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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #498D5D it is the complementary color #B672A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #498D5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #498D5D shade: #4E8D58, #5F9F6B, #70B17E, #81C391 and #92D5A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #498D5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #498D5D shade: #498D5D, #387B4A, #276937, #165724 and #054511

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #498D5D shade: #488D5C, #488D4A, #598D48, #6C8D48 and #7E8D48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #498D5D shade: #488D5C, #488D6F, #488D81, #48868D and #48738D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #498D5D shade matches the following richer shades: #488D5C, #379E55, #26B04E, #14C147 and #03D240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #498D5D shade: #488D5C, #5A7C64, #6B6A6B, #7C5972 and #8E4879

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #498D5D shade: #598D48, #488D49, #488D5C, #488D6E and #488D80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #498D5D shade: #2C5639, #3A724B, #488D5C, #57A86E and #72B686

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #498D5D shade: #498D5D, #486C8D and #8D4850

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #498D5D shade: #498D5D, #5C488D and #8D5C48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #498D5D shade: #498D5D, #486C8D, #8D4879 and #8D6948

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #498D5D shade: #498D5D, #48578D, #8D4879 and #8D7E48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 34 / 45

HEX #498D5D

RGB 73 141 93

HSL 137.65, 0.32%, 0.42%

LAB 53.23, -32.79, 19.12

 

Complementary color

CMYK 0 / 37 / 11 / 29

HEX #B672A2

RGB 182 114 162

HSL 317.65, 0.32%, 0.58%

LAB 56.67, 33.98, -14.58

 

CMYK 45 / 0 / 38 / 45

HEX #4E8D58

RGB 78 141 88

HSL 129.52, 0.29%, 0.43%

LAB 53.36, -32.23, 22.12

 

CMYK 40 / 0 / 33 / 38

HEX #5F9F6B

RGB 95 159 107

HSL 131.25, 0.25%, 0.5%

LAB 60.15, -31.98, 20.86

 

CMYK 37 / 0 / 29 / 31

HEX #70B17E

RGB 112 177 126

HSL 132.92, 0.29%, 0.57%

LAB 66.82, -31.71, 19.7

 

CMYK 34 / 0 / 26 / 24

HEX #81C391

RGB 129 195 145

HSL 134.55, 0.35%, 0.64%

LAB 73.38, -31.43, 18.62

 

CMYK 31 / 0 / 23 / 16

HEX #92D5A4

RGB 146 213 164

HSL 136.12, 0.44%, 0.7%

LAB 79.83, -31.17, 17.62

 

CMYK 48 / 0 / 34 / 45

HEX #498D5D

RGB 73 141 93

HSL 137.65, 0.32%, 0.42%

LAB 53.23, -32.79, 19.12

 

CMYK 54 / 0 / 40 / 52

HEX #387B4A

RGB 56 123 74

HSL 136.12, 0.37%, 0.35%

LAB 46.31, -32.94, 20.49

 

CMYK 63 / 0 / 48 / 59

HEX #276937

RGB 39 105 55

HSL 134.55, 0.46%, 0.28%

LAB 39.26, -32.9, 22

 

CMYK 75 / 0 / 59 / 66

HEX #165724

RGB 22 87 36

HSL 132.92, 0.6%, 0.21%

LAB 32.07, -32.43, 23.64

 

CMYK 93 / 0 / 75 / 73

HEX #054511

RGB 5 69 17

HSL 131.25, 0.86%, 0.15%

LAB 24.73, -31.11, 25.17

 

CMYK 49 / 0 / 35 / 45

HEX #488D5C

RGB 72 141 92

HSL 137.39, 0.32%, 0.42%

LAB 53.17, -33.27, 19.59

 

CMYK 49 / 0 / 48 / 45

HEX #488D4A

RGB 72 141 74

HSL 121.74, 0.32%, 0.42%

LAB 52.86, -36.38, 29.07

 

CMYK 37 / 0 / 49 / 45

HEX #598D48

RGB 89 141 72

HSL 105.22, 0.32%, 0.42%

LAB 53.64, -31.11, 31.29

 

