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Color name
HEX #4964A1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4964A1 it is the complementary color #B69B5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4964A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4964A1 shade: #4E649C, #5F76AF, #7088C2, #819AD5 and #92ACE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4964A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4964A1 shade: #4964A1, #38528E, #27407B, #162E68 and #051C55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4964A1 shade: #4864A1, #484CA1, #5D48A1, #7548A1 and #8D48A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4964A1 shade: #4864A1, #484CA1 and #4848A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4964A1 shade matches the following richer shades: #4864A1, #355CB4, #2255C7 and #0F4EDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4964A1 shade: #4864A1, #5B6B8E, #6E727B, #817A68 and #948155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4964A1 shade: #4894A1, #487CA1, #4864A1, #484DA1 and #5C48A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4964A1 shade: #2F4068, #3B5285, #4864A1, #5D78B6 and #7990C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4964A1 shade: #4964A1, #9748A1 and #88A148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4964A1 shade: #4964A1, #A14864 and #64A148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4964A1 shade: #4964A1, #9748A1, #A18548 and #53A148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4964A1 shade: #4964A1, #A14891, #A18548 and #48A159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 38 / 0 / 37

HEX #4964A1

RGB 73 100 161

HSL 221.59, 0.38%, 0.46%

LAB 42.92, 8.44, -36.1

 

Complementary color

CMYK 0 / 15 / 48 / 29

HEX #B69B5E

RGB 182 155 94

HSL 41.59, 0.38%, 0.54%

LAB 65.12, 1.89, 35.54

 

CMYK 50 / 36 / 0 / 39

HEX #4E649C

RGB 78 100 156

HSL 223.08, 0.33%, 0.46%

LAB 42.96, 8, -33.04

 

CMYK 46 / 33 / 0 / 31

HEX #5F76AF

RGB 95 118 175

HSL 222.75, 0.33%, 0.53%

LAB 50.08, 7.2, -32.95

 

CMYK 42 / 30 / 0 / 24

HEX #7088C2

RGB 112 136 194

HSL 222.44, 0.4%, 0.6%

LAB 57.02, 6.55, -32.92

 

CMYK 39 / 28 / 0 / 16

HEX #819AD5

RGB 129 154 213

HSL 222.14, 0.5%, 0.67%

LAB 63.82, 6.01, -32.93

 

CMYK 37 / 26 / 0 / 9

HEX #92ACE8

RGB 146 172 232

HSL 221.86, 0.65%, 0.74%

LAB 70.48, 5.54, -32.98

 

CMYK 55 / 38 / 0 / 37

HEX #4964A1

RGB 73 100 161

HSL 221.59, 0.38%, 0.46%

LAB 42.92, 8.44, -36.1

 

CMYK 61 / 42 / 0 / 44

HEX #38528E

RGB 56 82 142

HSL 221.86, 0.43%, 0.39%

LAB 35.65, 9.65, -36.27

 

CMYK 68 / 48 / 0 / 52

HEX #27407B

RGB 39 64 123

HSL 222.14, 0.52%, 0.32%

LAB 28.19, 11.29, -36.5

 

CMYK 79 / 56 / 0 / 59

HEX #162E68

RGB 22 46 104

HSL 222.44, 0.65%, 0.25%

LAB 20.53, 13.59, -36.74

 

CMYK 94 / 67 / 0 / 67

HEX #051C55

RGB 5 28 85

HSL 222.75, 0.89%, 0.18%

LAB 12.73, 16.87, -36.86

 

CMYK 55 / 38 / 0 / 37

HEX #4864A1

RGB 72 100 161

HSL 221.12, 0.38%, 0.46%

LAB 42.86, 8.21, -36.19

 

CMYK 55 / 53 / 0 / 37

HEX #484CA1

RGB 72 76 161

HSL 237.3, 0.38%, 0.46%

LAB 36.21, 23.59, -46.8

 

