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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #495751 it is the complementary color #B6A8AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #495751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #495751 shade: #4E574C, #5F695F, #707B72, #818D85 and #929F98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #495751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #495751 shade: #495751, #38453E, #27332B, #162118 and #050F05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #495751 shade: #475650, #47564C, #475648, #4B5647 and #4F5647

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #495751 shade: #475650, #475653, #475456, #475056 and #474C56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #495751 shade matches the following richer shades: #475650, #3B6251, #2E6F53, #217C55 and #148957

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #495751 shade: #475650, #54494E, #613C4C, #6E2F4A and #7B2348

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #495751 shade: #475648, #47564C, #47564F, #475653 and #475456

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #495751 shade: #222926, #353F3B, #475650, #5A6C64 and #6D8379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #495751 shade: #495751, #474B56 and #564A47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #495751 shade: #495751, #4F4756 and #564F47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #495751 shade: #495751, #474B56, #56474E and #565247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #495751 shade: #495751, #484756, #56474E and #555647

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 7 / 66

HEX #495751

RGB 73 87 81

HSL 154.29, 0.09%, 0.31%

LAB 35.65, -6.83, 1.65

 

Complementary color

CMYK 0 / 8 / 4 / 29

HEX #B6A8AE

RGB 182 168 174

HSL 334.29, 0.09%, 0.69%

LAB 70.18, 6.12, -1.27

 

CMYK 10 / 0 / 13 / 66

HEX #4E574C

RGB 78 87 76

HSL 109.09, 0.07%, 0.32%

LAB 35.9, -5.93, 5.19

 

CMYK 10 / 0 / 10 / 59

HEX #5F695F

RGB 95 105 95

HSL 120, 0.05%, 0.39%

LAB 43.3, -5.93, 4.32

 

CMYK 9 / 0 / 7 / 52

HEX #707B72

RGB 112 123 114

HSL 130.91, 0.05%, 0.46%

LAB 50.48, -5.95, 3.52

 

CMYK 9 / 0 / 6 / 45

HEX #818D85

RGB 129 141 133

HSL 140, 0.05%, 0.53%

LAB 57.47, -5.97, 2.77

 

CMYK 8 / 0 / 4 / 38

HEX #929F98

RGB 146 159 152

HSL 147.69, 0.06%, 0.6%

LAB 64.3, -6, 2.06

 

CMYK 16 / 0 / 7 / 66

HEX #495751

RGB 73 87 81

HSL 154.29, 0.09%, 0.31%

LAB 35.65, -6.83, 1.65

 

CMYK 19 / 0 / 10 / 73

HEX #38453E

RGB 56 69 62

HSL 147.69, 0.1%, 0.25%

LAB 27.97, -6.92, 2.48

 

CMYK 24 / 0 / 16 / 80

HEX #27332B

RGB 39 51 43

HSL 140, 0.13%, 0.18%

LAB 19.94, -7.07, 3.42

 

CMYK 33 / 0 / 27 / 87

HEX #162118

RGB 22 33 24

HSL 130.91, 0.2%, 0.11%

LAB 11.44, -7.3, 4.55

 

CMYK 67 / 0 / 67 / 94

HEX #050F05

RGB 5 15 5

HSL 120, 0.5%, 0.04%

LAB 3.48, -4.3, 3.07

 

CMYK 17 / 0 / 7 / 66

HEX #475650

RGB 71 86 80

HSL 156, 0.1%, 0.31%

LAB 35.15, -7.23, 1.54

 

CMYK 17 / 0 / 12 / 66

HEX #47564C

RGB 71 86 76

HSL 140, 0.1%, 0.31%

LAB 35.04, -8.13, 3.88

 

CMYK 17 / 0 / 16 / 66

HEX #475648

RGB 71 86 72

HSL 124, 0.1%, 0.31%

LAB 34.93, -8.99, 6.23

 

