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Color name
HEX #49820D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49820D it is the complementary color #B67DF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49820D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49820D shade: #4E8208, #5F941B, #70A62E, #81B841 and #92CA54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49820D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49820D shade: #49820D, #387000, #275E00, #164C00 and #053A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49820D shade: #48810C, #68810C, #817B0C, #815C0C and #813C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49820D shade: #48810C, #29810C, #0C810F, #0C812F and #0C814F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49820D shade matches the following richer shades: #48810C and #498D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49820D shade: #48810C, #487618, #486A23, #485F2F and #47533B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49820D shade: #817C0C, #68810C, #49810C, #2A810C and #0C810E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49820D shade: #1E3605, #335C09, #48810C, #5DA710 and #73CD14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49820D shade: #49820D, #0C815C and #810C78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49820D shade: #49820D, #0C4981 and #810C49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49820D shade: #49820D, #0C815C, #450C81 and #810C31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49820D shade: #49820D, #0C817F, #450C81 and #810C0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 90 / 49

HEX #49820D

RGB 73 130 13

HSL 89.23, 0.82%, 0.28%

LAB 48.77, -37, 50.14

 

Complementary color

CMYK 25 / 48 / 0 / 5

HEX #B67DF2

RGB 182 125 242

HSL 269.23, 0.82%, 0.72%

LAB 62.53, 44.32, -50.72

 

CMYK 40 / 0 / 94 / 49

HEX #4E8208

RGB 78 130 8

HSL 85.57, 0.88%, 0.27%

LAB 49.01, -35.32, 51.42

 

CMYK 36 / 0 / 82 / 42

HEX #5F941B

RGB 95 148 27

HSL 86.28, 0.69%, 0.34%

LAB 55.78, -36.18, 53.14

 

CMYK 33 / 0 / 72 / 35

HEX #70A62E

RGB 112 166 46

HSL 87, 0.57%, 0.42%

LAB 62.44, -36.72, 53.41

 

CMYK 30 / 0 / 65 / 28

HEX #81B841

RGB 129 184 65

HSL 87.73, 0.48%, 0.49%

LAB 68.99, -37.05, 52.93

 

CMYK 28 / 0 / 58 / 21

HEX #92CA54

RGB 146 202 84

HSL 88.47, 0.53%, 0.56%

LAB 75.45, -37.24, 52.08

 

CMYK 44 / 0 / 90 / 49

HEX #49820D

RGB 73 130 13

HSL 89.23, 0.82%, 0.28%

LAB 48.77, -37, 50.14

 

CMYK 50 / 0 / 100 / 56

HEX #387000

RGB 56 112 0

HSL 90, 1%, 0.22%

LAB 41.89, -35.78, 46.97

 

CMYK 59 / 0 / 100 / 63

HEX #275E00

RGB 39 94 0

HSL 95.11, 1%, 0.18%

LAB 34.88, -33.98, 41.16

 

CMYK 71 / 0 / 100 / 70

HEX #164C00

RGB 22 76 0

HSL 102.63, 1%, 0.15%

LAB 27.68, -31.77, 35.18

 

CMYK 91 / 0 / 100 / 77

HEX #053A00

RGB 5 58 0

HSL 114.83, 1%, 0.11%

LAB 20.28, -28.87, 27.7

 

CMYK 44 / 0 / 91 / 49

HEX #48810C

RGB 72 129 12

HSL 89.23, 0.83%, 0.28%

LAB 48.39, -36.96, 50.01

 

CMYK 19 / 0 / 91 / 49

HEX #68810C

RGB 104 129 12

HSL 72.82, 0.83%, 0.28%

LAB 50.3, -24.09, 52.37

 

CMYK 0 / 5 / 91 / 49

HEX #817B0C

RGB 129 123 12

HSL 56.92, 0.83%, 0.28%

LAB 50.52, -9.5, 53.4

 

CMYK 0 / 29 / 91 / 49

HEX #815C0C

RGB 129 92 12

HSL 41.03, 0.83%, 0.28%

LAB 41.76, 8.28, 46.4

 

CMYK 0 / 53 / 91 / 49

HEX #813C0C

RGB 129 60 12

HSL 24.62, 0.83%, 0.28%

LAB 33.83, 26.92, 40.06

 

CMYK 44 / 0 / 91 / 49

HEX #48810C

RGB 72 129 12

HSL 89.23, 0.83%, 0.28%

LAB 48.39, -36.96, 50.01

 

CMYK 68 / 0 / 91 / 49

HEX #29810C

RGB 41 129 12

HSL 105.13, 0.83%, 0.28%

LAB 47.23, -46.1, 48.56

 

CMYK 91 / 0 / 88 / 49

HEX #0C810F

RGB 12 129 15

HSL 121.54, 0.83%, 0.28%

LAB 46.73, -50.46, 47.23

 

CMYK 91 / 0 / 64 / 49

HEX #0C812F

RGB 12 129 47

HSL 137.95, 0.83%, 0.28%

LAB 46.95, -47.62, 35.4

 

CMYK 91 / 0 / 39 / 49

HEX #0C814F

RGB 12 129 79

HSL 154.36, 0.83%, 0.28%

LAB 47.42, -42.04, 18.95

 

CMYK 44 / 0 / 91 / 49

HEX #48810C

RGB 72 129 12

HSL 89.23, 0.83%, 0.28%

LAB 48.39, -36.96, 50.01

 

CMYK 48 / 0 / 99 / 45

HEX #498D01

RGB 73 141 1

HSL 89.14, 0.99%, 0.28%

LAB 52.36, -41.91, 55.31

 

