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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49365B it is the complementary color #B6C9A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49365B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49365B shade: #4E3656, #5F4869, #705A7C, #816C8F and #927EA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49365B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49365B shade: #49365B, #382448, #271235, #160022 and #05000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49365B shade: #473459, #513459, #593458, #59344D and #593443

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49365B shade: #473459, #3D3459 and #343459

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49365B shade matches the following richer shades: #473459, #482965, #481D71, #48127C and #490688

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49365B shade: #473459, #47404E, #474B42, #465737 and #46632B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49365B shade: #343659, #3D3459, #473459, #513459 and #593458

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49365B shade: #1E1625, #33253F, #473459, #5C4473 and #71538D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49365B shade: #49365B, #59343F and #345938

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49365B shade: #49365B, #594734 and #345947

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49365B shade: #49365B, #59343F, #475934 and #34594E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49365B shade: #49365B, #593434, #475934 and #345959

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 41 / 0 / 64

HEX #49365B

RGB 73 54 91

HSL 270.81, 0.26%, 0.28%

LAB 26.19, 16.75, -19.01

 

Complementary color

CMYK 9 / 0 / 18 / 21

HEX #B6C9A4

RGB 182 201 164

HSL 90.81, 0.26%, 0.72%

LAB 78.69, -13.11, 16.36

 

CMYK 9 / 37 / 0 / 66

HEX #4E3656

RGB 78 54 86

HSL 285, 0.23%, 0.27%

LAB 26.53, 17.29, -15.16

 

CMYK 10 / 31 / 0 / 59

HEX #5F4869

RGB 95 72 105

HSL 281.82, 0.19%, 0.35%

LAB 34.16, 16.52, -15.46

 

CMYK 10 / 27 / 0 / 51

HEX #705A7C

RGB 112 90 124

HSL 278.82, 0.16%, 0.42%

LAB 41.55, 15.84, -15.75

 

CMYK 10 / 24 / 0 / 44

HEX #816C8F

RGB 129 108 143

HSL 276, 0.14%, 0.49%

LAB 48.73, 15.25, -16.06

 

CMYK 10 / 22 / 0 / 36

HEX #927EA2

RGB 146 126 162

HSL 273.33, 0.16%, 0.56%

LAB 55.73, 14.73, -16.38

 

CMYK 20 / 41 / 0 / 64

HEX #49365B

RGB 73 54 91

HSL 270.81, 0.26%, 0.28%

LAB 26.19, 16.75, -19.01

 

CMYK 22 / 50 / 0 / 72

HEX #382448

RGB 56 36 72

HSL 273.33, 0.33%, 0.21%

LAB 18.23, 17.69, -18.92

 

CMYK 26 / 66 / 0 / 79

HEX #271235

RGB 39 18 53

HSL 276, 0.49%, 0.14%

LAB 9.96, 18.75, -18.8

 

CMYK 35 / 100 / 0 / 87

HEX #160022

RGB 22 0 34

HSL 278.82, 1%, 0.07%

LAB 2.58, 14.24, -16.28

 

CMYK 67 / 100 / 0 / 94

HEX #05000F

RGB 5 0 15

HSL 260, 1%, 0.03%

LAB 0.6, 3.5, -5.5

 

CMYK 20 / 42 / 0 / 65

HEX #473459

RGB 71 52 89

HSL 270.81, 0.26%, 0.28%

LAB 25.31, 16.84, -19.09

 

CMYK 9 / 42 / 0 / 65

HEX #513459

RGB 81 52 89

HSL 287.03, 0.26%, 0.28%

LAB 26.52, 20.38, -17.11

 

CMYK 0 / 42 / 1 / 65

HEX #593458

RGB 89 52 88

HSL 301.62, 0.26%, 0.28%

LAB 27.53, 23.04, -14.81

 

CMYK 0 / 42 / 13 / 65

HEX #59344D

RGB 89 52 77

HSL 319.46, 0.26%, 0.28%

LAB 27.06, 20.8, -8.3

 

CMYK 0 / 42 / 25 / 65

HEX #593443

RGB 89 52 67

HSL 335.68, 0.26%, 0.28%

LAB 26.69, 18.98, -2.23

 

CMYK 20 / 42 / 0 / 65

HEX #473459

RGB 71 52 89

HSL 270.81, 0.26%, 0.28%

LAB 25.31, 16.84, -19.09

 

CMYK 31 / 42 / 0 / 65

HEX #3D3459

RGB 61 52 89

HSL 254.59, 0.26%, 0.28%

LAB 24.22, 13.41, -20.87

 

CMYK 42 / 42 / 0 / 65

HEX #343459

RGB 52 52 89

HSL 240, 0.26%, 0.28%

LAB 23.36, 10.51, -22.28

 

CMYK 20 / 42 / 0 / 65

HEX #473459

RGB 71 52 89

HSL 270.81, 0.26%, 0.28%

LAB 25.31, 16.84, -19.09

 

CMYK 29 / 59 / 0 / 60

HEX #482965

RGB 72 41 101

HSL 271, 0.42%, 0.28%

LAB 23.35, 27.41, -30.03

 

CMYK 36 / 74 / 0 / 56

HEX #481D71

RGB 72 29 113

HSL 270.71, 0.59%, 0.28%

LAB 21.76, 37.35, -40.37

 

CMYK 42 / 85 / 0 / 51

HEX #48127C

RGB 72 18 124

HSL 270.57, 0.75%, 0.28%

LAB 21.08, 44.93, -48.53

 

CMYK 46 / 96 / 0 / 47

HEX #490688

RGB 73 6 136

HSL 270.92, 0.92%, 0.28%

LAB 21.3, 51.35, -55.75

 