CMYK 13 / 0 / 17 / 66

HEX #4B5647

RGB 75 86 71

HSL 104, 0.1%, 0.31%

LAB 35.22, -7.57, 7.3

 

CMYK 8 / 0 / 17 / 66

HEX #4F5647

RGB 79 86 71

HSL 88, 0.1%, 0.31%

LAB 35.54, -5.92, 7.81

 

CMYK 17 / 0 / 7 / 66

HEX #475650

RGB 71 86 80

HSL 156, 0.1%, 0.31%

LAB 35.15, -7.23, 1.54

 

CMYK 17 / 0 / 3 / 66

HEX #475653

RGB 71 86 83

HSL 168, 0.1%, 0.31%

LAB 35.24, -6.53, -0.21

 

CMYK 17 / 2 / 0 / 66

HEX #475456

RGB 71 84 86

HSL 188, 0.1%, 0.31%

LAB 34.71, -4.59, -2.88

 

CMYK 17 / 7 / 0 / 66

HEX #475056

RGB 71 80 86

HSL 204, 0.1%, 0.31%

LAB 33.45, -2.13, -4.74

 

CMYK 17 / 12 / 0 / 66

HEX #474C56

RGB 71 76 86

HSL 220, 0.1%, 0.31%

LAB 32.21, 0.38, -6.59

 

CMYK 17 / 0 / 7 / 66

HEX #475650

RGB 71 86 80

HSL 156, 0.1%, 0.31%

LAB 35.15, -7.23, 1.54

 

CMYK 40 / 0 / 17 / 62

HEX #3B6251

RGB 59 98 81

HSL 153.85, 0.25%, 0.31%

LAB 38.3, -18.13, 5.36

 

CMYK 59 / 0 / 25 / 56

HEX #2E6F53

RGB 46 111 83

HSL 154.15, 0.41%, 0.31%

LAB 42.11, -28.02, 9.46

 

CMYK 73 / 0 / 31 / 51

HEX #217C55

RGB 33 124 85

HSL 154.29, 0.58%, 0.31%

LAB 46.17, -36.14, 13.85

 

CMYK 85 / 0 / 36 / 46

HEX #148957

RGB 20 137 87

HSL 154.36, 0.75%, 0.31%

LAB 50.37, -42.74, 18.39

 

CMYK 17 / 0 / 7 / 66

HEX #475650

RGB 71 86 80

HSL 156, 0.1%, 0.31%

LAB 35.15, -7.23, 1.54

 

CMYK 0 / 13 / 7 / 67

HEX #54494E

RGB 84 73 78

HSL 332.73, 0.07%, 0.31%

LAB 32.26, 5.63, -1.28

 

CMYK 0 / 38 / 22 / 62

HEX #613C4C

RGB 97 60 76

HSL 334.05, 0.24%, 0.31%

LAB 30.14, 18.85, -2.93

 

CMYK 0 / 57 / 33 / 57

HEX #6E2F4A

RGB 110 47 74

HSL 334.29, 0.4%, 0.31%

LAB 29.01, 31.17, -3.08

 

CMYK 0 / 72 / 41 / 52

HEX #7B2348

RGB 123 35 72

HSL 334.77, 0.56%, 0.31%

LAB 29.11, 41.12, -1.35

 

CMYK 17 / 0 / 16 / 66

HEX #475648

RGB 71 86 72

HSL 124, 0.1%, 0.31%

LAB 34.93, -8.99, 6.23

 

CMYK 17 / 0 / 12 / 66

HEX #47564C

RGB 71 86 76

HSL 140, 0.1%, 0.31%

LAB 35.04, -8.13, 3.88

 

CMYK 17 / 0 / 8 / 66

HEX #47564F

RGB 71 86 79

HSL 152, 0.1%, 0.31%

LAB 35.12, -7.46, 2.12

 

CMYK 17 / 0 / 3 / 66

HEX #475653

RGB 71 86 83

HSL 168, 0.1%, 0.31%

LAB 35.24, -6.53, -0.21

 

