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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #498F70 it is the complementary color #B6708F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #498F70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #498F70 shade: #4E8F6B, #5FA17E, #70B391, #81C5A4 and #92D7B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #498F70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #498F70 shade: #498F70, #387D5D, #276B4A, #165937 and #054724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #498F70 shade: #488D6F, #488D5C, #488D4A, #5A8D48 and #6C8D48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #498F70 shade: #488D6F, #488D81, #48868D, #48748D and #48618D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #498F70 shade matches the following richer shades: #488D6F, #379E70, #26B072, #14C174 and #03D276

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #498F70 shade: #488D6F, #5A7C6D, #6B6A6B, #7C5969 and #8E4867

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #498F70 shade: #488D49, #488D5C, #488D6E, #488D80 and #48878D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #498F70 shade: #2C5644, #3A7259, #488D6F, #57A884 and #72B698

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #498F70 shade: #498F70, #48598D and #8D5348

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #498F70 shade: #498F70, #6E488D and #8D6E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #498F70 shade: #498F70, #48598D, #8D4867 and #8D7C48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #498F70 shade: #498F70, #4C488D, #8D4867 and #898D48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 22 / 44

HEX #498F70

RGB 73 143 112

HSL 153.43, 0.32%, 0.42%

LAB 54.27, -29.75, 9.78

 

Complementary color

CMYK 0 / 38 / 21 / 29

HEX #B6708F

RGB 182 112 143

HSL 333.43, 0.32%, 0.58%

LAB 55.6, 31.97, -5.14

 

CMYK 45 / 0 / 25 / 44

HEX #4E8F6B

RGB 78 143 107

HSL 146.77, 0.29%, 0.43%

LAB 54.37, -29.46, 12.81

 

CMYK 41 / 0 / 22 / 37

HEX #5FA17E

RGB 95 161 126

HSL 148.18, 0.26%, 0.5%

LAB 61.16, -29.21, 11.72

 

CMYK 37 / 0 / 19 / 30

HEX #70B391

RGB 112 179 145

HSL 149.55, 0.31%, 0.57%

LAB 67.82, -28.95, 10.72

 

CMYK 35 / 0 / 17 / 23

HEX #81C5A4

RGB 129 197 164

HSL 150.88, 0.37%, 0.64%

LAB 74.37, -28.7, 9.8

 

CMYK 32 / 0 / 15 / 16

HEX #92D7B7

RGB 146 215 183

HSL 152.17, 0.46%, 0.71%

LAB 80.81, -28.46, 8.94

 

CMYK 49 / 0 / 22 / 44

HEX #498F70

RGB 73 143 112

HSL 153.43, 0.32%, 0.42%

LAB 54.27, -29.75, 9.78

 

CMYK 55 / 0 / 26 / 51

HEX #387D5D

RGB 56 125 93

HSL 152.17, 0.38%, 0.35%

LAB 47.36, -29.9, 10.95

 

CMYK 64 / 0 / 31 / 58

HEX #276B4A

RGB 39 107 74

HSL 150.88, 0.47%, 0.29%

LAB 40.31, -29.9, 12.29

 

CMYK 75 / 0 / 38 / 65

HEX #165937

RGB 22 89 55

HSL 149.55, 0.6%, 0.22%

LAB 33.12, -29.59, 13.85

 

CMYK 93 / 0 / 49 / 72

HEX #054724

RGB 5 71 36

HSL 148.18, 0.87%, 0.15%

LAB 25.76, -28.69, 15.69

 

CMYK 49 / 0 / 21 / 45

HEX #488D6F

RGB 72 141 111

HSL 153.91, 0.32%, 0.42%

LAB 53.57, -29.28, 9.36

 

CMYK 49 / 0 / 35 / 45

HEX #488D5C

RGB 72 141 92

HSL 137.39, 0.32%, 0.42%

LAB 53.17, -33.27, 19.59

 

CMYK 49 / 0 / 48 / 45

HEX #488D4A

RGB 72 141 74

HSL 121.74, 0.32%, 0.42%

LAB 52.86, -36.38, 29.07

 

