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Color name
HEX #4952A0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4952A0 it is the complementary color #B6AD5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4952A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4952A0 shade: #4E529B, #5F64AE, #7076C1, #8188D4 and #929AE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4952A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4952A0 shade: #4952A0, #38408D, #272E7A, #161C67 and #050A54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4952A0 shade: #4952A0, #5849A0, #6F49A0, #8749A0 and #9E49A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4952A0 shade: #4952A0 and #4949A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4952A0 shade matches the following richer shades: #4952A0, #3643B3, #2334C6 and #1025D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4952A0 shade: #4952A0, #5C618D, #6F707A, #828067 and #958F54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4952A0 shade: #4982A0, #496BA0, #4954A0, #5649A0 and #6E49A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4952A0 shade: #2F3568, #3C4484, #4952A0, #5E67B5 and #7A82C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4952A0 shade: #4952A0, #A04999 and #76A049

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4952A0 shade: #4952A0, #A04954 and #54A049

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4952A0 shade: #4952A0, #A04999, #A09649 and #49A051

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4952A0 shade: #4952A0, #A0497F, #A09649 and #49A06B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

Complementary color

CMYK 0 / 5 / 48 / 29

HEX #B6AD5F

RGB 182 173 95

HSL 53.79, 0.37%, 0.54%

LAB 69.94, -7.65, 40.98

 

CMYK 50 / 47 / 0 / 39

HEX #4E529B

RGB 78 82 155

HSL 236.88, 0.33%, 0.46%

LAB 37.88, 19.12, -40.5

 

CMYK 45 / 43 / 0 / 32

HEX #5F64AE

RGB 95 100 174

HSL 236.2, 0.33%, 0.53%

LAB 45.09, 17.95, -40.23

 

CMYK 42 / 39 / 0 / 24

HEX #7076C1

RGB 112 118 193

HSL 235.56, 0.4%, 0.6%

LAB 52.12, 16.99, -40.04

 

CMYK 39 / 36 / 0 / 17

HEX #8188D4

RGB 129 136 212

HSL 234.94, 0.49%, 0.67%

LAB 59, 16.17, -39.9

 

CMYK 37 / 33 / 0 / 9

HEX #929AE7

RGB 146 154 231

HSL 234.35, 0.64%, 0.74%

LAB 65.74, 15.47, -39.81

 

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

CMYK 60 / 55 / 0 / 45

HEX #38408D

RGB 56 64 141

HSL 234.35, 0.43%, 0.39%

LAB 30.47, 21.26, -43.96

 

CMYK 68 / 62 / 0 / 52

HEX #272E7A

RGB 39 46 122

HSL 234.94, 0.52%, 0.32%

LAB 22.97, 23.38, -44.31

 

CMYK 79 / 73 / 0 / 60

HEX #161C67

RGB 22 28 103

HSL 235.56, 0.65%, 0.25%

LAB 15.38, 26.08, -44.49

 

CMYK 94 / 88 / 0 / 67

HEX #050A54

RGB 5 10 84

HSL 236.2, 0.89%, 0.17%

LAB 8.03, 28.97, -43.92

 

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

CMYK 45 / 54 / 0 / 37

HEX #5849A0

RGB 88 73 160

HSL 250.34, 0.37%, 0.46%

LAB 36.7, 28.8, -45.35

 

CMYK 31 / 54 / 0 / 37

HEX #6F49A0

RGB 111 73 160

HSL 266.21, 0.37%, 0.46%

LAB 39.04, 34.65, -41.47

 

CMYK 16 / 54 / 0 / 37

HEX #8749A0

RGB 135 73 160

HSL 282.76, 0.37%, 0.46%

LAB 41.93, 41.21, -36.7

 

CMYK 1 / 54 / 0 / 37

HEX #9E49A0

RGB 158 73 160

HSL 298.62, 0.37%, 0.46%

LAB 45.04, 47.69, -31.58

 

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

CMYK 54 / 54 / 0 / 37

HEX #4949A0

RGB 73 73 160

HSL 240, 0.37%, 0.46%

LAB 35.44, 25.4, -47.44

 

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

CMYK 70 / 63 / 0 / 30

HEX #3643B3

RGB 54 67 179

HSL 233.76, 0.54%, 0.46%

LAB 34.09, 32.56, -61.03

 

CMYK 82 / 74 / 0 / 22

HEX #2334C6

RGB 35 52 198

HSL 233.74, 0.7%, 0.46%

LAB 31.56, 46.64, -76.43

 

CMYK 93 / 83 / 0 / 15

HEX #1025D9

RGB 16 37 217

HSL 233.73, 0.86%, 0.46%

LAB 30.5, 59.78, -89.24

 