CMYK 42 / 55 / 0 / 37

HEX #5D48A1

RGB 93 72 161

HSL 254.16, 0.38%, 0.46%

LAB 36.99, 30.93, -45.45

 

CMYK 27 / 55 / 0 / 37

HEX #7548A1

RGB 117 72 161

HSL 270.34, 0.38%, 0.46%

LAB 39.56, 37.08, -41.19

 

CMYK 12 / 55 / 0 / 37

HEX #8D48A1

RGB 141 72 161

HSL 286.52, 0.38%, 0.46%

LAB 42.57, 43.63, -36.24

 

CMYK 55 / 38 / 0 / 37

HEX #4864A1

RGB 72 100 161

HSL 221.12, 0.38%, 0.46%

LAB 42.86, 8.21, -36.19

 

CMYK 55 / 53 / 0 / 37

HEX #484CA1

RGB 72 76 161

HSL 237.3, 0.38%, 0.46%

LAB 36.21, 23.59, -46.8

 

CMYK 55 / 55 / 0 / 37

HEX #4848A1

RGB 72 72 161

HSL 240, 0.38%, 0.46%

LAB 35.17, 26.17, -48.48

 

CMYK 55 / 38 / 0 / 37

HEX #4864A1

RGB 72 100 161

HSL 221.12, 0.38%, 0.46%

LAB 42.86, 8.21, -36.19

 

CMYK 71 / 49 / 0 / 29

HEX #355CB4

RGB 53 92 180

HSL 221.57, 0.55%, 0.46%

LAB 40.75, 16.5, -50.84

 

CMYK 83 / 57 / 0 / 22

HEX #2255C7

RGB 34 85 199

HSL 221.45, 0.71%, 0.46%

LAB 39.51, 26.13, -63.95

 

CMYK 93 / 64 / 0 / 15

HEX #0F4EDA

RGB 15 78 218

HSL 221.38, 0.87%, 0.46%

LAB 38.92, 36.9, -75.89

 

CMYK 55 / 38 / 0 / 37

HEX #4864A1

RGB 72 100 161

HSL 221.12, 0.38%, 0.46%

LAB 42.86, 8.21, -36.19

 

CMYK 36 / 25 / 0 / 44

HEX #5B6B8E

RGB 91 107 142

HSL 221.18, 0.22%, 0.46%

LAB 45.21, 3.05, -21.14

 

CMYK 11 / 7 / 0 / 52

HEX #6E727B

RGB 110 114 123

HSL 221.54, 0.06%, 0.46%

LAB 47.98, 0.43, -5.48

 

CMYK 0 / 5 / 19 / 49

HEX #817A68

RGB 129 122 104

HSL 43.2, 0.11%, 0.46%

LAB 51.37, -0.54, 10.82

 

CMYK 0 / 13 / 43 / 42

HEX #948155

RGB 148 129 85

HSL 41.9, 0.27%, 0.46%

LAB 54.71, 0.81, 26.5

 

CMYK 55 / 8 / 0 / 37

HEX #4894A1

RGB 72 148 161

HSL 188.76, 0.38%, 0.46%

LAB 57.2, -19.65, -14.02

 

CMYK 55 / 23 / 0 / 37

HEX #487CA1

RGB 72 124 161

HSL 204.94, 0.38%, 0.46%

LAB 49.94, -6.35, -25.13

 

CMYK 55 / 38 / 0 / 37

HEX #4864A1

RGB 72 100 161

HSL 221.12, 0.38%, 0.46%

LAB 42.86, 8.21, -36.19

 

CMYK 55 / 52 / 0 / 37

HEX #484DA1

RGB 72 77 161

HSL 236.63, 0.38%, 0.46%

LAB 36.48, 22.95, -46.38

 

CMYK 43 / 55 / 0 / 37

HEX #5C48A1

RGB 92 72 161

HSL 253.48, 0.38%, 0.46%

LAB 36.9, 30.68, -45.61

 

