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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #495482 it is the complementary color #B6AB7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #495482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #495482 shade: #4E547D, #5F6690, #7078A3, #818AB6 and #929CC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #495482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #495482 shade: #495482, #38426F, #27305C, #161E49 and #050C36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #495482 shade: #495482, #4D4982, #5D4982, #6C4982 and #7C4982

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #495482 shade: #495482 and #494982

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #495482 shade matches the following richer shades: #495482, #384A93, #2840A3, #1736B4 and #072BC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #495482 shade: #495482, #595E72, #6A6861, #7A7251 and #8B7C40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #495482 shade: #497382, #496482, #495482, #4D4982 and #5C4982

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #495482 shade: #2B324D, #3A4368, #495482, #58659C and #6F7CAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #495482 shade: #495482, #824982 and #6B8249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #495482 shade: #495482, #824954 and #548249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #495482 shade: #495482, #824982, #827749 and #498249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #495482 shade: #495482, #824971, #827749 and #49825A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

Complementary color

CMYK 0 / 6 / 31 / 29

HEX #B6AB7D

RGB 182 171 125

HSL 48.42, 0.28%, 0.6%

LAB 69.86, -3.19, 25.16

 

CMYK 38 / 33 / 0 / 51

HEX #4E547D

RGB 78 84 125

HSL 232.34, 0.23%, 0.4%

LAB 36.82, 8.48, -23.93

 

CMYK 34 / 29 / 0 / 44

HEX #5F6690

RGB 95 102 144

HSL 231.43, 0.21%, 0.47%

LAB 44.16, 7.88, -23.93

 

CMYK 31 / 26 / 0 / 36

HEX #7078A3

RGB 112 120 163

HSL 230.59, 0.22%, 0.54%

LAB 51.29, 7.39, -24

 

CMYK 29 / 24 / 0 / 29

HEX #818AB6

RGB 129 138 182

HSL 229.81, 0.27%, 0.61%

LAB 58.25, 6.96, -24.11

 

CMYK 27 / 22 / 0 / 21

HEX #929CC9

RGB 146 156 201

HSL 229.09, 0.34%, 0.68%

LAB 65.05, 6.59, -24.27

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 50 / 41 / 0 / 56

HEX #38426F

RGB 56 66 111

HSL 229.09, 0.33%, 0.33%

LAB 29.12, 9.44, -27.38

 

CMYK 58 / 48 / 0 / 64

HEX #27305C

RGB 39 48 92

HSL 229.81, 0.4%, 0.26%

LAB 21.27, 10.68, -27.63

 

CMYK 70 / 59 / 0 / 71

HEX #161E49

RGB 22 30 73

HSL 230.59, 0.54%, 0.19%

LAB 13.11, 12.52, -27.99

 

CMYK 91 / 78 / 0 / 79

HEX #050C36

RGB 5 12 54

HSL 231.43, 0.83%, 0.12%

LAB 5.07, 13.36, -27.58

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 41 / 44 / 0 / 49

HEX #4D4982

RGB 77 73 130

HSL 244.21, 0.28%, 0.4%

LAB 33.89, 16.78, -31.62

 

CMYK 28 / 44 / 0 / 49

HEX #5D4982

RGB 93 73 130

HSL 261.05, 0.28%, 0.4%

LAB 35.41, 21.53, -29.12

 

CMYK 17 / 44 / 0 / 49

HEX #6C4982

RGB 108 73 130

HSL 276.84, 0.28%, 0.4%

LAB 37.05, 26.26, -26.43

 

CMYK 5 / 44 / 0 / 49

HEX #7C4982

RGB 124 73 130

HSL 293.68, 0.28%, 0.4%

LAB 39.01, 31.44, -23.23

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 44 / 44 / 0 / 49

HEX #494982

RGB 73 73 130

HSL 240, 0.28%, 0.4%

LAB 33.55, 15.66, -32.18

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 62 / 50 / 0 / 42

HEX #384A93

RGB 56 74 147

HSL 228.13, 0.45%, 0.4%

LAB 33.66, 16.74, -42.51

 

CMYK 75 / 61 / 0 / 36

HEX #2840A3

RGB 40 64 163

HSL 228.29, 0.61%, 0.4%

LAB 31.26, 26.86, -56.13

 

CMYK 87 / 70 / 0 / 29

HEX #1736B4

RGB 23 54 180

HSL 228.15, 0.77%, 0.4%

LAB 29.7, 38.34, -68.88

 

