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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #496F0F it is the complementary color #B690F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #496F0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #496F0F shade: #4E6F0A, #5F811D, #709330, #81A543 and #92B756

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #496F0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #496F0F shade: #496F0F, #385D00, #274B00, #163900 and #052700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #496F0F shade: #49700F, #63700F, #70620F, #70480F and #702E0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #496F0F shade: #49700F, #2F700F, #15700F, #0F7023 and #0F703D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #496F0F shade matches the following richer shades: #49700F and #4B7A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #496F0F shade: #49700F, #476519, #455B23, #43512E and #414638

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #496F0F shade: #70610F, #64700F, #4B700F, #31700F and #17700F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #496F0F shade: #1A2705, #314B0A, #49700F, #619414 and #79B819

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #496F0F shade: #496F0F, #0F7047 and #6E0F70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #496F0F shade: #496F0F, #0F4B70 and #700F4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #496F0F shade: #496F0F, #0F7047, #340F70 and #700F37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #496F0F shade: #496F0F, #0F7064, #340F70 and #700F1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 86 / 56

HEX #496F0F

RGB 73 111 15

HSL 83.75, 0.76%, 0.25%

LAB 42.49, -28.36, 44.17

 

Complementary color

CMYK 24 / 40 / 0 / 6

HEX #B690F0

RGB 182 144 240

HSL 263.75, 0.76%, 0.75%

LAB 66.66, 33.39, -43.11

 

CMYK 30 / 0 / 91 / 56

HEX #4E6F0A

RGB 78 111 10

HSL 79.6, 0.83%, 0.24%

LAB 42.78, -26.47, 45.81

 

CMYK 26 / 0 / 78 / 49

HEX #5F811D

RGB 95 129 29

HSL 80.4, 0.63%, 0.31%

LAB 49.76, -27.24, 46.87

 

CMYK 24 / 0 / 67 / 42

HEX #709330

RGB 112 147 48

HSL 81.21, 0.51%, 0.38%

LAB 56.61, -27.72, 46.63

 

CMYK 22 / 0 / 59 / 35

HEX #81A543

RGB 129 165 67

HSL 82.04, 0.42%, 0.45%

LAB 63.33, -28.02, 45.81

 

CMYK 20 / 0 / 53 / 28

HEX #92B756

RGB 146 183 86

HSL 82.89, 0.4%, 0.53%

LAB 69.93, -28.2, 44.76

 

CMYK 34 / 0 / 86 / 56

HEX #496F0F

RGB 73 111 15

HSL 83.75, 0.76%, 0.25%

LAB 42.49, -28.36, 44.17

 

CMYK 40 / 0 / 100 / 64

HEX #385D00

RGB 56 93 0

HSL 83.87, 1%, 0.18%

LAB 35.34, -27.37, 41.87

 

CMYK 48 / 0 / 100 / 71

HEX #274B00

RGB 39 75 0

HSL 88.8, 1%, 0.15%

LAB 28.02, -25.75, 35.75

 

CMYK 61 / 0 / 100 / 78

HEX #163900

RGB 22 57 0

HSL 96.84, 1%, 0.11%

LAB 20.43, -23.89, 28.02

 

CMYK 87 / 0 / 100 / 85

HEX #052700

RGB 5 39 0

HSL 112.31, 1%, 0.08%

LAB 12.5, -21.6, 18.05

 

CMYK 35 / 0 / 87 / 56

HEX #49700F

RGB 73 112 15

HSL 84.12, 0.76%, 0.25%

LAB 42.82, -28.83, 44.47

 

CMYK 12 / 0 / 87 / 56

HEX #63700F

RGB 99 112 15

HSL 68.04, 0.76%, 0.25%

LAB 44.63, -17.46, 46.74

 

CMYK 0 / 13 / 87 / 56

HEX #70620F

RGB 112 98 15

HSL 51.34, 0.76%, 0.25%

LAB 41.56, -3.42, 44.57

 

CMYK 0 / 36 / 87 / 56

HEX #70480F

RGB 112 72 15

HSL 35.26, 0.76%, 0.25%

LAB 34.22, 12.16, 38.23

 

CMYK 0 / 59 / 87 / 56

HEX #702E0F

RGB 112 46 15

HSL 19.18, 0.76%, 0.25%

LAB 27.93, 27.4, 32.61

 

CMYK 35 / 0 / 87 / 56

HEX #49700F

RGB 73 112 15

HSL 84.12, 0.76%, 0.25%

LAB 42.82, -28.83, 44.47

 

CMYK 58 / 0 / 87 / 56

HEX #2F700F

RGB 47 112 15

HSL 100.21, 0.76%, 0.25%

LAB 41.57, -38.06, 42.88

 

CMYK 81 / 0 / 87 / 56

HEX #15700F

RGB 21 112 15

HSL 116.29, 0.76%, 0.25%

LAB 40.87, -43.96, 41.97

 

CMYK 87 / 0 / 69 / 56

HEX #0F7023

RGB 15 112 35

HSL 132.37, 0.76%, 0.25%

LAB 40.91, -43.03, 34.31

 

CMYK 87 / 0 / 46 / 56

HEX #0F703D

RGB 15 112 61

HSL 148.45, 0.76%, 0.25%

LAB 41.26, -38.9, 21.06

 

CMYK 35 / 0 / 87 / 56

HEX #49700F

RGB 73 112 15

HSL 84.12, 0.76%, 0.25%

LAB 42.82, -28.83, 44.47

 

CMYK 39 / 0 / 97 / 52

HEX #4B7A04

RGB 75 122 4

HSL 83.9, 0.94%, 0.25%

LAB 46.21, -33.02, 49.88

 

