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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4995C5 it is the complementary color #B66A3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4995C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4995C5 shade: #4E95C0, #5FA7D3, #70B9E6, #81CBF9 and #92DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4995C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4995C5 shade: #4995C5, #3883B2, #27719F, #165F8C and #054D79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4995C5 shade: #4895C5, #4873C5, #4851C5, #6148C5 and #8248C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4995C5 shade: #4895C5, #4873C5, #4851C5 and #4848C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4995C5 shade matches the following richer shades: #4895C5, #3599D8 and #229DEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4995C5 shade: #4895C5, #5C90B2, #6F8C9E, #83888B and #968377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4995C5 shade: #48C5B2, #48B6C5, #4895C5, #4874C5 and #4853C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4995C5 shade: #2D688E, #367FAE, #4895C5, #68A7CF and #87B9D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4995C5 shade: #4995C5, #9148C5 and #C5C348

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4995C5 shade: #4995C5, #C54895 and #95C548

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4995C5 shade: #4995C5, #9148C5, #C57848 and #7CC548

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4995C5 shade: #4995C5, #B648C5, #C57848 and #57C548

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 24 / 0 / 23

HEX #4995C5

RGB 73 149 197

HSL 203.23, 0.52%, 0.53%

LAB 58.92, -8.79, -31.81

 

Complementary color

CMYK 0 / 42 / 68 / 29

HEX #B66A3A

RGB 182 106 58

HSL 23.23, 0.52%, 0.47%

LAB 52.46, 26.15, 39.31

 

CMYK 59 / 22 / 0 / 25

HEX #4E95C0

RGB 78 149 192

HSL 202.63, 0.48%, 0.53%

LAB 58.9, -9.46, -29.01

 

CMYK 55 / 21 / 0 / 17

HEX #5FA7D3

RGB 95 167 211

HSL 202.76, 0.57%, 0.6%

LAB 65.57, -10.06, -29.25

 

CMYK 51 / 20 / 0 / 10

HEX #70B9E6

RGB 112 185 230

HSL 202.88, 0.7%, 0.67%

LAB 72.13, -10.53, -29.5

 

CMYK 48 / 18 / 0 / 2

HEX #81CBF9

RGB 129 203 249

HSL 203, 0.91%, 0.74%

LAB 78.59, -10.9, -29.74

 

CMYK 43 / 13 / 0 / 0

HEX #92DDFF

RGB 146 221 255

HSL 198.72, 1%, 0.79%

LAB 84.51, -14.65, -23.82

 

CMYK 63 / 24 / 0 / 23

HEX #4995C5

RGB 73 149 197

HSL 203.23, 0.52%, 0.53%

LAB 58.92, -8.79, -31.81

 

CMYK 69 / 26 / 0 / 30

HEX #3883B2

RGB 56 131 178

HSL 203.11, 0.52%, 0.46%

LAB 52.16, -7.82, -31.56

 

CMYK 75 / 29 / 0 / 38

HEX #27719F

RGB 39 113 159

HSL 203, 0.61%, 0.39%

LAB 45.28, -6.54, -31.29

 

CMYK 84 / 32 / 0 / 45

HEX #165F8C

RGB 22 95 140

HSL 202.88, 0.73%, 0.32%

LAB 38.28, -4.77, -30.97

 

CMYK 96 / 36 / 0 / 53

HEX #054D79

RGB 5 77 121

HSL 202.76, 0.92%, 0.25%

LAB 31.16, -2.36, -30.57

 

CMYK 63 / 24 / 0 / 23

HEX #4895C5

RGB 72 149 197

HSL 203.04, 0.52%, 0.53%

LAB 58.89, -8.97, -31.87

 

CMYK 63 / 42 / 0 / 23

HEX #4873C5

RGB 72 115 197

HSL 219.36, 0.52%, 0.53%

LAB 49.09, 11.17, -47.28

 

