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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #499ACA it is the complementary color #B66535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #499ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #499ACA shade: #4E9AC5, #5FACD8, #70BEEB, #81D0FE and #92E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #499ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #499ACA shade: #499ACA, #3888B7, #2776A4, #166491 and #05527E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #499ACA shade: #499ACA, #4977CA, #4954CA, #6049CA and #8349CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #499ACA shade: #499ACA, #4977CA, #4954CA and #4949CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #499ACA shade matches the following richer shades: #499ACA, #369FDD and #23A3F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #499ACA shade: #499ACA, #5C95B7, #6F90A4, #828B91 and #95867E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #499ACA shade: #49CAB4, #49BDCA, #499ACA, #4978CA and #4956CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #499ACA shade: #2B6E95, #3485B5, #499ACA, #69ABD3 and #89BDDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #499ACA shade: #499ACA, #9249CA and #CAC549

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #499ACA shade: #499ACA, #CA499A and #9ACA49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #499ACA shade: #499ACA, #9249CA, #CA7849 and #81CA49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #499ACA shade: #499ACA, #B949CA, #CA7849 and #5ACA49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

Complementary color

CMYK 0 / 45 / 71 / 29

HEX #B66535

RGB 182 101 53

HSL 22.33, 0.55%, 0.46%

LAB 51.28, 28.6, 40.58

 

CMYK 60 / 22 / 0 / 23

HEX #4E9AC5

RGB 78 154 197

HSL 201.68, 0.51%, 0.54%

LAB 60.57, -10.65, -29.23

 

CMYK 56 / 20 / 0 / 15

HEX #5FACD8

RGB 95 172 216

HSL 201.82, 0.61%, 0.61%

LAB 67.2, -11.26, -29.5

 

CMYK 52 / 19 / 0 / 8

HEX #70BEEB

RGB 112 190 235

HSL 201.95, 0.75%, 0.68%

LAB 73.72, -11.75, -29.76

 

CMYK 49 / 18 / 0 / 0

HEX #81D0FE

RGB 129 208 254

HSL 202.08, 0.98%, 0.75%

LAB 80.14, -12.14, -30.02

 

CMYK 43 / 11 / 0 / 0

HEX #92E2FF

RGB 146 226 255

HSL 195.96, 1%, 0.79%

LAB 85.87, -17.19, -21.75

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 69 / 26 / 0 / 28

HEX #3888B7

RGB 56 136 183

HSL 202.2, 0.53%, 0.47%

LAB 53.89, -8.97, -31.74

 

CMYK 76 / 28 / 0 / 36

HEX #2776A4

RGB 39 118 164

HSL 202.08, 0.62%, 0.4%

LAB 47.06, -7.67, -31.44

 

CMYK 85 / 31 / 0 / 43

HEX #166491

RGB 22 100 145

HSL 201.95, 0.74%, 0.33%

LAB 40.13, -5.9, -31.08

 

CMYK 96 / 35 / 0 / 51

HEX #05527E

RGB 5 82 126

HSL 201.82, 0.92%, 0.26%

LAB 33.08, -3.51, -30.64

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 64 / 41 / 0 / 21

HEX #4977CA

RGB 73 119 202

HSL 218.6, 0.55%, 0.54%

LAB 50.54, 10.61, -47.83

 

CMYK 64 / 58 / 0 / 21

HEX #4954CA

RGB 73 84 202

HSL 234.88, 0.55%, 0.54%

LAB 41.25, 32.6, -62.79

 

CMYK 52 / 64 / 0 / 21

HEX #6049CA

RGB 96 73 202

HSL 250.7, 0.55%, 0.54%

LAB 40.44, 43.16, -64.03

 

CMYK 35 / 64 / 0 / 21

HEX #8349CA

RGB 131 73 202

HSL 266.98, 0.55%, 0.54%

LAB 44.02, 50.14, -58.05

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 64 / 41 / 0 / 21

HEX #4977CA

RGB 73 119 202

HSL 218.6, 0.55%, 0.54%

LAB 50.54, 10.61, -47.83

 

CMYK 64 / 58 / 0 / 21

HEX #4954CA

RGB 73 84 202

HSL 234.88, 0.55%, 0.54%

LAB 41.25, 32.6, -62.79

 

CMYK 64 / 64 / 0 / 21

HEX #4949CA

RGB 73 73 202

HSL 240, 0.55%, 0.54%

LAB 38.63, 39.39, -67.06

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 76 / 28 / 0 / 13

HEX #369FDD

RGB 54 159 221

HSL 202.28, 0.71%, 0.54%

LAB 62.34, -9.1, -39.92

 

