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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #498166 it is the complementary color #B67E99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #498166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #498166 shade: #4E8161, #5F9374, #70A587, #81B79A and #92C9AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #498166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #498166 shade: #498166, #386F53, #275D40, #164B2D and #05391A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #498166 shade: #498267, #498257, #4A8249, #5A8249 and #698249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #498166 shade: #498267, #498276, #497F82, #496F82 and #496082

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #498166 shade matches the following richer shades: #498267, #389367, #28A368, #17B468 and #07C469

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #498166 shade: #498267, #597266, #6A6165, #7A5165 and #8B4064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #498166 shade: #4A8249, #498257, #498266, #498276 and #497F82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #498166 shade: #2B4D3D, #3A6852, #498267, #589C7B and #6FAE90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #498166 shade: #498166, #495982 and #825049

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #498166 shade: #498166, #664982 and #826649

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #498166 shade: #498166, #495982, #824965 and #827249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #498166 shade: #498166, #4A4982, #824965 and #818249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 21 / 49

HEX #498166

RGB 73 129 102

HSL 151.07, 0.28%, 0.4%

LAB 49.59, -25.12, 8.94

 

Complementary color

CMYK 0 / 31 / 16 / 29

HEX #B67E99

RGB 182 126 153

HSL 331.07, 0.28%, 0.6%

LAB 59.13, 25.82, -5.71

 

CMYK 40 / 0 / 25 / 49

HEX #4E8161

RGB 78 129 97

HSL 142.35, 0.25%, 0.41%

LAB 49.72, -24.66, 12.06

 

CMYK 35 / 0 / 21 / 42

HEX #5F9374

RGB 95 147 116

HSL 144.23, 0.21%, 0.47%

LAB 56.65, -24.38, 11

 

CMYK 32 / 0 / 18 / 35

HEX #70A587

RGB 112 165 135

HSL 146.04, 0.23%, 0.54%

LAB 63.43, -24.11, 10.03

 

CMYK 30 / 0 / 16 / 28

HEX #81B79A

RGB 129 183 154

HSL 147.78, 0.27%, 0.61%

LAB 70.08, -23.87, 9.13

 

CMYK 27 / 0 / 14 / 21

HEX #92C9AD

RGB 146 201 173

HSL 149.45, 0.34%, 0.68%

LAB 76.62, -23.64, 8.28

 

CMYK 43 / 0 / 21 / 49

HEX #498166

RGB 73 129 102

HSL 151.07, 0.28%, 0.4%

LAB 49.59, -25.12, 8.94

 

CMYK 50 / 0 / 25 / 56

HEX #386F53

RGB 56 111 83

HSL 149.45, 0.33%, 0.33%

LAB 42.51, -25.36, 10.07

 

CMYK 58 / 0 / 31 / 64

HEX #275D40

RGB 39 93 64

HSL 147.78, 0.41%, 0.26%

LAB 35.26, -25.52, 11.37

 

CMYK 71 / 0 / 40 / 71

HEX #164B2D

RGB 22 75 45

HSL 146.04, 0.55%, 0.19%

LAB 27.82, -25.44, 12.9

 

CMYK 91 / 0 / 54 / 78

HEX #05391A

RGB 5 57 26

HSL 144.23, 0.84%, 0.12%

LAB 20.18, -24.86, 14.72

 

CMYK 44 / 0 / 21 / 49

HEX #498267

RGB 73 130 103

HSL 151.58, 0.28%, 0.4%

LAB 49.93, -25.4, 8.84

 

CMYK 44 / 0 / 33 / 49

HEX #498257

RGB 73 130 87

HSL 134.74, 0.28%, 0.4%

LAB 49.58, -28.74, 17.59

 

CMYK 43 / 0 / 44 / 49

HEX #4A8249

RGB 74 130 73

HSL 118.95, 0.28%, 0.4%

LAB 49.38, -30.9, 25.19

 