CMYK 63 / 59 / 0 / 23

HEX #4851C5

RGB 72 81 197

HSL 235.68, 0.52%, 0.53%

LAB 40.07, 32.61, -61.81

 

CMYK 51 / 63 / 0 / 23

HEX #6148C5

RGB 97 72 197

HSL 252, 0.52%, 0.53%

LAB 39.93, 42.43, -61.95

 

CMYK 34 / 63 / 0 / 23

HEX #8248C5

RGB 130 72 197

HSL 267.84, 0.52%, 0.53%

LAB 43.38, 49.19, -56.2

 

CMYK 63 / 24 / 0 / 23

HEX #4895C5

RGB 72 149 197

HSL 203.04, 0.52%, 0.53%

LAB 58.89, -8.97, -31.87

 

CMYK 63 / 42 / 0 / 23

HEX #4873C5

RGB 72 115 197

HSL 219.36, 0.52%, 0.53%

LAB 49.09, 11.17, -47.28

 

CMYK 63 / 59 / 0 / 23

HEX #4851C5

RGB 72 81 197

HSL 235.68, 0.52%, 0.53%

LAB 40.07, 32.61, -61.81

 

CMYK 63 / 63 / 0 / 23

HEX #4848C5

RGB 72 72 197

HSL 240, 0.52%, 0.53%

LAB 37.92, 38.19, -65.31

 

CMYK 63 / 24 / 0 / 23

HEX #4895C5

RGB 72 149 197

HSL 203.04, 0.52%, 0.53%

LAB 58.89, -8.97, -31.87

 

CMYK 75 / 29 / 0 / 15

HEX #3599D8

RGB 53 153 216

HSL 203.19, 0.68%, 0.53%

LAB 60.34, -7.59, -40.29

 

CMYK 86 / 33 / 0 / 7

HEX #229DEC

RGB 34 157 236

HSL 203.47, 0.84%, 0.53%

LAB 62.09, -4.48, -48.63

 

CMYK 63 / 24 / 0 / 23

HEX #4895C5

RGB 72 149 197

HSL 203.04, 0.52%, 0.53%

LAB 58.89, -8.97, -31.87

 

CMYK 48 / 19 / 0 / 30

HEX #5C90B2

RGB 92 144 178

HSL 203.72, 0.36%, 0.53%

LAB 57.5, -7.85, -23.18

 

CMYK 30 / 11 / 0 / 38

HEX #6F8C9E

RGB 111 140 158

HSL 202.98, 0.2%, 0.53%

LAB 56.69, -5.83, -12.89

 

CMYK 6 / 2 / 0 / 45

HEX #83888B

RGB 131 136 139

HSL 202.5, 0.03%, 0.53%

LAB 56.38, -1.22, -2.25

 

CMYK 0 / 13 / 21 / 41

HEX #968377

RGB 150 131 119

HSL 23.23, 0.13%, 0.53%

LAB 56.14, 5.2, 9.14

 

CMYK 63 / 0 / 10 / 23

HEX #48C5B2

RGB 72 197 178

HSL 170.88, 0.52%, 0.53%

LAB 72.58, -38.84, -0.65

 

CMYK 63 / 8 / 0 / 23

HEX #48B6C5

RGB 72 182 197

HSL 187.2, 0.52%, 0.53%

LAB 68.65, -26.44, -16.89

 

CMYK 63 / 24 / 0 / 23

HEX #4895C5

RGB 72 149 197

HSL 203.04, 0.52%, 0.53%

LAB 58.89, -8.97, -31.87

 

CMYK 63 / 41 / 0 / 23

HEX #4874C5

RGB 72 116 197

HSL 218.88, 0.52%, 0.53%

LAB 49.37, 10.55, -46.83

 

CMYK 63 / 58 / 0 / 23

HEX #4853C5

RGB 72 83 197

HSL 234.72, 0.52%, 0.53%

LAB 40.57, 31.36, -61

 

