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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49459A it is the complementary color #B6BA65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49459A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49459A shade: #4E4595, #5F57A8, #7069BB, #817BCE and #928DE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49459A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49459A shade: #49459A, #383387, #272174, #160F61 and #05004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49459A shade: #49459A, #60459A, #77459A, #8E459A and #9A4590

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49459A shade: #49459A and #45459A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49459A shade matches the following richer shades: #49459A, #3933AC, #2821BF and #180FD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49459A shade: #49459A, #5A5788, #6A6976, #7A7C64 and #8B8E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49459A shade: #45709A, #45599A, #48459A, #5F459A and #75459A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49459A shade: #2E2B61, #3C387E, #49459A, #5A56B3 and #7672C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49459A shade: #49459A, #9A4586 and #649A45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49459A shade: #49459A, #9A4845 and #459A48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49459A shade: #49459A, #9A4586, #979A45 and #459A59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49459A shade: #49459A, #9A456D, #979A45 and #459A73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

Complementary color

CMYK 2 / 0 / 46 / 27

HEX #B6BA65

RGB 182 186 101

HSL 62.82, 0.38%, 0.56%

LAB 73.55, -13.8, 42.38

 

CMYK 48 / 54 / 0 / 42

HEX #4E4595

RGB 78 69 149

HSL 246.75, 0.37%, 0.43%

LAB 34.08, 25.53, -42.96

 

CMYK 43 / 48 / 0 / 34

HEX #5F57A8

RGB 95 87 168

HSL 245.93, 0.32%, 0.5%

LAB 41.34, 24.23, -42.66

 

CMYK 40 / 44 / 0 / 27

HEX #7069BB

RGB 112 105 187

HSL 245.12, 0.38%, 0.57%

LAB 48.43, 23.12, -42.42

 

CMYK 37 / 40 / 0 / 19

HEX #817BCE

RGB 129 123 206

HSL 244.34, 0.46%, 0.65%

LAB 55.37, 22.18, -42.23

 

CMYK 35 / 37 / 0 / 12

HEX #928DE1

RGB 146 141 225

HSL 243.57, 0.58%, 0.72%

LAB 62.17, 21.36, -42.09

 

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

CMYK 59 / 62 / 0 / 47

HEX #383387

RGB 56 51 135

HSL 243.57, 0.45%, 0.36%

LAB 26.61, 27.76, -46.5

 

CMYK 66 / 72 / 0 / 55

HEX #272174

RGB 39 33 116

HSL 244.34, 0.56%, 0.29%

LAB 19.14, 29.85, -46.73

 

CMYK 77 / 85 / 0 / 62

HEX #160F61

RGB 22 15 97

HSL 245.12, 0.73%, 0.22%

LAB 11.79, 32, -46.44

 

CMYK 94 / 100 / 0 / 69

HEX #05004E

RGB 5 0 78

HSL 243.85, 1%, 0.15%

LAB 5.26, 32.02, -44.39

 

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

CMYK 38 / 55 / 0 / 40

HEX #60459A

RGB 96 69 154

HSL 259.06, 0.38%, 0.44%

LAB 36.13, 31.49, -42.61

 

CMYK 23 / 55 / 0 / 40

HEX #77459A

RGB 119 69 154

HSL 275.29, 0.38%, 0.44%

LAB 38.74, 37.6, -38.28

 

CMYK 8 / 55 / 0 / 40

HEX #8E459A

RGB 142 69 154

HSL 291.53, 0.38%, 0.44%

LAB 41.75, 44.02, -33.33

 

CMYK 0 / 55 / 6 / 40

HEX #9A4590

RGB 154 69 144

HSL 307.06, 0.38%, 0.44%

LAB 42.97, 45.6, -25.27

 

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

CMYK 55 / 55 / 0 / 40

HEX #45459A

RGB 69 69 154

HSL 240, 0.38%, 0.44%

LAB 33.68, 25.13, -46.68

 

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

CMYK 67 / 70 / 0 / 33

HEX #3933AC

RGB 57 51 172

HSL 242.98, 0.54%, 0.44%

LAB 29.95, 40.45, -63.64

 

CMYK 79 / 83 / 0 / 25

HEX #2821BF

RGB 40 33 191

HSL 242.66, 0.71%, 0.44%

LAB 27.57, 54.53, -78.91

 

CMYK 89 / 93 / 0 / 18

HEX #180FD1

RGB 24 15 209

HSL 242.78, 0.87%, 0.44%

LAB 27.13, 65.33, -90.23

 

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

CMYK 34 / 36 / 0 / 47

HEX #5A5788

RGB 90 87 136

HSL 243.67, 0.22%, 0.44%

LAB 39.19, 13.44, -26.88

 

