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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #491122 it is the complementary color #B6EEDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #491122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #491122 shade: #4E111D, #5F2330, #703543, #814756 and #925969

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #491122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #491122 shade: #491122, #38000F, #270000, #160000 and #050000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #491122 shade: #4A1122, #4A1113 and #4A1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #491122 shade: #4A1122, #4A1132, #4A1141, #43114A and #34114A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #491122 shade matches the following richer shades: #4A1122, #510A1F and #59021C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #491122 shade: #4A1122, #421825, #3B2028, #34272B and #2C2F2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #491122 shade: #4A1141, #4A1132, #4A1123, #4A1114 and #4A1D11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #491122 shade: #070103, #280913, #4A1122, #6B1932 and #8D2141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #491122 shade: #491122, #4A4311 and #113A4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #491122 shade: #491122, #234A11 and #11234A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #491122 shade: #491122, #4A4311, #114A38 and #11184A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #491122 shade: #491122, #3F4A11, #114A38 and #1B114A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 53 / 71

HEX #491122

RGB 73 17 34

HSL 341.79, 0.62%, 0.18%

LAB 15.13, 27.88, 3.53

 

Complementary color

CMYK 24 / 0 / 7 / 7

HEX #B6EEDD

RGB 182 238 221

HSL 161.79, 0.62%, 0.82%

LAB 90.01, -21.16, 2.43

 

CMYK 0 / 78 / 63 / 69

HEX #4E111D

RGB 78 17 29

HSL 348.2, 0.64%, 0.19%

LAB 16.05, 29.21, 8.61

 

CMYK 0 / 63 / 49 / 63

HEX #5F2330

RGB 95 35 48

HSL 347, 0.46%, 0.25%

LAB 23.16, 28.65, 5.61

 

CMYK 0 / 53 / 40 / 56

HEX #703543

RGB 112 53 67

HSL 345.76, 0.36%, 0.32%

LAB 30.39, 27.67, 3.57

 

CMYK 0 / 45 / 33 / 49

HEX #814756

RGB 129 71 86

HSL 344.48, 0.29%, 0.39%

LAB 37.56, 26.65, 2.06

 

CMYK 0 / 39 / 28 / 43

HEX #925969

RGB 146 89 105

HSL 343.16, 0.24%, 0.46%

LAB 44.63, 25.69, 0.84

 

CMYK 0 / 77 / 53 / 71

HEX #491122

RGB 73 17 34

HSL 341.79, 0.62%, 0.18%

LAB 15.13, 27.88, 3.53

 

CMYK 0 / 100 / 73 / 78

HEX #38000F

RGB 56 0 15

HSL 343.93, 1%, 0.11%

LAB 7.91, 28.15, 6.04

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 100 / 100 / 98

HEX #050000

RGB 5 0 0

HSL 0, 1%, 0.01%

LAB 0.29, 1.31, 0.46

 

CMYK 0 / 77 / 54 / 71

HEX #4A1122

RGB 74 17 34

HSL 342.11, 0.63%, 0.18%

LAB 15.34, 28.24, 3.86

 

CMYK 0 / 77 / 74 / 71

HEX #4A1113

RGB 74 17 19

HSL 357.89, 0.63%, 0.18%

LAB 14.97, 26.96, 14.12

 

CMYK 0 / 77 / 77 / 71

HEX #4A1111

RGB 74 17 17

HSL 0, 0.63%, 0.18%

LAB 14.94, 26.84, 15.29

 

CMYK 0 / 77 / 54 / 71

HEX #4A1122

RGB 74 17 34

HSL 342.11, 0.63%, 0.18%

LAB 15.34, 28.24, 3.86

 

CMYK 0 / 77 / 32 / 71

HEX #4A1132

RGB 74 17 50

HSL 325.26, 0.63%, 0.18%

LAB 15.94, 30.26, -6.85

 

CMYK 0 / 77 / 12 / 71

HEX #4A1141

RGB 74 17 65

HSL 309.47, 0.63%, 0.18%

LAB 16.69, 32.7, -16.31

 

CMYK 9 / 77 / 0 / 71

HEX #43114A

RGB 67 17 74

HSL 292.63, 0.63%, 0.18%

LAB 15.95, 32.54, -23.82

 

CMYK 30 / 77 / 0 / 71

HEX #34114A

RGB 52 17 74

HSL 276.84, 0.63%, 0.18%

LAB 13.38, 28.73, -28.07

 

CMYK 0 / 77 / 54 / 71

HEX #4A1122

RGB 74 17 34

HSL 342.11, 0.63%, 0.18%

LAB 15.34, 28.24, 3.86

 

CMYK 0 / 88 / 62 / 68

HEX #510A1F

RGB 81 10 31

HSL 342.25, 0.78%, 0.18%

LAB 15.83, 33.02, 6.96

 

CMYK 0 / 98 / 69 / 65

HEX #59021C

RGB 89 2 28

HSL 342.07, 0.96%, 0.18%

LAB 16.75, 37.69, 10.72

 

CMYK 0 / 77 / 54 / 71

HEX #4A1122

RGB 74 17 34

HSL 342.11, 0.63%, 0.18%

LAB 15.34, 28.24, 3.86

 

CMYK 0 / 64 / 44 / 74

HEX #421825

RGB 66 24 37

HSL 341.43, 0.47%, 0.18%

LAB 15.2, 21.9, 1.26

 

