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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49A46A it is the complementary color #B65B95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49A46A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49A46A shade: #4EA465, #5FB678, #70C88B, #81DA9E and #92ECB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49A46A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49A46A shade: #49A46A, #389257, #278044, #166E31 and #055C1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49A46A shade: #48A169, #48A151, #58A148, #70A148 and #88A148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49A46A shade: #48A169, #48A181, #48A199, #4892A1 and #487AA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49A46A shade matches the following richer shades: #48A169, #35B463, #22C75E and #0FDA59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49A46A shade: #48A169, #5B8E6E, #6E7B73, #816878 and #94557D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49A46A shade: #59A148, #48A150, #48A167, #48A17F and #48A197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49A46A shade: #2F6844, #3B8556, #48A169, #5DB67D and #79C394

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49A46A shade: #49A46A, #4870A1 and #A1484D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49A46A shade: #49A46A, #6748A1 and #A16748

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49A46A shade: #49A46A, #4870A1, #A14882 and #A17948

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49A46A shade: #49A46A, #4856A1, #A14882 and #A19448

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 35 / 36

HEX #49A46A

RGB 73 164 106

HSL 141.76, 0.38%, 0.46%

LAB 60.79, -40.57, 22.12

 

Complementary color

CMYK 0 / 50 / 18 / 29

HEX #B65B95

RGB 182 91 149

HSL 321.76, 0.38%, 0.54%

LAB 51.38, 44.07, -15

 

CMYK 52 / 0 / 38 / 36

HEX #4EA465

RGB 78 164 101

HSL 136.05, 0.36%, 0.47%

LAB 60.88, -40.22, 24.98

 

CMYK 48 / 0 / 34 / 29

HEX #5FB678

RGB 95 182 120

HSL 137.24, 0.37%, 0.54%

LAB 67.46, -40.08, 23.68

 

CMYK 44 / 0 / 31 / 22

HEX #70C88B

RGB 112 200 139

HSL 138.41, 0.44%, 0.61%

LAB 73.94, -39.87, 22.47

 

CMYK 41 / 0 / 28 / 15

HEX #81DA9E

RGB 129 218 158

HSL 139.55, 0.55%, 0.68%

LAB 80.34, -39.62, 21.35

 

CMYK 38 / 0 / 25 / 7

HEX #92ECB1

RGB 146 236 177

HSL 140.67, 0.7%, 0.75%

LAB 86.64, -39.37, 20.29

 

CMYK 55 / 0 / 35 / 36

HEX #49A46A

RGB 73 164 106

HSL 141.76, 0.38%, 0.46%

LAB 60.79, -40.57, 22.12

 

CMYK 62 / 0 / 40 / 43

HEX #389257

RGB 56 146 87

HSL 140.67, 0.45%, 0.4%

LAB 54.12, -40.52, 23.53

 

CMYK 70 / 0 / 47 / 50

HEX #278044

RGB 39 128 68

HSL 139.55, 0.53%, 0.33%

LAB 47.35, -40.21, 25.08

 

CMYK 80 / 0 / 55 / 57

HEX #166E31

RGB 22 110 49

HSL 138.41, 0.67%, 0.26%

LAB 40.48, -39.4, 26.76

 

CMYK 95 / 0 / 67 / 64

HEX #055C1E

RGB 5 92 30

HSL 137.24, 0.9%, 0.19%

LAB 33.52, -37.76, 28.44

 

CMYK 55 / 0 / 35 / 37

HEX #48A169

RGB 72 161 105

HSL 142.25, 0.38%, 0.46%

LAB 59.79, -39.71, 21.31

 

CMYK 55 / 0 / 50 / 37

HEX #48A151

RGB 72 161 81

HSL 126.07, 0.38%, 0.46%

LAB 59.4, -43.82, 33.59

 

CMYK 45 / 0 / 55 / 37

HEX #58A148

RGB 88 161 72

HSL 109.21, 0.38%, 0.46%

LAB 59.92, -40.42, 38.9

 

