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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #495172 it is the complementary color #B6AE8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #495172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #495172 shade: #4E516D, #5F6380, #707593, #8187A6 and #9299B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #495172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #495172 shade: #495172, #383F5F, #272D4C, #161B39 and #050926

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #495172 shade: #495173, #4C4973, #574973, #634973 and #6E4973

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #495172 shade: #495173 and #494973

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #495172 shade matches the following richer shades: #495173, #3A4882, #2B3F91, #1B35A0 and #0C2CB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #495172 shade: #495173, #585B63, #686454, #776D45 and #867636

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #495172 shade: #496873, #495C73, #495173, #4C4973 and #574973

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #495172 shade: #292D40, #393F59, #495173, #59638C and #6D77A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #495172 shade: #495172, #734973 and #627349

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #495172 shade: #495172, #734951 and #517349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #495172 shade: #495172, #734973, #736A49 and #497349

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #495172 shade: #495172, #734966, #736A49 and #497356

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 29 / 0 / 55

HEX #495172

RGB 73 81 114

HSL 228.29, 0.22%, 0.37%

LAB 35.04, 5.59, -19.92

 

Complementary color

CMYK 0 / 4 / 23 / 29

HEX #B6AE8D

RGB 182 174 141

HSL 48.29, 0.22%, 0.63%

LAB 70.97, -2.57, 18

 

CMYK 28 / 26 / 0 / 57

HEX #4E516D

RGB 78 81 109

HSL 234.19, 0.17%, 0.37%

LAB 35.22, 5.8, -16.48

 

CMYK 26 / 23 / 0 / 50

HEX #5F6380

RGB 95 99 128

HSL 232.73, 0.15%, 0.44%

LAB 42.64, 5.39, -16.66

 

CMYK 24 / 20 / 0 / 42

HEX #707593

RGB 112 117 147

HSL 231.43, 0.14%, 0.51%

LAB 49.83, 5.03, -16.89

 

CMYK 22 / 19 / 0 / 35

HEX #8187A6

RGB 129 135 166

HSL 230.27, 0.17%, 0.58%

LAB 56.83, 4.72, -17.14

 

CMYK 21 / 17 / 0 / 27

HEX #9299B9

RGB 146 153 185

HSL 229.23, 0.22%, 0.65%

LAB 63.67, 4.44, -17.42

 

CMYK 36 / 29 / 0 / 55

HEX #495172

RGB 73 81 114

HSL 228.29, 0.22%, 0.37%

LAB 35.04, 5.59, -19.92

 

CMYK 41 / 34 / 0 / 63

HEX #383F5F

RGB 56 63 95

HSL 229.23, 0.26%, 0.3%

LAB 27.36, 6.2, -19.91

 

CMYK 49 / 41 / 0 / 70

HEX #272D4C

RGB 39 45 76

HSL 230.27, 0.32%, 0.23%

LAB 19.35, 7.03, -20.01

 

CMYK 61 / 53 / 0 / 78

HEX #161B39

RGB 22 27 57

HSL 231.43, 0.44%, 0.15%

LAB 10.92, 8.29, -20.27

 

CMYK 87 / 76 / 0 / 85

HEX #050926

RGB 5 9 38

HSL 232.73, 0.77%, 0.08%

LAB 3.32, 6.59, -18.36

 

CMYK 37 / 30 / 0 / 55

HEX #495173

RGB 73 81 115

HSL 228.57, 0.22%, 0.37%

LAB 35.08, 5.89, -20.47

 

CMYK 34 / 37 / 0 / 55

HEX #4C4973

RGB 76 73 115

HSL 244.29, 0.22%, 0.37%

LAB 33, 12, -23.69

 

CMYK 24 / 37 / 0 / 55

HEX #574973

RGB 87 73 115

HSL 260, 0.22%, 0.37%

LAB 34.04, 15.58, -21.99

 

CMYK 14 / 37 / 0 / 55

HEX #634973

RGB 99 73 115

HSL 277.14, 0.22%, 0.37%

LAB 35.31, 19.67, -19.92

 

CMYK 4 / 37 / 0 / 55

HEX #6E4973

RGB 110 73 115

HSL 292.86, 0.22%, 0.37%

LAB 36.59, 23.51, -17.84

 

CMYK 37 / 30 / 0 / 55

HEX #495173

RGB 73 81 115

HSL 228.57, 0.22%, 0.37%

LAB 35.08, 5.89, -20.47

 

CMYK 37 / 37 / 0 / 55

HEX #494973

RGB 73 73 115

HSL 240, 0.22%, 0.37%

LAB 32.74, 11.06, -24.11

 

CMYK 37 / 30 / 0 / 55

HEX #495173

RGB 73 81 115

HSL 228.57, 0.22%, 0.37%

LAB 35.08, 5.89, -20.47

 

CMYK 55 / 45 / 0 / 49

HEX #3A4882

RGB 58 72 130

HSL 228.33, 0.38%, 0.37%

LAB 32.14, 12.47, -34.49

 

CMYK 70 / 57 / 0 / 43

HEX #2B3F91

RGB 43 63 145

HSL 228.24, 0.54%, 0.37%

LAB 29.7, 21.1, -47.72

 

CMYK 83 / 67 / 0 / 37

HEX #1B35A0

RGB 27 53 160

HSL 228.27, 0.71%, 0.37%

LAB 27.62, 31.74, -60.29

 

CMYK 93 / 75 / 0 / 31

HEX #0C2CB0

RGB 12 44 176

HSL 228.29, 0.87%, 0.37%

LAB 26.77, 42.58, -71.34

 

