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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #493661 it is the complementary color #B6C99E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #493661. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #493661 shade: #4E365C, #5F486F, #705A82, #816C95 and #927EA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #493661. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #493661 shade: #493661, #38244E, #27123B, #160028 and #050015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #493661 shade: #4A3761, #553761, #613761, #613757 and #61374B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #493661 shade: #4A3761, #3E3761 and #373761

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #493661 shade matches the following richer shades: #4A3761, #482A6E, #471E7A, #451187 and #440593

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #493661 shade: #4A3761, #4B4355, #4C4F49, #4E5C3C and #4F6830

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #493661 shade: #373B61, #3E3761, #493761, #553761 and #603761

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #493661 shade: #22192D, #362847, #4A3761, #5D457C and #715496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #493661 shade: #493661, #613746 and #376138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #493661 shade: #493661, #614937 and #376149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #493661 shade: #493661, #613746, #4F6137 and #376152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #493661 shade: #493661, #613739, #4F6137 and #37615F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 44 / 0 / 62

HEX #493661

RGB 73 54 97

HSL 266.51, 0.28%, 0.3%

LAB 26.5, 18.35, -22.43

 

Complementary color

CMYK 9 / 0 / 21 / 21

HEX #B6C99E

RGB 182 201 158

HSL 86.51, 0.28%, 0.7%

LAB 78.57, -14.08, 19.38

 

CMYK 15 / 41 / 0 / 64

HEX #4E365C

RGB 78 54 92

HSL 277.89, 0.26%, 0.29%

LAB 26.82, 18.76, -18.63

 

CMYK 14 / 35 / 0 / 56

HEX #5F486F

RGB 95 72 111

HSL 275.38, 0.21%, 0.36%

LAB 34.43, 17.94, -18.82

 

CMYK 14 / 31 / 0 / 49

HEX #705A82

RGB 112 90 130

HSL 273, 0.18%, 0.43%

LAB 41.8, 17.23, -19.03

 

CMYK 13 / 28 / 0 / 42

HEX #816C95

RGB 129 108 149

HSL 270.73, 0.16%, 0.5%

LAB 48.96, 16.6, -19.26

 

CMYK 13 / 25 / 0 / 34

HEX #927EA8

RGB 146 126 168

HSL 268.57, 0.19%, 0.58%

LAB 55.95, 16.04, -19.5

 

CMYK 25 / 44 / 0 / 62

HEX #493661

RGB 73 54 97

HSL 266.51, 0.28%, 0.3%

LAB 26.5, 18.35, -22.43

 

CMYK 28 / 54 / 0 / 69

HEX #38244E

RGB 56 36 78

HSL 268.57, 0.37%, 0.22%

LAB 18.59, 19.37, -22.44

 

CMYK 34 / 69 / 0 / 77

HEX #27123B

RGB 39 18 59

HSL 270.73, 0.53%, 0.15%

LAB 10.41, 20.49, -22.41

 

CMYK 45 / 100 / 0 / 84

HEX #160028

RGB 22 0 40

HSL 273, 1%, 0.08%

LAB 2.92, 16.64, -20.42

 

CMYK 76 / 100 / 0 / 92

HEX #050015

RGB 5 0 21

HSL 254.29, 1%, 0.04%

LAB 0.78, 4.74, -8.89

 

CMYK 24 / 43 / 0 / 62

HEX #4A3761

RGB 74 55 97

HSL 267.14, 0.28%, 0.3%

LAB 26.88, 18.03, -21.82

 

CMYK 12 / 43 / 0 / 62

HEX #553761

RGB 85 55 97

HSL 282.86, 0.28%, 0.3%

LAB 28.19, 21.79, -19.69

 

CMYK 0 / 43 / 0 / 62

HEX #613761

RGB 97 55 97

HSL 300, 0.28%, 0.3%

LAB 29.76, 25.97, -17.13

 

CMYK 0 / 43 / 10 / 62

HEX #613757

RGB 97 55 87

HSL 314.29, 0.28%, 0.3%

LAB 29.32, 23.94, -11.33

 

CMYK 0 / 43 / 23 / 62

HEX #61374B

RGB 97 55 75

HSL 331.43, 0.28%, 0.3%

LAB 28.86, 21.75, -4.19

 

CMYK 24 / 43 / 0 / 62

HEX #4A3761

RGB 74 55 97

HSL 267.14, 0.28%, 0.3%

LAB 26.88, 18.03, -21.82

 

CMYK 36 / 43 / 0 / 62

HEX #3E3761

RGB 62 55 97

HSL 250, 0.28%, 0.3%

LAB 25.62, 14.11, -23.89

 

CMYK 43 / 43 / 0 / 62

HEX #373761

RGB 55 55 97

HSL 240, 0.28%, 0.3%

LAB 24.98, 11.96, -24.95

 

CMYK 24 / 43 / 0 / 62

HEX #4A3761

RGB 74 55 97

HSL 267.14, 0.28%, 0.3%

LAB 26.88, 18.03, -21.82

 

CMYK 35 / 62 / 0 / 57

HEX #482A6E

RGB 72 42 110

HSL 266.47, 0.45%, 0.3%

LAB 24.19, 29.27, -34.5

 

CMYK 42 / 75 / 0 / 52

HEX #471E7A

RGB 71 30 122

HSL 266.74, 0.61%, 0.3%

LAB 22.56, 39.05, -44.84

 

CMYK 49 / 87 / 0 / 47

HEX #451187

RGB 69 17 135

HSL 266.44, 0.78%, 0.3%

LAB 21.64, 47.64, -54.58

 

CMYK 54 / 97 / 0 / 42

HEX #440593

RGB 68 5 147

HSL 266.62, 0.93%, 0.3%

LAB 21.74, 53.71, -61.9

 