CMYK 68 / 27 / 0 / 44

HEX #2D688E

RGB 45 104 142

HSL 203.51, 0.52%, 0.37%

LAB 41.86, -6.38, -26.52

 

CMYK 69 / 27 / 0 / 32

HEX #367FAE

RGB 54 127 174

HSL 203.5, 0.53%, 0.45%

LAB 50.71, -7.21, -31.53

 

CMYK 63 / 24 / 0 / 23

HEX #4895C5

RGB 72 149 197

HSL 203.04, 0.52%, 0.53%

LAB 58.89, -8.97, -31.87

 

CMYK 50 / 19 / 0 / 19

HEX #68A7CF

RGB 104 167 207

HSL 203.3, 0.52%, 0.61%

LAB 65.82, -9.26, -26.63

 

CMYK 38 / 15 / 0 / 15

HEX #87B9D9

RGB 135 185 217

HSL 203.41, 0.52%, 0.69%

LAB 72.8, -8.48, -21.31

 

CMYK 63 / 24 / 0 / 23

HEX #4995C5

RGB 73 149 197

HSL 203.23, 0.52%, 0.53%

LAB 58.92, -8.79, -31.81

 

CMYK 26 / 63 / 0 / 23

HEX #9148C5

RGB 145 72 197

HSL 275.04, 0.52%, 0.53%

LAB 45.2, 52.55, -53.17

 

CMYK 0 / 1 / 63 / 23

HEX #C5C348

RGB 197 195 72

HSL 59.04, 0.52%, 0.53%

LAB 76.9, -14.5, 59.85

 

CMYK 63 / 24 / 0 / 23

HEX #4995C5

RGB 73 149 197

HSL 203.23, 0.52%, 0.53%

LAB 58.92, -8.79, -31.81

 

CMYK 0 / 63 / 24 / 23

HEX #C54895

RGB 197 72 149

HSL 323.04, 0.52%, 0.53%

LAB 50.3, 57.52, -16.42

 

CMYK 24 / 0 / 63 / 23

HEX #95C548

RGB 149 197 72

HSL 83.04, 0.52%, 0.53%

LAB 74.06, -34.87, 55.8

 

CMYK 63 / 24 / 0 / 23

HEX #4995C5

RGB 73 149 197

HSL 203.23, 0.52%, 0.53%

LAB 58.92, -8.79, -31.81

 

CMYK 26 / 63 / 0 / 23

HEX #9148C5

RGB 145 72 197

HSL 275.04, 0.52%, 0.53%

LAB 45.2, 52.55, -53.17

 

CMYK 0 / 39 / 63 / 23

HEX #C57848

RGB 197 120 72

HSL 23.04, 0.52%, 0.53%

LAB 57.82, 25.66, 38.64

 

CMYK 37 / 0 / 63 / 23

HEX #7CC548

RGB 124 197 72

HSL 95.04, 0.52%, 0.53%

LAB 72.68, -43.93, 53.91

 

CMYK 63 / 24 / 0 / 23

HEX #4995C5

RGB 73 149 197

HSL 203.23, 0.52%, 0.53%

LAB 58.92, -8.79, -31.81

 

CMYK 8 / 63 / 0 / 23

HEX #B648C5

RGB 182 72 197

HSL 292.8, 0.52%, 0.53%

LAB 50.23, 61.23, -44.85

 

CMYK 0 / 39 / 63 / 23

HEX #C57848

RGB 197 120 72

HSL 23.04, 0.52%, 0.53%

LAB 57.82, 25.66, 38.64

 

CMYK 56 / 0 / 63 / 23

HEX #57C548

RGB 87 197 72

HSL 112.8, 0.52%, 0.53%

LAB 71.16, -55.06, 51.8

 

Description

Color code: HEX #4995C5 | qconv.com Color code: HEX #4995C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 149 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 149 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 24 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 24% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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