CMYK 23 / 0 / 49 / 45

HEX #6C8D48

RGB 108 141 72

HSL 88.7, 0.32%, 0.42%

LAB 54.77, -23.99, 32.92

 

CMYK 11 / 0 / 49 / 45

HEX #7E8D48

RGB 126 141 72

HSL 73.04, 0.32%, 0.42%

LAB 56.04, -16.64, 34.77

 

CMYK 49 / 0 / 35 / 45

HEX #488D5C

RGB 72 141 92

HSL 137.39, 0.32%, 0.42%

LAB 53.17, -33.27, 19.59

 

CMYK 49 / 0 / 21 / 45

HEX #488D6F

RGB 72 141 111

HSL 153.91, 0.32%, 0.42%

LAB 53.57, -29.28, 9.36

 

CMYK 49 / 0 / 9 / 45

HEX #488D81

RGB 72 141 129

HSL 169.57, 0.32%, 0.42%

LAB 54.04, -24.9, -0.33

 

CMYK 49 / 5 / 0 / 45

HEX #48868D

RGB 72 134 141

HSL 186.09, 0.32%, 0.42%

LAB 52.23, -17.99, -9.97

 

CMYK 49 / 18 / 0 / 45

HEX #48738D

RGB 72 115 141

HSL 202.61, 0.32%, 0.42%

LAB 46.39, -7.35, -18.82

 

CMYK 49 / 0 / 35 / 45

HEX #488D5C

RGB 72 141 92

HSL 137.39, 0.32%, 0.42%

LAB 53.17, -33.27, 19.59

 

CMYK 65 / 0 / 46 / 38

HEX #379E55

RGB 55 158 85

HSL 137.48, 0.48%, 0.42%

LAB 57.96, -45.97, 29.59

 

CMYK 78 / 0 / 56 / 31

HEX #26B04E

RGB 38 176 78

HSL 137.39, 0.64%, 0.42%

LAB 63.35, -56.51, 39.73

 

CMYK 90 / 0 / 63 / 24

HEX #14C147

RGB 20 193 71

HSL 137.69, 0.81%, 0.42%

LAB 68.57, -64.67, 48.97

 

CMYK 99 / 0 / 70 / 18

HEX #03D240

RGB 3 210 64

HSL 137.68, 0.97%, 0.42%

LAB 73.86, -71.25, 57.58

 

CMYK 49 / 0 / 35 / 45

HEX #488D5C

RGB 72 141 92

HSL 137.39, 0.32%, 0.42%

LAB 53.17, -33.27, 19.59

 

CMYK 27 / 0 / 19 / 51

HEX #5A7C64

RGB 90 124 100

HSL 137.65, 0.16%, 0.42%

LAB 48.9, -17.41, 9.26

 

CMYK 0 / 1 / 0 / 58

HEX #6B6A6B

RGB 107 106 107

HSL 300, 0%, 0.42%

LAB 44.94, 0.59, -0.43

 

CMYK 0 / 28 / 8 / 51

HEX #7C5972

RGB 124 89 114

HSL 317.14, 0.16%, 0.42%

LAB 42.22, 18.77, -8.51

 

CMYK 0 / 49 / 15 / 44

HEX #8E4879

RGB 142 72 121

HSL 318, 0.33%, 0.42%

LAB 40.84, 36.28, -14.67

 

CMYK 37 / 0 / 49 / 45

HEX #598D48

RGB 89 141 72

HSL 105.22, 0.32%, 0.42%

LAB 53.64, -31.11, 31.29

 

CMYK 49 / 0 / 48 / 45

HEX #488D49

RGB 72 141 73

HSL 120.87, 0.32%, 0.42%

LAB 52.85, -36.53, 29.59

 

CMYK 49 / 0 / 35 / 45

HEX #488D5C

RGB 72 141 92

HSL 137.39, 0.32%, 0.42%

LAB 53.17, -33.27, 19.59

 

CMYK 49 / 0 / 22 / 45

HEX #488D6E

RGB 72 141 110

HSL 153.04, 0.32%, 0.42%

LAB 53.55, -29.51, 9.9

 

