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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #492A21 it is the complementary color #B6D5DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #492A21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #492A21 shade: #4E2A1C, #5F3C2F, #704E42, #816055 and #927268

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #492A21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #492A21 shade: #492A21, #38180E, #270600, #160000 and #050000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #492A21 shade: #492A21 and #492121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #492A21 shade: #492A21, #493521, #494021, #484921 and #3D4921

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #492A21 shade matches the following richer shades: #492A21, #522518, #5B200F and #631C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #492A21 shade: #492A21, #412F29, #383332, #2F383B and #273D43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #492A21 shade: #49212E, #492123, #492A21, #493421 and #493F21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #492A21 shade: #100907, #2D1A14, #492A21, #663A2D and #824A3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #492A21 shade: #492A21, #384921 and #212849

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #492A21 shade: #492A21, #21492A and #2A2149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #492A21 shade: #492A21, #384921, #214149 and #322149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #492A21 shade: #492A21, #2C4921, #214149 and #3E2149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

Complementary color

CMYK 18 / 4 / 0 / 13

HEX #B6D5DE

RGB 182 213 222

HSL 193.5, 0.38%, 0.79%

LAB 83.34, -8.35, -7.88

 

CMYK 0 / 46 / 64 / 69

HEX #4E2A1C

RGB 78 42 28

HSL 16.8, 0.47%, 0.21%

LAB 21.43, 15.15, 16.31

 

CMYK 0 / 37 / 51 / 63

HEX #5F3C2F

RGB 95 60 47

HSL 16.25, 0.34%, 0.28%

LAB 29.08, 13.74, 14.37

 

CMYK 0 / 30 / 41 / 56

HEX #704E42

RGB 112 78 66

HSL 15.65, 0.26%, 0.35%

LAB 36.53, 12.64, 12.81

 

CMYK 0 / 26 / 34 / 49

HEX #816055

RGB 129 96 85

HSL 15, 0.21%, 0.42%

LAB 43.78, 11.77, 11.5

 

CMYK 0 / 22 / 29 / 43

HEX #927268

RGB 146 114 104

HSL 14.29, 0.17%, 0.49%

LAB 50.86, 11.04, 10.35

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 0 / 57 / 75 / 78

HEX #38180E

RGB 56 24 14

HSL 14.29, 0.6%, 0.14%

LAB 12.77, 14.87, 13.4

 

CMYK 0 / 85 / 100 / 85

HEX #270600

RGB 39 6 0

HSL 9.23, 1%, 0.08%

LAB 5.07, 15.02, 7.88

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 100 / 100 / 98

HEX #050000

RGB 5 0 0

HSL 0, 1%, 0.01%

LAB 0.29, 1.31, 0.46

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 0 / 55 / 55 / 71

HEX #492121

RGB 73 33 33

HSL 0, 0.38%, 0.21%

LAB 18.43, 19, 8.83

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 0 / 27 / 55 / 71

HEX #493521

RGB 73 53 33

HSL 30, 0.38%, 0.21%

LAB 23.91, 6.07, 16.05

 

CMYK 0 / 12 / 55 / 71

HEX #494021

RGB 73 64 33

HSL 46.5, 0.38%, 0.21%

LAB 27.28, -1.02, 20.27

 

CMYK 1 / 0 / 55 / 71

HEX #484921

RGB 72 73 33

HSL 61.5, 0.38%, 0.21%

LAB 30.04, -7.08, 23.58

 

CMYK 16 / 0 / 55 / 71

HEX #3D4921

RGB 61 73 33

HSL 78, 0.38%, 0.21%

LAB 29.07, -12.32, 22.19

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 0 / 55 / 71 / 68

HEX #522518

RGB 82 37 24

HSL 13.45, 0.55%, 0.21%

LAB 20.76, 19.79, 18.25

 

CMYK 0 / 65 / 84 / 64

HEX #5B200F

RGB 91 32 15

HSL 13.42, 0.72%, 0.21%

LAB 21.18, 26.06, 24.67

 

CMYK 0 / 72 / 93 / 61

HEX #631C07

RGB 99 28 7

HSL 13.7, 0.87%, 0.21%

LAB 21.94, 31.02, 29.51

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 0 / 28 / 37 / 75

HEX #412F29

RGB 65 47 41

HSL 15, 0.23%, 0.21%

LAB 21.27, 7.21, 7.05

 