CMYK 37 / 30 / 0 / 55

HEX #495173

RGB 73 81 115

HSL 228.57, 0.22%, 0.37%

LAB 35.08, 5.89, -20.47

 

CMYK 11 / 8 / 0 / 61

HEX #585B63

RGB 88 91 99

HSL 223.64, 0.06%, 0.37%

LAB 38.65, 0.61, -4.99

 

CMYK 0 / 4 / 19 / 59

HEX #686454

RGB 104 100 84

HSL 48, 0.11%, 0.37%

LAB 42.3, -1.41, 9.65

 

CMYK 0 / 8 / 42 / 53

HEX #776D45

RGB 119 109 69

HSL 48, 0.27%, 0.37%

LAB 46.03, -2.36, 23.75

 

CMYK 0 / 12 / 60 / 47

HEX #867636

RGB 134 118 54

HSL 48, 0.43%, 0.37%

LAB 49.85, -2.25, 36.89

 

CMYK 37 / 10 / 0 / 55

HEX #496873

RGB 73 104 115

HSL 195.71, 0.22%, 0.37%

LAB 42.08, -8.25, -9.77

 

CMYK 37 / 20 / 0 / 55

HEX #495C73

RGB 73 92 115

HSL 212.86, 0.22%, 0.37%

LAB 38.39, -1.03, -15.38

 

CMYK 37 / 30 / 0 / 55

HEX #495173

RGB 73 81 115

HSL 228.57, 0.22%, 0.37%

LAB 35.08, 5.89, -20.47

 

CMYK 34 / 37 / 0 / 55

HEX #4C4973

RGB 76 73 115

HSL 244.29, 0.22%, 0.37%

LAB 33, 12, -23.69

 

CMYK 24 / 37 / 0 / 55

HEX #574973

RGB 87 73 115

HSL 260, 0.22%, 0.37%

LAB 34.04, 15.58, -21.99

 

CMYK 36 / 30 / 0 / 75

HEX #292D40

RGB 41 45 64

HSL 229.57, 0.22%, 0.21%

LAB 18.88, 3.68, -12.56

 

CMYK 36 / 29 / 0 / 65

HEX #393F59

RGB 57 63 89

HSL 228.75, 0.22%, 0.29%

LAB 27.15, 4.66, -16.34

 

CMYK 37 / 30 / 0 / 55

HEX #495173

RGB 73 81 115

HSL 228.57, 0.22%, 0.37%

LAB 35.08, 5.89, -20.47

 

CMYK 36 / 29 / 0 / 45

HEX #59638C

RGB 89 99 140

HSL 228.24, 0.22%, 0.45%

LAB 42.67, 6.78, -23.88

 

CMYK 32 / 26 / 0 / 37

HEX #6D77A1

RGB 109 119 161

HSL 228.46, 0.22%, 0.53%

LAB 50.71, 6.53, -23.75

 

CMYK 36 / 29 / 0 / 55

HEX #495172

RGB 73 81 114

HSL 228.29, 0.22%, 0.37%

LAB 35.04, 5.59, -19.92

 

CMYK 0 / 37 / 0 / 55

HEX #734973

RGB 115 73 115

HSL 300, 0.22%, 0.37%

LAB 37.2, 25.27, -16.85

 

CMYK 15 / 0 / 37 / 55

HEX #627349

RGB 98 115 73

HSL 84.29, 0.22%, 0.37%

LAB 46.1, -14.27, 21.21

 

CMYK 36 / 29 / 0 / 55

HEX #495172

RGB 73 81 114

HSL 228.29, 0.22%, 0.37%

LAB 35.04, 5.59, -19.92

 

CMYK 0 / 37 / 30 / 55

HEX #734951

RGB 115 73 81

HSL 348.57, 0.22%, 0.37%

LAB 35.99, 19.1, 2.69

 

CMYK 30 / 0 / 37 / 55

HEX #517349

RGB 81 115 73

HSL 108.57, 0.22%, 0.37%

LAB 44.93, -21, 19.46

 

CMYK 36 / 29 / 0 / 55

HEX #495172

RGB 73 81 114

HSL 228.29, 0.22%, 0.37%

LAB 35.04, 5.59, -19.92

 

CMYK 0 / 37 / 0 / 55

HEX #734973

RGB 115 73 115

HSL 300, 0.22%, 0.37%

LAB 37.2, 25.27, -16.85

 

CMYK 0 / 8 / 37 / 55

HEX #736A49

RGB 115 106 73

HSL 47.14, 0.22%, 0.37%

LAB 44.85, -1.88, 19.83

 

CMYK 37 / 0 / 37 / 55

HEX #497349

RGB 73 115 73

HSL 120, 0.22%, 0.37%

LAB 44.46, -23.93, 18.75

 

CMYK 36 / 29 / 0 / 55

HEX #495172

RGB 73 81 114

HSL 228.29, 0.22%, 0.37%

LAB 35.04, 5.59, -19.92

 

CMYK 0 / 37 / 11 / 55

HEX #734966

RGB 115 73 102

HSL 318.57, 0.22%, 0.37%

LAB 36.69, 22.7, -9.51

 

CMYK 0 / 8 / 37 / 55

HEX #736A49

RGB 115 106 73

HSL 47.14, 0.22%, 0.37%

LAB 44.85, -1.88, 19.83

 

CMYK 37 / 0 / 25 / 55

HEX #497356

RGB 73 115 86

HSL 138.57, 0.22%, 0.37%

LAB 44.73, -21.41, 11.51

 

Description

Color code: HEX #495172 | qconv.com Color code: HEX #495172 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 81 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 81 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 29 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 29% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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