CMYK 0 / 46 / 32 / 77

HEX #3B2028

RGB 59 32 40

HSL 342.22, 0.3%, 0.18%

LAB 16.08, 14.32, 0.25

 

CMYK 0 / 25 / 17 / 80

HEX #34272B

RGB 52 39 43

HSL 341.54, 0.14%, 0.18%

LAB 17.25, 6.89, -0.29

 

CMYK 6 / 0 / 2 / 82

HEX #2C2F2E

RGB 44 47 46

HSL 160, 0.03%, 0.18%

LAB 19.08, -1.56, 0.18

 

CMYK 0 / 77 / 12 / 71

HEX #4A1141

RGB 74 17 65

HSL 309.47, 0.63%, 0.18%

LAB 16.69, 32.7, -16.31

 

CMYK 0 / 77 / 32 / 71

HEX #4A1132

RGB 74 17 50

HSL 325.26, 0.63%, 0.18%

LAB 15.94, 30.26, -6.85

 

CMYK 0 / 77 / 53 / 71

HEX #4A1123

RGB 74 17 35

HSL 341.05, 0.63%, 0.18%

LAB 15.37, 28.35, 3.17

 

CMYK 0 / 77 / 73 / 71

HEX #4A1114

RGB 74 17 20

HSL 356.84, 0.63%, 0.18%

LAB 14.99, 27.03, 13.49

 

CMYK 0 / 61 / 77 / 71

HEX #4A1D11

RGB 74 29 17

HSL 12.63, 0.63%, 0.18%

LAB 17.34, 20.45, 18.3

 

CMYK 0 / 86 / 57 / 97

HEX #070103

RGB 7 1 3

HSL 340, 0.75%, 0.02%

LAB 0.66, 1.85, -0.2

 

CMYK 0 / 78 / 53 / 84

HEX #280913

RGB 40 9 19

HSL 340.65, 0.63%, 0.1%

LAB 6.26, 16.8, 0.9

 

CMYK 0 / 77 / 54 / 71

HEX #4A1122

RGB 74 17 34

HSL 342.11, 0.63%, 0.18%

LAB 15.34, 28.24, 3.86

 

CMYK 0 / 77 / 53 / 58

HEX #6B1932

RGB 107 25 50

HSL 341.71, 0.62%, 0.26%

LAB 23.84, 37.72, 5.52

 

CMYK 0 / 77 / 54 / 45

HEX #8D2141

RGB 141 33 65

HSL 342.22, 0.62%, 0.34%

LAB 32.11, 46.8, 8.04

 

CMYK 0 / 77 / 53 / 71

HEX #491122

RGB 73 17 34

HSL 341.79, 0.62%, 0.18%

LAB 15.13, 27.88, 3.53

 

CMYK 0 / 9 / 77 / 71

HEX #4A4311

RGB 74 67 17

HSL 52.63, 0.63%, 0.18%

LAB 28.14, -3.77, 30

 

CMYK 77 / 22 / 0 / 71

HEX #113A4A

RGB 17 58 74

HSL 196.84, 0.63%, 0.18%

LAB 22.44, -8.03, -13.93

 

CMYK 0 / 77 / 53 / 71

HEX #491122

RGB 73 17 34

HSL 341.79, 0.62%, 0.18%

LAB 15.13, 27.88, 3.53

 

CMYK 53 / 0 / 77 / 71

HEX #234A11

RGB 35 74 17

HSL 101.05, 0.63%, 0.18%

LAB 27.56, -25.59, 28.46

 

CMYK 77 / 53 / 0 / 71

HEX #11234A

RGB 17 35 74

HSL 221.05, 0.63%, 0.18%

LAB 14.49, 8.18, -26.47

 

CMYK 0 / 77 / 53 / 71

HEX #491122

RGB 73 17 34

HSL 341.79, 0.62%, 0.18%

LAB 15.13, 27.88, 3.53

 

CMYK 0 / 9 / 77 / 71

HEX #4A4311

RGB 74 67 17

HSL 52.63, 0.63%, 0.18%

LAB 28.14, -3.77, 30

 

CMYK 77 / 0 / 24 / 71

HEX #114A38

RGB 17 74 56

HSL 161.05, 0.63%, 0.18%

LAB 27.58, -23.2, 5.55

 

CMYK 77 / 68 / 0 / 71

HEX #11184A

RGB 17 24 74

HSL 232.63, 0.63%, 0.18%

LAB 11.04, 16.56, -32.05

 

CMYK 0 / 77 / 53 / 71

HEX #491122

RGB 73 17 34

HSL 341.79, 0.62%, 0.18%

LAB 15.13, 27.88, 3.53

 

CMYK 15 / 0 / 77 / 71

HEX #3F4A11

RGB 63 74 17

HSL 71.58, 0.63%, 0.18%

LAB 29.4, -13.48, 30.92

 

CMYK 77 / 0 / 24 / 71

HEX #114A38

RGB 17 74 56

HSL 161.05, 0.63%, 0.18%

LAB 27.58, -23.2, 5.55

 

CMYK 64 / 77 / 0 / 71

HEX #1B114A

RGB 27 17 74

HSL 250.53, 0.63%, 0.18%

LAB 10.02, 23.28, -33.69

 

Description

Color code: HEX #491122 | qconv.com Color code: HEX #491122 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 17 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 17 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 53 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 53% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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