CMYK 49 / 0 / 9 / 45

HEX #488D80

RGB 72 141 128

HSL 168.7, 0.32%, 0.42%

LAB 54.01, -25.16, 0.2

 

CMYK 49 / 0 / 34 / 66

HEX #2C5639

RGB 44 86 57

HSL 138.57, 0.32%, 0.25%

LAB 32.89, -22.08, 12.45

 

CMYK 49 / 0 / 34 / 55

HEX #3A724B

RGB 58 114 75

HSL 138.21, 0.33%, 0.34%

LAB 43.42, -27.96, 16.06

 

CMYK 49 / 0 / 35 / 45

HEX #488D5C

RGB 72 141 92

HSL 137.39, 0.32%, 0.42%

LAB 53.17, -33.27, 19.59

 

CMYK 48 / 0 / 35 / 34

HEX #57A86E

RGB 87 168 110

HSL 137.04, 0.32%, 0.5%

LAB 62.64, -37.91, 22.52

 

CMYK 37 / 0 / 26 / 29

HEX #72B686

RGB 114 182 134

HSL 137.65, 0.32%, 0.58%

LAB 68.57, -31.96, 17.79

 

CMYK 48 / 0 / 34 / 45

HEX #498D5D

RGB 73 141 93

HSL 137.65, 0.32%, 0.42%

LAB 53.23, -32.79, 19.12

 

CMYK 49 / 23 / 0 / 45

HEX #486C8D

RGB 72 108 141

HSL 208.7, 0.32%, 0.42%

LAB 44.27, -3.21, -22.09

 

CMYK 0 / 49 / 43 / 45

HEX #8D4850

RGB 141 72 80

HSL 353.04, 0.32%, 0.42%

LAB 39.37, 30.02, 8.63

 

CMYK 48 / 0 / 34 / 45

HEX #498D5D

RGB 73 141 93

HSL 137.65, 0.32%, 0.42%

LAB 53.23, -32.79, 19.12

 

CMYK 35 / 49 / 0 / 45

HEX #5C488D

RGB 92 72 141

HSL 257.39, 0.32%, 0.42%

LAB 35.66, 24.9, -35.48

 

CMYK 0 / 35 / 49 / 45

HEX #8D5C48

RGB 141 92 72

HSL 17.39, 0.32%, 0.42%

LAB 43.92, 17.68, 19.73

 

CMYK 48 / 0 / 34 / 45

HEX #498D5D

RGB 73 141 93

HSL 137.65, 0.32%, 0.42%

LAB 53.23, -32.79, 19.12

 

CMYK 49 / 23 / 0 / 45

HEX #486C8D

RGB 72 108 141

HSL 208.7, 0.32%, 0.42%

LAB 44.27, -3.21, -22.09

 

CMYK 0 / 49 / 14 / 45

HEX #8D4879

RGB 141 72 121

HSL 317.39, 0.32%, 0.42%

LAB 40.7, 35.95, -14.9

 

CMYK 0 / 26 / 49 / 45

HEX #8D6948

RGB 141 105 72

HSL 28.7, 0.32%, 0.42%

LAB 47.28, 10.09, 24.11

 

CMYK 48 / 0 / 34 / 45

HEX #498D5D

RGB 73 141 93

HSL 137.65, 0.32%, 0.42%

LAB 53.23, -32.79, 19.12

 

CMYK 49 / 38 / 0 / 45

HEX #48578D

RGB 72 87 141

HSL 226.96, 0.32%, 0.42%

LAB 38.05, 9.85, -31.8

 

CMYK 0 / 49 / 14 / 45

HEX #8D4879

RGB 141 72 121

HSL 317.39, 0.32%, 0.42%

LAB 40.7, 35.95, -14.9

 

CMYK 0 / 11 / 49 / 45

HEX #8D7E48

RGB 141 126 72

HSL 46.96, 0.32%, 0.42%

LAB 53.01, -1.97, 31.34

 

Description

Color code: HEX #498D5D | qconv.com Color code: HEX #498D5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 141 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 141 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 34 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 34% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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