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Color name
HEX #48F3A0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48F3A0 it is the complementary color #B70C5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48F3A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48F3A0 shade: #4DF39B, #5EFFAE, #6FFFC1, #80FFD4 and #91FFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48F3A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48F3A0 shade: #48F3A0, #37E18D, #26CF7A, #15BD67 and #04AB54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48F3A0 shade: #48F3A0, #48F372, #4DF348, #7BF348 and #A9F348

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48F3A0 shade: #48F3A0, #48F3CE, #48EAF3, #48BCF3 and #488EF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48F3A0 shade matches the following richer shades: #48F3A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48F3A0 shade: #48F3A0, #58E3A0, #68D49F, #77C49F and #87B49E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48F3A0 shade: #4EF348, #48F370, #48F39E, #48F3CB and #48EDF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48F3A0 shade: #0EDB77, #22F08C, #48F3A0, #6FF5B4 and #96F8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48F3A0 shade: #48F3A0, #487BF3 and #F35948

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48F3A0 shade: #48F3A0, #9E48F3 and #F39E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48F3A0 shade: #48F3A0, #487BF3, #F3489E and #F3C048

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48F3A0 shade: #48F3A0, #4848F3, #F3489E and #F3F348

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

Complementary color

CMYK 0 / 93 / 48 / 28

HEX #B70C5F

RGB 183 12 95

HSL 330.88, 0.88%, 0.38%

LAB 39.84, 65.01, 0.83

 

CMYK 68 / 0 / 36 / 5

HEX #4DF39B

RGB 77 243 155

HSL 148.19, 0.87%, 0.63%

LAB 86.03, -61.91, 30.34

 

CMYK 63 / 0 / 32 / 0

HEX #5EFFAE

RGB 94 255 174

HSL 149.81, 1%, 0.68%

LAB 90.3, -59.98, 26.58

 

CMYK 56 / 0 / 24 / 0

HEX #6FFFC1

RGB 111 255 193

HSL 154.17, 1%, 0.72%

LAB 91.12, -52.94, 18.11

 

CMYK 50 / 0 / 17 / 0

HEX #80FFD4

RGB 128 255 212

HSL 159.69, 1%, 0.75%

LAB 92.07, -45.3, 9.77

 

CMYK 43 / 0 / 9 / 0

HEX #91FFE7

RGB 145 255 231

HSL 166.91, 1%, 0.78%

LAB 93.15, -37.17, 1.6

 

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

CMYK 76 / 0 / 37 / 12

HEX #37E18D

RGB 55 225 141

HSL 150.35, 0.74%, 0.55%

LAB 79.95, -61.05, 29.25

 

CMYK 82 / 0 / 41 / 19

HEX #26CF7A

RGB 38 207 122

HSL 149.82, 0.69%, 0.48%

LAB 73.83, -60.05, 30.85

 

CMYK 89 / 0 / 46 / 26

HEX #15BD67

RGB 21 189 103

HSL 149.29, 0.8%, 0.41%

LAB 67.68, -58.62, 32.56

 

CMYK 98 / 0 / 51 / 33

HEX #04AB54

RGB 4 171 84

HSL 148.74, 0.95%, 0.34%

LAB 61.47, -56.64, 34.38

 

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

CMYK 70 / 0 / 53 / 5

HEX #48F372

RGB 72 243 114

HSL 134.74, 0.88%, 0.62%

LAB 85.35, -69.28, 49.4

 

CMYK 68 / 0 / 70 / 5

HEX #4DF348

RGB 77 243 72

HSL 118.25, 0.88%, 0.62%

LAB 85.07, -72.95, 66.6

 

CMYK 49 / 0 / 70 / 5

HEX #7BF348

RGB 123 243 72

HSL 102.11, 0.88%, 0.62%

LAB 86.39, -62.38, 68.37

 

CMYK 30 / 0 / 70 / 5

HEX #A9F348

RGB 169 243 72

HSL 85.96, 0.88%, 0.62%

LAB 88.45, -47.71, 71.12

 

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

CMYK 70 / 0 / 15 / 5

HEX #48F3CE

RGB 72 243 206

HSL 167.02, 0.88%, 0.62%

LAB 86.97, -51.64, 5.35

 

CMYK 70 / 4 / 0 / 5

HEX #48EAF3

RGB 72 234 243

HSL 183.16, 0.88%, 0.62%

LAB 85.35, -37.93, -16.45

 

CMYK 70 / 23 / 0 / 5

HEX #48BCF3

RGB 72 188 243

HSL 199.3, 0.88%, 0.62%

LAB 72.1, -15.23, -36.7

 

CMYK 70 / 42 / 0 / 5

HEX #488EF3

RGB 72 142 243

HSL 215.44, 0.88%, 0.62%

LAB 59.15, 10.81, -57.1

 