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

CMYK 35 / 31 / 0 / 45

HEX #5C618D

RGB 92 97 141

HSL 233.88, 0.21%, 0.46%

LAB 42.38, 9.21, -24.91

 

CMYK 9 / 8 / 0 / 52

HEX #6F707A

RGB 111 112 122

HSL 234.55, 0.05%, 0.46%

LAB 47.46, 1.75, -5.65

 

CMYK 0 / 2 / 21 / 49

HEX #828067

RGB 130 128 103

HSL 55.56, 0.12%, 0.46%

LAB 53.13, -3.71, 13.88

 

CMYK 0 / 4 / 44 / 42

HEX #958F54

RGB 149 143 84

HSL 54.46, 0.28%, 0.46%

LAB 58.67, -6.64, 32.11

 

CMYK 54 / 19 / 0 / 37

HEX #4982A0

RGB 73 130 160

HSL 200.69, 0.37%, 0.46%

LAB 51.75, -9.88, -21.75

 

CMYK 54 / 33 / 0 / 37

HEX #496BA0

RGB 73 107 160

HSL 216.55, 0.37%, 0.46%

LAB 44.9, 3.75, -32.39

 

CMYK 54 / 48 / 0 / 37

HEX #4954A0

RGB 73 84 160

HSL 232.41, 0.37%, 0.46%

LAB 38.37, 18.31, -42.74

 

CMYK 46 / 54 / 0 / 37

HEX #5649A0

RGB 86 73 160

HSL 248.97, 0.37%, 0.46%

LAB 36.52, 28.33, -45.65

 

CMYK 31 / 54 / 0 / 37

HEX #6E49A0

RGB 110 73 160

HSL 265.52, 0.37%, 0.46%

LAB 38.93, 34.38, -41.65

 

CMYK 55 / 49 / 0 / 59

HEX #2F3568

RGB 47 53 104

HSL 233.68, 0.38%, 0.3%

LAB 24.16, 13.54, -30.82

 

CMYK 55 / 48 / 0 / 48

HEX #3C4484

RGB 60 68 132

HSL 233.33, 0.38%, 0.38%

LAB 31.26, 16.3, -37.13

 

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

CMYK 48 / 43 / 0 / 29

HEX #5E67B5

RGB 94 103 181

HSL 233.79, 0.37%, 0.54%

LAB 46.2, 18, -42.56

 

CMYK 37 / 33 / 0 / 24

HEX #7A82C2

RGB 122 130 194

HSL 233.33, 0.37%, 0.62%

LAB 56.09, 12.8, -34.33

 

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

CMYK 0 / 54 / 4 / 37

HEX #A04999

RGB 160 73 153

HSL 304.83, 0.37%, 0.46%

LAB 45, 46.98, -27.46

 

CMYK 26 / 0 / 54 / 37

HEX #76A049

RGB 118 160 73

HSL 88.97, 0.37%, 0.46%

LAB 61.2, -29.31, 40.31

 

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

CMYK 0 / 54 / 48 / 37

HEX #A04954

RGB 160 73 84

HSL 352.41, 0.37%, 0.46%

LAB 42.58, 37.16, 11.07

 

CMYK 48 / 0 / 54 / 37

HEX #54A049

RGB 84 160 73

HSL 112.41, 0.37%, 0.46%

LAB 59.44, -41.11, 37.79

 

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

CMYK 0 / 54 / 4 / 37

HEX #A04999

RGB 160 73 153

HSL 304.83, 0.37%, 0.46%

LAB 45, 46.98, -27.46

 

CMYK 0 / 6 / 54 / 37

HEX #A09649

RGB 160 150 73

HSL 53.1, 0.37%, 0.46%

LAB 61.45, -6.77, 41.4

 

CMYK 54 / 0 / 49 / 37

HEX #49A051

RGB 73 160 81

HSL 125.52, 0.37%, 0.46%

LAB 59.11, -43.15, 33.25

 

CMYK 54 / 49 / 0 / 37

HEX #4952A0

RGB 73 82 160

HSL 233.79, 0.37%, 0.46%

LAB 37.82, 19.6, -43.61

 

CMYK 0 / 54 / 21 / 37

HEX #A0497F

RGB 160 73 127

HSL 322.76, 0.37%, 0.46%

LAB 43.9, 42.67, -13.44

 

CMYK 0 / 6 / 54 / 37

HEX #A09649

RGB 160 150 73

HSL 53.1, 0.37%, 0.46%

LAB 61.45, -6.77, 41.4

 

CMYK 54 / 0 / 33 / 37

HEX #49A06B

RGB 73 160 107

HSL 143.45, 0.37%, 0.46%

LAB 59.54, -38.63, 19.89

 

Description

Color code: HEX #4952A0 | qconv.com Color code: HEX #4952A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 82 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 82 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 49 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 49% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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