CMYK 10 / 11 / 0 / 54

HEX #6A6976

RGB 106 105 118

HSL 244.62, 0.06%, 0.44%

LAB 44.91, 3.19, -7.11

 

CMYK 2 / 0 / 19 / 51

HEX #7A7C64

RGB 122 124 100

HSL 65, 0.11%, 0.44%

LAB 51.24, -5.18, 12.88

 

CMYK 2 / 0 / 42 / 44

HEX #8B8E52

RGB 139 142 82

HSL 63, 0.27%, 0.44%

LAB 57.51, -10.57, 31.54

 

CMYK 55 / 27 / 0 / 40

HEX #45709A

RGB 69 112 154

HSL 209.65, 0.38%, 0.44%

LAB 45.89, -2.19, -27.31

 

CMYK 55 / 42 / 0 / 40

HEX #45599A

RGB 69 89 154

HSL 225.88, 0.38%, 0.44%

LAB 39.14, 12.16, -37.92

 

CMYK 53 / 55 / 0 / 40

HEX #48459A

RGB 72 69 154

HSL 242.12, 0.38%, 0.44%

LAB 33.91, 25.78, -46.29

 

CMYK 38 / 55 / 0 / 40

HEX #5F459A

RGB 95 69 154

HSL 258.35, 0.38%, 0.44%

LAB 36.03, 31.23, -42.78

 

CMYK 24 / 55 / 0 / 40

HEX #75459A

RGB 117 69 154

HSL 273.88, 0.38%, 0.44%

LAB 38.5, 37.06, -38.68

 

CMYK 53 / 56 / 0 / 62

HEX #2E2B61

RGB 46 43 97

HSL 243.33, 0.39%, 0.27%

LAB 20.72, 17.77, -31.78

 

CMYK 52 / 56 / 0 / 51

HEX #3C387E

RGB 60 56 126

HSL 243.43, 0.38%, 0.36%

LAB 27.56, 22.26, -39.32

 

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

CMYK 50 / 52 / 0 / 30

HEX #5A56B3

RGB 90 86 179

HSL 242.58, 0.38%, 0.52%

LAB 41.35, 27.03, -49.16

 

CMYK 39 / 41 / 0 / 25

HEX #7672C0

RGB 118 114 192

HSL 243.08, 0.38%, 0.6%

LAB 51.49, 20.7, -40.43

 

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

CMYK 0 / 55 / 13 / 40

HEX #9A4586

RGB 154 69 134

HSL 314.12, 0.38%, 0.44%

LAB 42.53, 43.89, -19.88

 

CMYK 35 / 0 / 55 / 40

HEX #649A45

RGB 100 154 69

HSL 98.12, 0.38%, 0.44%

LAB 58.27, -33.62, 38.57

 

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

CMYK 0 / 53 / 55 / 40

HEX #9A4845

RGB 154 72 69

HSL 2.12, 0.38%, 0.44%

LAB 41.11, 33.98, 18.15

 

CMYK 55 / 0 / 53 / 40

HEX #459A48

RGB 69 154 72

HSL 122.12, 0.38%, 0.44%

LAB 56.92, -43.05, 35.12

 

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

CMYK 0 / 55 / 13 / 40

HEX #9A4586

RGB 154 69 134

HSL 314.12, 0.38%, 0.44%

LAB 42.53, 43.89, -19.88

 

CMYK 2 / 0 / 55 / 40

HEX #979A45

RGB 151 154 69

HSL 62.12, 0.38%, 0.44%

LAB 61.76, -13.14, 43.51

 

CMYK 55 / 0 / 42 / 40

HEX #459A59

RGB 69 154 89

HSL 134.12, 0.38%, 0.44%

LAB 57.17, -40.39, 26.52

 

CMYK 53 / 55 / 0 / 40

HEX #49459A

RGB 73 69 154

HSL 242.82, 0.38%, 0.44%

LAB 33.99, 26, -46.15

 

CMYK 0 / 55 / 29 / 40

HEX #9A456D

RGB 154 69 109

HSL 331.76, 0.38%, 0.44%

LAB 41.58, 40.08, -5.97

 

CMYK 2 / 0 / 55 / 40

HEX #979A45

RGB 151 154 69

HSL 62.12, 0.38%, 0.44%

LAB 61.76, -13.14, 43.51

 

CMYK 55 / 0 / 25 / 40

HEX #459A73

RGB 69 154 115

HSL 152.47, 0.38%, 0.44%

LAB 57.67, -35.25, 12.83

 

Description

Color code: HEX #49459A | qconv.com Color code: HEX #49459A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 69 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 69 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 55 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 55% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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