CMYK 44 / 0 / 91 / 49

HEX #48810C

RGB 72 129 12

HSL 89.23, 0.83%, 0.28%

LAB 48.39, -36.96, 50.01

 

CMYK 39 / 0 / 80 / 54

HEX #487618

RGB 72 118 24

HSL 89.36, 0.66%, 0.28%

LAB 44.8, -31.55, 43.42

 

CMYK 32 / 0 / 67 / 58

HEX #486A23

RGB 72 106 35

HSL 88.73, 0.5%, 0.28%

LAB 40.91, -24.99, 34.89

 

CMYK 24 / 0 / 51 / 63

HEX #485F2F

RGB 72 95 47

HSL 88.75, 0.34%, 0.28%

LAB 37.42, -17.95, 24.58

 

CMYK 14 / 0 / 29 / 67

HEX #47533B

RGB 71 83 59

HSL 90, 0.17%, 0.28%

LAB 33.65, -9.74, 12.54

 

CMYK 0 / 4 / 91 / 49

HEX #817C0C

RGB 129 124 12

HSL 57.44, 0.83%, 0.28%

LAB 50.81, -10.05, 53.63

 

CMYK 19 / 0 / 91 / 49

HEX #68810C

RGB 104 129 12

HSL 72.82, 0.83%, 0.28%

LAB 50.3, -24.09, 52.37

 

CMYK 43 / 0 / 91 / 49

HEX #49810C

RGB 73 129 12

HSL 88.72, 0.83%, 0.28%

LAB 48.44, -36.6, 50.07

 

CMYK 67 / 0 / 91 / 49

HEX #2A810C

RGB 42 129 12

HSL 104.62, 0.83%, 0.28%

LAB 47.26, -45.87, 48.59

 

CMYK 91 / 0 / 89 / 49

HEX #0C810E

RGB 12 129 14

HSL 121.03, 0.83%, 0.28%

LAB 46.72, -50.5, 47.46

 

CMYK 44 / 0 / 91 / 79

HEX #1E3605

RGB 30 54 5

HSL 89.39, 0.83%, 0.12%

LAB 19.74, -18.79, 25.33

 

CMYK 45 / 0 / 90 / 64

HEX #335C09

RGB 51 92 9

HSL 89.64, 0.82%, 0.2%

LAB 34.76, -28.46, 38.53

 

CMYK 44 / 0 / 91 / 49

HEX #48810C

RGB 72 129 12

HSL 89.23, 0.83%, 0.28%

LAB 48.39, -36.96, 50.01

 

CMYK 44 / 0 / 90 / 35

HEX #5DA710

RGB 93 167 16

HSL 89.4, 0.83%, 0.36%

LAB 61.66, -45.34, 60.82

 

CMYK 44 / 0 / 90 / 20

HEX #73CD14

RGB 115 205 20

HSL 89.19, 0.82%, 0.44%

LAB 74.42, -53.02, 71.18

 

CMYK 44 / 0 / 90 / 49

HEX #49820D

RGB 73 130 13

HSL 89.23, 0.82%, 0.28%

LAB 48.77, -37, 50.14

 

CMYK 91 / 0 / 29 / 49

HEX #0C815C

RGB 12 129 92

HSL 161.03, 0.83%, 0.28%

LAB 47.69, -39.01, 11.84

 

CMYK 0 / 91 / 7 / 49

HEX #810C78

RGB 129 12 120

HSL 304.62, 0.83%, 0.28%

LAB 30.12, 55.97, -30.89

 

CMYK 44 / 0 / 90 / 49

HEX #49820D

RGB 73 130 13

HSL 89.23, 0.82%, 0.28%

LAB 48.77, -37, 50.14

 

CMYK 91 / 43 / 0 / 49

HEX #0C4981

RGB 12 73 129

HSL 208.72, 0.83%, 0.28%

LAB 30.47, 4.14, -36.65

 

CMYK 0 / 91 / 43 / 49

HEX #810C49

RGB 129 12 73

HSL 328.72, 0.83%, 0.28%

LAB 27.88, 49.93, -3.7

 

CMYK 44 / 0 / 90 / 49

HEX #49820D

RGB 73 130 13

HSL 89.23, 0.82%, 0.28%

LAB 48.77, -37, 50.14

 

CMYK 91 / 0 / 29 / 49

HEX #0C815C

RGB 12 129 92

HSL 161.03, 0.83%, 0.28%

LAB 47.69, -39.01, 11.84

 

CMYK 47 / 91 / 0 / 49

HEX #450C81

RGB 69 12 129

HSL 269.23, 0.83%, 0.28%

LAB 20.49, 47.68, -52.68

 

CMYK 0 / 91 / 62 / 49

HEX #810C31

RGB 129 12 49

HSL 341.03, 0.83%, 0.28%

LAB 27.16, 47.92, 11.52

 

CMYK 44 / 0 / 90 / 49

HEX #49820D

RGB 73 130 13

HSL 89.23, 0.82%, 0.28%

LAB 48.77, -37, 50.14

 

CMYK 91 / 0 / 2 / 49

HEX #0C817F

RGB 12 129 127

HSL 178.97, 0.83%, 0.28%

LAB 48.65, -29, -7.29

 

CMYK 47 / 91 / 0 / 49

HEX #450C81

RGB 69 12 129

HSL 269.23, 0.83%, 0.28%

LAB 20.49, 47.68, -52.68

 

CMYK 0 / 91 / 89 / 49

HEX #810C0E

RGB 129 12 14

HSL 358.97, 0.83%, 0.28%

LAB 26.63, 46.37, 33.25

 

Description

Color code: HEX #49820D | qconv.com Color code: HEX #49820D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 130 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 130 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 90 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 90% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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