CMYK 17 / 2 / 0 / 66

HEX #475456

RGB 71 84 86

HSL 188, 0.1%, 0.31%

LAB 34.71, -4.59, -2.88

 

CMYK 17 / 0 / 7 / 84

HEX #222926

RGB 34 41 38

HSL 154.29, 0.09%, 0.15%

LAB 15.83, -3.86, 0.93

 

CMYK 16 / 0 / 6 / 75

HEX #353F3B

RGB 53 63 59

HSL 156, 0.09%, 0.23%

LAB 25.65, -5.09, 1.06

 

CMYK 17 / 0 / 7 / 66

HEX #475650

RGB 71 86 80

HSL 156, 0.1%, 0.31%

LAB 35.15, -7.23, 1.54

 

CMYK 17 / 0 / 7 / 58

HEX #5A6C64

RGB 90 108 100

HSL 153.33, 0.09%, 0.39%

LAB 43.97, -8.51, 2.22

 

CMYK 17 / 0 / 8 / 49

HEX #6D8379

RGB 109 131 121

HSL 152.73, 0.09%, 0.47%

LAB 52.8, -10.09, 2.75

 

CMYK 16 / 0 / 7 / 66

HEX #495751

RGB 73 87 81

HSL 154.29, 0.09%, 0.31%

LAB 35.65, -6.83, 1.65

 

CMYK 17 / 13 / 0 / 66

HEX #474B56

RGB 71 75 86

HSL 224, 0.1%, 0.31%

LAB 31.91, 1.02, -7.05

 

CMYK 0 / 14 / 17 / 66

HEX #564A47

RGB 86 74 71

HSL 12, 0.1%, 0.31%

LAB 32.55, 4.47, 3.64

 

CMYK 16 / 0 / 7 / 66

HEX #495751

RGB 73 87 81

HSL 154.29, 0.09%, 0.31%

LAB 35.65, -6.83, 1.65

 

CMYK 8 / 17 / 0 / 66

HEX #4F4756

RGB 79 71 86

HSL 272, 0.1%, 0.31%

LAB 31.44, 6.65, -7.67

 

CMYK 0 / 8 / 17 / 66

HEX #564F47

RGB 86 79 71

HSL 32, 0.1%, 0.31%

LAB 34.04, 1.34, 5.77

 

CMYK 16 / 0 / 7 / 66

HEX #495751

RGB 73 87 81

HSL 154.29, 0.09%, 0.31%

LAB 35.65, -6.83, 1.65

 

CMYK 17 / 13 / 0 / 66

HEX #474B56

RGB 71 75 86

HSL 224, 0.1%, 0.31%

LAB 31.91, 1.02, -7.05

 

CMYK 0 / 17 / 9 / 66

HEX #56474E

RGB 86 71 78

HSL 332, 0.1%, 0.31%

LAB 31.89, 7.73, -1.8

 

CMYK 0 / 5 / 17 / 66

HEX #565247

RGB 86 82 71

HSL 44, 0.1%, 0.31%

LAB 34.94, -0.51, 7.05

 

CMYK 16 / 0 / 7 / 66

HEX #495751

RGB 73 87 81

HSL 154.29, 0.09%, 0.31%

LAB 35.65, -6.83, 1.65

 

CMYK 16 / 17 / 0 / 66

HEX #484756

RGB 72 71 86

HSL 244, 0.1%, 0.31%

LAB 30.77, 3.96, -8.74

 

CMYK 0 / 17 / 9 / 66

HEX #56474E

RGB 86 71 78

HSL 332, 0.1%, 0.31%

LAB 31.89, 7.73, -1.8

 

CMYK 1 / 0 / 17 / 66

HEX #555647

RGB 85 86 71

HSL 64, 0.1%, 0.31%

LAB 36.06, -3.38, 8.62

 

Description

Color code: HEX #495751 | qconv.com Color code: HEX #495751 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 87 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 87 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 7 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 7% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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