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

CMYK 61 / 0 / 30 / 11

HEX #58E3A0

RGB 88 227 160

HSL 151.08, 0.71%, 0.62%

LAB 81.59, -52.84, 21.81

 

CMYK 51 / 0 / 25 / 17

HEX #68D49F

RGB 104 212 159

HSL 150.56, 0.56%, 0.62%

LAB 77.6, -43.33, 16.87

 

CMYK 39 / 0 / 19 / 23

HEX #77C49F

RGB 119 196 159

HSL 151.17, 0.39%, 0.62%

LAB 73.48, -32.15, 11.17

 

CMYK 25 / 0 / 12 / 29

HEX #87B49E

RGB 135 180 158

HSL 150.67, 0.23%, 0.62%

LAB 69.66, -19.62, 6.37

 

CMYK 68 / 0 / 70 / 5

HEX #4EF348

RGB 78 243 72

HSL 117.89, 0.88%, 0.62%

LAB 85.09, -72.77, 66.62

 

CMYK 70 / 0 / 54 / 5

HEX #48F370

RGB 72 243 112

HSL 134.04, 0.88%, 0.62%

LAB 85.33, -69.55, 50.29

 

CMYK 70 / 0 / 35 / 5

HEX #48F39E

RGB 72 243 158

HSL 150.18, 0.88%, 0.62%

LAB 85.98, -62.1, 28.74

 

CMYK 70 / 0 / 16 / 5

HEX #48F3CB

RGB 72 243 203

HSL 165.96, 0.88%, 0.62%

LAB 86.89, -52.37, 6.81

 

CMYK 70 / 2 / 0 / 5

HEX #48EDF3

RGB 72 237 243

HSL 182.11, 0.88%, 0.62%

LAB 86.21, -39.3, -15.15

 

CMYK 94 / 0 / 46 / 14

HEX #0EDB77

RGB 14 219 119

HSL 150.73, 0.88%, 0.46%

LAB 77.33, -66.3, 36.86

 

CMYK 86 / 0 / 42 / 6

HEX #22F08C

RGB 34 240 140

HSL 150.87, 0.87%, 0.54%

LAB 84.25, -68.52, 35.4

 

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

CMYK 55 / 0 / 27 / 4

HEX #6FF5B4

RGB 111 245 180

HSL 150.9, 0.87%, 0.7%

LAB 87.96, -51.46, 20.37

 

CMYK 40 / 0 / 19 / 3

HEX #96F8C8

RGB 150 248 200

HSL 150.61, 0.88%, 0.78%

LAB 90.68, -39.26, 14.1

 

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

CMYK 70 / 49 / 0 / 5

HEX #487BF3

RGB 72 123 243

HSL 222.11, 0.88%, 0.62%

LAB 54.04, 22.39, -65.3

 

CMYK 0 / 63 / 70 / 5

HEX #F35948

RGB 243 89 72

HSL 5.96, 0.88%, 0.62%

LAB 58.67, 58.11, 41.35

 

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

CMYK 35 / 70 / 0 / 5

HEX #9E48F3

RGB 158 72 243

HSL 270.18, 0.88%, 0.62%

LAB 49.95, 65.72, -71.62

 

CMYK 0 / 35 / 70 / 5

HEX #F39E48

RGB 243 158 72

HSL 30.18, 0.88%, 0.62%

LAB 72.21, 24.36, 56.29

 

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

CMYK 70 / 49 / 0 / 5

HEX #487BF3

RGB 72 123 243

HSL 222.11, 0.88%, 0.62%

LAB 54.04, 22.39, -65.3

 

CMYK 0 / 70 / 35 / 5

HEX #F3489E

RGB 243 72 158

HSL 329.82, 0.88%, 0.62%

LAB 58.19, 71.23, -9.1

 

CMYK 0 / 21 / 70 / 5

HEX #F3C048

RGB 243 192 72

HSL 42.11, 0.88%, 0.62%

LAB 80.3, 6.5, 64.68

 

CMYK 70 / 0 / 34 / 5

HEX #48F3A0

RGB 72 243 160

HSL 150.88, 0.88%, 0.62%

LAB 86.01, -61.72, 27.78

 

CMYK 70 / 70 / 0 / 5

HEX #4848F3

RGB 72 72 243

HSL 240, 0.88%, 0.62%

LAB 41.97, 53.18, -84.98

 

CMYK 0 / 70 / 35 / 5

HEX #F3489E

RGB 243 72 158

HSL 329.82, 0.88%, 0.62%

LAB 58.19, 71.23, -9.1

 

CMYK 0 / 0 / 70 / 5

HEX #F3F348

RGB 243 243 72

HSL 60, 0.88%, 0.62%

LAB 93.29, -19.14, 77.51

 

Description

Color code: HEX #48F3A0 | qconv.com Color code: HEX #48F3A0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 243 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 243 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 34 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 34% 5% C M Y K

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Provide designers and agencies with accurate color values.

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