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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48D714 it is the complementary color #B728EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48D714. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48D714 shade: #4DD70F, #5EE922, #6FFB35, #80FF48 and #91FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48D714. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48D714 shade: #48D714, #37C501, #26B300, #15A100 and #048F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48D714 shade: #47D613, #7CD613, #B0D613, #D6C713 and #D69313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48D714 shade: #47D613, #13D614, #13D649, #13D67D and #13D6B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48D714 shade matches the following richer shades: #47D613 and #3FE900

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48D714 shade: #47D613, #50C326, #59B039, #629D4C and #6B8A5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48D714 shade: #AFD613, #7BD613, #47D613, #13D613 and #13D647

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48D714 shade: #2E8B0C, #3BB010, #47D613, #5CEB28 and #79EE4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48D714 shade: #48D714, #13D6C9 and #D61395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48D714 shade: #48D714, #1347D6 and #D61347

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48D714 shade: #48D714, #13D6C9, #A213D6 and #D61320

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48D714 shade: #48D714, #13A9D6, #A213D6 and #D64113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 91 / 16

HEX #48D714

RGB 72 215 20

HSL 104, 0.83%, 0.46%

LAB 76.09, -67.84, 72.01

 

Complementary color

CMYK 22 / 83 / 0 / 8

HEX #B728EB

RGB 183 40 235

HSL 284, 0.83%, 0.54%

LAB 48.99, 79.23, -68.52

 

CMYK 64 / 0 / 93 / 16

HEX #4DD70F

RGB 77 215 15

HSL 101.4, 0.87%, 0.45%

LAB 76.2, -66.92, 72.83

 

CMYK 60 / 0 / 85 / 9

HEX #5EE922

RGB 94 233 34

HSL 101.91, 0.82%, 0.52%

LAB 82.26, -68.43, 75.01

 

CMYK 56 / 0 / 79 / 2

HEX #6FFB35

RGB 111 251 53

HSL 102.42, 0.96%, 0.6%

LAB 88.27, -69.53, 76.05

 

CMYK 50 / 0 / 72 / 0

HEX #80FF48

RGB 128 255 72

HSL 101.64, 1%, 0.64%

LAB 90.13, -65.36, 72.21

 

CMYK 43 / 0 / 64 / 0

HEX #91FF5B

RGB 145 255 91

HSL 100.24, 1%, 0.68%

LAB 90.91, -59.03, 66.25

 

CMYK 67 / 0 / 91 / 16

HEX #48D714

RGB 72 215 20

HSL 104, 0.83%, 0.46%

LAB 76.09, -67.84, 72.01

 

CMYK 72 / 0 / 99 / 23

HEX #37C501

RGB 55 197 1

HSL 103.47, 0.99%, 0.39%

LAB 70, -65.81, 69.09

 

CMYK 79 / 0 / 100 / 30

HEX #26B300

RGB 38 179 0

HSL 107.26, 1%, 0.35%

LAB 63.88, -63.04, 64.19

 

CMYK 87 / 0 / 100 / 37

HEX #15A100

RGB 21 161 0

HSL 112.17, 1%, 0.32%

LAB 57.7, -59.71, 59.16

 

CMYK 97 / 0 / 100 / 44

HEX #048F00

RGB 4 143 0

HSL 118.32, 1%, 0.28%

LAB 51.46, -55.75, 54.11

 

CMYK 67 / 0 / 91 / 16

HEX #47D613

RGB 71 214 19

HSL 104, 0.84%, 0.46%

LAB 75.75, -67.75, 71.86

 

CMYK 42 / 0 / 91 / 16

HEX #7CD613

RGB 124 214 19

HSL 87.69, 0.84%, 0.46%

LAB 77.53, -53.61, 74.07

 

CMYK 18 / 0 / 91 / 16

HEX #B0D613

RGB 176 214 19

HSL 71.69, 0.84%, 0.46%

LAB 80.39, -34.42, 77.57

 

CMYK 0 / 7 / 91 / 16

HEX #D6C713

RGB 214 199 19

HSL 55.38, 0.84%, 0.46%

LAB 79.15, -11.21, 77.83

 

CMYK 0 / 31 / 91 / 16

HEX #D69313

RGB 214 147 19

HSL 39.38, 0.84%, 0.46%

LAB 65.91, 16.18, 67.77

 

CMYK 67 / 0 / 91 / 16

HEX #47D613

RGB 71 214 19

HSL 104, 0.84%, 0.46%

LAB 75.75, -67.75, 71.86

 

CMYK 91 / 0 / 91 / 16

HEX #13D614

RGB 19 214 20

HSL 120.31, 0.84%, 0.46%

LAB 75, -74.3, 70.78

 

CMYK 91 / 0 / 66 / 16

HEX #13D649

RGB 19 214 73

HSL 136.62, 0.84%, 0.46%

LAB 75.27, -70.86, 55.56

 

CMYK 91 / 0 / 42 / 16

HEX #13D67D

RGB 19 214 125

HSL 152.62, 0.84%, 0.46%

LAB 75.89, -63.33, 31.98

 

CMYK 91 / 0 / 17 / 16

HEX #13D6B2

RGB 19 214 178

HSL 168.92, 0.84%, 0.46%

LAB 76.95, -51.54, 5.6

 

CMYK 67 / 0 / 91 / 16

HEX #47D613

RGB 71 214 19

HSL 104, 0.84%, 0.46%

LAB 75.75, -67.75, 71.86

 

CMYK 73 / 0 / 100 / 9

HEX #3FE900

RGB 63 233 0

HSL 103.78, 1%, 0.46%

LAB 81.48, -75.28, 78.4

 

