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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49641F it is the complementary color #B69BE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49641F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49641F shade: #4E641A, #5F762D, #708840, #819A53 and #92AC66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49641F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49641F shade: #49641F, #38520C, #274000, #162E00 and #051C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49641F shade: #49651F, #5C651F, #655B1F, #65481F and #65351F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49641F shade: #49651F, #36651F, #24651F, #1F652D and #1F6540

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49641F shade matches the following richer shades: #49651F, #4C7014 and #4E7A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49641F shade: #49651F, #475A29, #454F34, #42453F and #403A4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49641F shade: #655A1F, #5D651F, #4A651F, #37651F and #25651F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49641F shade: #1B260B, #324515, #49651F, #608528 and #77A432

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49641F shade: #49641F, #1F6548 and #641F65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49641F shade: #49641F, #1F4A65 and #651F4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49641F shade: #49641F, #1F6548, #3A1F65 and #651F3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49641F shade: #49641F, #1F655D, #3A1F65 and #651F27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 69 / 61

HEX #49641F

RGB 73 100 31

HSL 83.48, 0.53%, 0.26%

LAB 38.95, -21.9, 34.67

 

Complementary color

CMYK 19 / 31 / 0 / 12

HEX #B69BE0

RGB 182 155 224

HSL 263.48, 0.53%, 0.74%

LAB 68.58, 23.57, -31.31

 

CMYK 22 / 0 / 74 / 61

HEX #4E641A

RGB 78 100 26

HSL 77.84, 0.59%, 0.25%

LAB 39.26, -20.1, 37.32

 

CMYK 19 / 0 / 62 / 54

HEX #5F762D

RGB 95 118 45

HSL 78.9, 0.45%, 0.32%

LAB 46.42, -20.52, 36.6

 

CMYK 18 / 0 / 53 / 47

HEX #708840

RGB 112 136 64

HSL 80, 0.36%, 0.39%

LAB 53.41, -20.75, 35.49

 

CMYK 16 / 0 / 46 / 40

HEX #819A53

RGB 129 154 83

HSL 81.13, 0.3%, 0.46%

LAB 60.25, -20.88, 34.27

 

CMYK 15 / 0 / 41 / 33

HEX #92AC66

RGB 146 172 102

HSL 82.29, 0.3%, 0.54%

LAB 66.96, -20.95, 33.06

 

CMYK 27 / 0 / 69 / 61

HEX #49641F

RGB 73 100 31

HSL 83.48, 0.53%, 0.26%

LAB 38.95, -21.9, 34.67

 

CMYK 32 / 0 / 85 / 68

HEX #38520C

RGB 56 82 12

HSL 82.29, 0.74%, 0.18%

LAB 31.58, -21.39, 34.83

 

CMYK 39 / 0 / 100 / 75

HEX #274000

RGB 39 64 0

HSL 83.44, 1%, 0.13%

LAB 23.99, -20.39, 32.07

 

CMYK 52 / 0 / 100 / 82

HEX #162E00

RGB 22 46 0

HSL 91.3, 1%, 0.09%

LAB 16.13, -18.67, 22.93

 

CMYK 82 / 0 / 100 / 89

HEX #051C00

RGB 5 28 0

HSL 109.29, 1%, 0.05%

LAB 7.79, -14.02, 11.42

 

CMYK 28 / 0 / 69 / 60

HEX #49651F

RGB 73 101 31

HSL 84, 0.53%, 0.26%

LAB 39.28, -22.41, 35.02

 

CMYK 9 / 0 / 69 / 60

HEX #5C651F

RGB 92 101 31

HSL 67.71, 0.53%, 0.26%

LAB 40.71, -13.9, 36.96

 

CMYK 0 / 10 / 69 / 60

HEX #655B1F

RGB 101 91 31

HSL 51.43, 0.53%, 0.26%

LAB 38.46, -3.88, 34.86

 

CMYK 0 / 29 / 69 / 60

HEX #65481F

RGB 101 72 31

HSL 35.14, 0.53%, 0.26%

LAB 32.92, 7.63, 28.85

 

CMYK 0 / 48 / 69 / 60

HEX #65351F

RGB 101 53 31

HSL 18.86, 0.53%, 0.26%

LAB 27.88, 19.33, 23.08

 

CMYK 28 / 0 / 69 / 60

HEX #49651F

RGB 73 101 31

HSL 84, 0.53%, 0.26%

LAB 39.28, -22.41, 35.02

 

CMYK 47 / 0 / 69 / 60

HEX #36651F

RGB 54 101 31

HSL 100.29, 0.53%, 0.26%

LAB 38.18, -29.89, 33.52

 

CMYK 64 / 0 / 69 / 60

HEX #24651F

RGB 36 101 31

HSL 115.71, 0.53%, 0.26%

LAB 37.45, -35.49, 32.51

 

CMYK 69 / 0 / 55 / 60

HEX #1F652D

RGB 31 101 45

HSL 132, 0.53%, 0.26%

LAB 37.46, -34.8, 25.29

 

CMYK 69 / 0 / 37 / 60

HEX #1F6540

RGB 31 101 64

HSL 148.29, 0.53%, 0.26%

LAB 37.79, -31.17, 14.77

 

CMYK 28 / 0 / 69 / 60

HEX #49651F

RGB 73 101 31

HSL 84, 0.53%, 0.26%

LAB 39.28, -22.41, 35.02

 

CMYK 32 / 0 / 82 / 56

HEX #4C7014

RGB 76 112 20

HSL 83.48, 0.7%, 0.26%

LAB 43.03, -27.37, 43.19

 

CMYK 36 / 0 / 93 / 52

HEX #4E7A09

RGB 78 122 9

HSL 83.36, 0.86%, 0.26%

LAB 46.39, -31.7, 49.06

 