CMYK 36 / 0 / 49 / 45

HEX #5A8D48

RGB 90 141 72

HSL 104.35, 0.32%, 0.42%

LAB 53.7, -30.76, 31.36

 

CMYK 23 / 0 / 49 / 45

HEX #6C8D48

RGB 108 141 72

HSL 88.7, 0.32%, 0.42%

LAB 54.77, -23.99, 32.92

 

CMYK 49 / 0 / 21 / 45

HEX #488D6F

RGB 72 141 111

HSL 153.91, 0.32%, 0.42%

LAB 53.57, -29.28, 9.36

 

CMYK 49 / 0 / 9 / 45

HEX #488D81

RGB 72 141 129

HSL 169.57, 0.32%, 0.42%

LAB 54.04, -24.9, -0.33

 

CMYK 49 / 5 / 0 / 45

HEX #48868D

RGB 72 134 141

HSL 186.09, 0.32%, 0.42%

LAB 52.23, -17.99, -9.97

 

CMYK 49 / 18 / 0 / 45

HEX #48748D

RGB 72 116 141

HSL 201.74, 0.32%, 0.42%

LAB 46.7, -7.94, -18.35

 

CMYK 49 / 31 / 0 / 45

HEX #48618D

RGB 72 97 141

HSL 218.26, 0.32%, 0.42%

LAB 40.98, 3.52, -27.21

 

CMYK 49 / 0 / 21 / 45

HEX #488D6F

RGB 72 141 111

HSL 153.91, 0.32%, 0.42%

LAB 53.57, -29.28, 9.36

 

CMYK 65 / 0 / 29 / 38

HEX #379E70

RGB 55 158 112

HSL 153.2, 0.48%, 0.42%

LAB 58.45, -40.7, 15.53

 

CMYK 78 / 0 / 35 / 31

HEX #26B072

RGB 38 176 114

HSL 153.04, 0.64%, 0.42%

LAB 63.9, -50.19, 21.83

 

CMYK 90 / 0 / 40 / 24

HEX #14C174

RGB 20 193 116

HSL 153.29, 0.81%, 0.42%

LAB 69.15, -57.66, 27.75

 

CMYK 99 / 0 / 44 / 18

HEX #03D276

RGB 3 210 118

HSL 153.33, 0.97%, 0.42%

LAB 74.46, -63.86, 33.65

 

CMYK 49 / 0 / 21 / 45

HEX #488D6F

RGB 72 141 111

HSL 153.91, 0.32%, 0.42%

LAB 53.57, -29.28, 9.36

 

CMYK 27 / 0 / 12 / 51

HEX #5A7C6D

RGB 90 124 109

HSL 153.53, 0.16%, 0.42%

LAB 49.12, -15.48, 4.3

 

CMYK 0 / 1 / 0 / 58

HEX #6B6A6B

RGB 107 106 107

HSL 300, 0%, 0.42%

LAB 44.94, 0.59, -0.43

 

CMYK 0 / 28 / 15 / 51

HEX #7C5969

RGB 124 89 105

HSL 332.57, 0.16%, 0.42%

LAB 41.92, 17.1, -3.44

 

CMYK 0 / 49 / 27 / 44

HEX #8E4867

RGB 142 72 103

HSL 333.43, 0.33%, 0.42%

LAB 40.19, 33.43, -4.52

 

CMYK 49 / 0 / 48 / 45

HEX #488D49

RGB 72 141 73

HSL 120.87, 0.32%, 0.42%

LAB 52.85, -36.53, 29.59

 

CMYK 49 / 0 / 35 / 45

HEX #488D5C

RGB 72 141 92

HSL 137.39, 0.32%, 0.42%

LAB 53.17, -33.27, 19.59

 

CMYK 49 / 0 / 22 / 45

HEX #488D6E

RGB 72 141 110

HSL 153.04, 0.32%, 0.42%

LAB 53.55, -29.51, 9.9

 

CMYK 49 / 0 / 9 / 45

HEX #488D80

RGB 72 141 128

HSL 168.7, 0.32%, 0.42%

LAB 54.01, -25.16, 0.2

 

