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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #491591 it is the complementary color #B6EA6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #491591. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #491591 shade: #4E158C, #5F279F, #7039B2, #814BC5 and #925DD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #491591. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #491591 shade: #491591, #38037E, #27006B, #160058 and #050045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #491591 shade: #491593, #6C1593, #8E1593, #931576 and #931554

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #491591 shade: #491593, #271593 and #151593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #491591 shade matches the following richer shades: #491593 and #4707A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #491591 shade: #491593, #4C2285, #4E3078, #503D6A and #524B5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #491591 shade: #152393, #271593, #491593, #6B1593 and #8C1593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #491591 shade: #250A4B, #370F6F, #491593, #5C1AB7 and #6E1FDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #491591 shade: #491591, #931545 and #159317

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #491591 shade: #491591, #934915 and #159349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #491591 shade: #491591, #931545, #5E9315 and #159362

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #491591 shade: #491591, #93151F, #5E9315 and #159388

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 86 / 0 / 43

HEX #491591

RGB 73 21 145

HSL 265.16, 0.75%, 0.33%

LAB 23.66, 49.32, -57.47

 

Complementary color

CMYK 22 / 0 / 53 / 8

HEX #B6EA6E

RGB 182 234 110

HSL 85.16, 0.75%, 0.67%

LAB 86.96, -36.08, 54.18

 

CMYK 44 / 85 / 0 / 45

HEX #4E158C

RGB 78 21 140

HSL 268.74, 0.74%, 0.32%

LAB 23.83, 48.73, -54.05

 

CMYK 40 / 75 / 0 / 38

HEX #5F279F

RGB 95 39 159

HSL 268, 0.61%, 0.39%

LAB 30.37, 48.88, -54.96

 

CMYK 37 / 68 / 0 / 30

HEX #7039B2

RGB 112 57 178

HSL 267.27, 0.51%, 0.46%

LAB 37.09, 48.29, -55.34

 

CMYK 35 / 62 / 0 / 23

HEX #814BC5

RGB 129 75 197

HSL 266.56, 0.51%, 0.53%

LAB 43.84, 47.4, -55.46

 

CMYK 32 / 57 / 0 / 15

HEX #925DD8

RGB 146 93 216

HSL 265.85, 0.61%, 0.61%

LAB 50.57, 46.41, -55.45

 

CMYK 50 / 86 / 0 / 43

HEX #491591

RGB 73 21 145

HSL 265.16, 0.75%, 0.33%

LAB 23.66, 49.32, -57.47

 

CMYK 56 / 98 / 0 / 51

HEX #38037E

RGB 56 3 126

HSL 265.85, 0.95%, 0.25%

LAB 17.52, 48.09, -55.75

 

CMYK 64 / 100 / 0 / 58

HEX #27006B

RGB 39 0 107

HSL 261.87, 1%, 0.21%

LAB 12.56, 43.08, -51.73

 

CMYK 75 / 100 / 0 / 65

HEX #160058

RGB 22 0 88

HSL 255, 1%, 0.17%

LAB 7.91, 37.09, -46.83

 

CMYK 93 / 100 / 0 / 73

HEX #050045

RGB 5 0 69

HSL 244.35, 1%, 0.14%

LAB 4.17, 27.39, -39.86

 

CMYK 50 / 86 / 0 / 42

HEX #491593

RGB 73 21 147

HSL 264.76, 0.75%, 0.33%

LAB 23.87, 49.83, -58.37

 

CMYK 27 / 86 / 0 / 42

HEX #6C1593

RGB 108 21 147

HSL 281.43, 0.75%, 0.33%

LAB 28.98, 54.97, -49.8

 

CMYK 3 / 86 / 0 / 42

HEX #8E1593

RGB 142 21 147

HSL 297.62, 0.75%, 0.33%

LAB 34.79, 61.07, -40.13

 

CMYK 0 / 86 / 20 / 42

HEX #931576

RGB 147 21 118

HSL 313.81, 0.75%, 0.33%

LAB 34.08, 57.72, -23.16

 

CMYK 0 / 86 / 43 / 42

HEX #931554

RGB 147 21 84

HSL 330, 0.75%, 0.33%

LAB 32.66, 53.71, -3.49

 

CMYK 50 / 86 / 0 / 42

HEX #491593

RGB 73 21 147

HSL 264.76, 0.75%, 0.33%

LAB 23.87, 49.83, -58.37

 

CMYK 73 / 86 / 0 / 42

HEX #271593

RGB 39 21 147

HSL 248.57, 0.75%, 0.33%

LAB 20.34, 46.48, -64.32

 

CMYK 86 / 86 / 0 / 42

HEX #151593

RGB 21 21 147

HSL 240, 0.75%, 0.33%

LAB 19.23, 45.47, -66.19

 

CMYK 50 / 86 / 0 / 42

HEX #491593

RGB 73 21 147

HSL 264.76, 0.75%, 0.33%

LAB 23.87, 49.83, -58.37

 

CMYK 56 / 96 / 0 / 37

HEX #4707A0

RGB 71 7 160

HSL 265.1, 0.92%, 0.33%

LAB 23.77, 56.64, -66.53

 

CMYK 50 / 86 / 0 / 42

HEX #491593

RGB 73 21 147

HSL 264.76, 0.75%, 0.33%

LAB 23.87, 49.83, -58.37

 