CMYK 35 / 0 / 87 / 56

HEX #49700F

RGB 73 112 15

HSL 84.12, 0.76%, 0.25%

LAB 42.82, -28.83, 44.47

 

CMYK 30 / 0 / 75 / 60

HEX #476519

RGB 71 101 25

HSL 83.68, 0.6%, 0.25%

LAB 39.1, -23.73, 37.43

 

CMYK 24 / 0 / 62 / 64

HEX #455B23

RGB 69 91 35

HSL 83.57, 0.44%, 0.25%

LAB 35.73, -18.52, 29.06

 

CMYK 17 / 0 / 43 / 68

HEX #43512E

RGB 67 81 46

HSL 84, 0.28%, 0.25%

LAB 32.43, -12.45, 18.79

 

CMYK 7 / 0 / 20 / 73

HEX #414638

RGB 65 70 56

HSL 81.43, 0.11%, 0.25%

LAB 28.88, -5.04, 7.76

 

CMYK 0 / 13 / 87 / 56

HEX #70610F

RGB 112 97 15

HSL 50.72, 0.76%, 0.25%

LAB 41.26, -2.84, 44.32

 

CMYK 11 / 0 / 87 / 56

HEX #64700F

RGB 100 112 15

HSL 67.42, 0.76%, 0.25%

LAB 44.71, -17, 46.84

 

CMYK 33 / 0 / 87 / 56

HEX #4B700F

RGB 75 112 15

HSL 82.89, 0.76%, 0.25%

LAB 42.94, -28.02, 44.62

 

CMYK 56 / 0 / 87 / 56

HEX #31700F

RGB 49 112 15

HSL 98.97, 0.76%, 0.25%

LAB 41.65, -37.46, 42.98

 

CMYK 79 / 0 / 87 / 56

HEX #17700F

RGB 23 112 15

HSL 115.05, 0.76%, 0.25%

LAB 40.9, -43.64, 42.02

 

CMYK 33 / 0 / 87 / 85

HEX #1A2705

RGB 26 39 5

HSL 82.94, 0.77%, 0.09%

LAB 13.72, -12.36, 17.85

 

CMYK 35 / 0 / 87 / 71

HEX #314B0A

RGB 49 75 10

HSL 84, 0.76%, 0.17%

LAB 28.66, -20.97, 32.66

 

CMYK 35 / 0 / 87 / 56

HEX #49700F

RGB 73 112 15

HSL 84.12, 0.76%, 0.25%

LAB 42.82, -28.83, 44.47

 

CMYK 34 / 0 / 86 / 42

HEX #619414

RGB 97 148 20

HSL 83.91, 0.76%, 0.33%

LAB 55.86, -35.71, 55.13

 

CMYK 34 / 0 / 86 / 28

HEX #79B819

RGB 121 184 25

HSL 83.77, 0.76%, 0.41%

LAB 68.33, -42.26, 65.24

 

CMYK 34 / 0 / 86 / 56

HEX #496F0F

RGB 73 111 15

HSL 83.75, 0.76%, 0.25%

LAB 42.49, -28.36, 44.17

 

CMYK 87 / 0 / 37 / 56

HEX #0F7047

RGB 15 112 71

HSL 154.64, 0.76%, 0.25%

LAB 41.45, -36.75, 15.52

 

CMYK 2 / 87 / 0 / 56

HEX #6E0F70

RGB 110 15 112

HSL 298.76, 0.76%, 0.25%

LAB 26.23, 50.21, -32.19

 

CMYK 34 / 0 / 86 / 56

HEX #496F0F

RGB 73 111 15

HSL 83.75, 0.76%, 0.25%

LAB 42.49, -28.36, 44.17

 

CMYK 87 / 33 / 0 / 56

HEX #0F4B70

RGB 15 75 112

HSL 202.89, 0.76%, 0.25%

LAB 30.17, -3.99, -26.49

 

CMYK 0 / 87 / 33 / 56

HEX #700F4B

RGB 112 15 75

HSL 322.89, 0.76%, 0.25%

LAB 24.62, 45.15, -10.3

 

CMYK 34 / 0 / 86 / 56

HEX #496F0F

RGB 73 111 15

HSL 83.75, 0.76%, 0.25%

LAB 42.49, -28.36, 44.17

 

CMYK 87 / 0 / 37 / 56

HEX #0F7047

RGB 15 112 71

HSL 154.64, 0.76%, 0.25%

LAB 41.45, -36.75, 15.52

 

CMYK 54 / 87 / 0 / 56

HEX #340F70

RGB 52 15 112

HSL 262.89, 0.76%, 0.25%

LAB 16.71, 40.06, -48.09

 

CMYK 0 / 87 / 51 / 56

HEX #700F37

RGB 112 15 55

HSL 335.26, 0.76%, 0.25%

LAB 23.88, 42.98, 2.26

 

CMYK 34 / 0 / 86 / 56

HEX #496F0F

RGB 73 111 15

HSL 83.75, 0.76%, 0.25%

LAB 42.49, -28.36, 44.17

 

CMYK 87 / 0 / 11 / 56

HEX #0F7064

RGB 15 112 100

HSL 172.58, 0.76%, 0.25%

LAB 42.17, -28.98, -0.78

 

CMYK 54 / 87 / 0 / 56

HEX #340F70

RGB 52 15 112

HSL 262.89, 0.76%, 0.25%

LAB 16.71, 40.06, -48.09

 

CMYK 0 / 87 / 77 / 56

HEX #700F1A

RGB 112 15 26

HSL 353.2, 0.76%, 0.25%

LAB 23.21, 40.98, 21.29

 

Description

Color code: HEX #496F0F | qconv.com Color code: HEX #496F0F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 111 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 111 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 86 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 86% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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