CMYK 30 / 0 / 55 / 37

HEX #70A148

RGB 112 161 72

HSL 93.03, 0.38%, 0.46%

LAB 61.14, -32.16, 40.64

 

CMYK 16 / 0 / 55 / 37

HEX #88A148

RGB 136 161 72

HSL 76.85, 0.38%, 0.46%

LAB 62.67, -22.76, 42.82

 

CMYK 55 / 0 / 35 / 37

HEX #48A169

RGB 72 161 105

HSL 142.25, 0.38%, 0.46%

LAB 59.79, -39.71, 21.31

 

CMYK 55 / 0 / 20 / 37

HEX #48A181

RGB 72 161 129

HSL 158.43, 0.38%, 0.46%

LAB 60.3, -34.57, 8.69

 

CMYK 55 / 0 / 5 / 37

HEX #48A199

RGB 72 161 153

HSL 174.61, 0.38%, 0.46%

LAB 60.93, -28.52, -3.91

 

CMYK 55 / 9 / 0 / 37

HEX #4892A1

RGB 72 146 161

HSL 190.11, 0.38%, 0.46%

LAB 56.59, -18.59, -14.94

 

CMYK 55 / 24 / 0 / 37

HEX #487AA1

RGB 72 122 161

HSL 206.29, 0.38%, 0.46%

LAB 49.34, -5.18, -26.05

 

CMYK 55 / 0 / 35 / 37

HEX #48A169

RGB 72 161 105

HSL 142.25, 0.38%, 0.46%

LAB 59.79, -39.71, 21.31

 

CMYK 71 / 0 / 45 / 29

HEX #35B463

RGB 53 180 99

HSL 141.73, 0.55%, 0.46%

LAB 65.2, -52.4, 31.53

 

CMYK 83 / 0 / 53 / 22

HEX #22C75E

RGB 34 199 94

HSL 141.82, 0.71%, 0.46%

LAB 70.87, -62.38, 41.08

 

CMYK 93 / 0 / 59 / 15

HEX #0FDA59

RGB 15 218 89

HSL 141.87, 0.87%, 0.46%

LAB 76.66, -70.41, 50.27

 

CMYK 55 / 0 / 35 / 37

HEX #48A169

RGB 72 161 105

HSL 142.25, 0.38%, 0.46%

LAB 59.79, -39.71, 21.31

 

CMYK 36 / 0 / 23 / 44

HEX #5B8E6E

RGB 91 142 110

HSL 142.35, 0.22%, 0.46%

LAB 54.76, -24.38, 11.73

 

CMYK 11 / 0 / 7 / 52

HEX #6E7B73

RGB 110 123 115

HSL 143.08, 0.06%, 0.46%

LAB 50.36, -6.49, 2.73

 

CMYK 0 / 19 / 7 / 49

HEX #816878

RGB 129 104 120

HSL 321.6, 0.11%, 0.46%

LAB 46.87, 12.86, -5.15

 

CMYK 0 / 43 / 16 / 42

HEX #94557D

RGB 148 85 125

HSL 321.9, 0.27%, 0.46%

LAB 44.62, 31.88, -11.3

 

CMYK 45 / 0 / 55 / 37

HEX #59A148

RGB 89 161 72

HSL 108.54, 0.38%, 0.46%

LAB 59.96, -40.11, 38.96

 

CMYK 55 / 0 / 50 / 37

HEX #48A150

RGB 72 161 80

HSL 125.39, 0.38%, 0.46%

LAB 59.39, -43.97, 34.09

 

CMYK 55 / 0 / 36 / 37

HEX #48A167

RGB 72 161 103

HSL 140.9, 0.38%, 0.46%

LAB 59.75, -40.09, 22.35

 

CMYK 55 / 0 / 21 / 37

HEX #48A17F

RGB 72 161 127

HSL 157.08, 0.38%, 0.46%

LAB 60.25, -35.04, 9.74

 