CMYK 0 / 9 / 11 / 78

HEX #383332

RGB 56 51 50

HSL 10, 0.06%, 0.21%

LAB 21.72, 2, 1.43

 

CMYK 20 / 5 / 0 / 77

HEX #2F383B

RGB 47 56 59

HSL 195, 0.11%, 0.21%

LAB 22.82, -2.98, -3.14

 

CMYK 42 / 9 / 0 / 74

HEX #273D43

RGB 39 61 67

HSL 192.86, 0.26%, 0.21%

LAB 24.24, -6.8, -6.43

 

CMYK 0 / 55 / 37 / 71

HEX #49212E

RGB 73 33 46

HSL 340.5, 0.38%, 0.21%

LAB 18.81, 20.71, 0.24

 

CMYK 0 / 55 / 52 / 71

HEX #492123

RGB 73 33 35

HSL 357, 0.38%, 0.21%

LAB 18.48, 19.23, 7.5

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 0 / 29 / 55 / 71

HEX #493421

RGB 73 52 33

HSL 28.5, 0.38%, 0.21%

LAB 23.61, 6.73, 15.67

 

CMYK 0 / 14 / 55 / 71

HEX #493F21

RGB 73 63 33

HSL 45, 0.38%, 0.21%

LAB 26.97, -0.38, 19.88

 

CMYK 0 / 44 / 56 / 94

HEX #100907

RGB 16 9 7

HSL 13.33, 0.39%, 0.05%

LAB 2.9, 1.83, 1.5

 

CMYK 0 / 42 / 56 / 82

HEX #2D1A14

RGB 45 26 20

HSL 14.4, 0.38%, 0.13%

LAB 11.6, 8.58, 8.01

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 0 / 43 / 56 / 60

HEX #663A2D

RGB 102 58 45

HSL 13.68, 0.39%, 0.29%

LAB 29.51, 17.96, 16.4

 

CMYK 0 / 43 / 55 / 49

HEX #824A3A

RGB 130 74 58

HSL 13.33, 0.38%, 0.37%

LAB 37.75, 22.03, 19.79

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 23 / 0 / 55 / 71

HEX #384921

RGB 56 73 33

HSL 85.5, 0.38%, 0.21%

LAB 28.68, -14.61, 21.63

 

CMYK 55 / 45 / 0 / 71

HEX #212849

RGB 33 40 73

HSL 229.5, 0.38%, 0.21%

LAB 17.09, 7.79, -21.57

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 55 / 0 / 42 / 71

HEX #21492A

RGB 33 73 42

HSL 133.5, 0.38%, 0.21%

LAB 27.45, -22.1, 14.35

 

CMYK 42 / 55 / 0 / 71

HEX #2A2149

RGB 42 33 73

HSL 253.5, 0.38%, 0.21%

LAB 15.8, 15.5, -23.57

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 23 / 0 / 55 / 71

HEX #384921

RGB 56 73 33

HSL 85.5, 0.38%, 0.21%

LAB 28.68, -14.61, 21.63

 

CMYK 55 / 11 / 0 / 71

HEX #214149

RGB 33 65 73

HSL 192, 0.38%, 0.21%

LAB 25.52, -9.19, -8.51

 

CMYK 32 / 55 / 0 / 71

HEX #322149

RGB 50 33 73

HSL 265.5, 0.38%, 0.21%

LAB 16.73, 18, -22.03

 

CMYK 0 / 42 / 55 / 71

HEX #492A21

RGB 73 42 33

HSL 13.5, 0.38%, 0.21%

LAB 20.76, 13.27, 11.96

 

CMYK 40 / 0 / 55 / 71

HEX #2C4921

RGB 44 73 33

HSL 103.5, 0.38%, 0.21%

LAB 27.87, -19.72, 20.45

 

CMYK 55 / 11 / 0 / 71

HEX #214149

RGB 33 65 73

HSL 192, 0.38%, 0.21%

LAB 25.52, -9.19, -8.51

 

CMYK 15 / 55 / 0 / 71

HEX #3E2149

RGB 62 33 73

HSL 283.5, 0.38%, 0.21%

LAB 18.33, 21.97, -19.4

 

Description

Color code: HEX #492A21 | qconv.com Color code: HEX #492A21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 42 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 42 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 55 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 55% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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