CMYK 49 / 4 / 0 / 45

HEX #48878D

RGB 72 135 141

HSL 185.22, 0.32%, 0.42%

LAB 52.54, -18.53, -9.51

 

CMYK 49 / 0 / 21 / 66

HEX #2C5644

RGB 44 86 68

HSL 154.29, 0.32%, 0.25%

LAB 33.15, -19.54, 5.98

 

CMYK 49 / 0 / 22 / 55

HEX #3A7259

RGB 58 114 89

HSL 153.21, 0.33%, 0.34%

LAB 43.73, -24.9, 8.23

 

CMYK 49 / 0 / 21 / 45

HEX #488D6F

RGB 72 141 111

HSL 153.91, 0.32%, 0.42%

LAB 53.57, -29.28, 9.36

 

CMYK 48 / 0 / 21 / 34

HEX #57A884

RGB 87 168 132

HSL 153.33, 0.32%, 0.5%

LAB 63.09, -33.46, 11.05

 

CMYK 37 / 0 / 16 / 29

HEX #72B698

RGB 114 182 152

HSL 153.53, 0.32%, 0.58%

LAB 68.97, -28.34, 8.53

 

CMYK 49 / 0 / 22 / 44

HEX #498F70

RGB 73 143 112

HSL 153.43, 0.32%, 0.42%

LAB 54.27, -29.75, 9.78

 

CMYK 49 / 37 / 0 / 45

HEX #48598D

RGB 72 89 141

HSL 225.22, 0.32%, 0.42%

LAB 38.63, 8.57, -30.89

 

CMYK 0 / 41 / 49 / 45

HEX #8D5348

RGB 141 83 72

HSL 9.57, 0.32%, 0.42%

LAB 41.72, 22.9, 16.79

 

CMYK 49 / 0 / 22 / 44

HEX #498F70

RGB 73 143 112

HSL 153.43, 0.32%, 0.42%

LAB 54.27, -29.75, 9.78

 

CMYK 22 / 49 / 0 / 45

HEX #6E488D

RGB 110 72 141

HSL 273.04, 0.32%, 0.42%

LAB 37.61, 30.14, -32.26

 

CMYK 0 / 22 / 49 / 45

HEX #8D6E48

RGB 141 110 72

HSL 33.04, 0.32%, 0.42%

LAB 48.61, 7.18, 25.82

 

CMYK 49 / 0 / 22 / 44

HEX #498F70

RGB 73 143 112

HSL 153.43, 0.32%, 0.42%

LAB 54.27, -29.75, 9.78

 

CMYK 49 / 37 / 0 / 45

HEX #48598D

RGB 72 89 141

HSL 225.22, 0.32%, 0.42%

LAB 38.63, 8.57, -30.89

 

CMYK 0 / 49 / 27 / 45

HEX #8D4867

RGB 141 72 103

HSL 333.04, 0.32%, 0.42%

LAB 40.04, 33.07, -4.75

 

CMYK 0 / 12 / 49 / 45

HEX #8D7C48

RGB 141 124 72

HSL 45.22, 0.32%, 0.42%

LAB 52.45, -0.84, 30.65

 

CMYK 49 / 0 / 22 / 44

HEX #498F70

RGB 73 143 112

HSL 153.43, 0.32%, 0.42%

LAB 54.27, -29.75, 9.78

 

CMYK 46 / 49 / 0 / 45

HEX #4C488D

RGB 76 72 141

HSL 243.48, 0.32%, 0.42%

LAB 34.18, 20.58, -37.93

 

CMYK 0 / 49 / 27 / 45

HEX #8D4867

RGB 141 72 103

HSL 333.04, 0.32%, 0.42%

LAB 40.04, 33.07, -4.75

 

CMYK 3 / 0 / 49 / 45

HEX #898D48

RGB 137 141 72

HSL 63.48, 0.32%, 0.42%

LAB 56.92, -11.97, 36.03

 

Description

Color code: HEX #498F70 | qconv.com Color code: HEX #498F70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 143 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 143 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 22 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 22% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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