CMYK 24 / 43 / 0 / 62

HEX #4A3761

RGB 74 55 97

HSL 267.14, 0.28%, 0.3%

LAB 26.88, 18.03, -21.82

 

CMYK 12 / 21 / 0 / 67

HEX #4B4355

RGB 75 67 85

HSL 266.67, 0.12%, 0.3%

LAB 29.83, 7.44, -9.5

 

CMYK 4 / 0 / 8 / 69

HEX #4C4F49

RGB 76 79 73

HSL 90, 0.04%, 0.3%

LAB 33.16, -2.51, 3.12

 

CMYK 15 / 0 / 35 / 64

HEX #4E5C3C

RGB 78 92 60

HSL 86.25, 0.21%, 0.3%

LAB 37.12, -11.81, 16.68

 

CMYK 24 / 0 / 54 / 59

HEX #4F6830

RGB 79 104 48

HSL 86.79, 0.37%, 0.3%

LAB 40.86, -19.67, 28.32

 

CMYK 43 / 39 / 0 / 62

HEX #373B61

RGB 55 59 97

HSL 234.29, 0.28%, 0.3%

LAB 26.17, 9.24, -23.07

 

CMYK 36 / 43 / 0 / 62

HEX #3E3761

RGB 62 55 97

HSL 250, 0.28%, 0.3%

LAB 25.62, 14.11, -23.89

 

CMYK 25 / 43 / 0 / 62

HEX #493761

RGB 73 55 97

HSL 265.71, 0.28%, 0.3%

LAB 26.77, 17.7, -22.01

 

CMYK 12 / 43 / 0 / 62

HEX #553761

RGB 85 55 97

HSL 282.86, 0.28%, 0.3%

LAB 28.19, 21.79, -19.69

 

CMYK 1 / 43 / 0 / 62

HEX #603761

RGB 96 55 97

HSL 298.57, 0.28%, 0.3%

LAB 29.62, 25.62, -17.35

 

CMYK 24 / 44 / 0 / 82

HEX #22192D

RGB 34 25 45

HSL 267, 0.29%, 0.14%

LAB 10.74, 9.63, -11.79

 

CMYK 24 / 44 / 0 / 72

HEX #362847

RGB 54 40 71

HSL 267.1, 0.28%, 0.22%

LAB 19.04, 13.98, -16.99

 

CMYK 24 / 43 / 0 / 62

HEX #4A3761

RGB 74 55 97

HSL 267.14, 0.28%, 0.3%

LAB 26.88, 18.03, -21.82

 

CMYK 25 / 44 / 0 / 51

HEX #5D457C

RGB 93 69 124

HSL 266.18, 0.28%, 0.38%

LAB 34.06, 22.44, -27.52

 

CMYK 25 / 44 / 0 / 41

HEX #715496

RGB 113 84 150

HSL 266.36, 0.28%, 0.46%

LAB 41.3, 26.1, -31.87

 

CMYK 25 / 44 / 0 / 62

HEX #493661

RGB 73 54 97

HSL 266.51, 0.28%, 0.3%

LAB 26.5, 18.35, -22.43

 

CMYK 0 / 43 / 28 / 62

HEX #613746

RGB 97 55 70

HSL 338.57, 0.28%, 0.3%

LAB 28.68, 20.91, -1.15

 

CMYK 43 / 0 / 42 / 62

HEX #376138

RGB 55 97 56

HSL 121.43, 0.28%, 0.3%

LAB 37.2, -24.18, 18.9

 

CMYK 25 / 44 / 0 / 62

HEX #493661

RGB 73 54 97

HSL 266.51, 0.28%, 0.3%

LAB 26.5, 18.35, -22.43

 

CMYK 0 / 25 / 43 / 62

HEX #614937

RGB 97 73 55

HSL 25.71, 0.28%, 0.3%

LAB 33.1, 7.51, 14.71

 

CMYK 43 / 0 / 25 / 62

HEX #376149

RGB 55 97 73

HSL 145.71, 0.28%, 0.3%

LAB 37.56, -20.75, 9.17

 

CMYK 25 / 44 / 0 / 62

HEX #493661

RGB 73 54 97

HSL 266.51, 0.28%, 0.3%

LAB 26.5, 18.35, -22.43

 

CMYK 0 / 43 / 28 / 62

HEX #613746

RGB 97 55 70

HSL 338.57, 0.28%, 0.3%

LAB 28.68, 20.91, -1.15

 

CMYK 19 / 0 / 43 / 62

HEX #4F6137

RGB 79 97 55

HSL 85.71, 0.28%, 0.3%

LAB 38.7, -14.96, 21.72

 

CMYK 43 / 0 / 15 / 62

HEX #376152

RGB 55 97 82

HSL 158.57, 0.28%, 0.3%

LAB 37.79, -18.61, 3.98

 

CMYK 25 / 44 / 0 / 62

HEX #493661

RGB 73 54 97

HSL 266.51, 0.28%, 0.3%

LAB 26.5, 18.35, -22.43

 

CMYK 0 / 43 / 41 / 62

HEX #613739

RGB 97 55 57

HSL 357.14, 0.28%, 0.3%

LAB 28.3, 18.99, 6.85

 

CMYK 19 / 0 / 43 / 62

HEX #4F6137

RGB 79 97 55

HSL 85.71, 0.28%, 0.3%

LAB 38.7, -14.96, 21.72

 

CMYK 43 / 0 / 2 / 62

HEX #37615F

RGB 55 97 95

HSL 177.14, 0.28%, 0.3%

LAB 38.18, -15.17, -3.47

 

Description

Color code: HEX #493661 | qconv.com Color code: HEX #493661 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 54 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 54 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 44 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 44% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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