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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4994BA it is the complementary color #B66B45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4994BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4994BA shade: #4E94B5, #5FA6C8, #70B8DB, #81CAEE and #92DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4994BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4994BA shade: #4994BA, #3882A7, #277094, #165E81 and #054C6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4994BA shade: #4994BA, #4976BA, #4957BA, #5A49BA and #7849BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4994BA shade: #4994BA, #4976BA, #4957BA and #4949BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4994BA shade matches the following richer shades: #4994BA, #359BCE, #21A1E2 and #0DA8F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4994BA shade: #4994BA, #5E8DA6, #728791, #86807D and #9A7969

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4994BA shade: #49BAA3, #49B2BA, #4994BA, #4976BA and #4958BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4994BA shade: #306580, #3C7D9E, #4994BA, #67A6C5 and #85B7D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4994BA shade: #4994BA, #8549BA and #BAB249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4994BA shade: #4994BA, #BA4994 and #94BA49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4994BA shade: #4994BA, #8549BA, #BA6F49 and #7EBA49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4994BA shade: #4994BA, #A749BA, #BA6F49 and #5CBA49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

Complementary color

CMYK 0 / 41 / 62 / 29

HEX #B66B45

RGB 182 107 69

HSL 20.18, 0.45%, 0.49%

LAB 52.83, 26.32, 33.83

 

CMYK 57 / 18 / 0 / 29

HEX #4E94B5

RGB 78 148 181

HSL 199.22, 0.41%, 0.51%

LAB 58.17, -12.35, -23.92

 

CMYK 53 / 17 / 0 / 22

HEX #5FA6C8

RGB 95 166 200

HSL 199.43, 0.49%, 0.58%

LAB 64.86, -12.79, -24.24

 

CMYK 49 / 16 / 0 / 14

HEX #70B8DB

RGB 112 184 219

HSL 199.63, 0.6%, 0.65%

LAB 71.45, -13.13, -24.56

 

CMYK 46 / 15 / 0 / 7

HEX #81CAEE

RGB 129 202 238

HSL 199.82, 0.76%, 0.72%

LAB 77.92, -13.4, -24.87

 

CMYK 43 / 14 / 0 / 0

HEX #92DCFF

RGB 146 220 255

HSL 199.27, 1%, 0.79%

LAB 84.23, -14.14, -24.23

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 66 / 22 / 0 / 35

HEX #3882A7

RGB 56 130 167

HSL 200, 0.5%, 0.44%

LAB 51.38, -11, -26.43

 

CMYK 74 / 24 / 0 / 42

HEX #277094

RGB 39 112 148

HSL 199.82, 0.58%, 0.37%

LAB 44.46, -9.93, -26.07

 

CMYK 83 / 27 / 0 / 49

HEX #165E81

RGB 22 94 129

HSL 199.63, 0.71%, 0.3%

LAB 37.41, -8.42, -25.66

 

CMYK 95 / 31 / 0 / 57

HEX #054C6E

RGB 5 76 110

HSL 199.43, 0.91%, 0.23%

LAB 30.22, -6.29, -25.15

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 61 / 37 / 0 / 27

HEX #4976BA

RGB 73 118 186

HSL 216.11, 0.45%, 0.51%

LAB 49.4, 5.72, -40.47

 

CMYK 61 / 53 / 0 / 27

HEX #4957BA

RGB 73 87 186

HSL 232.57, 0.45%, 0.51%

LAB 40.86, 25.22, -54.11

 

CMYK 52 / 61 / 0 / 27

HEX #5A49BA

RGB 90 73 186

HSL 249.03, 0.45%, 0.51%

LAB 38.7, 37.18, -57.55

 

CMYK 35 / 61 / 0 / 27

HEX #7849BA

RGB 120 73 186

HSL 264.96, 0.45%, 0.51%

LAB 41.69, 43.63, -52.56

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 61 / 37 / 0 / 27

HEX #4976BA

RGB 73 118 186

HSL 216.11, 0.45%, 0.51%

LAB 49.4, 5.72, -40.47

 

CMYK 61 / 53 / 0 / 27

HEX #4957BA

RGB 73 87 186

HSL 232.57, 0.45%, 0.51%

LAB 40.86, 25.22, -54.11

 

CMYK 61 / 61 / 0 / 27

HEX #4949BA

RGB 73 73 186

HSL 240, 0.45%, 0.51%

LAB 37.35, 34.07, -59.81

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 74 / 25 / 0 / 19

HEX #359BCE

RGB 53 155 206

HSL 200, 0.61%, 0.51%

LAB 60.48, -12.17, -34.48

 

CMYK 85 / 29 / 0 / 11

HEX #21A1E2

RGB 33 161 226

HSL 200.21, 0.77%, 0.51%

LAB 62.76, -10.41, -42.05

 

