93.38, 0.58%, 0.55%

LAB 75.78, -44.93, 56.97

 

CMYK 19 / 0 / 65 / 19

HEX #A7CE49

RGB 167 206 73

HSL 77.59, 0.58%, 0.55%

LAB 77.78, -32.01, 59.71

 

CMYK 65 / 0 / 41 / 19

HEX #49CE7A

RGB 73 206 122

HSL 142.11, 0.58%, 0.55%

LAB 74.17, -54.65, 31.41

 

CMYK 65 / 0 / 23 / 19

HEX #49CE9E

RGB 73 206 158

HSL 158.35, 0.58%, 0.55%

LAB 74.84, -47.42, 13.4

 

CMYK 65 / 0 / 6 / 19

HEX #49CEC2

RGB 73 206 194

HSL 174.59, 0.58%, 0.55%

LAB 75.73, -38.54, -4.67

 

CMYK 65 / 12 / 0 / 19

HEX #49B6CE

RGB 73 182 206

HSL 190.83, 0.58%, 0.55%

LAB 68.99, -23.58, -21.32

 

CMYK 65 / 29 / 0 / 19

HEX #4993CE

RGB 73 147 206

HSL 206.62, 0.58%, 0.55%

LAB 58.73, -4.69, -37.16

 

CMYK 65 / 0 / 41 / 19

HEX #49CE7A

RGB 73 206 122

HSL 142.11, 0.58%, 0.55%

LAB 74.17, -54.65, 31.41

 

CMYK 76 / 0 / 48 / 12

HEX #37E176

RGB 55 225 118

HSL 142.24, 0.74%, 0.55%

LAB 79.6, -65.05, 40.32

 

CMYK 85 / 0 / 53 / 5

HEX #24F371

RGB 36 243 113

HSL 142.32, 0.9%, 0.55%

LAB 84.83, -73.65, 49.11

 

CMYK 65 / 0 / 41 / 19

HEX #49CE7A

RGB 73 206 122

HSL 142.11, 0.58%, 0.55%

LAB 74.17, -54.65, 31.41

 

CMYK 51 / 0 / 32 / 26

HEX #5CBC7F

RGB 92 188 127

HSL 141.88, 0.42%, 0.55%

LAB 69.31, -42.19, 22.41

 

CMYK 35 / 0 / 22 / 34

HEX #6EA984

RGB 110 169 132

HSL 142.37, 0.26%, 0.55%

LAB 64.45, -27.33, 13.11

 

CMYK 15 / 0 / 9 / 41

HEX #819789

RGB 129 151 137

HSL 141.82, 0.1%, 0.55%

LAB 60.43, -10.66, 4.76

 

CMYK 0 / 10 / 3 / 42

HEX #93848E

RGB 147 132 142

HSL 320, 0.06%, 0.55%

LAB 56.74, 7.53, -3.3

 

CMYK 54 / 0 / 65 / 19

HEX #5FCE49

RGB 95 206 73

HSL 110.08, 0.58%, 0.55%

LAB 74.23, -56.24, 54.83

 

CMYK 65 / 0 / 58 / 19

HEX #49CE57

RGB 73 206 87

HSL 126.32, 0.58%, 0.55%

LAB 73.71, -59.86, 47.94

 

CMYK 65 / 0 / 41 / 19

HEX #49CE7A

RGB 73 206 122

HSL 142.11, 0.58%, 0.55%

LAB 74.17, -54.65, 31.41

 

CMYK 65 / 0 / 24 / 19

HEX #49CE9D

RGB 73 206 157

HSL 157.89, 0.58%, 0.55%

LAB 74.82, -47.65, 13.91

 

CMYK 65 / 0 / 6 / 19

HEX #49CEC1

RGB 73 206 193

HSL 174.14, 0.58%, 0.55%

LAB 75.71, -38.8, -4.18

 

CMYK 74 / 0 / 46 / 39

HEX #299C54

RGB 41 156 84

HSL 142.43, 0.58%, 0.39%

LAB 56.97, -47.94, 28.78

 

CMYK 74 / 0 / 47 / 26

HEX #32BD65

RGB 50 189 101

HSL 142.01, 0.58%, 0.47%

LAB 68.03, -55.85, 34.11

 

CMYK 65 / 0 / 41 / 19

HEX #49CE7A

RGB 73 206 122

HSL 142.11, 0.58%, 0.55%

LAB 74.17, -54.65, 31.41

 

CMYK 51 / 0 / 32 / 16

HEX #6AD792

RGB 106 215 146

HSL 142.02, 0.58%, 0.63%

LAB 78.31, -46.66, 24.69

 

CMYK 38 / 0 / 24 / 12

HEX #8AE0AA

RGB 138 224 170

HSL 142.33, 0.58%, 0.71%

LAB 82.71, -37.53, 18.41

 

CMYK 65 / 0 / 41 / 19

HEX #48CF7A

RGB 72 207 122

HSL 142.22, 0.58%, 0.55%

LAB 74.45, -55.22, 31.77

 

CMYK 65 / 36 / 0 / 19

HEX #4983CE

RGB 73 131 206

HSL 213.83, 0.58%, 0.55%

LAB 54.14, 4.69, -44.39

 

CMYK 0 / 65 / 62 / 19

HEX #CE494E

RGB 206 73 78

HSL 357.74, 0.58%, 0.55%

LAB 50.02, 52.85, 25.98

 

CMYK 65 / 0 / 41 / 19

HEX #48CF7A

RGB 72 207 122

HSL 142.22, 0.58%, 0.55%

LAB 74.45, -55.22, 31.77

 

CMYK 41 / 65 / 0 / 19

HEX #7A49CE

RGB 122 73 206

HSL 262.11, 0.58%, 0.55%

LAB 43.3, 49.28, -61.58

 

CMYK 0 / 41 / 65 / 19

HEX #CE7A49

RGB 206 122 73

HSL 22.11, 0.58%, 0.55%

LAB 59.45, 28.36, 40.33

 

CMYK 65 / 0 / 41 / 19

HEX #48CF7A

RGB 72 207 122

HSL 142.22, 0.58%, 0.55%

LAB 74.45, -55.22, 31.77

 

CMYK 65 / 36 / 0 / 19

HEX #4983CE

RGB 73 131 206

HSL 213.83, 0.58%, 0.55%

LAB 54.14, 4.69, -44.39

 

CMYK 0 / 65 / 24 / 19

HEX #CE499D

RGB 206 73 157

HSL 322.11, 0.58%, 0.55%

LAB 52.2, 60.71, -18.15

 

CMYK 0 / 28 / 65 / 19

HEX #CE9549

RGB 206 149 73

HSL 34.29, 0.58%, 0.55%

LAB 65.82, 13.71, 47.63

 

CMYK 65 / 0 / 41 / 19

HEX #48CF7A

RGB 72 207 122

HSL 142.22, 0.58%, 0.55%

LAB 74.45, -55.22, 31.77

 

CMYK 65 / 56 / 0 / 19

HEX #495BCE

RGB 73 91 206

HSL 231.88, 0.58%, 0.55%

LAB 43.29, 29.57, -61.78

 

CMYK 0 / 65 / 24 / 19

HEX #CE499D

RGB 206 73 157

HSL 322.11, 0.58%, 0.55%

LAB 52.2, 60.71, -18.15

 

CMYK 0 / 8 / 65 / 19

HEX #CEBD49

RGB 206 189 73

HSL 52.33, 0.58%, 0.55%

LAB 76.07, -7.57, 58.79

 

Description

Color code: HEX #48CF7A | qconv.com Color code: HEX #48CF7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 207 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 207 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 41 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 41% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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