CMYK 31 / 0 / 44 / 49

HEX #5A8249

RGB 90 130 73

HSL 102.11, 0.28%, 0.4%

LAB 50.24, -25.27, 26.47

 

CMYK 19 / 0 / 44 / 49

HEX #698249

RGB 105 130 73

HSL 86.32, 0.28%, 0.4%

LAB 51.21, -19.43, 27.91

 

CMYK 44 / 0 / 21 / 49

HEX #498267

RGB 73 130 103

HSL 151.58, 0.28%, 0.4%

LAB 49.93, -25.4, 8.84

 

CMYK 44 / 0 / 9 / 49

HEX #498276

RGB 73 130 118

HSL 167.37, 0.28%, 0.4%

LAB 50.32, -21.81, 0.64

 

CMYK 44 / 2 / 0 / 49

HEX #497F82

RGB 73 127 130

HSL 183.16, 0.28%, 0.4%

LAB 49.75, -17.05, -7.25

 

CMYK 44 / 15 / 0 / 49

HEX #496F82

RGB 73 111 130

HSL 200, 0.28%, 0.4%

LAB 44.8, -8.05, -14.7

 

CMYK 44 / 26 / 0 / 49

HEX #496082

RGB 73 96 130

HSL 215.79, 0.28%, 0.4%

LAB 40.24, 0.97, -21.7

 

CMYK 44 / 0 / 21 / 49

HEX #498267

RGB 73 130 103

HSL 151.58, 0.28%, 0.4%

LAB 49.93, -25.4, 8.84

 

CMYK 62 / 0 / 30 / 42

HEX #389367

RGB 56 147 103

HSL 150.99, 0.45%, 0.4%

LAB 54.75, -37.71, 15.47

 

CMYK 75 / 0 / 36 / 36

HEX #28A368

RGB 40 163 104

HSL 151.22, 0.61%, 0.4%

LAB 59.57, -46.96, 21.41

 

CMYK 87 / 0 / 42 / 29

HEX #17B468

RGB 23 180 104

HSL 150.96, 0.77%, 0.4%

LAB 64.82, -55.13, 28.35

 

CMYK 96 / 0 / 46 / 23

HEX #07C469

RGB 7 196 105

HSL 151.11, 0.93%, 0.4%

LAB 69.86, -61.33, 34.32

 

CMYK 44 / 0 / 21 / 49

HEX #498267

RGB 73 130 103

HSL 151.58, 0.28%, 0.4%

LAB 49.93, -25.4, 8.84

 

CMYK 22 / 0 / 11 / 55

HEX #597266

RGB 89 114 102

HSL 151.2, 0.12%, 0.4%

LAB 45.8, -11.85, 3.65

 

CMYK 0 / 8 / 5 / 58

HEX #6A6165

RGB 106 97 101

HSL 333.33, 0.04%, 0.4%

LAB 42.08, 4.37, -0.98

 

CMYK 0 / 34 / 17 / 52

HEX #7A5165

RGB 122 81 101

HSL 330.73, 0.2%, 0.4%

LAB 39.52, 20.4, -4.56

 

CMYK 0 / 54 / 28 / 45

HEX #8B4064

RGB 139 64 100

HSL 331.2, 0.37%, 0.4%

LAB 37.98, 36.22, -5.97

 

CMYK 43 / 0 / 44 / 49

HEX #4A8249

RGB 74 130 73

HSL 118.95, 0.28%, 0.4%

LAB 49.38, -30.9, 25.19

 

CMYK 44 / 0 / 33 / 49

HEX #498257

RGB 73 130 87

HSL 134.74, 0.28%, 0.4%

LAB 49.58, -28.74, 17.59

 

CMYK 44 / 0 / 22 / 49

HEX #498266

RGB 73 130 102

HSL 150.53, 0.28%, 0.4%

LAB 49.91, -25.62, 9.39

 

CMYK 44 / 0 / 9 / 49

HEX #498276

RGB 73 130 118

HSL 167.37, 0.28%, 0.4%

LAB 50.32, -21.81, 0.64

 