CMYK 85 / 32 / 0 / 6

HEX #23A3F0

RGB 35 163 240

HSL 202.54, 0.87%, 0.54%

LAB 64.03, -6.37, -47.76

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 50 / 19 / 0 / 28

HEX #5C95B7

RGB 92 149 183

HSL 202.42, 0.39%, 0.54%

LAB 59.15, -9.17, -23.49

 

CMYK 32 / 12 / 0 / 36

HEX #6F90A4

RGB 111 144 164

HSL 202.64, 0.23%, 0.54%

LAB 58.04, -6.54, -14.28

 

CMYK 10 / 4 / 0 / 43

HEX #828B91

RGB 130 139 145

HSL 204, 0.06%, 0.54%

LAB 57.32, -2.01, -4.33

 

CMYK 0 / 10 / 15 / 42

HEX #95867E

RGB 149 134 126

HSL 20.87, 0.1%, 0.54%

LAB 57.02, 4.26, 6.36

 

CMYK 64 / 0 / 11 / 21

HEX #49CAB4

RGB 73 202 180

HSL 169.77, 0.55%, 0.54%

LAB 74.16, -40.4, 0.58

 

CMYK 64 / 6 / 0 / 21

HEX #49BDCA

RGB 73 189 202

HSL 186.05, 0.55%, 0.54%

LAB 70.92, -28.27, -16.2

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 64 / 41 / 0 / 21

HEX #4978CA

RGB 73 120 202

HSL 218.14, 0.55%, 0.54%

LAB 50.82, 10, -47.39

 

CMYK 64 / 57 / 0 / 21

HEX #4956CA

RGB 73 86 202

HSL 233.95, 0.55%, 0.54%

LAB 41.75, 31.34, -61.98

 

CMYK 71 / 26 / 0 / 42

HEX #2B6E95

RGB 43 110 149

HSL 202.08, 0.55%, 0.38%

LAB 44, -7.79, -27.38

 

CMYK 71 / 27 / 0 / 29

HEX #3485B5

RGB 52 133 181

HSL 202.33, 0.55%, 0.46%

LAB 52.78, -8.55, -32.34

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 50 / 19 / 0 / 17

HEX #69ABD3

RGB 105 171 211

HSL 202.64, 0.55%, 0.62%

LAB 67.15, -10.04, -26.78

 

CMYK 38 / 14 / 0 / 14

HEX #89BDDC

RGB 137 189 220

HSL 202.41, 0.54%, 0.7%

LAB 74.11, -9.31, -20.93

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 28 / 64 / 0 / 21

HEX #9249CA

RGB 146 73 202

HSL 273.95, 0.55%, 0.54%

LAB 45.83, 53.43, -55.05

 

CMYK 0 / 2 / 64 / 21

HEX #CAC549

RGB 202 197 73

HSL 57.67, 0.55%, 0.54%

LAB 77.86, -13.35, 60.57

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 0 / 64 / 24 / 21

HEX #CA499A

RGB 202 73 154

HSL 322.33, 0.55%, 0.54%

LAB 51.44, 59.19, -17.58

 

CMYK 24 / 0 / 64 / 21

HEX #9ACA49

RGB 154 202 73

HSL 82.33, 0.55%, 0.54%

LAB 75.82, -35.18, 57.37

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 28 / 64 / 0 / 21

HEX #9249CA

RGB 146 73 202

HSL 273.95, 0.55%, 0.54%

LAB 45.83, 53.43, -55.05

 

CMYK 0 / 41 / 64 / 21

HEX #CA7849

RGB 202 120 73

HSL 21.86, 0.55%, 0.54%

LAB 58.48, 27.79, 39.06

 

CMYK 36 / 0 / 64 / 21

HEX #81CA49

RGB 129 202 73

HSL 93.95, 0.55%, 0.54%

LAB 74.44, -44.26, 55.47

 

CMYK 64 / 24 / 0 / 21

HEX #499ACA

RGB 73 154 202

HSL 202.33, 0.55%, 0.54%

LAB 60.6, -9.96, -32.01

 

CMYK 8 / 64 / 0 / 21

HEX #B949CA

RGB 185 73 202

HSL 292.09, 0.55%, 0.54%

LAB 51.09, 62.43, -46.34

 

CMYK 0 / 41 / 64 / 21

HEX #CA7849

RGB 202 120 73

HSL 21.86, 0.55%, 0.54%

LAB 58.48, 27.79, 39.06

 

CMYK 55 / 0 / 64 / 21

HEX #5ACA49

RGB 90 202 73

HSL 112.09, 0.55%, 0.54%

LAB 72.82, -56.05, 53.24

 

Description

Color code: HEX #499ACA | qconv.com Color code: HEX #499ACA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 154 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 154 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 24 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 24% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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