CMYK 43 / 74 / 0 / 48

HEX #4C2285

RGB 76 34 133

HSL 265.45, 0.59%, 0.33%

LAB 24.87, 40.98, -47.99

 

CMYK 35 / 60 / 0 / 53

HEX #4E3078

RGB 78 48 120

HSL 265, 0.43%, 0.33%

LAB 26.99, 30.01, -36.36

 

CMYK 25 / 42 / 0 / 58

HEX #503D6A

RGB 80 61 106

HSL 265.33, 0.27%, 0.33%

LAB 29.62, 18.56, -23.26

 

CMYK 11 / 18 / 0 / 64

HEX #524B5C

RGB 82 75 92

HSL 264.71, 0.1%, 0.33%

LAB 33.13, 6.68, -8.93

 

CMYK 86 / 76 / 0 / 42

HEX #152393

RGB 21 35 147

HSL 233.33, 0.75%, 0.33%

LAB 21.83, 37.97, -61.88

 

CMYK 73 / 86 / 0 / 42

HEX #271593

RGB 39 21 147

HSL 248.57, 0.75%, 0.33%

LAB 20.34, 46.48, -64.32

 

CMYK 50 / 86 / 0 / 42

HEX #491593

RGB 73 21 147

HSL 264.76, 0.75%, 0.33%

LAB 23.87, 49.83, -58.37

 

CMYK 27 / 86 / 0 / 42

HEX #6B1593

RGB 107 21 147

HSL 280.95, 0.75%, 0.33%

LAB 28.82, 54.8, -50.07

 

CMYK 5 / 86 / 0 / 42

HEX #8C1593

RGB 140 21 147

HSL 296.67, 0.75%, 0.33%

LAB 34.43, 60.69, -40.72

 

CMYK 51 / 87 / 0 / 71

HEX #250A4B

RGB 37 10 75

HSL 264.92, 0.76%, 0.17%

LAB 9.94, 29.4, -34.47

 

CMYK 50 / 86 / 0 / 56

HEX #370F6F

RGB 55 15 111

HSL 265, 0.76%, 0.25%

LAB 17, 40.19, -46.95

 

CMYK 50 / 86 / 0 / 42

HEX #491593

RGB 73 21 147

HSL 264.76, 0.75%, 0.33%

LAB 23.87, 49.83, -58.37

 

CMYK 50 / 86 / 0 / 28

HEX #5C1AB7

RGB 92 26 183

HSL 265.22, 0.75%, 0.41%

LAB 30.48, 59.44, -69.21

 

CMYK 50 / 86 / 0 / 14

HEX #6E1FDB

RGB 110 31 219

HSL 265.21, 0.75%, 0.49%

LAB 36.76, 68.52, -79.82

 

CMYK 50 / 86 / 0 / 43

HEX #491591

RGB 73 21 145

HSL 265.16, 0.75%, 0.33%

LAB 23.66, 49.32, -57.47

 

CMYK 0 / 86 / 53 / 42

HEX #931545

RGB 147 21 69

HSL 337.14, 0.75%, 0.33%

LAB 32.19, 52.36, 5.69

 

CMYK 86 / 0 / 84 / 42

HEX #159317

RGB 21 147 23

HSL 120.95, 0.75%, 0.33%

LAB 53.05, -54.71, 50.9

 

CMYK 50 / 86 / 0 / 43

HEX #491591

RGB 73 21 145

HSL 265.16, 0.75%, 0.33%

LAB 23.66, 49.32, -57.47

 

CMYK 0 / 50 / 86 / 42

HEX #934915

RGB 147 73 21

HSL 24.76, 0.75%, 0.33%

LAB 39.62, 27.74, 42.51

 

CMYK 86 / 0 / 50 / 42

HEX #159349

RGB 21 147 73

HSL 144.76, 0.75%, 0.33%

LAB 53.5, -49.12, 30.12

 

CMYK 50 / 86 / 0 / 43

HEX #491591

RGB 73 21 145

HSL 265.16, 0.75%, 0.33%

LAB 23.66, 49.32, -57.47

 

CMYK 0 / 86 / 53 / 42

HEX #931545

RGB 147 21 69

HSL 337.14, 0.75%, 0.33%

LAB 32.19, 52.36, 5.69

 

CMYK 36 / 0 / 86 / 42

HEX #5E9315

RGB 94 147 21

HSL 85.24, 0.75%, 0.33%

LAB 55.38, -36.37, 54.4

 

CMYK 86 / 0 / 33 / 42

HEX #159362

RGB 21 147 98

HSL 156.67, 0.75%, 0.33%

LAB 53.93, -44.15, 17.04

 

CMYK 50 / 86 / 0 / 43

HEX #491591

RGB 73 21 145

HSL 265.16, 0.75%, 0.33%

LAB 23.66, 49.32, -57.47

 

CMYK 0 / 86 / 79 / 42

HEX #93151F

RGB 147 21 31

HSL 355.24, 0.75%, 0.33%

LAB 31.44, 50.13, 29.42

 

CMYK 36 / 0 / 86 / 42

HEX #5E9315

RGB 94 147 21

HSL 85.24, 0.75%, 0.33%

LAB 55.38, -36.37, 54.4

 

CMYK 86 / 0 / 7 / 42

HEX #159388

RGB 21 147 136

HSL 174.76, 0.75%, 0.33%

LAB 54.87, -34.16, -3.3

 

Description

Color code: HEX #491591 | qconv.com Color code: HEX #491591 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 21 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 21 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 86 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 86% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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