CMYK 20 / 42 / 0 / 65

HEX #473459

RGB 71 52 89

HSL 270.81, 0.26%, 0.28%

LAB 25.31, 16.84, -19.09

 

CMYK 9 / 18 / 0 / 69

HEX #47404E

RGB 71 64 78

HSL 270, 0.1%, 0.28%

LAB 28.26, 6.13, -7.36

 

CMYK 5 / 0 / 12 / 71

HEX #474B42

RGB 71 75 66

HSL 86.67, 0.06%, 0.28%

LAB 31.27, -3.57, 4.8

 

CMYK 20 / 0 / 37 / 66

HEX #465737

RGB 70 87 55

HSL 91.88, 0.23%, 0.28%

LAB 34.79, -13.17, 16.5

 

CMYK 29 / 0 / 57 / 61

HEX #46632B

RGB 70 99 43

HSL 91.07, 0.39%, 0.28%

LAB 38.55, -21.41, 28.12

 

CMYK 42 / 39 / 0 / 65

HEX #343659

RGB 52 54 89

HSL 236.76, 0.26%, 0.28%

LAB 23.97, 9.13, -21.33

 

CMYK 31 / 42 / 0 / 65

HEX #3D3459

RGB 61 52 89

HSL 254.59, 0.26%, 0.28%

LAB 24.22, 13.41, -20.87

 

CMYK 20 / 42 / 0 / 65

HEX #473459

RGB 71 52 89

HSL 270.81, 0.26%, 0.28%

LAB 25.31, 16.84, -19.09

 

CMYK 9 / 42 / 0 / 65

HEX #513459

RGB 81 52 89

HSL 287.03, 0.26%, 0.28%

LAB 26.52, 20.38, -17.11

 

CMYK 0 / 42 / 1 / 65

HEX #593458

RGB 89 52 88

HSL 301.62, 0.26%, 0.28%

LAB 27.53, 23.04, -14.81

 

CMYK 19 / 41 / 0 / 85

HEX #1E1625

RGB 30 22 37

HSL 272, 0.25%, 0.12%

LAB 8.85, 7.87, -8.84

 

CMYK 19 / 41 / 0 / 75

HEX #33253F

RGB 51 37 63

HSL 272.31, 0.26%, 0.2%

LAB 17.39, 12.73, -14.09

 

CMYK 20 / 42 / 0 / 65

HEX #473459

RGB 71 52 89

HSL 270.81, 0.26%, 0.28%

LAB 25.31, 16.84, -19.09

 

CMYK 20 / 41 / 0 / 55

HEX #5C4473

RGB 92 68 115

HSL 270.64, 0.26%, 0.36%

LAB 33.24, 20.42, -23.2

 

CMYK 20 / 41 / 0 / 45

HEX #71538D

RGB 113 83 141

HSL 271.03, 0.26%, 0.44%

LAB 40.61, 24.46, -27.53

 

CMYK 20 / 41 / 0 / 64

HEX #49365B

RGB 73 54 91

HSL 270.81, 0.26%, 0.28%

LAB 26.19, 16.75, -19.01

 

CMYK 0 / 42 / 29 / 65

HEX #59343F

RGB 89 52 63

HSL 342.16, 0.26%, 0.28%

LAB 26.56, 18.31, 0.23

 

CMYK 42 / 0 / 37 / 65

HEX #345938

RGB 52 89 56

HSL 126.49, 0.26%, 0.28%

LAB 34.31, -21.14, 15.05

 

CMYK 20 / 41 / 0 / 64

HEX #49365B

RGB 73 54 91

HSL 270.81, 0.26%, 0.28%

LAB 26.19, 16.75, -19.01

 

CMYK 0 / 20 / 42 / 65

HEX #594734

RGB 89 71 52

HSL 30.81, 0.26%, 0.28%

LAB 31.53, 4.65, 14.33

 

CMYK 42 / 0 / 20 / 65

HEX #345947

RGB 52 89 71

HSL 150.81, 0.26%, 0.28%

LAB 34.66, -17.9, 6.3

 

CMYK 20 / 41 / 0 / 64

HEX #49365B

RGB 73 54 91

HSL 270.81, 0.26%, 0.28%

LAB 26.19, 16.75, -19.01

 

CMYK 0 / 42 / 29 / 65

HEX #59343F

RGB 89 52 63

HSL 342.16, 0.26%, 0.28%

LAB 26.56, 18.31, 0.23

 

CMYK 20 / 0 / 42 / 65

HEX #475934

RGB 71 89 52

HSL 89.19, 0.26%, 0.28%

LAB 35.46, -14.35, 19.19

 

CMYK 42 / 0 / 12 / 65

HEX #34594E

RGB 52 89 78

HSL 162.16, 0.26%, 0.28%

LAB 34.85, -16.16, 2.2

 

CMYK 20 / 41 / 0 / 64

HEX #49365B

RGB 73 54 91

HSL 270.81, 0.26%, 0.28%

LAB 26.19, 16.75, -19.01

 

CMYK 0 / 42 / 42 / 65

HEX #593434

RGB 89 52 52

HSL 0, 0.26%, 0.28%

LAB 26.24, 16.67, 7.09

 

CMYK 20 / 0 / 42 / 65

HEX #475934

RGB 71 89 52

HSL 89.19, 0.26%, 0.28%

LAB 35.46, -14.35, 19.19

 

CMYK 42 / 0 / 0 / 65

HEX #345959

RGB 52 89 89

HSL 180, 0.26%, 0.28%

LAB 35.19, -13.18, -4.18

 

Description

Color code: HEX #49365B | qconv.com Color code: HEX #49365B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 54 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 54 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 41 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 41% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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