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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #495A3E it is the complementary color #B6A5C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #495A3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #495A3E shade: #4E5A39, #5F6C4C, #707E5F, #819072 and #92A285

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #495A3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #495A3E shade: #495A3E, #38482B, #273618, #162405 and #051200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #495A3E shade: #495A3E, #505A3E, #585A3E, #5A543E and #5A4D3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #495A3E shade: #495A3E, #425A3E, #3E5A42, #3E5A4A and #3E5A51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #495A3E shade matches the following richer shades: #495A3E, #466632, #447325, #417F19 and #3E8B0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #495A3E shade: #495A3E, #4C4D4B, #4E4157, #513563 and #542870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #495A3E shade: #585A3E, #515A3E, #495A3E, #425A3E and #3E5A42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #495A3E shade: #21291C, #35412D, #495A3E, #5D724F and #718A60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #495A3E shade: #495A3E, #3E5A54 and #5A3E54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #495A3E shade: #495A3E, #3E495A and #5A3E49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #495A3E shade: #495A3E, #3E5A54, #4F3E5A and #5A3E44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #495A3E shade: #495A3E, #3E575A, #4F3E5A and #5A413E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

Complementary color

CMYK 6 / 15 / 0 / 24

HEX #B6A5C1

RGB 182 165 193

HSL 276.43, 0.18%, 0.7%

LAB 69.97, 11.4, -12.09

 

CMYK 13 / 0 / 37 / 65

HEX #4E5A39

RGB 78 90 57

HSL 81.82, 0.22%, 0.29%

LAB 36.42, -11.14, 17.56

 

CMYK 12 / 0 / 30 / 58

HEX #5F6C4C

RGB 95 108 76

HSL 84.38, 0.17%, 0.36%

LAB 43.77, -11.15, 16.33

 

CMYK 11 / 0 / 25 / 51

HEX #707E5F

RGB 112 126 95

HSL 87.1, 0.14%, 0.43%

LAB 50.91, -11.14, 15.2

 

CMYK 10 / 0 / 21 / 44

HEX #819072

RGB 129 144 114

HSL 90, 0.12%, 0.51%

LAB 57.87, -11.13, 14.17

 

CMYK 10 / 0 / 18 / 36

HEX #92A285

RGB 146 162 133

HSL 93.1, 0.13%, 0.58%

LAB 64.68, -11.12, 13.21

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 22 / 0 / 40 / 72

HEX #38482B

RGB 56 72 43

HSL 93.1, 0.25%, 0.23%

LAB 28.51, -12.54, 15.38

 

CMYK 28 / 0 / 56 / 79

HEX #273618

RGB 39 54 24

HSL 90, 0.38%, 0.15%

LAB 20.58, -12.61, 16.81

 

CMYK 39 / 0 / 86 / 86

HEX #162405

RGB 22 36 5

HSL 87.1, 0.76%, 0.08%

LAB 12.24, -12.57, 15.82

 

CMYK 72 / 0 / 100 / 93

HEX #051200

RGB 5 18 0

HSL 103.33, 1%, 0.04%

LAB 4.2, -6.68, 6.17

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 11 / 0 / 31 / 65

HEX #505A3E

RGB 80 90 62

HSL 81.43, 0.18%, 0.3%

LAB 36.68, -9.47, 14.92

 

CMYK 2 / 0 / 31 / 65

HEX #585A3E

RGB 88 90 62

HSL 64.29, 0.18%, 0.3%

LAB 37.36, -5.97, 15.96

 

CMYK 0 / 7 / 31 / 65

HEX #5A543E

RGB 90 84 62

HSL 47.14, 0.18%, 0.3%

LAB 35.72, -1.48, 13.77

 

CMYK 0 / 14 / 31 / 65

HEX #5A4D3E

RGB 90 77 62

HSL 32.14, 0.18%, 0.3%

LAB 33.62, 2.82, 10.91

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 27 / 0 / 31 / 65

HEX #425A3E

RGB 66 90 62

HSL 111.43, 0.18%, 0.3%

LAB 35.63, -15.27, 13.33

 

CMYK 31 / 0 / 27 / 65

HEX #3E5A42

RGB 62 90 66

HSL 128.57, 0.18%, 0.3%

LAB 35.46, -16.02, 10.6

 

CMYK 31 / 0 / 18 / 65

HEX #3E5A4A

RGB 62 90 74

HSL 145.71, 0.18%, 0.3%

LAB 35.66, -14.29, 5.93

 

CMYK 31 / 0 / 10 / 65

HEX #3E5A51

RGB 62 90 81

HSL 160.71, 0.18%, 0.3%

LAB 35.85, -12.64, 1.85

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 31 / 0 / 51 / 60

HEX #466632

RGB 70 102 50

HSL 96.92, 0.34%, 0.3%

LAB 39.64, -22.05, 25.61

 

CMYK 41 / 0 / 68 / 55

HEX #447325

RGB 68 115 37

HSL 96.15, 0.51%, 0.3%

LAB 43.69, -30.67, 36.91

 

