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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #494C33 it is the complementary color #B6B3CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #494C33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #494C33 shade: #4E4C2E, #5F5E41, #707054, #818267 and #92947A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #494C33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #494C33 shade: #494C33, #383A20, #27280D, #161600 and #050400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #494C33 shade: #494C33, #4C4833, #4C4133, #4C3A33 and #4C3433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #494C33 shade: #494C33, #424C33, #3B4C33, #344C33 and #334C38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #494C33 shade matches the following richer shades: #494C33, #515628, #59611E, #606B14 and #687509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #494C33 shade: #494C33, #41423D, #393747, #312D51 and #2A235C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #494C33 shade: #4C4133, #4C4833, #494C33, #424C33 and #3B4C33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #494C33 shade: #191A11, #313322, #494C33, #616543 and #787E54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #494C33 shade: #494C33, #334C3B and #45334C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #494C33 shade: #494C33, #33494C and #4C3349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #494C33 shade: #494C33, #334C3B, #35334C and #4C3344

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #494C33 shade: #494C33, #334C42, #35334C and #4C333C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

Complementary color

CMYK 11 / 12 / 0 / 20

HEX #B6B3CC

RGB 182 179 204

HSL 247.2, 0.2%, 0.75%

LAB 73.9, 5.95, -12.25

 

CMYK 0 / 3 / 41 / 69

HEX #4E4C2E

RGB 78 76 46

HSL 56.25, 0.26%, 0.24%

LAB 31.77, -4.44, 18.15

 

CMYK 0 / 1 / 32 / 63

HEX #5F5E41

RGB 95 94 65

HSL 58, 0.19%, 0.31%

LAB 39.28, -4.79, 16.82

 

CMYK 0 / 0 / 25 / 56

HEX #707054

RGB 112 112 84

HSL 60, 0.14%, 0.38%

LAB 46.54, -5.04, 15.62

 

CMYK 1 / 0 / 21 / 49

HEX #818267

RGB 129 130 103

HSL 62.22, 0.12%, 0.46%

LAB 53.61, -5.24, 14.53

 

CMYK 1 / 0 / 18 / 42

HEX #92947A

RGB 146 148 122

HSL 64.62, 0.11%, 0.53%

LAB 60.51, -5.4, 13.53

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 3 / 0 / 45 / 77

HEX #383A20

RGB 56 58 32

HSL 64.62, 0.29%, 0.18%

LAB 23.58, -5.76, 15.88

 

CMYK 2 / 0 / 68 / 84

HEX #27280D

RGB 39 40 13

HSL 62.22, 0.51%, 0.1%

LAB 15.37, -5.28, 16.85

 

CMYK 0 / 0 / 100 / 91

HEX #161600

RGB 22 22 0

HSL 60, 1%, 0.04%

LAB 6.72, -3.68, 10

 

CMYK 0 / 20 / 100 / 98

HEX #050400

RGB 5 4 0

HSL 48, 1%, 0.01%

LAB 1.08, -0.29, 1.61

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 0 / 5 / 33 / 70

HEX #4C4833

RGB 76 72 51

HSL 50.4, 0.2%, 0.25%

LAB 30.42, -2.18, 13.23

 

CMYK 0 / 14 / 33 / 70

HEX #4C4133

RGB 76 65 51

HSL 33.6, 0.2%, 0.25%

LAB 28.26, 2.23, 10.3

 

CMYK 0 / 24 / 33 / 70

HEX #4C3A33

RGB 76 58 51

HSL 16.8, 0.2%, 0.25%

LAB 26.16, 6.75, 7.39

 

CMYK 0 / 32 / 33 / 70

HEX #4C3433

RGB 76 52 51

HSL 2.4, 0.2%, 0.25%

LAB 24.42, 10.66, 4.94

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 13 / 0 / 33 / 70

HEX #424C33

RGB 66 76 51

HSL 84, 0.2%, 0.25%

LAB 30.8, -9.16, 13.58

 

CMYK 22 / 0 / 33 / 70

HEX #3B4C33

RGB 59 76 51

HSL 100.8, 0.2%, 0.25%

LAB 30.25, -12.18, 12.75

 

CMYK 32 / 0 / 33 / 70

HEX #344C33

RGB 52 76 51

HSL 117.6, 0.2%, 0.25%

LAB 29.76, -15.04, 12

 

CMYK 33 / 0 / 26 / 70

HEX #334C38

RGB 51 76 56

HSL 132, 0.2%, 0.25%

LAB 29.81, -14.4, 8.9

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 6 / 0 / 53 / 66

HEX #515628

RGB 81 86 40

HSL 66.52, 0.37%, 0.25%

LAB 35.12, -9.72, 25.88

 

CMYK 8 / 0 / 69 / 62

HEX #59611E

RGB 89 97 30

HSL 67.16, 0.53%, 0.25%

LAB 39.19, -13.15, 35.75

 