CMYK 96 / 78 / 0 / 23

HEX #072BC4

RGB 7 43 196

HSL 228.57, 0.93%, 0.4%

LAB 28.79, 49.95, -79.86

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 22 / 18 / 0 / 55

HEX #595E72

RGB 89 94 114

HSL 228, 0.12%, 0.4%

LAB 40.15, 2.79, -11.97

 

CMYK 0 / 2 / 8 / 58

HEX #6A6861

RGB 106 104 97

HSL 46.67, 0.04%, 0.4%

LAB 43.99, -0.6, 4.21

 

CMYK 0 / 7 / 34 / 52

HEX #7A7251

RGB 122 114 81

HSL 48.29, 0.2%, 0.4%

LAB 47.96, -2.37, 19.44

 

CMYK 0 / 11 / 54 / 45

HEX #8B7C40

RGB 139 124 64

HSL 48, 0.37%, 0.4%

LAB 52.15, -2.51, 34.52

 

CMYK 44 / 12 / 0 / 49

HEX #497382

RGB 73 115 130

HSL 195.79, 0.28%, 0.4%

LAB 46.03, -10.36, -12.84

 

CMYK 44 / 23 / 0 / 49

HEX #496482

RGB 73 100 130

HSL 211.58, 0.28%, 0.4%

LAB 41.44, -1.49, -19.84

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 41 / 44 / 0 / 49

HEX #4D4982

RGB 77 73 130

HSL 244.21, 0.28%, 0.4%

LAB 33.89, 16.78, -31.62

 

CMYK 29 / 44 / 0 / 49

HEX #5C4982

RGB 92 73 130

HSL 260, 0.28%, 0.4%

LAB 35.31, 21.22, -29.29

 

CMYK 44 / 35 / 0 / 70

HEX #2B324D

RGB 43 50 77

HSL 227.65, 0.28%, 0.24%

LAB 21.32, 5.1, -17.57

 

CMYK 44 / 36 / 0 / 59

HEX #3A4368

RGB 58 67 104

HSL 228.26, 0.28%, 0.32%

LAB 29.19, 7.03, -22.81

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 44 / 35 / 0 / 39

HEX #58659C

RGB 88 101 156

HSL 228.53, 0.28%, 0.48%

LAB 43.92, 9.99, -31.49

 

CMYK 36 / 29 / 0 / 32

HEX #6F7CAE

RGB 111 124 174

HSL 227.62, 0.28%, 0.56%

LAB 52.79, 7.7, -28.07

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 0 / 44 / 0 / 49

HEX #824982

RGB 130 73 130

HSL 300, 0.28%, 0.4%

LAB 39.79, 33.4, -21.96

 

CMYK 18 / 0 / 44 / 49

HEX #6B8249

RGB 107 130 73

HSL 84.21, 0.28%, 0.4%

LAB 51.35, -18.62, 28.11

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 0 / 44 / 35 / 49

HEX #824954

RGB 130 73 84

HSL 348.42, 0.28%, 0.4%

LAB 38.11, 25.61, 4.12

 

CMYK 35 / 0 / 44 / 49

HEX #548249

RGB 84 130 73

HSL 108.42, 0.28%, 0.4%

LAB 49.9, -27.47, 25.96

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 0 / 44 / 0 / 49

HEX #824982

RGB 130 73 130

HSL 300, 0.28%, 0.4%

LAB 39.79, 33.4, -21.96

 

CMYK 0 / 8 / 44 / 49

HEX #827749

RGB 130 119 73

HSL 48.42, 0.28%, 0.4%

LAB 50, -2.75, 26.8

 

CMYK 44 / 0 / 44 / 49

HEX #498249

RGB 73 130 73

HSL 120, 0.28%, 0.4%

LAB 49.33, -31.23, 25.12

 

CMYK 44 / 35 / 0 / 49

HEX #495482

RGB 73 84 130

HSL 228.42, 0.28%, 0.4%

LAB 36.68, 8.54, -27.24

 

CMYK 0 / 44 / 13 / 49

HEX #824971

RGB 130 73 113

HSL 317.89, 0.28%, 0.4%

LAB 39.08, 30.19, -12.57

 

CMYK 0 / 8 / 44 / 49

HEX #827749

RGB 130 119 73

HSL 48.42, 0.28%, 0.4%

LAB 50, -2.75, 26.8

 

CMYK 44 / 0 / 31 / 49

HEX #49825A

RGB 73 130 90

HSL 137.89, 0.28%, 0.4%

LAB 49.64, -28.15, 15.95

 

Description

Color code: HEX #495482 | qconv.com Color code: HEX #495482 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 84 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 84 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 35 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 35% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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