CMYK 44 / 2 / 0 / 49

HEX #497F82

RGB 73 127 130

HSL 183.16, 0.28%, 0.4%

LAB 49.75, -17.05, -7.25

 

CMYK 44 / 0 / 21 / 70

HEX #2B4D3D

RGB 43 77 61

HSL 151.76, 0.28%, 0.24%

LAB 29.81, -16.67, 5.65

 

CMYK 44 / 0 / 21 / 59

HEX #3A6852

RGB 58 104 82

HSL 151.3, 0.28%, 0.32%

LAB 40.26, -21.41, 7.52

 

CMYK 44 / 0 / 21 / 49

HEX #498267

RGB 73 130 103

HSL 151.58, 0.28%, 0.4%

LAB 49.93, -25.4, 8.84

 

CMYK 44 / 0 / 21 / 39

HEX #589C7B

RGB 88 156 123

HSL 150.88, 0.28%, 0.48%

LAB 59.23, -29.45, 10.64

 

CMYK 36 / 0 / 17 / 32

HEX #6FAE90

RGB 111 174 144

HSL 151.43, 0.28%, 0.56%

LAB 66.26, -27.02, 9.05

 

CMYK 43 / 0 / 21 / 49

HEX #498166

RGB 73 129 102

HSL 151.07, 0.28%, 0.4%

LAB 49.59, -25.12, 8.94

 

CMYK 44 / 32 / 0 / 49

HEX #495982

RGB 73 89 130

HSL 223.16, 0.28%, 0.4%

LAB 38.15, 5.35, -24.94

 

CMYK 0 / 38 / 44 / 49

HEX #825049

RGB 130 80 73

HSL 7.37, 0.28%, 0.4%

LAB 39.52, 20.12, 12.95

 

CMYK 43 / 0 / 21 / 49

HEX #498166

RGB 73 129 102

HSL 151.07, 0.28%, 0.4%

LAB 49.59, -25.12, 8.94

 

CMYK 22 / 44 / 0 / 49

HEX #664982

RGB 102 73 130

HSL 270.53, 0.28%, 0.4%

LAB 36.37, 24.34, -27.54

 

CMYK 0 / 22 / 44 / 49

HEX #826649

RGB 130 102 73

HSL 30.53, 0.28%, 0.4%

LAB 45.26, 7.1, 20.66

 

CMYK 43 / 0 / 21 / 49

HEX #498166

RGB 73 129 102

HSL 151.07, 0.28%, 0.4%

LAB 49.59, -25.12, 8.94

 

CMYK 44 / 32 / 0 / 49

HEX #495982

RGB 73 89 130

HSL 223.16, 0.28%, 0.4%

LAB 38.15, 5.35, -24.94

 

CMYK 0 / 44 / 22 / 49

HEX #824965

RGB 130 73 101

HSL 330.53, 0.28%, 0.4%

LAB 38.64, 28.15, -5.76

 

CMYK 0 / 12 / 44 / 49

HEX #827249

RGB 130 114 73

HSL 43.16, 0.28%, 0.4%

LAB 48.59, 0.11, 24.99

 

CMYK 43 / 0 / 21 / 49

HEX #498166

RGB 73 129 102

HSL 151.07, 0.28%, 0.4%

LAB 49.59, -25.12, 8.94

 

CMYK 43 / 44 / 0 / 49

HEX #4A4982

RGB 74 73 130

HSL 241.05, 0.28%, 0.4%

LAB 33.63, 15.94, -32.04

 

CMYK 0 / 44 / 22 / 49

HEX #824965

RGB 130 73 101

HSL 330.53, 0.28%, 0.4%

LAB 38.64, 28.15, -5.76

 

CMYK 1 / 0 / 44 / 49

HEX #818249

RGB 129 130 73

HSL 61.05, 0.28%, 0.4%

LAB 53.07, -9.34, 30.64

 

Description

Color code: HEX #498166 | qconv.com Color code: HEX #498166 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 129 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 129 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 21 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 21% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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