CMYK 55 / 38 / 0 / 59

HEX #2F4068

RGB 47 64 104

HSL 222.11, 0.38%, 0.3%

LAB 27.49, 5.98, -25.53

 

CMYK 56 / 38 / 0 / 48

HEX #3B5285

RGB 59 82 133

HSL 221.35, 0.39%, 0.38%

LAB 35.32, 7.16, -31.29

 

CMYK 55 / 38 / 0 / 37

HEX #4864A1

RGB 72 100 161

HSL 221.12, 0.38%, 0.46%

LAB 42.86, 8.21, -36.19

 

CMYK 49 / 34 / 0 / 29

HEX #5D78B6

RGB 93 120 182

HSL 221.8, 0.38%, 0.54%

LAB 50.85, 7.63, -35.8

 

CMYK 38 / 26 / 0 / 24

HEX #7990C3

RGB 121 144 195

HSL 221.35, 0.38%, 0.62%

LAB 59.84, 4.62, -29.06

 

CMYK 55 / 38 / 0 / 37

HEX #4964A1

RGB 73 100 161

HSL 221.59, 0.38%, 0.46%

LAB 42.92, 8.44, -36.1

 

CMYK 6 / 55 / 0 / 37

HEX #9748A1

RGB 151 72 161

HSL 293.26, 0.38%, 0.46%

LAB 43.93, 46.41, -34

 

CMYK 16 / 0 / 55 / 37

HEX #88A148

RGB 136 161 72

HSL 76.85, 0.38%, 0.46%

LAB 62.67, -22.76, 42.82

 

CMYK 55 / 38 / 0 / 37

HEX #4964A1

RGB 73 100 161

HSL 221.59, 0.38%, 0.46%

LAB 42.92, 8.44, -36.1

 

CMYK 0 / 55 / 38 / 37

HEX #A14864

RGB 161 72 100

HSL 341.12, 0.38%, 0.46%

LAB 42.96, 39.82, 1.75

 

CMYK 38 / 0 / 55 / 37

HEX #64A148

RGB 100 161 72

HSL 101.12, 0.38%, 0.46%

LAB 60.49, -36.46, 39.71

 

CMYK 55 / 38 / 0 / 37

HEX #4964A1

RGB 73 100 161

HSL 221.59, 0.38%, 0.46%

LAB 42.92, 8.44, -36.1

 

CMYK 6 / 55 / 0 / 37

HEX #9748A1

RGB 151 72 161

HSL 293.26, 0.38%, 0.46%

LAB 43.93, 46.41, -34

 

CMYK 0 / 17 / 55 / 37

HEX #A18548

RGB 161 133 72

HSL 41.12, 0.38%, 0.46%

LAB 56.9, 2.92, 36.54

 

CMYK 48 / 0 / 55 / 37

HEX #53A148

RGB 83 161 72

HSL 112.58, 0.38%, 0.46%

LAB 59.7, -41.96, 38.59

 

CMYK 55 / 38 / 0 / 37

HEX #4964A1

RGB 73 100 161

HSL 221.59, 0.38%, 0.46%

LAB 42.92, 8.44, -36.1

 

CMYK 0 / 55 / 10 / 37

HEX #A14891

RGB 161 72 145

HSL 310.79, 0.38%, 0.46%

LAB 44.6, 46.38, -23.27

 

CMYK 0 / 17 / 55 / 37

HEX #A18548

RGB 161 133 72

HSL 41.12, 0.38%, 0.46%

LAB 56.9, 2.92, 36.54

 

CMYK 55 / 0 / 45 / 37

HEX #48A159

RGB 72 161 89

HSL 131.46, 0.38%, 0.46%

LAB 59.52, -42.57, 29.57

 

Description

Color code: HEX #4964A1 | qconv.com Color code: HEX #4964A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 100 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 100 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 38 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 38% 0% 37% C M Y K

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Provide designers and agencies with accurate color values.

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