CMYK 55 / 0 / 6 / 37

HEX #48A197

RGB 72 161 151

HSL 173.26, 0.38%, 0.46%

LAB 60.87, -29.06, -2.87

 

CMYK 55 / 0 / 35 / 59

HEX #2F6844

RGB 47 104 68

HSL 142.11, 0.38%, 0.3%

LAB 39.45, -27.78, 14.73

 

CMYK 56 / 0 / 35 / 48

HEX #3B8556

RGB 59 133 86

HSL 141.89, 0.39%, 0.38%

LAB 49.95, -34.34, 18.55

 

CMYK 55 / 0 / 35 / 37

HEX #48A169

RGB 72 161 105

HSL 142.25, 0.38%, 0.46%

LAB 59.79, -39.71, 21.31

 

CMYK 49 / 0 / 31 / 29

HEX #5DB67D

RGB 93 182 125

HSL 141.57, 0.38%, 0.54%

LAB 67.47, -39.68, 21

 

CMYK 38 / 0 / 24 / 24

HEX #79C394

RGB 121 195 148

HSL 141.89, 0.38%, 0.62%

LAB 73.05, -33.3, 16.49

 

CMYK 55 / 0 / 35 / 36

HEX #49A46A

RGB 73 164 106

HSL 141.76, 0.38%, 0.46%

LAB 60.79, -40.57, 22.12

 

CMYK 55 / 30 / 0 / 37

HEX #4870A1

RGB 72 112 161

HSL 213.03, 0.38%, 0.46%

LAB 46.36, 0.79, -30.69

 

CMYK 0 / 55 / 52 / 37

HEX #A1484D

RGB 161 72 77

HSL 356.63, 0.38%, 0.46%

LAB 42.38, 37.37, 15.13

 

CMYK 55 / 0 / 35 / 36

HEX #49A46A

RGB 73 164 106

HSL 141.76, 0.38%, 0.46%

LAB 60.79, -40.57, 22.12

 

CMYK 36 / 55 / 0 / 37

HEX #6748A1

RGB 103 72 161

HSL 260.9, 0.38%, 0.46%

LAB 38.01, 33.42, -43.77

 

CMYK 0 / 36 / 55 / 37

HEX #A16748

RGB 161 103 72

HSL 20.9, 0.38%, 0.46%

LAB 49.19, 19.94, 27.03

 

CMYK 55 / 0 / 35 / 36

HEX #49A46A

RGB 73 164 106

HSL 141.76, 0.38%, 0.46%

LAB 60.79, -40.57, 22.12

 

CMYK 55 / 30 / 0 / 37

HEX #4870A1

RGB 72 112 161

HSL 213.03, 0.38%, 0.46%

LAB 46.36, 0.79, -30.69

 

CMYK 0 / 55 / 19 / 37

HEX #A14882

RGB 161 72 130

HSL 320.9, 0.38%, 0.46%

LAB 43.98, 43.96, -15.14

 

CMYK 0 / 25 / 55 / 37

HEX #A17948

RGB 161 121 72

HSL 33.03, 0.38%, 0.46%

LAB 53.73, 9.69, 32.69

 

CMYK 55 / 0 / 35 / 36

HEX #49A46A

RGB 73 164 106

HSL 141.76, 0.38%, 0.46%

LAB 60.79, -40.57, 22.12

 

CMYK 55 / 47 / 0 / 37

HEX #4856A1

RGB 72 86 161

HSL 230.56, 0.38%, 0.46%

LAB 38.91, 17.14, -42.48

 

CMYK 0 / 55 / 19 / 37

HEX #A14882

RGB 161 72 130

HSL 320.9, 0.38%, 0.46%

LAB 43.98, 43.96, -15.14

 

CMYK 0 / 8 / 55 / 37

HEX #A19448

RGB 161 148 72

HSL 51.24, 0.38%, 0.46%

LAB 60.98, -5.34, 41.37

 

Description

Color code: HEX #49A46A | qconv.com Color code: HEX #49A46A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 164 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 164 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 35 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 35% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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