CMYK 28 / 0 / 69 / 60

HEX #49651F

RGB 73 101 31

HSL 84, 0.53%, 0.26%

LAB 39.28, -22.41, 35.02

 

CMYK 21 / 0 / 54 / 65

HEX #475A29

RGB 71 90 41

HSL 83.27, 0.37%, 0.26%

LAB 35.62, -16.42, 25.72

 

CMYK 13 / 0 / 34 / 69

HEX #454F34

RGB 69 79 52

HSL 82.22, 0.21%, 0.26%

LAB 32.04, -9.45, 14.67

 

CMYK 4 / 0 / 9 / 73

HEX #42453F

RGB 66 69 63

HSL 90, 0.05%, 0.26%

LAB 28.83, -2.56, 3.19

 

CMYK 14 / 22 / 0 / 71

HEX #403A4A

RGB 64 58 74

HSL 262.5, 0.12%, 0.26%

LAB 25.59, 6.34, -8.83

 

CMYK 0 / 11 / 69 / 60

HEX #655A1F

RGB 101 90 31

HSL 50.57, 0.53%, 0.26%

LAB 38.16, -3.29, 34.54

 

CMYK 8 / 0 / 69 / 60

HEX #5D651F

RGB 93 101 31

HSL 66.86, 0.53%, 0.26%

LAB 40.79, -13.43, 37.07

 

CMYK 27 / 0 / 69 / 60

HEX #4A651F

RGB 74 101 31

HSL 83.14, 0.53%, 0.26%

LAB 39.35, -21.98, 35.12

 

CMYK 46 / 0 / 69 / 60

HEX #37651F

RGB 55 101 31

HSL 99.43, 0.53%, 0.26%

LAB 38.23, -29.53, 33.59

 

CMYK 63 / 0 / 69 / 60

HEX #25651F

RGB 37 101 31

HSL 114.86, 0.53%, 0.26%

LAB 37.48, -35.22, 32.55

 

CMYK 29 / 0 / 71 / 85

HEX #1B260B

RGB 27 38 11

HSL 84.44, 0.55%, 0.1%

LAB 13.49, -10.52, 15.11

 

CMYK 28 / 0 / 70 / 73

HEX #324515

RGB 50 69 21

HSL 83.75, 0.53%, 0.18%

LAB 26.7, -16.47, 25.85

 

CMYK 28 / 0 / 69 / 60

HEX #49651F

RGB 73 101 31

HSL 84, 0.53%, 0.26%

LAB 39.28, -22.41, 35.02

 

CMYK 28 / 0 / 70 / 48

HEX #608528

RGB 96 133 40

HSL 83.87, 0.54%, 0.34%

LAB 51.17, -28.04, 44.01

 

CMYK 27 / 0 / 70 / 36

HEX #77A432

RGB 119 164 50

HSL 83.68, 0.53%, 0.42%

LAB 62.26, -32.85, 51.82

 

CMYK 27 / 0 / 69 / 61

HEX #49641F

RGB 73 100 31

HSL 83.48, 0.53%, 0.26%

LAB 38.95, -21.9, 34.67

 

CMYK 69 / 0 / 29 / 60

HEX #1F6548

RGB 31 101 72

HSL 155.14, 0.53%, 0.26%

LAB 37.96, -29.3, 10.2

 

CMYK 1 / 69 / 0 / 60

HEX #641F65

RGB 100 31 101

HSL 299.14, 0.53%, 0.26%

LAB 25.65, 40.46, -26.11

 

CMYK 27 / 0 / 69 / 61

HEX #49641F

RGB 73 100 31

HSL 83.48, 0.53%, 0.26%

LAB 38.95, -21.9, 34.67

 

CMYK 69 / 27 / 0 / 60

HEX #1F4A65

RGB 31 74 101

HSL 203.14, 0.53%, 0.26%

LAB 29.73, -5.36, -20.16

 

CMYK 0 / 69 / 27 / 60

HEX #651F4A

RGB 101 31 74

HSL 323.14, 0.53%, 0.26%

LAB 24.45, 36.14, -10.08

 

CMYK 27 / 0 / 69 / 61

HEX #49641F

RGB 73 100 31

HSL 83.48, 0.53%, 0.26%

LAB 38.95, -21.9, 34.67

 

CMYK 69 / 0 / 29 / 60

HEX #1F6548

RGB 31 101 72

HSL 155.14, 0.53%, 0.26%

LAB 37.96, -29.3, 10.2

 

CMYK 43 / 69 / 0 / 60

HEX #3A1F65

RGB 58 31 101

HSL 263.14, 0.53%, 0.26%

LAB 19.3, 29.82, -36.63

 

CMYK 0 / 69 / 41 / 60

HEX #651F3C

RGB 101 31 60

HSL 335.14, 0.53%, 0.26%

LAB 23.91, 34.23, -1.39

 

CMYK 27 / 0 / 69 / 61

HEX #49641F

RGB 73 100 31

HSL 83.48, 0.53%, 0.26%

LAB 38.95, -21.9, 34.67

 

CMYK 69 / 0 / 8 / 60

HEX #1F655D

RGB 31 101 93

HSL 173.14, 0.53%, 0.26%

LAB 38.53, -23.54, -1.82

 

CMYK 43 / 69 / 0 / 60

HEX #3A1F65

RGB 58 31 101

HSL 263.14, 0.53%, 0.26%

LAB 19.3, 29.82, -36.63

 

CMYK 0 / 69 / 61 / 60

HEX #651F27

RGB 101 31 39

HSL 353.14, 0.53%, 0.26%

LAB 23.32, 32.06, 12.16

 

Description

Color code: HEX #49641F | qconv.com Color code: HEX #49641F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 100 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 100 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 69 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 69% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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