CMYK 10 / 0 / 81 / 58

HEX #606B14

RGB 96 107 20

HSL 67.59, 0.69%, 0.25%

LAB 42.84, -15.96, 43.54

 

CMYK 11 / 0 / 92 / 54

HEX #687509

RGB 104 117 9

HSL 67.22, 0.86%, 0.25%

LAB 46.56, -17.99, 49.92

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 2 / 0 / 8 / 74

HEX #41423D

RGB 65 66 61

HSL 72, 0.04%, 0.25%

LAB 27.73, -1.51, 2.89

 

CMYK 20 / 23 / 0 / 72

HEX #393747

RGB 57 55 71

HSL 247.5, 0.13%, 0.25%

LAB 23.86, 4.83, -9.54

 

CMYK 40 / 44 / 0 / 68

HEX #312D51

RGB 49 45 81

HSL 246.67, 0.29%, 0.25%

LAB 20.53, 11.84, -21.45

 

CMYK 54 / 62 / 0 / 64

HEX #2A235C

RGB 42 35 92

HSL 247.37, 0.45%, 0.25%

LAB 17.77, 20.6, -33.25

 

CMYK 0 / 14 / 33 / 70

HEX #4C4133

RGB 76 65 51

HSL 33.6, 0.2%, 0.25%

LAB 28.26, 2.23, 10.3

 

CMYK 0 / 5 / 33 / 70

HEX #4C4833

RGB 76 72 51

HSL 50.4, 0.2%, 0.25%

LAB 30.42, -2.18, 13.23

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 13 / 0 / 33 / 70

HEX #424C33

RGB 66 76 51

HSL 84, 0.2%, 0.25%

LAB 30.8, -9.16, 13.58

 

CMYK 22 / 0 / 33 / 70

HEX #3B4C33

RGB 59 76 51

HSL 100.8, 0.2%, 0.25%

LAB 30.25, -12.18, 12.75

 

CMYK 4 / 0 / 35 / 90

HEX #191A11

RGB 25 26 17

HSL 66.67, 0.21%, 0.08%

LAB 8.87, -2.56, 5.65

 

CMYK 4 / 0 / 33 / 80

HEX #313322

RGB 49 51 34

HSL 67.06, 0.2%, 0.17%

LAB 20.58, -4.38, 10.53

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 4 / 0 / 34 / 60

HEX #616543

RGB 97 101 67

HSL 67.06, 0.2%, 0.33%

LAB 41.62, -7.7, 18.78

 

CMYK 5 / 0 / 33 / 51

HEX #787E54

RGB 120 126 84

HSL 68.57, 0.2%, 0.41%

LAB 51.33, -9.57, 22.17

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 33 / 0 / 22 / 70

HEX #334C3B

RGB 51 76 59

HSL 139.2, 0.2%, 0.25%

LAB 29.88, -13.74, 7.1

 

CMYK 9 / 33 / 0 / 70

HEX #45334C

RGB 69 51 76

HSL 283.2, 0.2%, 0.25%

LAB 24.18, 13.45, -12.27

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 33 / 4 / 0 / 70

HEX #33494C

RGB 51 73 76

HSL 187.2, 0.2%, 0.25%

LAB 29.39, -7.64, -4.55

 

CMYK 0 / 33 / 4 / 70

HEX #4C3349

RGB 76 51 73

HSL 307.2, 0.2%, 0.25%

LAB 24.91, 15.5, -9.08

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 33 / 0 / 22 / 70

HEX #334C3B

RGB 51 76 59

HSL 139.2, 0.2%, 0.25%

LAB 29.88, -13.74, 7.1

 

CMYK 30 / 33 / 0 / 70

HEX #35334C

RGB 53 51 76

HSL 244.8, 0.2%, 0.25%

LAB 22.47, 7.48, -15.05

 

CMYK 0 / 33 / 11 / 70

HEX #4C3344

RGB 76 51 68

HSL 319.2, 0.2%, 0.25%

LAB 24.71, 14.44, -6.04

 

CMYK 4 / 0 / 33 / 70

HEX #494C33

RGB 73 76 51

HSL 67.2, 0.2%, 0.25%

LAB 31.4, -6.02, 14.5

 

CMYK 33 / 0 / 13 / 70

HEX #334C42

RGB 51 76 66

HSL 156, 0.2%, 0.25%

LAB 30.07, -12.09, 2.89

 

CMYK 30 / 33 / 0 / 70

HEX #35334C

RGB 53 51 76

HSL 244.8, 0.2%, 0.25%

LAB 22.47, 7.48, -15.05

 

CMYK 0 / 33 / 21 / 70

HEX #4C333C

RGB 76 51 60

HSL 338.4, 0.2%, 0.25%

LAB 24.42, 12.88, -1.11

 

Description

Color code: HEX #494C33 | qconv.com Color code: HEX #494C33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 76 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 76 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 33 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 33% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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