CMYK 67 / 0 / 91 / 16

HEX #47D613

RGB 71 214 19

HSL 104, 0.84%, 0.46%

LAB 75.75, -67.75, 71.86

 

CMYK 59 / 0 / 81 / 24

HEX #50C326

RGB 80 195 38

HSL 103.95, 0.67%, 0.46%

LAB 70.09, -58.71, 62.94

 

CMYK 49 / 0 / 68 / 31

HEX #59B039

RGB 89 176 57

HSL 103.87, 0.51%, 0.46%

LAB 64.54, -47.87, 50.92

 

CMYK 38 / 0 / 52 / 38

HEX #629D4C

RGB 98 157 76

HSL 103.7, 0.35%, 0.46%

LAB 59.19, -34.85, 36.14

 

CMYK 22 / 0 / 31 / 46

HEX #6B8A5F

RGB 107 138 95

HSL 103.26, 0.18%, 0.46%

LAB 54.16, -19.52, 19.57

 

CMYK 18 / 0 / 91 / 16

HEX #AFD613

RGB 175 214 19

HSL 72, 0.84%, 0.46%

LAB 80.32, -34.82, 77.49

 

CMYK 43 / 0 / 91 / 16

HEX #7BD613

RGB 123 214 19

HSL 88, 0.84%, 0.46%

LAB 77.49, -53.94, 74.01

 

CMYK 67 / 0 / 91 / 16

HEX #47D613

RGB 71 214 19

HSL 104, 0.84%, 0.46%

LAB 75.75, -67.75, 71.86

 

CMYK 91 / 0 / 91 / 16

HEX #13D613

RGB 19 214 19

HSL 120, 0.84%, 0.46%

LAB 75, -74.33, 70.93

 

CMYK 91 / 0 / 67 / 16

HEX #13D647

RGB 19 214 71

HSL 136, 0.84%, 0.46%

LAB 75.26, -71.06, 56.35

 

CMYK 67 / 0 / 91 / 45

HEX #2E8B0C

RGB 46 139 12

HSL 103.94, 0.84%, 0.3%

LAB 50.77, -48.46, 51.66

 

CMYK 66 / 0 / 91 / 31

HEX #3BB010

RGB 59 176 16

HSL 103.88, 0.83%, 0.38%

LAB 63.36, -58.03, 61.78

 

CMYK 67 / 0 / 91 / 16

HEX #47D613

RGB 71 214 19

HSL 104, 0.84%, 0.46%

LAB 75.75, -67.75, 71.86

 

CMYK 61 / 0 / 83 / 8

HEX #5CEB28

RGB 92 235 40

HSL 104, 0.83%, 0.54%

LAB 82.83, -69.31, 74.17

 

CMYK 49 / 0 / 67 / 7

HEX #79EE4E

RGB 121 238 78

HSL 103.88, 0.82%, 0.62%

LAB 84.88, -60.63, 64.56

 

CMYK 67 / 0 / 91 / 16

HEX #48D714

RGB 72 215 20

HSL 104, 0.83%, 0.46%

LAB 76.09, -67.84, 72.01

 

CMYK 91 / 0 / 6 / 16

HEX #13D6C9

RGB 19 214 201

HSL 176, 0.84%, 0.46%

LAB 77.55, -45.33, -5.85

 

CMYK 0 / 91 / 30 / 16

HEX #D61395

RGB 214 19 149

HSL 320, 0.84%, 0.46%

LAB 48.17, 76.19, -19.41

 

CMYK 67 / 0 / 91 / 16

HEX #48D714

RGB 72 215 20

HSL 104, 0.83%, 0.46%

LAB 76.09, -67.84, 72.01

 

CMYK 91 / 67 / 0 / 16

HEX #1347D6

RGB 19 71 214

HSL 224, 0.84%, 0.46%

LAB 36.93, 40, -76.87

 

CMYK 0 / 91 / 67 / 16

HEX #D61347

RGB 214 19 71

HSL 344, 0.84%, 0.46%

LAB 45.93, 70.06, 25.29

 

CMYK 67 / 0 / 91 / 16

HEX #48D714

RGB 72 215 20

HSL 104, 0.83%, 0.46%

LAB 76.09, -67.84, 72.01

 

CMYK 91 / 0 / 6 / 16

HEX #13D6C9

RGB 19 214 201

HSL 176, 0.84%, 0.46%

LAB 77.55, -45.33, -5.85

 

CMYK 24 / 91 / 0 / 16

HEX #A213D6

RGB 162 19 214

HSL 284, 0.84%, 0.46%

LAB 42.77, 76.48, -66.81

 

CMYK 0 / 91 / 85 / 16

HEX #D61320

RGB 214 19 32

HSL 356, 0.84%, 0.46%

LAB 45.45, 68.71, 47.28

 

CMYK 67 / 0 / 91 / 16

HEX #48D714

RGB 72 215 20

HSL 104, 0.83%, 0.46%

LAB 76.09, -67.84, 72.01

 

CMYK 91 / 21 / 0 / 16

HEX #13A9D6

RGB 19 169 214

HSL 193.85, 0.84%, 0.46%

LAB 64.46, -19.78, -32.78

 

CMYK 24 / 91 / 0 / 16

HEX #A213D6

RGB 162 19 214

HSL 284, 0.84%, 0.46%

LAB 42.77, 76.48, -66.81

 

CMYK 0 / 70 / 91 / 16

HEX #D64113

RGB 214 65 19

HSL 14.15, 0.84%, 0.46%

LAB 49.65, 56.49, 55.98

 

Description

Color code: HEX #48D714 | qconv.com Color code: HEX #48D714 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 215 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 215 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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