CMYK 49 / 0 / 80 / 50

HEX #417F19

RGB 65 127 25

HSL 96.47, 0.67%, 0.3%

LAB 47.46, -37.93, 45.49

 

CMYK 55 / 0 / 91 / 45

HEX #3E8B0D

RGB 62 139 13

HSL 96.67, 0.83%, 0.3%

LAB 51.29, -44.24, 52.1

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 1 / 0 / 3 / 70

HEX #4C4D4B

RGB 76 77 75

HSL 90, 0.01%, 0.3%

LAB 32.6, -0.84, 1.04

 

CMYK 10 / 25 / 0 / 66

HEX #4E4157

RGB 78 65 87

HSL 275.45, 0.14%, 0.3%

LAB 29.63, 10.38, -11.06

 

CMYK 18 / 46 / 0 / 61

HEX #513563

RGB 81 53 99

HSL 276.52, 0.3%, 0.3%

LAB 27.29, 22.19, -22.42

 

CMYK 25 / 64 / 0 / 56

HEX #542870

RGB 84 40 112

HSL 276.67, 0.47%, 0.3%

LAB 25.48, 34.13, -33.64

 

CMYK 2 / 0 / 31 / 65

HEX #585A3E

RGB 88 90 62

HSL 64.29, 0.18%, 0.3%

LAB 37.36, -5.97, 15.96

 

CMYK 10 / 0 / 31 / 65

HEX #515A3E

RGB 81 90 62

HSL 79.29, 0.18%, 0.3%

LAB 36.76, -9.04, 15.05

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 27 / 0 / 31 / 65

HEX #425A3E

RGB 66 90 62

HSL 111.43, 0.18%, 0.3%

LAB 35.63, -15.27, 13.33

 

CMYK 31 / 0 / 27 / 65

HEX #3E5A42

RGB 62 90 66

HSL 128.57, 0.18%, 0.3%

LAB 35.46, -16.02, 10.6

 

CMYK 20 / 0 / 32 / 84

HEX #21291C

RGB 33 41 28

HSL 96.92, 0.19%, 0.14%

LAB 15.45, -6.63, 7.4

 

CMYK 18 / 0 / 31 / 75

HEX #35412D

RGB 53 65 45

HSL 96, 0.18%, 0.22%

LAB 25.94, -9.34, 10.64

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 18 / 0 / 31 / 55

HEX #5D724F

RGB 93 114 79

HSL 96, 0.18%, 0.38%

LAB 45.53, -14.8, 16.93

 

CMYK 18 / 0 / 30 / 46

HEX #718A60

RGB 113 138 96

HSL 95.71, 0.18%, 0.46%

LAB 54.59, -17.07, 19.65

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 31 / 0 / 7 / 65

HEX #3E5A54

RGB 62 90 84

HSL 167.14, 0.18%, 0.3%

LAB 35.94, -11.89, 0.11

 

CMYK 0 / 31 / 7 / 65

HEX #5A3E54

RGB 90 62 84

HSL 312.86, 0.18%, 0.3%

LAB 30.06, 16.31, -8.35

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 31 / 19 / 0 / 65

HEX #3E495A

RGB 62 73 90

HSL 216.43, 0.18%, 0.3%

LAB 30.71, 0.11, -11.49

 

CMYK 0 / 31 / 19 / 65

HEX #5A3E49

RGB 90 62 73

HSL 336.43, 0.18%, 0.3%

LAB 29.66, 14.16, -1.79

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 31 / 0 / 7 / 65

HEX #3E5A54

RGB 62 90 84

HSL 167.14, 0.18%, 0.3%

LAB 35.94, -11.89, 0.11

 

CMYK 12 / 31 / 0 / 65

HEX #4F3E5A

RGB 79 62 90

HSL 276.43, 0.18%, 0.3%

LAB 29.02, 13.44, -13.93

 

CMYK 0 / 31 / 24 / 65

HEX #5A3E44

RGB 90 62 68

HSL 347.14, 0.18%, 0.3%

LAB 29.5, 13.27, 1.24

 

CMYK 19 / 0 / 31 / 65

HEX #495A3E

RGB 73 90 62

HSL 96.43, 0.18%, 0.3%

LAB 36.13, -12.43, 14.09

 

CMYK 31 / 3 / 0 / 65

HEX #3E575A

RGB 62 87 90

HSL 186.43, 0.18%, 0.3%

LAB 35.16, -8.56, -4.79

 

CMYK 12 / 31 / 0 / 65

HEX #4F3E5A

RGB 79 62 90

HSL 276.43, 0.18%, 0.3%

LAB 29.02, 13.44, -13.93

 

CMYK 0 / 28 / 31 / 65

HEX #5A413E

RGB 90 65 62

HSL 6.43, 0.18%, 0.3%

LAB 30.16, 10.37, 6.08

 

Description

Color code: HEX #495A3E | qconv.com Color code: HEX #495A3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 90 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 90 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 31 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 31% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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