CMYK 95 / 32 / 0 / 4

HEX #0DA8F6

RGB 13 168 246

HSL 200.09, 0.93%, 0.51%

LAB 65.55, -8.06, -48.66

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 43 / 15 / 0 / 35

HEX #5E8DA6

RGB 94 141 166

HSL 200.83, 0.29%, 0.51%

LAB 56.27, -9.12, -18.2

 

CMYK 21 / 7 / 0 / 43

HEX #728791

RGB 114 135 145

HSL 199.35, 0.12%, 0.51%

LAB 55.02, -5.23, -7.87

 

CMYK 0 / 4 / 7 / 47

HEX #86807D

RGB 134 128 125

HSL 20, 0.04%, 0.51%

LAB 54.01, 1.69, 2.43

 

CMYK 0 / 21 / 32 / 40

HEX #9A7969

RGB 154 121 105

HSL 19.59, 0.2%, 0.51%

LAB 53.56, 10.44, 13.67

 

CMYK 61 / 0 / 12 / 27

HEX #49BAA3

RGB 73 186 163

HSL 167.79, 0.45%, 0.51%

LAB 68.88, -37.52, 2.16

 

CMYK 61 / 4 / 0 / 27

HEX #49B2BA

RGB 73 178 186

HSL 184.25, 0.45%, 0.51%

LAB 67.13, -27.49, -13.11

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 61 / 37 / 0 / 27

HEX #4976BA

RGB 73 118 186

HSL 216.11, 0.45%, 0.51%

LAB 49.4, 5.72, -40.47

 

CMYK 61 / 53 / 0 / 27

HEX #4958BA

RGB 73 88 186

HSL 232.04, 0.45%, 0.51%

LAB 41.12, 24.59, -53.69

 

CMYK 63 / 21 / 0 / 50

HEX #306580

RGB 48 101 128

HSL 200.25, 0.45%, 0.35%

LAB 40.4, -8.9, -20.34

 

CMYK 62 / 21 / 0 / 38

HEX #3C7D9E

RGB 60 125 158

HSL 200.2, 0.45%, 0.43%

LAB 49.61, -10.42, -23.92

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 48 / 16 / 0 / 23

HEX #67A6C5

RGB 103 166 197

HSL 199.79, 0.45%, 0.59%

LAB 65.11, -11.82, -22.17

 

CMYK 36 / 12 / 0 / 18

HEX #85B7D0

RGB 133 183 208

HSL 200, 0.44%, 0.67%

LAB 71.83, -10.27, -17.87

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 28 / 61 / 0 / 27

HEX #8549BA

RGB 133 73 186

HSL 271.86, 0.45%, 0.51%

LAB 43.21, 46.68, -50.05

 

CMYK 0 / 4 / 61 / 27

HEX #BAB249

RGB 186 178 73

HSL 55.75, 0.45%, 0.51%

LAB 71.39, -10.39, 53.25

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 0 / 61 / 20 / 27

HEX #BA4994

RGB 186 73 148

HSL 320.18, 0.45%, 0.51%

LAB 48.69, 53.77, -18.45

 

CMYK 20 / 0 / 61 / 27

HEX #94BA49

RGB 148 186 73

HSL 80.18, 0.45%, 0.51%

LAB 70.8, -30.05, 51.79

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 28 / 61 / 0 / 27

HEX #8549BA

RGB 133 73 186

HSL 271.86, 0.45%, 0.51%

LAB 43.21, 46.68, -50.05

 

CMYK 0 / 40 / 61 / 27

HEX #BA6F49

RGB 186 111 73

HSL 20.18, 0.45%, 0.51%

LAB 54.33, 26.08, 33.58

 

CMYK 32 / 0 / 61 / 27

HEX #7EBA49

RGB 126 186 73

HSL 91.86, 0.45%, 0.51%

LAB 69.49, -38.35, 49.97

 

CMYK 61 / 20 / 0 / 27

HEX #4994BA

RGB 73 148 186

HSL 200.18, 0.45%, 0.51%

LAB 58.17, -11.78, -26.76

 

CMYK 10 / 61 / 0 / 27

HEX #A749BA

RGB 167 73 186

HSL 289.91, 0.45%, 0.51%

LAB 47.66, 55.04, -42.68

 

CMYK 0 / 40 / 61 / 27

HEX #BA6F49

RGB 186 111 73

HSL 20.18, 0.45%, 0.51%

LAB 54.33, 26.08, 33.58

 

CMYK 51 / 0 / 61 / 27

HEX #5CBA49

RGB 92 186 73

HSL 109.91, 0.45%, 0.51%

LAB 67.93, -49.39, 47.78

 

Description

Color code: HEX #4994BA | qconv.com Color code: HEX #4994BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 148 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 148 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 20 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 20% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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